Three Essential Hiking Trails on La Palma
La Palma is one of the most beautiful islands in the Atlantic. Unlike its sisters in the Canary Island archipelago, it is blessed with a highly fertile ecosystem endowed with outstanding natural traits, making this an idyllic island. Indigenous fauna and flora are an integral part of its spectacular scenery. Its well-kept natural environment is ideal for enjoying an alternative, exciting holiday, doing all kinds of sports and indulging in activities close to nature.
This authentic Eden for ramblers offers a host of options for hikers. Before setting out, you are advised to check the weather forecast and to avoid walking alone. Let someone know what route you are taking and the time you are due to return. You need to take a small back-pack with a warm jacket, a raincoat, food and plenty of water and don’t forget essentials such as a hat, sunblock and sunglasses, as well as a mobile phone with the battery charged, a map and, if possible, a compass. Observe the signposting along the route and keep to the track and, above all, make sure you wear proper hiking boots. You are also advised to check the gradient, walking distance and duration of the hike on the website, www.senderosdelapalma.com. Of all the various routes, we have made a selection of three, with different difficulty ratings, which will allow you to admire the aforementioned scenic diversity of "The Beautiful Island":
Puerto de Tazacorte – Roque de Los Muchachos
This itinerary has a high difficulty rating and is intended for experienced sportspeople. The main difficulty lies in the pronounced gradient. You are urged to avoid the hike in summer or on particularly hot days, while in winter, take into account that it rises to high altitudes and you may even encounter snow and ice on the Roque de los Muchachos. The route covers a distance of 17.16 kilometres, with an accumulated slope of 2,600 m. The route starts at Puerto de Tazacorte, at sea level. From there, it rises steadily for 3.8 kilometres as far as El Time. It then runs past Hoya Grande and Risco de las Pareditas, where it is wise to stop to regain your strength and take in the marvellous scenery at an altitude of 1,500 metres. There are still nearly 7 kilometres to go before reaching the end of the route, after passing through Hoya del Estrabito, Pinos Gachos and Degollada de Las Palomas, where the slope is gentler up to the finish. The high points of this route are the stunning views of the Barranco de las Angustias gorge and those of the Caldera de Taburiente from the Roque de los Muchachos.
Cubo de la Galga
This trail has a low difficulty rating and is therefore suitable for taking children along. Signposted as the GR 130, it starts and finishes at La Galga, Puntallana, at the intersection with the GR 130. The overall walking distance is 12.4 km, with an accumulated slope of 750 metres, and the estimated walking time is 3 hours 45 minutes. The route takes you through the Parque Natural de Las Nieves, a protected nature reserve so spectacular you are unlikely to switch off your camera. The trail is negotiated in two sections – one is a circular itinerary, which takes you through the most interesting area, the Cubo de la Galga temperate laurel forest, a warm, humid forest with some frost, featuring huge trees,guaco and lianas, with leaves similar to those of the laurel, hence the name. The other section connects this route to the main road orguagua, as well as to La Galga mountain, where you simply must stop off at the Somada Alta viewpoint, and the GR 130, with the option to continue on to Puntallana or Los Sauces. You can also continue down the PRLP5 footpath to the district of El Pósito, on the main road.
Valencia – Pico Bejenado – Valencia
This is ideal for visitors hiking with the family. The route is circular and, if you complete it, covers a total of 10 km, rising from 1,100 to 1,800 metres. The estimated walking time for the circuit is three hours and the whole trail is confined to the limits of La Caldera de Taburiente National Park. You can drive up to the end of the dirt road in the Valencia district. From there, you set out on foot along the PRLP 13.3 footpath as far as El Bejenado. The ascent to the summit of this mountain follows a winding trail through pine forest and takes an hour and a half. The route affords some superb views, both of the interior of La Caldera de Taburiente and towards the Route of the Volcanoes and the whole of the Aridane Valley. Also, don’t forget to sign the visitors’ book when you get there.
The above are but three of the multiple routes possible, each with a different difficulty rating, designed to take in a maximum of the island’s scenic diversity and lead us past the most emblematic spots – Pinar, Parque Nacional, Angustias, Laurisilva, Puerto Tazacorte, volcanoes, dragon trees, village where time stands still almond trees in blossom, coastal cliffs, etc. For further information, see the Patronato de Turismo de La Palma.
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Text and photos by Patronato de Turismo de La Palma
more infoSix Things to Do in the Ribera del Duero, the Land of Bacchus
The Ribera del Duero is renowned for being one of Spain’s leading winemaking regions. Sited along the banks of the river Duero, it covers an area of 115 km long by 35 km wide, distributed between the provinces of Soria, Burgos, Segovia and Valladolid. The landscape is characterised by vast swathes of vineyards stretching along the Duero riverbanks, dotted with wine cellars at certain intervals. For wine connoisseurs, moving about this region means revisiting the source of familiar tastes and aromas which they will have encountered at wine-tastings, romantic evenings or festivities. For the novice, it is a unique opportunity to make a triumphal entry into the complex world of nuances. Here are some details on the essential things to do in this region:
1. An Appetiser – Aranda de Duero and its Underground Cellars
Located in the heart of the region, Aranda de Duero is one of the main towns in the Ribera del Duero. Hidden in the basements of the old town is what is known as the bodega de Las Ánimas, no less than 7 kilometres of tunnels and galleries that were excavated between the 13th and 18th century to harness the constant humidity and temperature values (11–13°C) for wine-making. A tour of this cellar can be rounded off by a visit to the Centro de Interpretación de la Arquitectura del Vino (CIAVIN), which highlights how Aranda de Duero and the Ribera del Duero are closely related to wine.
2. Between Glasses of Wine
Let’s cut to the quick –the time has come to meet the makers of “the elixir of Bacchus”. Amid the vast, never-ending array of wine cellars, the best thing is to make a selection of what we’re most interested in, from mere curiosity, through entertainment, to seeking out a particular flavour. In recent times, some wine merchants have elected to revamp their corporate image, as evinced in the design of their buildings. It is therefore rewarding to view the results of applying the latest trends in architecture to their wineries. A case in point is the Bodegas Portia, the work of Norman Foster, Protos, designed by Richard Rogers, along with Alonso Balaguer and Arquitectos Asociados, and the Cepa 21, Pagos del Rey and Legaris wineries.
For those hankering after new sensations, the Matarromera Group, among a wealth of other enotouristic experiences, offer visitors the chance to take on the role of a viniculturist and make their own wine. Exciting, don’t you think?
If you happen to be here during the wine harvest (October–November), some wineries allow you to take part in them, as with the Condado de Haza winery, which hosts a Jornada de Vendimia. But, remember, in all instances you have to book ahead – don’t forget it!
3. Eating Lechazo
The star dish in the Ribera del Duero is lechazo (suckling lamb), roasted over a wood fire after being marinated in a good local wine. We can recommend the Molino de Palacios which, as its name indicates, is located in a windmill in Peñafiel. In autumn they hold a “Game and Field Mushroom Day”. Another pleasant grill-house is the Lagar de Isilla, in Aranda de Duero.
4. A Tour of Peñafiel Castle
Halfway between Valladolid and Aranda de Duero lies the magnificent town of Peñafiel with its striking, walled castle, set atop a hill, dating back to the 10th century. Declared a national monument in 1917, it now houses the Provincial Wine Museum, which promotes the province of Valladolid through the world of wine. Don’t miss out on the stunning views of the valley!
5. Let’s Join the Fiesta!
One of the many summer fiestas which take place in mid-August is Sonorama Ribera, a festival which proves that domestic and international pop and rock marry well with the region’s wine culture. In addition to a wealth of music, the festival programme includes wine tastings, wine cellar breakfasts and more.
6. Wine Therapy?
After all this hustle and bustle, take a well-earned rest and try the treatment offered by the Lavida spa hotel in which the benefits of wine are applied to skin care.
Don’t miss the chance to discover this land of wines – book your fare now!
Text by ISABELYLUIS Comunicación
Photos by Ruta del Vino Ribera del Duero
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Dürer’s Nuremberg
Albrecht Dürer’s “The praying hands” and “Young hare” are some of the most widely reproduced works in art history. But, would this great artist have liked his work to be engraved on chocolate bars or Christmas decorations? Probably not, as his paintings are featured in the most important art museums in the world. If you look close enough, some spots in the city of Nuremberg reveal traces of Albrecht Dürer.
The Artist in His Workshop
Albrecht Dürer was born on 21 May 1471 in Nuremberg and died on 6 April 1528. He is buried in Nuremberg’s Johannisfriedhof. His father, Albrecht Dürer the Elder, moved to this city from Hungary in 1455 and married the daughter of a goldsmith. Of his 19 children, only 3 males survived, all without issue.
His first self-portrait was painted in 1484 while training in his father’s goldsmithery. It is still preserved today. Since Albrecht Dürer intended to become a painter after training as a goldsmith, his father sent him to the workshop of the painter, Michael Wolgemut, between 1486 and 1490. There he learned painting, wood carving and metal engraving.
His training took him to Basel in 1492 and to Strasbourg in 1494, among other places, where he made a living by selling books. In 1494, Albrecht Dürer received a dowry of 200 florins after marrying Agnes Frey, the daughter of a Nuremberg goldsmith. This led Albrecht to open his first painting workshop. Thanks to his mother-in-law’s relatives, he was able to come into contact with the city's upper class.
A Medieval and Renaissance Man
Living in the early Renaissance led Albrecht Dürer to strive for perfection through the technological advances of the time. He was a multifaceted genius who, in addition to painting, also explored other genres such as drawing or art theory. Noteworthy are his studies of proportion, geometry and design. Here is a review of his legacy in the city of Nuremberg.
First, some of his works are exhibited at the German National Museum (Germanisches Nationalmuseum), one of the world’s most important research centres for Albrecht Dürer. This museum also features exhibits of German culture from pre-history to the 20th century, the most notable of its kind in the country. Their permanent exhibition includes works by German painters and sculptors, as well as sections on archaeology, weapons and armour, musical and scientific instruments, and even toys. This museum also features Dürer’s “Hercules kills the Stymphalian Birds”. However, if you would like to discover the painter in his everyday and creative life, nothing better than visiting his own house. Dürer lived and worked in the Albrecht-Dürer-Haus from 1509 until his death in 1528. After a multimedia performance you can follow the audio guide tour of this 4-storey house, narrated by “Agnes”, Dürer’s wife. The highlights of this visit are the interactive demonstrations of his recreated workshop, a print store on the 3rd floor, and a gallery with his originals and reproductions in the attic.
Some 150 metres down the street, a monument dedicated to the artist – the Albrecht Dürer Monument –stands in the Albrecht-Dürer-Platz. Interestingly, the Felsengänge lies beneath this monument. This is a 14th-century underground labyrinth with four levels that used to house a brewery and a wine cellar. It was used as an air-raid shelter during World War II. You can visit this maze by going to the beer store on Burgstrasse 19.
Dürer’s Everyday Life Revisited
A good way of getting to know Dürer’s life in Nuremberg is by visiting the Stadtmuseum Fembohaus. This museum, which gives a comprehensive overview of the city’s history, features the restored rooms of a 16th-century merchant’s house. For taverns and eateries, look no further than Goldenes Posthorn. After going through its heavy copper door, you will find yourself in a gastronomic paradise that has been feeding Nuremberg citizens since 1498. Here you will find great local sausages, as well as many other country dishes – hard to find in other places – in addition to vegetarian options. Another tavern from those times is Marientorzwinger. This is Nuremberg’s last zwinger – a tavern built within the walls of old military quarters. This is a picturesque establishment offering wholesome Franconian produce, in addition to simple vegetable dishes. You can choose between their unpretentious dining room and the luxurious terrace. To drink, nothing better than a Tucher beer from Fürth.
To stay the night, we recommend the Dürer-Hotel, a four-star establishment located in the historic centre, right next to the Imperial Castle. Its bedrooms and lounges are uniquely decorated, perfectly combining tradition and modernity – after Albrecht Dürer’s perfectionist spirit. Oh, and, their cuisine is spectacular, with breakfasts that include confectionery, cold meats and local cheeses. Their products are high quality and organically produced in the region.
Dürer is synonymous with Nuremberg. Come and discover the city of this emblematic Renaissance artist. Remember, you can visit any time of the year. However, if you do so in spring or summer, the weather will likely be better, and you’ll be able to enjoy the old city’s splendid terrace cafés. Check out our flights here.
Text by ISABELYLUIS Comunicación
Images by ISABELYLUIS Comunicación, Tourismus Nuernberg
more infoThe True Face of Copenhagen: beyond the Little Mermaid
By Iñaki Makazaga from Piedra de Toque
The most visited figure in Denmark and the main tourist attraction in the city of Copenhagen sits totally oblivious to the world at the end of a pier in the port (Langelinie). The Little Mermaid avoids all eye contact as she looks out to sea, almost with her back turned to her visitors. Perhaps this is because only she knows the true price of her fame (decapitated twice, mutilated three times and thrown out to sea several times) and the real story behind her own history. We decided to get on our bikes in search of answers and found the true face of Copenhagen: a city with a barbaric past that has now become a haven for peace.
We began our journey on the banks of the Sankt Jorgens Canal overlooked by the mansions reflected in its waters as we ventured out among the families, people enjoying sport and ducks picking at the grass. We pedalled along on the bicycles we rented from one of the 110 locations dotted around the city – one of the measures aimed at obtaining the title of ‘capital city with the best environmental quality’ in 2015. Every turn of our wheels left behind yet another tree as we travelled along the green corridor created by the canal. We took in the sights and decided to turn right at the third bridge to eventually arrive at the Botanical Garden and Museum (Botanisk Have) at 128 Gothesgade.
More than 20,000 different species of plant life now thrive in the grounds of these old city fortifications. The walls contain spacious gardens and the moat is full of aquatic and wetland plants, each with its own little information sign stuck in the ground nearby. We parked up the bikes at the entrance and walked in. It was March and there was a hint of change about everything as the snowy season began to loosen its grip. The earth was all churned up, the trees were leafless and the sky was grey. An enormous three-story greenhouse with four glass pavilions appeared in the distance where 1,000 varieties of cactus, coffee plants, pineapples and even palm trees are incubated and studied. We were overcome by temptation and bought two bags of seeds from the shop on the way out: one of Asian bonsais and another of red orchids. Maybe we thought we could take away our own part of the peace that reigns in this park and whose roots still soak up the blood of the people who fought to defend the city from enemy invasion.
We returned to our trail. We left behind the garden and the botanical museum to pedal our way through the areas surrounding Roseborg Slot, the royal palace built by Christian IV in 1606 as a summer residence that now also serves as a large museum. It houses thousands of objects related to the oldest monarchy in Europe and is full of paintings, furniture, weapons and jewels. The traffic light turned from amber to green and so we pedalled on.
The peace of the botanical gardens now changes to the hustle and bustle of central Copenhagen. The cars give way to cyclists between the buildings from which emerge the strong>spires of the Marmorkirken, a church inspired by Saint Paul’s in Rome and which was originally planned to be built using Norwegian marble. They soon realised there was a far simpler way to celebrate the 300-year reign of the family of Frederik V and the Norwegian marble was switched for Danish marble a century later in order to get the place finished. However, no expense was spared on the steps: 260 to reach the bell tower. The views of the city make the exhausting climb well worth it. We took the opportunity to check our map. We felt the call of the thriving city centre, with the pedestrianised Strøget street full of shops and terraces filling the cobbled medieval squares of Kongens Nytorv and Radhuspladsen. We left those for nightfall and continued towards the port where the Little Mermaid sat waiting for our visit.
We dismounted and walked the bikes for a while. We were in Nyhavn, the New Port, which was opened by soldiers between 1671 and 1673 so that ships could unload their goods in the city centre. It became the darkest part of Copenhagen for years, inhabited by sailors and ladies of ill repute. Cheap rooms, dark taverns, tattoo parlours and brothels. Nyhavn has emerged from its murky past and now offers one of the most attractive faces of the capital along the 300-metre stretch of port-front properties with narrow, colourful houses and pavements full of terraces. No matter how cold the weather is, a blanket, a heater and a candle embrace all visitors. Around the edge of the port can be found evidence of that era in the form of wooden ships such as the 19th Century lighthouse ship that has been converted into a restaurant. An anchor that belonged to a Danish frigate also recalls the maritime past and pays tribute to all those who lost their lives during World War II. We took photos of the brightly-coloured houses. Maybe Hans Christian Andersen himself looked out from one of them to look at the sky while penning his tales. The truth is that even the walls whisper their stories in this part of town.
Now back on our bikes we pedalled along the canal towards the sea with the humid wind blowing in our faces. The tide greeted us at the shore, together with a number of new pavilions. We entered the Citadel (Kastellet), another great fortification to protect against attack from the Swedes. The five-pointed star-shaped fort has also witnessed great swathes of history in this country. Used by Nazi troops as a main headquarters during World War II, it now belongs to the Danish army although the gardens and walls are open to the public. In the 19th Century, it was also used as a prison and small sculptures now speak of the horrors of war. A museum depicts the activity and names of the people who led the resistance against the Nazis. And the Little Mermaid, nowhere to be seen.
We kept on pedalling. It started to snow and a hoard of tourists announced we had reached another point of interest. At the end of the pier, resting on a rock and with her back to the tourists we finally met the star of one of the most famous stories written by Hans Christian Andersen. The very one who fell in love with a prince and who now waits for him to return looking out to sea. The snow continued to fall. The grey sky opened as if in slow motion: rain, snow, more rain.
Walt Disney tells us of a happy mermaid surrounded by seafaring friends who struggles to make her dreams come true. The reality proved to be much different. The colour of copper, alone, her nakedness constantly illuminated by camera flashes from the tourists. Yet she doesn’t smile. The thing is, Hans Christian Andersen wrote a different ending. The prince she gave up being a mermaid for ended up marrying another. The Little Mermaid died alone, without breaking the spell that would let her return to the sea without killing the prince. She preferred to wait, convinced that another ending would find her sooner or later. Like the Little Mermaid, Copenhagen has preferred to keep every palace, every fortification that speaks of its Viking and Barbarian past in order to convert them into gardens and museums that grow a new history of peace and tolerance. We joined the Little Mermaid and gazed out at the horizon in silence.
COPENHAGEN BY BIKE:
Time: 2 hours
Route: Sankt Jorgens Canal in Norrebro, Botanical Museum, Roseborg Slot, Marmorkirken, Nyhavn, Kastellet, The Little Mermaid.
Recommendations:
- Visit the museums mentioned: open from 10:00 to 16:00.
- Get a Copenhagen Card.
- Explore the city by bike and have lunch in the New Port after finishing the tour.
By Iñaki Makazaga from Piedra de Toque
Picture by Henrik Jessen
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