Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

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Turismo A Coruña

If any product is sought after in the culinary world it is the truffle. Some humble fried eggs can be transformed into a veritable delicacy by simply adding thin sections of this aromatic fungus. One of the most coveted varieties is the white truffle found around the Piedmontese town of Alba. Also known under its scientific name, tuber magnatum pico, it is regarded as the “Mozart of fungi” or “white diamond” ofhaute cuisine.In addition to its exquisite taste, truffles are also noted for being one of the most expensive products on the market. When it comes to prices, they can even unseat another gastronomic gem – saffron. In many instances, the price of truffles can be in the €3,000 to €6,000 price range. The record was set by a Hong Kong buyer who in 2010 paid a whopping €90,000 for a truffle!

The main reason for white truffle fetching such high prices is that it is in short supply and difficult to extract. It is found some ten to fifteen centimetres under the ground, where the humidity and freshness conditions are ideal for its growth. Care has to be taken to avoid damaging or breaking the truffle when extracting it, a task requiring some skill and delicateness. Formerly, pigs were used for this purpose, a function now performed by dogs, which also happen to be less likely to consume their find. The truffle-hunting season is limited to autumn and the procedure usually takes place at night, when the sniffer dogs rely heavily on their sense of smell.

Apart from the leading chefs, the host of white truffle enthusiasts includes such celebrities as Alfred Hitchcock, Francis Ford Coppola, Gérard Depardieu, Alain Delon, Penélope Cruz and Oprah Winfrey. One of its outstanding properties is that it does not require cooking, while its scent is highly volatile.

The Great White Truffle Fair

The International Alba White Truffle Fair is held each year in October and November, a grand event which unfolds around this prized natural delicacy but also features tributes to other culinary marvels in the area. The Alba White Truffle Auction is the crowning moment of the fair. Held in the Hall of Masks at Grinzane Castle, is attracts a worldwide following. Incidentally, the auction also involves a good cause, as part of the proceedings are donated to charity.

The fair programme also includes the so-called White Truffle Market where visitors can enjoy themselves by examining, touching and smelling these gastronomic delicacies, all endowed with the relevant quality certifications and displayed amid strict security. Of the many activities hosted is the Alba Truffle Show, which includes debates between prestigious chefs and live cooking sessions at which secrets are revealed regarding ways of getting the most out of the truffle.

However, the limelight is not exclusive to the tuber magnatum pico at this fair, as areas are also dedicated to the region’s gastronomy. The Truffle Market stalls display local produce, notably cheese, sausage, meat, homemade pastries and egg-based pasta. Wines, too, are very much in evidence, including Barolo, Barbaresco, Roero, Nebbiolo, Dolcetto, Barbera, Favorita, Arneis and Moscato.

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Text by ISABELYLUIS Comunicación

Photos by Blue moon in her eyes

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