Set in the heart of Florence, inside one of the greatest masterpieces of Florentine Renaissance architecture, the Fondazione offers a rich and varied programme throughout the year, consisting of high quality, world-class exhibitions ranging from Classical art and the Renaissance to the modern era and to contemporary art.

But in addition to its exhibitions, Palazzo Strozzi is a lively venue for numerous other events such as concerts, performances, contemporary art installations, theatrical performances, activities and guided tours for adults and families. Open throughout the year, it also boasts an elegant café and a quality museum shop.

From 24 September 2015 to 24 January 2016 Palazzo Strozzi will be hosting Divine Beauty from Van Gogh to Chagall and Fontana, an outstanding exhibition that sets out to explore the relationship between art and the sacred from the mid-19^th to the mid-20^th century, showcasing over one hundred works by such celebrated Italian artists as Domenico Morelli, Gaetano Previati, Felice Casorati, Gino Severini, Renato Guttuso, Lucio Fontana and Emilio Vedova, alongside such international masters as Vincent van Gogh, Jean-François Millet, Edvard Munch, Pablo Picasso, Max Ernst, Georges Rouault and Henri Matisse.

The exhibition offers visitors a unique opportunity to compare and contrast a selection of works of art which, while extremely famous, are observed here in a new and very different light. The show's star exhibits include such masterpieces as Jean-François Millet's Angelus on exceptional loan from the Musée d'Orsay in Paris, Vincent van Gogh's Pietà from the Vatican Museums, Renato Guttuso's Crucifixion from the collections of the Galleria Nazionale d'Arte Moderna in Rome and Marc Chagall's White Crucifixion from the Art Institute Museum in Chicago.

The exhibition is open from 10.00 to 20.00 daily, with late opening until 23.00 on Thursdays.

Admission costs €10, with concessions for children aged 7 to 18 at €4, free admission for children up to age 6, and a special family ticket for €20.

Tours are by appointment only and are designed for groups of adults, individuals visitors and schools.  The programme also includes a wealth of activities and a special "Family Kit".

Starting 1 November 2015, you can visitDivine Beauty, the new Opera del Duomo Museum and the Baptistry of San Giovanni on a special joint ticket allowing you to explore the fantastic history of Florence and its art from the Middle Ages to the present day.

Amsterdam isn’t just coffee shops, the Van Gogh Museum and the Red-Light District: it’s also one of the most environmentally friendly and sustainable cities in Europe.

I’ve never heard about the Dutch tradition of Sinterklaas, since not long ago. It’s funny and charming, also pretty controversial. For many years, every December 5th a Dutch friend of mine gathers us at her place to celebrate it; she explains where the tradition comes from, we sing the Dutch traditional songs the best we can and eat the typical sweets from these dates.

There is no doubt that this is the most anticipated day in the year for the Dutch kids because, as night arrives, Zwarte Piet (Peter) will get down the chimney to deliver presents if they behaved well. Before that, they must leave a shoe, a carrot for the white horse named Amerigo and a drawing that shows how well they have behaved.

This is when the mess starts. First of all, according to the tale, Sinterklaas comes from Madrid by boat… “Wait, what?! This makes no sense. From Madrid to Amsterdam, by boat? What the hell?”

The tale says Sinterklaas (Saint Nicholas) comes originally from Turkey and once he died, the remains were taken to Bari, in the Kingdom of the Two Sicilies, where Charles V would be the king. Once Philip II became his successor in the Kingdom, which covered the Low Countries, Spain and the Kingdom of the Two Sicilies, the story was taken to Spain, specifically Madrid, as the starter of the trip, to make it simpler.

“¿Don’t you think Peter, the ‘assistant’ as a black person is a bit racist?” Apparently, many controversial voices argued that ‘Zwarte Piet is racisme’, which means that Peter, Sinterklaas assistant, being a black person was racist. After that, Peter’s color have changed annually, from blue to red to yellow. Other people argue that Peter is black because of the pollution in the chimneys. Both options set great debates in the Netherlands.

Finally, my friend says that when they’re kids and they behaved wrongly, the tradition was to say "Sinterklaas will take you to Madrid.” I was like “Whatever. What kind of punishment is that?”

Sinterklaas in the Netherlands

It’s clear that Sint’s arrival to the Netherlands is a great event, with many parades previously. On December 5th, at night, families gather at home to sing, read poems and make little presents.

Every year, a Dutch city is chosen to broadcast the Sinterklaas parade on national television, an event followed my many people. This year, the chosen city is Gouda, by the north of Rotterdam, known as the origin of a world-famous cheese.

But Amsterdam is the city with the greatest Sinterklaas parade. He arrives by boat along the Amstel river and to the Maritime Museum, where is received by the Major of the city on Sunday, November 16th. With him, great amounts of cookies to deliver to kids and many different Peters to assist him, like Book Peter, who takes a big book with notes of what all the kids want, there is also absent-minded Peter, Peter the acrobat or Gifts Peter.

Sinterklaas sweets

These delicious cookies that Sint brings are called pepernoten, what means spiced walnuts. They are small and have a very intense caramel and ginger flavour. There is also the to speculaas, with Christmas or Sinterklaas related pictures and made of many spiced and cinnamon, nutmeg, cloves, ginger, cardamom and white pepper.

Other typical sweets from Sinterklaas are chocolade letter, big letters made of chocolate that are usually gifted with the initial capital letter of your name, or schuimpjes, with funny forms and colours.

Pictures Sinterklaas by MarkDB and Michell Zappa

Makes you want to go, right? Do it! Check out our prices here!

The Esposizione Universale Roma, better known by its acronym, EUR, is one of those areas lying off the tourist track which would not fit any stock image of the Eternal City. No Roman ruins, Baroque churches, Renaissance palaces or narrow back streets – here you will find broad avenues set along orthogonal axes and a regular layout, and large buildings with simple lines that adhere to the Fascist model on which the district’s design was based, alternating with large, more recent constructions.

The district dates back to the nineteen thirties, when Mussolini decided to commission an urban expansion project on the south side of Rome in preparation for the World Fair of 1942. The idea was also to commemorate the twentieth anniversary of the Fascist “March on Rome” (1922). The project was originally known as E42 and some of the best contemporary architects were engaged, including Giuseppe Pagano, Luigi Piccinato, Luigi Vietti, Ettore Rossi and Marcello Piacentini, who was the head of the project. The assignment adhered to a design of Fascist ideological inspiration and combined rationalism with a simplified form of neoclassicism.

Work on the project was disrupted by the outbreak of World War II, while the 1942 World Fair was never held. Construction work on the buildings resumed in the fifties and sixties and the area was earmarked for a different purpose, which still holds true today, as it operates as a business district. In this respect it preempted similar projects in such cities as London or Paris.

The most alluring reason for visiting the EUR district nowadays is to see some of the original constructions and to appreciate the contrast they strike with the landmarks in ancient Rome. Among the most noteworthy buildings is the Palazzo della Civiltà Italiana, also known as the Palazzo della Civiltà del Lavoro (Palace of Labour Civilisation) or Colosseo Quadrato (Square Colosseum), one of the most emblematic exponents of Italian Fascist architecture. Unveiled on 30 November 1940, it was purpose-built to host the Mostra della Civiltà Romana and was designed by the architects, Giovanni Guerrini, Ernesto Bruno La Padula and Mario Romano. In the end, the exhibition was cancelled and the building remained derelict until 1953, when it was finally opened to the public. Ever since restoration work that lasted from 2003 to 2008, the building has housed the headquarters of luxury fashion label Fendi.

Another interesting example of Fascist architecture is the Palazzo dei Congressi (Palace of Congresses), designed by Adalberto Libera. The interior was decorated by Achille Funi and the Futurist artist, Gino Severini. Built from 1938 to 1954, it is now an exhibition area and also hosts congresses and other events.

Other buildings worth seeing on your visit include the Basilica dei Santi Pietro e Paolo, the work of Arnaldo Foschini, and the Palazzo degli Uffici, the only building to be completed before the war, which has an air-raid shelter inside.

Among the museums worth visiting in the EUR is the Museo della Civiltà Romana (Museum of Roman Civilisation), a colossal building which houses a stunning ensemble of model reconstructions of ancient Rome.

Book your Vueling to Rome and treat yourself to a tour of some of the city’s lesser known areas, like the EUR district.

Text by Los Viajes de ISABELYLUIS

Images by FaceMePLS, Sebastian Baryli, Alexandre Delbos