Brussels may rightly pride itself on having a large number of Art Nouveau buildings, a veritable pole of attraction for anyone visiting the city. Indeed, the Belgian capital was one of the focal points where this art movement emerged in the late-19th- and early-20th century. Art Nouveau ended up permeating all artistic disciplines, from architecture to sculpture, painting, furniture design, jewellery and graphic design, among others.

Modernism, which came to be known as Art Nouveau in France and Belgium, took its first few steps in Brussels in 1893 with the construction of the Tassel House, located at 6 Rue Paul-Emile Janson, designed by the architect Victor Horta. The idea was to then create a new style which involved breaking with the past by leaving behind the historicism which prevailed in architecture at the time and usher in another style which more accurately reflected the modern era. This break led to the rise of two trends in the city – the floral style, with forms inspired by nature, of which Victor Horta was the most prominent exponent, and the geometric, as championed mainly by the architect and designer, Paul Hankar.

The advent of this movement coincided with a time of growth in the city, when such districts as Schaerbeek, Etterbeek, Ixelles and Saint-Gilles were in the throes of urban renewal, so that many of the houses that went up in those areas were imbued with the new style. Some 500 buildings from that period have survived to the present.

The Major Landmarks

Among the must-see gems of Art Nouveau in Brussels are, in the first instance, the four buildings known collectively as the“Major Town Houses of Victor Horta in Brussels”,all of which were designated World Heritage Sites by UNESCO. They are as follows:

Tassel House. As mentioned above, it is regarded as the first manifestation of Art Nouveau in Brussels, as well as one of the first in the world to open up a new direction in contemporary architecture.

Hôtel Solvay. Located at 224 Avenue Louise, it is possibly one of the standout buildings of Belgian architecture. Its facade reveals the presence of glass, iron and natural stone, Victor Horta’s favourite materials.

Hôtel van Eetvelde. Edmond van Eetvelde, administrator of the Congo Free State, commissioned Victor Horta to design this town house with a view to providing a modern space for entertaining his visitors. Located at 4 Avenue Palmerston, it is striking for the innovative distribution of its interior spaces and for the stained-glass and mosaic ornamentation.

Maison & Atelier Horta. Converted into what is now the Horta Museum, this was the home of Victor Horta, built from 1898 to 1901. It comprises two independent buildings in that each has its own style, but they were conceptualised as a unified whole and are interconnected.

Another building that should feature on your itinerary through the Art Nouveau landmarks of Brussels is the Comics Art Museum. Built in 1906, apart from from being a compulsory place of pilgrimage for devotees of the ninth art, it is a magnificent example of Art Nouveau, the work of the iconic architect of the time in this city, Victor Horta.

Also make a point of visiting the Musical Instruments Museum, designed by the architect Paul Saintenoy and originally built as the Old England department store. And, wander down Rue Saint-Boniface, where you will come across five buildings designed by the architect Ernest Blérot at number 15, 17, 19, 20 and 22. And, lastly, we recommend you head for 71 Rue Defacqz, where you can admire the Paul Hankar House.

Now that you have some of the keys to discovering Art Nouveau in Brussels, book your Vueling here and get ready to enjoy it all.

Text by Los Viajes de ISABELYLUIS

Images by mertxe iturrioz, Arco Ardon , William Murphy , Steve Cadman, J. Miers

When you first stand before the huge structures rising from this unique “Eden”, you would be forgiven for thinking you’ve stepped into a sci-fi movie from the 50s, 60s or 70s. Here, by the judicious use of special effects, the complex conveys the vision of an unusual future, charged with scientific advances. Nowadays those films may raise more than one smile, peopled as they were by the odd alien, or depicting some disaster that had obliterated mankind from the face of the earth. Lee Tamahori, who directed the James Bond movie, Die Another Day,in 2002, must have had a similar impression when he chose to shoot some of the action-packed scenes from this 007 classic on this site. But, what exactly is the Eden Project and what makes it imperative for you to head to Cornwall to see it?

The Eden Project – Nature and Sustainable Development

Located in Cornwall, two kilometres from St Blazey and five kilometres from St Austell, the Eden Project was the brainchild of Tim Smit. It was designed by the architect, Nicholas Grimshaw, and the engineering firm, Anthony Hunt and Associates, inspired by nature and sustainable development. Unveiled in March 2001, this unique, spectacular garden has two leading lights – its Biomes with their futuristic appearance. A biome is defined as the ecological unit into which the biosphere is divided in terms of a number of climatic and geological factors that determine the types of prevailing fauna and flora. Within each Biome is a specific bioclimatic landscape and its corresponding ecosystem.

One area at the site features a Rainforest Biome, with a hot, humid atmosphere, divided into four rainforest environments – Tropical Islands, Southeast Asia, West Africa and Tropical South America. Another area is dedicated to the Mediterranean Biome with its warm, temperate climate and drier atmosphere, showcasing the typical landscapes of the Mediterranean, South Africa and California. There are also gardens outside the Biomes which reflect the temperate regions of planet Earth.

The goal of this grand project is none other than to educate – the site has an educational centre known as The Core– and to make us aware of the biodiversity that characterises our planet. Children visiting this magnificent site will be enthralled, as will most adults who come here, too. You will be stunned by the sheer size of the vegetation and are sure to discover various aspects of nature you never knew about.

Before visiting the Eden Project, we recommend you first check out What’s On, as another added value of this site – where you get the growing impression of being in an amusement park – is the huge number of activities hosted there, directed at audiences of all ages. One of the events, for instance, which has been held annually since 2002, are the Eden Sessions, a series of concerts at which star performances have been given by the likes of Amy Winehouse, Muse, Lily Allen, Oasis, Pulp, Elton John and a long etcetera of great bands and musicians.

Book your flight to Cardiff and venture into this special garden of Eden in southwest England.

Text by Los Viajes de ISABELYLUIS

Images by Eden Project

A few days ago, after Banksy had updated his website, we noticed that his work is now displayed at various points in “The Jungle” refugee camp in Calais, one of the largest camps in western Europe. Despite his identity still being cloaked in anonymity, Banksy is currently one of the most highly valued artists around. His sharp, critical wit is undoubtedly the hallmark of his work.

Noteworthy among the four new artworks he posted is the one showing Steve Jobs carrying an early-eighties Macintosh, with a sack slung over his shoulder, reminiscent of the bags the forced migrants often take with them on their harsh journey. This is clearly a reference to the whole migratory movement being enacted from Syria to Europe. Jobs was, of course, the son of a Muslim Syrian immigrant and was adopted by a middle-class family of Armenian origin. That is the conceptual link Banksy draws between Steve Jobs and the Syrian diaspora.

Another Banksy offering in the same area makes reference to a famous work by Théodore Géricault, The Raft of the Medusa, painted between 1818 and 1819, depicting a group of castaways in danger, packed onto a drifting raft. This alludes to the dangerous voyage embarked on by many of these refugees who risk their lives crossing the Mediterranean on flimsy rafts. In this version, the castaways are crying out for help to a modern cruise ship speeding past near the horizon. The artist had previously drawn attention to the issues surrounding the refugee crisis in a work entitled, Dismaland.

In addition to these artworks, members of Banksy’s team set up 12 permanent installations in Calais, and a makeshift children’s playground in the camp precinct. The materials used were either sourced locally or were remnants of the Dismaland project brought here for the purpose. This new project is known as Dismal Aid.

A Much Frequented But Little Visited City

Calais is primarily a city of passage. Some 15 million people are estimated to pass through it each year as it is a compulsory way station for access between France and England. In contrast, comparatively few people actually spend some time visiting the city. However, we can wholeheartedly recommend this city in the north of France, with little over 75,000 inhabitants and just 34 km from Dover, as a tourist destination. Its charm lies not in its architecture or monuments but in its privileged siting on the seaboard and the majestic Côte d’Opale.

The city is not celebrated for its grand monuments or buildings, but it does have such landmarks as the Musée Mémoire 1939-1945, dedicated to the Second World War and housed in a bunker, a sculptural group by Rodin known as The Burghers of Calais, located opposite the City Hall, and the Cité Internationale de la Dentelle et de la Mode, the city’s Lace Museum. On display is a century-old mechanical loom with 3,500 vertical threads and 11,000 horizontal ones. Calais’ genuine heritage lies in its natural surroundings and local scenery is stunning. Come armed with your camera as the views are breathtaking. The attractive seafront is dotted with striped changing booths which take you back to the early 20th century. The sands stretch westwards for 8 km along the dune-filled Blériot beach, so named as it was here that the pioneer aviatorLouis Blériottook off on the first ever solo flight over the English Channel in 1909.

By the way, when you feel like having lunch or dinner, be sure to head for the Histoire Ancienne, a bistro specialising in regional and French dishes, some cooked on an open wood fire. This very pleasant, Parisian-style restaurant was opened in the 1930s. Prices are affordable, with dinner ranging from 19 to 28 euros.

Don’t miss your getaway to Calais – check out our flights to Lille here.

Text by ISABELYLUIS Comunicación

Images by Rob Sinclair, Carawah, Olivier Duquesne

Por Michael Schuermann de Easy Hiker

London is a great city for hikers. For one because there are so many scenic trails and nature reserves near-by – the Ridgeway, the South Downs Way, the New Forest – and for another because they are all so easy and convenient to reach by what is probably the world’s best public transport system. (I know the London urban and suburban rail networks get a lot of stick, but I still have to find another city in the world where it is as easy to get around even if you have no car.)

We will spend more time in London in the near future and intend to explore the walking trails of the area in some detail, although the more serious hiking trips will have to wait until the spring.

For the time being, however, we will keep things simple and start you off this week with two short walksalong the Thames, one in the east and one in the west, each roughly two to three hours long, allowing you to set out late, after a leisurely breakfast on a weekend for example, and still be back in time “for tea” to watch the afternoon soccer game “on the telly”. Are you still with me, “guv”?

Ghosts of London Past

Wapping in the east of the city has always been my favourite part of “walking London”. I have done this walk several times over the past twenty years or so, but it was never the same walk – because the area has changed and still changes so quickly.

This stretch of London – between the Tower and Greenwich – was once the most important hub of global trade, the place where shiploads after shiploads of coffee, tobacco and sugar from the British colonies arrived on their way to the European consumers.

The London docks were abandoned in the 1960s, and the area lay fallow, a barren industrial wasteland, for twenty years before it was redeveloped in the 1980s. When I came here first, a little over twenty years ago, this process was still very much ongoing, and the “docklands” at the time were a surreal blend of derelict industrial buildings, waste dumps, modern office developments and handsome 19th century mansions.

Nowadays, the docklands are very trendy and chic, but they are still nothing like similarly trendy and chic areas of West London. They are, for one, much less lively. Wapping High Street is a residential area, but when we went there, on a Saturday around lunchtime, we were almost the only people in the street, give or take the odd jogger. Between old warehouses, centuries-old taverns and narrow stairways that lead down to the river, you feel that ghosts are walking with you every step of the way.

Our walk starts at St. Katharine Docks in the back of Tower Hill station. Walk down the stairs on your left hand side, turn left in front of the moat of the Tower of London and simply follow the signs.

The three basins of St. Katharine Docks were developed in the 1820s when one of the largest London slums – with over 10,000 inhabitants – was razed to the ground. (The rubble of the destroyed dwellings, ironically, was used to lay the foundations for one of London’s most luxurious property development projects in Belgravia.)

The St. Katharine Docks were never a great commercial success – the gates to the river Thames were too narrow, preventing larger ships from entering – and, having been heavily bombed in WWII, never fully rebuilt and gradually abandoned.

They became, however, also the first of the London docks to be redeveloped as a leisure-plus-retail facility and the blueprint for all such projects since, in the capital and all across Britain. They are a very pretty sight indeed, particularly on a sunny day. (Unfortunately, we were not quite so lucky on our walk.)

Leave St. Katharine Docks in the back of the Dickens Inn through Thomas More Street and turn left into Wapping High Street along the Thames. Look out for Wapping Pier Head, two early 19th century brick buildings that were erected right on the entrance to the docks to accommodate leading dock officials and their families …

… and, a few houses down the road, the ancient Town of Ramsgate pub. The Wapping Old Stairs beside the pub – they lead down to the river – are said to be haunted: for many men, convicts on their way to Australia and drunks who were imprisoned in the pub’s cellar before being “press-ganged” into the navy, these stairs would have been the last things they ever saw of England.

A little further on, in the garden next to the modern HQ of the London River Police, the City of London used to execute pirates – not removing their bodies before three high tides had washed over them, as a kind of deterrent presumably. The infamous Captain Kidd was hanged here in 1701, and a couple of blocks down, there is a pub that was named in his honour. (Go check it out. It has stunning views over the Thames.)

Continue past some more old warehouses before turning right into Wapping Wall – look for London’s oldest riverside pub, the Prospect of Whitby – and crossing the bridge into Shadwell. (Another modern development, called Shadwell Basin, appears on your left.)

Immediately after the bridge, turn right in the direction of King Edward VII Memorial Park, and continue by the bank of the river with some spectacular views of Canary Wharf in the distance.

Turn left into Spert Street for Limehouse Basin, where this walk ends. There is a DLR station on your left hand side from where the trains of the “Docklands Light Railway” take you back into the centre of London within a few minutes.

By Michael Schuermann de Easy Hiker 

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