Who hasn’t spent hours enjoying the adventures of Tintin and his dog Snowy (Milhou in the original French)? Do you remember the lonesome cowboy Lucky Luke astride his horse Jolly Jumper, being pursued by the dreadful Dalton brothers? What about the office boy Spirou and his inseparable pals Fantasio and the squirrel Spip? And the little blue Smurfs in their mushroom houses, fleeing from the evil Gargamel and his cat Azrael? What do they all have in common? All their authors are from Belgium, which boasts its share of the Franco-Belgian comic publishing industry, the world’s biggest after those of the United States and Japan. Visitors to Brussels are soon aware of the importance of comics, dubbed “the ninth art” (the first eight, as everyone knows but forgets, are architecture, sculpture, painting, dance, music, poetry, cinema, and television), since comics are all over the place, in museums, shops, outdoor murals, and festivals.

Museums

In the heart of Brussels (rue des Sables, 20), in the sumptuous Art Nouveau building designed by Victor Horta in 1906, is the Belgian Comic Strip Centre (popularly know as the CBBD, standing for Centre Belge de la Bande Dessinée), with a steadily expanding permanent collection and numerous temporary exhibitions that draw thousands of people to this popular venue.

Just down the rueis the Marc Sleen Museum, with a permanent exhibition, a reading room, and a programme of temporary shows focusing on the work of the Flemish cartoonist Marc Sleen, best known for his series “The Adventures of Nero & Co.”

Some 30 km. distant, in Louvain-la-Neuve, we find the Mecca of all Tintin fans, the Hergé Museum, in a building designed by the French architect Christian de Portzamparc. The museum displays original drawings, photographs, objects, films and other documents having to do with Tintin and his creator Hergé, whose real name was Georges Remi (1907-1983), the most celebrated Belgian cartoonist of all time.

A more relaxing spot is the Moof Museum (“Museum Of Original Figurines” spells MOOF –get it?) with three-dimensional representations of a host of comic book figures, and well as other collectors’ items, original artwork, and prints.

Comic Strip Route

Thanks to an initiative of the Belgian Comic Strip Centre in the 1990s, you can also enjoy cartoons in Brussels’ streets, where some 50 painted murals on buildings depict scenes from Lucky Luke, Tintin, the Smurfs, Nero, Asterix, and many more comic book series.

Shopping for Comics

Understandably, Brussels is a must for collectors of original comic artwork and for published comics. To start with the biggest, there is Brüsel (Boulevard de Anspach 98), three whole floors of comics, objects, silkscreen prints, and original drawings. For something a little more special try the Maison de la Bande Dessinée (Boulevard de l’Impératrice, 1), a bookstore featuring an ample selection of old comics, special editions, reprints, a Manga departments, and Dutch- and English-language sections. Tintin fans will not want to miss La Boutique de Tintin, (rue de la Colline 13) for every sort of Tintin memorabilia. Lastly, we recommend the Huberty-Breyne Gallery (rue Bodenbroeck, 8ª Place du Grand Sablon), with exhibitions of illustrations, and where original drawing are on sale.

Fairs and Festivals

Devoted comic fans should schedule a visit to the bi-annual Brussels Comic Strip Festival and the Strip Turnhout, specialising in Dutch-language comic strips. There’s also the even merrier Belgium Comics Festival, with a varied activity programme ensuring fun for all, including the Balloons’ Day Parade, a procession of giant inflated cartoon characters.

If comics are your passion, Brussels is the place to be. Check out our fares today!

Text: Isabel y Luis Comunicación

Photos:
Wallonie-Bruxelles Tourisme
Bruxelles, parcours bande dessinée (Stéphane Colman, Billy the Cat)_© CBBD - Daniel Fouss
Bruxelles, parcours bande dessinée (Jacobs, Blake et Mortimer)_© WBT - J.P. Remy
Bruxelles, parcours bande dessinée (Hergé, Quick et Flupke)_© WBT - J.P. Remy
Hergé Museum
Hergé Museum frontage - Nicolas Borel

The upcoming 14th International Beefeater In-Edit Music Documentary Festival will be featuring the best music documentaries from the past and present. This time around, what caught our attention is the large number of punk-related documentaries. No wonder, as we happen to be celebrating the fortieth anniversary of this genre. You heard it – forty years have passed since a group of mates got together and crafted a band to start a riot. And, indeed they did. The Sex Pistols lit the fuse in late 1976 and, just two years later, the musical paradigm had changed radically. The system was transformed from a scene dominated by intellectualised, ultra-professional hard rock and progressive rock bands such as Deep Purple, Led Zeppelin, Genesis or Emerson, Lake and Palmer, into another, totally alternative and largely amateur scene. And, London was the nerve centre of this new circus act.

Some documentaries dealing with this genre will feature at this year’s In-Edit Festival. Check out the programme here. Following is a rundown of the documentaries in which London acted as the backdrop. It’s amazing to see what the City was like at such a major turning point in its history, just when it it seemed more like a time bomb on the verge of blowing up, on account of the wrangling between different political trends and the high unemployment rate, particularly among young people. Remind you of anything?

Jubilee (Derek Jarman, 1978)

Rather than a documentary, this is actually a feature film, albeit 100% punk. Its director skilfully captured the spirit of the moment in this marvellous dystopian movie in which Elizabeth I travels 400 years into the future and lands in a desolate, nihilist Britannia where gangs of evil girls and killer police roam the streets.

The Filth And The Fury (Julien Temple, 2000)

Set at the pinnacle of this documentary genre, this film was a watershed in its day. It does true-to-life justice to the story of the Sex Pistols, the band which caused a sea change that rocked the foundations of the music industry in just one and a half years. The documentary is crammed with references to the punk scene in London. Highly recommended.

Rough Cut Ready Dubbed (Hasan Shah and Dom Shaw, 1982)

This film documents the post-punk period (1979-1982), which saw a convergence between various urban tribes, notably the Mods, Rockers, Punks and Skinheads. The editing is markedly punk, while it’s interesting to see the prevailing looks and the way the folks moved in their milieu. The main characters are scene celebrities (press, musicians, DJs, etc.) and the movie is recorded in Super 8. Stills in motion from a fleeting period marked by upheaval.

Rude Boy (Jack Hazan & David Mingay, 1980)

Set in London in 1978 and early 1979, with The Clash as co-protagonists. The movie opens by setting the scene in the electoral context that London was steeped in at the time, with nationalist, anti-communist and even xenophobes on one side, and anti-racist and anti-Nazi protests on the other. The film blends fiction with documentary and also chronicles tours by The Clash.

Punk: Attitude (Don Letts, 2005)

This documentary makes the perfect introduction to the genre for the uninitiated. It features a huge gamut of celebrities who were involved in some capacity, notably Captain Sensible (The Damned), Mick Jones (The Clash) and Siouxsie Sioux (…and the Banshees), brought together by the hardened documentalist and DJ who mediated between punks and Rastafarians in the first year of London punk.

Four Accessories For the Punk Experience in London

1. Dr. Martens Boots

Worn by many of the lads that feature in the In-Edit documentaries. Nowadays you can buy them at the official Dr. Martens Store, and also at the Camden and Portobello street markets, sold by the odd specialty stall.

2. Second-hand Punk Records

If your thing is vinyl, with mangy, well-bent edges, the best deals can be found at All Ages Records in Camden.

3. Pubs

A number of pubs became part of the haunts of the punk movement in the 70s and early 80s, particularly those in the vicinity of the 100 club on Oxford Street, or The Roxy, in Covent Garden. If you still feel the urge to down a few pints among leather jackets with studs and crests, we recommend you head for The Elephant’s Head in Camden.

4. Garments

As much as some voice the opinion that punks were anti-everything – and even anti-fashion – we all know that was not true. The Sex Pistols were the first to be put through the fashion wringer. They were the living mannequins of Malcolm McLaren and Vivienne Westwood, who owned the Sex punk boutique at 430 King’s Road. Today, such designers as Westwood herself or Jean Paul Gaultier still display punk influences. There are currently a number of stores that carry iconic garments, but we recommend a futuristic update of this trend at Cyberdog.

Be sure to put on tight leather pants and spike your hair.  Discover the wild side of London – check out our flights here.

Text by Los Viajes de ISABELYLUIS

We know that Tintin travelled to America, the Soviet Union, China and South America… he even got to step onto the moon! But, where did the endearing reporter created by Hergé actually live? While the cartoonist never revealed it explicitly, there is no doubt that Brussels, where Hergé lived all his life, is the backdrop in the cartoon strips whenever the amusing reporter and his faithful dog, Snowy, are captured at home. We ventured into Tintin’s haunts and discovered the palaces, museums, hotels, theatres and parks in Brussels which Hergé converted into comic artefacts.

On their return from their first adventures in Tintin in the Land of the Soviets, Tintin and Snowy are welcomed as heroes by a crowd in the Gare du Nord, an exact copy of the former Brussels Gare du Midi. Now featured in the railway station is a mural inspired by a cartoon of Tintin in America to mark the centenary of the birth of Georges Remi, “Hergé”.

In the second of his 24 adventures, the iconic reporter and his faithful friend travel to the Congo, an album which Hergé was likely inspired to pen after various visits to the Royal Museum for Central Africa. Among many other nods, the leopard man that threatens Tintin in the comic is an imitation of the statue sculpted by Paul Wissaert on display in that museum.

The address, 26 Labrador Road, is well known to Tintinophiles. First mentioned in The Broken Ear, don’t waste your time looking it up in a Brussels street finder. Instead, head for 26 de la rue Terre-Neuve, where you will come across an uncannily similar building to the one where the young reporter’s flat was located!

Built in the late-19th century on the south side of the Royal Park, the Royal Palace stands out as one of the most emblematic landmarks in Brussels. This majestic building was where Hergé drew inspiration for the Royal Palace of Syldavian King Muskar XII in King Ottokar's Sceptre.

Dating from 1873, the Flea Market or Marché aux Puces, located in the Place du Jeu de Balle, is the Brussels mecca of collectors, antiquarians, treasure hunters and bric-a-brac seekers. It was at this flea market that Tintin discovered the model ship at the opening of The Secret of the Unicorn.

However, it was most likely in The Seven Crystal Balls that Hergé captured most of Brussels’ architectural landmarks. For example, in this thirteenth instalment of The Adventures of Tintin, one of the city’s most emblematic hotels appears – the Metropole. Also easily recognised in this comic album is La Monnaie theatre, renamed the Music-Hall Palace. And, the mansion where Professor Hercules Tarragon lives is the spitting image of the opulent villa on Avenue Delleur 6.

Also in The Seven Crystal Balls, we come across the character, Rascar Capac, a mummy inspired by a relic on display in the Cinquantenaire Museum. Hergé was a regular at this gallery, where he went in search of ideas. It was also where he discovered the fetish created by the Arumbaya, the focus of the storyline in The Broken Ear.

Another prime magnet for Tintinophiles is the southern Brussels district of Uccle, one of the nineteen districts making up the Belgian capital. In Uccle we find the Brussels Planetarium, an observatory which Hergé portrayed in The Shooting Star. Interestingly, the Centre Culturel d'Uccle has a statue of Tintin on display, while in the district cemetery, a short distance away from where he lived until his death, is the artist’s grave. A plaque at 33 Rue Philippe Baucq, in the more central district of Etterbeek, reminds visitors that this was the birthplace of Georges Remi “Hergé”. (The house is not open to the public.)

At Louvain-la-Neuve, less than half an hour from the centre of Brussels, stands the Musée Hergé. Designed by the French architect, Christian de Portzamparc, the Hergé Museum is three storeys high and has 8 exhibition halls, featuring 80 original prints, 800 photographs and countless documents and miscellanea related to the life and work of the creator of Tintin and Snowy.

Highly recommendable for Tintin lovers in particular, and enthusiasts of the ninth art in general, is a visit to the Brussels Comic Strip Centre (Rue des Sables 20) which features thousands of original works relating to some of the most outstanding Belgian creations in the comic world, notably The Smurfs, Lucky Luke, Spirou and Tintin, among others.

The huge dragon from The Blue Lotus painted on the ground at the entrance to rue de la Colline 13 announces your arrival at the Tintin Boutique. This is the ideal store for stocking up on all types of objects and souvenirs associated with the illustrious reporter and his endearing troupe of cartoon companions.

Fire up and venture into the world of Tintin – book your Vueling to Brussels here.

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Images by Oscar W. Rasson, Julien, Andrea Carrozzo, CTJ71081, Dustin Hackert, Laurence Livermore, Su-Lin, Stephane Mignon

There’s so much more to Menorca than just idyllic beaches, fishing villages and charming paths by the sea. The island offers amazing food and a busy cultural programme throughout the year.