You could visit London twenty times a year and discover a completely new city full of fascinating places every time. The 32 boroughs of the UK’s capital are home to 9 million people–half of whom originally hail from other countries–and up to 300 different languages are spoken in its streets. This city of cities, this world in miniature centred around the Thames has so much more to offer than just fish and chips, a walk in Hyde Park, a West End musical or a visit to the British Museum.

Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña

“The Metamorphosis”, by Franz Kafka (1883–1924), is undoubtedly one of the major works of the 20th century. Kafka took just 21 days to write it, yet nothing would be the same in literature after that, for, in this concise story, he soared to the heights of the genuine literary titans like Kleist, Dickens and Flaubert. Also the author of “The Trial” and “The Castle”, Kafka features among the leading figures of world literature. His theatre of operations and his inspiration were centred on Prague, the essence of which has thankfully has been preserved practically intact.

What is “The Metamorphosis” About?

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin”. Thus begins the “metamorphosis” of a man who “thinks about nothing but his work”. Gregor Samsa is actually a person who stands for all of humanity. One fine day Gregor discovers that he has turned into something repulsive which should be hidden from everyone else. But, what does that suffocating story actually refer to? The novel sets out to make us aware of what we really are. The transformation into an insect involves an awakening. It is only then that Gregor sees the profound metaphysical horror he is living in. And, as he is the only person that notices it, he becomes a social outcast.

Kafka’s Prague

Prague was the centre of both his literary world and his life – a mysterious city, but also a dazzling one for its entangled layout and fanciful architecture. In his short stories and novels, Kafka does not name the places he describes, except for a select few. Nevertheless, Prague emerges in his work as an ever-present, imaginary city charged with metaphor and allegory. Indeed, if we look at his writings closely, it is easy to retrace the famous author’s footsteps through the maze of streets in the old city and the picturesque spots where Kafka lived and wrote.

The Old City and its Square

Kafka spent most of his life in Prague’s Old City. U věže, the house he was born in, was located on the corner of Maiselova and Kaprova street. After the city’s facelift in the late-19th and early-20th century, the only part of the building still wrought in the original stone is the facade – emblazoned on it is a simple commemorative plaque.

While the Kafkas moved often, and usually did so within a few houses of the original one, the trail of Franz Kafka is present at virtually every step through the Old City, but mainly around the Old Town Square. For instance, in the period 1880–1896, the Kafkas lived in the charming Minute House, very near the City Hall, which stands out for its beautiful sgrafitto decoration. The future writer lived just a stone’s throw from the German Institute, the present-day Kinský Palace. His father, Hermann Kafka, ran a haberdashery on the ground floor of the same building. Today the palace houses the National Gallery. On Široká street, between the narrow Maiselova street and the luxury Pařížská Avenue, stands the must-see Kafka Bookshop, virtually next door to the Maisel Synagogue and within view of the High Synagogue. Travellers are also urged to visit the Church of the Holy Spirit and the Spanish Synagogue, on Dušní street, which houses the school that Kafka frequented.

In Kafka’s Footsteps – the Museum and Castle

The famous writer’s work brings to life both the old Prague Ghetto and the Malá Strana quarter and Prague Castle. The Franz Kafka Museum is located near Charles Bridge in Malá Strana. A Kafka exhibition entitled “The City of K” was organised by the Barcelona Contemporary Culture Centre (CCCB) in 1999 and, after touring New York’s Jewish Museum, it arrived in Prague in 2005. The exhibition was arranged in two distinct parts – the first showed how Kafka was influenced by the city and how it affected his life, while the second part reviewed the way Kafka describes the city without actually mentioning the names of places that emerge in his novels and short stories.

The characters in Kafka’s novels often follow routes leading up to Prague Castle. While it is often said that one of the places he lived and worked in was the tiny house at 22 de Zlatá Ulička – Golden Lane – the house actually belonged to his sister and Kafka used to sometimes take refuge there to get away from the hustle and bustle of the city centre. The stories dating from that period were later published under the title “A Country Doctor”.

In 1917, the writer went down with pulmonary tuberculosis and later died in a sanatorium in Austria. His mortal remains lie in a family pantheon in the New Jewish Cemetery of Prague-Strašnice.

If you’re eager to experience a feeling of being shrouded in mystery, make sure you visit Prague. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Czech Tourism, Nico Paix, Jose Mesa, Roman Boed

Innsbruck is the paradise of snow-sliding sports enthusiasts. Here, one advantage is that the ski runs are just a stone’s throw from the city. Indeed, enthusiasts are treated to abundant white snow and blue skies. In other words, a dream come true for any skier, freerider, snowboarder or hiker worth their salt. The nine ski resorts in the Olympia SkiWorld Innsbruck are relished by skiing enthusiasts. Here, too, lies the Kühtai ski resort which, at an altitude of 2,020 metres, is the Alpine ceiling. Fortunately, Innsbruck is not only about snow-related activities. After a day on the pistes or hiking through the mountains, there is a host of options open to you, including the Christmas markets, of which there are no fewer than six here. But, this time we’re focusing on their resorts.

The Nine Ski Resorts Around the Three-time Olympic City

Olympia SkiWorld Innsbruck features a grand total of nine ski and snowboarding resorts, from family runs to pistes designated for professionals. Here you will find the right piste for you and moving between the different ski runs is facilitated by a free, eco-friendly ski bus.

1. Nordkette

This is one of the steepest pistes in Europe, with a gradient of 70%. The descent from Hafelekar to Seegrube is an experience for any adrenaline junkie. One of the features of this resort is that it is easily accessible by cableway or funicular from the city centre. At Seegrube there is also a chill-out area for those who prefer to swank around. This piste is very complete and includes a Kids Arena for the young ones. Nordketten Skylinepark also has night lighting and a 2,000-watt, surround musical system.

2. Patscherkofel

Located south of the city, the “gentle giant” faces the Nordkette mountain range. The runs on Mt Patscherkofel are three times Olympic (1964, 1976, 2012). Skiers can reach the pistes in comfort on the Olympia-Express and Patscherkofelbahn cableway, while freeriders will discover their own winter idyll at Snowpark Innsbruck.

3. Glungezer

Situated just 12 kilometres from Innsbruck and next door to Patscherkofel, the Glungezer ski station has pistes with panoramic views over the river Inn. It boasts the longest descent in Tyrol, stretching over 15 km. What’s more, as it lies further away from the city, it is less crowded than other spots.

4. Muttereralm

The Muttereralm ski resort is ideal for the whole family and is easily accessible from both Mutters and Götzens. Its attractive, sun-drenched ski slopes provide fantastic views over the Inntal and Wipptal valleys. Here you will find MAP 6020; in other words, the longest snowpark in the Innsbruck region.

5. Rangger Köpfl

A mere 15-minute car ride from Innsbruck, the Rangger Köpfl ski station has beginner- and intermediate-level pistes. A cable car with a capacity of 8, four ski lifts and a snowpark for beginners round off the amenities for ski lovers. The Höhenweg trail also enables hikers to enjoy the restorative Alpine winter air.

6. Axamer Lizum

The Axamer Lizum ski resort stands out for the quality of its pistes. Up to 12,000 people per hour can move about it, with practically no waiting times. With its north-facing slopes, this resort is a veritable paradise of powdered snow. Those game to go there are encouraged to eat at the Hoadlhaus panoramic restaurant.

7. Kühtai

Among the highest resorts in the Alps. Far from the other, crowded stations nearer the city, Kühtai has broad pistes and a guaranteed supply of snow until well into the spring. It also has numerous ski lifts, genuine Alpine shelters and night skiing twice a week. Further, K-Park Kühtai is a thrill for freeriders, as they can ski above the treeline.

8. Schlick 2000

The Schlick 2000 resort is all the rage in Alpine sport. Here, in the Stubaital valley, you can do downhill and cross-country skiing, carving, snowboarding, sleigh-riding, as well as walk in the snow or go paragliding. In the children’s section at the Ski School Stubai, tutors take care of children from the age of 3 months.

9. Stubai

The platform on top of the Stubai glacier affords views of a hundred and nine 3,000-metre summits, as well as over the giant glacier itself. Skiers have at their disposal 110 km of pistes and 25 ski lift systems in this, the largest glacier skiing resort in Austria, while Stubai Zoo is one of the best snowparks in Europe. The resort opens from October to June.

Further information at Innsbruck Tourismus. Why wait to discover the best snow experience on the continent? Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Innsbruck Tourismus