Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña

“The Metamorphosis”, by Franz Kafka (1883–1924), is undoubtedly one of the major works of the 20th century. Kafka took just 21 days to write it, yet nothing would be the same in literature after that, for, in this concise story, he soared to the heights of the genuine literary titans like Kleist, Dickens and Flaubert. Also the author of “The Trial” and “The Castle”, Kafka features among the leading figures of world literature. His theatre of operations and his inspiration were centred on Prague, the essence of which has thankfully has been preserved practically intact.

What is “The Metamorphosis” About?

“When Gregor Samsa woke up one morning from unsettling dreams, he found himself changed in his bed into a monstrous vermin”. Thus begins the “metamorphosis” of a man who “thinks about nothing but his work”. Gregor Samsa is actually a person who stands for all of humanity. One fine day Gregor discovers that he has turned into something repulsive which should be hidden from everyone else. But, what does that suffocating story actually refer to? The novel sets out to make us aware of what we really are. The transformation into an insect involves an awakening. It is only then that Gregor sees the profound metaphysical horror he is living in. And, as he is the only person that notices it, he becomes a social outcast.

Kafka’s Prague

Prague was the centre of both his literary world and his life – a mysterious city, but also a dazzling one for its entangled layout and fanciful architecture. In his short stories and novels, Kafka does not name the places he describes, except for a select few. Nevertheless, Prague emerges in his work as an ever-present, imaginary city charged with metaphor and allegory. Indeed, if we look at his writings closely, it is easy to retrace the famous author’s footsteps through the maze of streets in the old city and the picturesque spots where Kafka lived and wrote.

The Old City and its Square

Kafka spent most of his life in Prague’s Old City. U věže, the house he was born in, was located on the corner of Maiselova and Kaprova street. After the city’s facelift in the late-19th and early-20th century, the only part of the building still wrought in the original stone is the facade – emblazoned on it is a simple commemorative plaque.

While the Kafkas moved often, and usually did so within a few houses of the original one, the trail of Franz Kafka is present at virtually every step through the Old City, but mainly around the Old Town Square. For instance, in the period 1880–1896, the Kafkas lived in the charming Minute House, very near the City Hall, which stands out for its beautiful sgrafitto decoration. The future writer lived just a stone’s throw from the German Institute, the present-day Kinský Palace. His father, Hermann Kafka, ran a haberdashery on the ground floor of the same building. Today the palace houses the National Gallery. On Široká street, between the narrow Maiselova street and the luxury Pařížská Avenue, stands the must-see Kafka Bookshop, virtually next door to the Maisel Synagogue and within view of the High Synagogue. Travellers are also urged to visit the Church of the Holy Spirit and the Spanish Synagogue, on Dušní street, which houses the school that Kafka frequented.

In Kafka’s Footsteps – the Museum and Castle

The famous writer’s work brings to life both the old Prague Ghetto and the Malá Strana quarter and Prague Castle. The Franz Kafka Museum is located near Charles Bridge in Malá Strana. A Kafka exhibition entitled “The City of K” was organised by the Barcelona Contemporary Culture Centre (CCCB) in 1999 and, after touring New York’s Jewish Museum, it arrived in Prague in 2005. The exhibition was arranged in two distinct parts – the first showed how Kafka was influenced by the city and how it affected his life, while the second part reviewed the way Kafka describes the city without actually mentioning the names of places that emerge in his novels and short stories.

The characters in Kafka’s novels often follow routes leading up to Prague Castle. While it is often said that one of the places he lived and worked in was the tiny house at 22 de Zlatá Ulička – Golden Lane – the house actually belonged to his sister and Kafka used to sometimes take refuge there to get away from the hustle and bustle of the city centre. The stories dating from that period were later published under the title “A Country Doctor”.

In 1917, the writer went down with pulmonary tuberculosis and later died in a sanatorium in Austria. His mortal remains lie in a family pantheon in the New Jewish Cemetery of Prague-Strašnice.

If you’re eager to experience a feeling of being shrouded in mystery, make sure you visit Prague. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Czech Tourism, Nico Paix, Jose Mesa, Roman Boed

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

Karlín is Prague’s emerging quarter. However, it had a rather lacklustre past, as it was one of the city’s industrial districts in the 19th century. A network of grid-pattern streets were built during that period, as well as a central square and a picturesque church. Countless factories of all types were erected alongside late-classical-style buildings with typical bay windows. One of the standout landmarks from those times is the Negrelli Viaduct, a bridge linking two important railway stations on either side of a river. The 1960s saw the construction of one of the first areas of reinforced concrete-slab buildings, as well as a hotel of dubious taste – the Olympik – just when Prague was a hot candidate to host the Olympic Games. The city’s first metro line, built in 1974, had its terminus in Karlín, in the station called Florenc.

The Karlín district features some stunning contemporary buildings. A clear example of this is the Corso complex, made up of Corso I, Corso II and Corso III, a renovation and reconstruction project designed by Ricardo Bofill. Another noteworthy project in the district is River City Prague, made up of the buildings Danube House, Nile House, Amazon Court and River Diamond. We were impressed by the Keystone office building for its references to Cubism, a style that made its mark in the Czech Republic a century ago. However, the dominant landmark in Karlín’s skyline is the Main Point Karlín office building which in 2012 was designated the most sustainable office building in the world. This unusual construction also boasts a terrace-garden open all year around which affords striking views of Prague’s historic city.

Cafés, Bistros & Restaurants in Karlín

Karlín sustained serious damage on account of flooding in 2002. Reclamation work took a year to complete before the area returned to normal. The flood repairs were used as a pretext to restore some of the district’s standout buildings and to embark on an intensive housing building scheme, which in turn spawned a host of new bars and restaurants that are now must-visit venues on a sightseeing tour of Prague. Be sure to visit Lyckovo Namesti Square and its surrounding area.

The area has been largely taken over by new businesses related to the hospitality sector in recent years. To guide you through the intricate web of venues, we have short-listed the following:

Muj Salek Kavy

The forte of this establishment is undoubtedly its coffee, which is very well made. The interior is cosy. You can take a breather and catch up on your networking here. If you’re feeling peckish, we can recommend the yoghurt with fruit and muesli.

Kafé Karlin

Said to be the most authentic café in Prague. They also offer coffee tasting sessions. Watch out, though, as the small premises fill up quick. The expresso and cappuccino are awesome.

Theatro Café & Restaurant

It features striking interior design and is well worth visiting to have a coffee, tea or breakfast. But, if you want lunch or dinner, you’d be better off looking at other options. Bookings admitted. The premises are spacious and thus suitable for groups. The café has a terrace, too.

Veltlin

Simply the best wine bar in the Czech Republic. They offer biodynamic wines sourced locally, as well as from Slovakia, Austria and many other countries (particularly Central European). The spot has become a trendy after-work bar in Prague. Lunch and dinner are also served.

Krystal Mozaika Bistro

A good place to discover meat-based Czech cuisine. The beef hamburger and roast chicken are really delicious. But, there are other tasty dishes, too, notably the French onion soup and potatoes au gratin.

The Pub

The interesting thing about this pub is the beer tap at each table. It is part of a chain of establishments in the city, but the typical Czech food is also very good here.

Hamburk Pub

As in the rest of the country, great care is lavished on beer here. You can also enjoy freshly prepared homemade cuisine. They offer traditional Czech dishes based on locally sourced fresh ingredients.

Bistro Proti Proudu

This bistro is noted for its excellent service. Their menu is exquisite and varied. We tried the hummus and carrot cake, which were delicious. This venue is ideal for a fast snack or sandwich. Comfortable interior.

Gate Restaurant

The perfect spot for coming to grips with local cuisine. The chicken soup and goulash are excellent, as is the traditional interior design. Bear in mind that smoking is still allowed on the ground floor, which struck us as being rather odd. Reasonably priced.

Charleston

Provides live music every night. This is the ideal spot for having a drink after dinner or to press on with the quest of tasting the various beers in the region.

In short, Karlín is an exceptional quarter of Prague. Its reconstruction achieved a balanced mix of office buildings and residential ones. Many people of diverse tastes and with a variety of professions live and move around this quarter. Don’t wait to discover it. Check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Czech Tourism, Commons Wikipedia