Albrecht Dürer’s “The praying hands” and “Young hare” are some of the most widely reproduced works in art history. But, would this great artist have liked his work to be engraved on chocolate bars or Christmas decorations? Probably not, as his paintings are featured in the most important art museums in the world. If you look close enough, some spots in the city of Nuremberg reveal traces of Albrecht Dürer.

The Artist in His Workshop

Albrecht Dürer was born on 21 May 1471 in Nuremberg and died on 6 April 1528. He is buried in Nuremberg’s Johannisfriedhof. His father, Albrecht Dürer the Elder, moved to this city from Hungary in 1455 and married the daughter of a goldsmith. Of his 19 children, only 3 males survived, all without issue.

His first self-portrait was painted in 1484 while training in his father’s goldsmithery. It is still preserved today. Since Albrecht Dürer intended to become a painter after training as a goldsmith, his father sent him to the workshop of the painter, Michael Wolgemut, between 1486 and 1490. There he learned painting, wood carving and metal engraving.

His training took him to Basel in 1492 and to Strasbourg in 1494, among other places, where he made a living by selling books. In 1494, Albrecht Dürer received a dowry of 200 florins after marrying Agnes Frey, the daughter of a Nuremberg goldsmith. This led Albrecht to open his first painting workshop. Thanks to his mother-in-law’s relatives, he was able to come into contact with the city's upper class.

A Medieval and Renaissance Man

Living in the early Renaissance led Albrecht Dürer to strive for perfection through the technological advances of the time. He was a multifaceted genius who, in addition to painting, also explored other genres such as drawing or art theory. Noteworthy are his studies of proportion, geometry and design. Here is a review of  his legacy in the city of Nuremberg.

First, some of his works are exhibited at the German National Museum (Germanisches Nationalmuseum), one of the world’s most important research centres for Albrecht Dürer. This museum also features exhibits of German culture from pre-history to the 20th century, the most notable of its kind in the country. Their permanent exhibition includes works by German painters and sculptors, as well as sections on archaeology, weapons and armour, musical and scientific instruments, and even toys. This museum also features Dürer’s “Hercules kills the Stymphalian Birds”. However, if you would like to discover the painter in his everyday and creative life, nothing better than visiting his own house. Dürer lived and worked in the Albrecht-Dürer-Haus from 1509 until his death in 1528. After a multimedia performance you can follow the audio guide tour of this 4-storey house, narrated by “Agnes”, Dürer’s wife. The highlights of this visit are the interactive demonstrations of his recreated workshop, a print store on the 3rd floor, and a gallery with his originals and reproductions in the attic.

Some 150 metres down the street, a monument dedicated to the artist – the ­ Albrecht Dürer Monument­ –stands in the Albrecht-Dürer-Platz. Interestingly, the Felsengänge lies beneath this monument. This is a 14th-century  underground labyrinth with four levels that used to house a brewery and a wine cellar. It was used as an air-raid shelter during World War II. You can visit this maze by going to the beer store on Burgstrasse 19.

Dürer’s Everyday Life Revisited

A good way of getting to know Dürer’s life in Nuremberg is by visiting the Stadtmuseum Fembohaus. This museum, which gives a comprehensive overview of the city’s history, features the restored rooms of a 16th-century merchant’s house. For taverns and eateries, look no further than Goldenes Posthorn. After going through its heavy copper door, you will find yourself in a gastronomic paradise that has been feeding Nuremberg citizens since 1498. Here you will find great local sausages, as well as many other country dishes – hard to find in other places – in addition to vegetarian options. Another tavern from those times is Marientorzwinger. This is Nuremberg’s last zwinger – a tavern built within the walls of old military quarters. This is a picturesque establishment offering wholesome Franconian produce, in addition to simple vegetable dishes. You can choose between their unpretentious dining room and the luxurious terrace. To drink, nothing better than a Tucher beer from Fürth.

To stay the night, we recommend the Dürer-Hotel, a four-star establishment located in the historic centre, right next to the Imperial Castle. Its bedrooms and lounges are uniquely decorated, perfectly combining tradition and modernity – after Albrecht Dürer’s perfectionist spirit. Oh, and, their cuisine is spectacular, with breakfasts that include confectionery, cold meats and local cheeses. Their products are high quality and organically produced in the region.

Dürer is synonymous with Nuremberg. Come and discover the city of this emblematic Renaissance artist. Remember, you can visit any time of the year. However, if you do so in spring or summer, the weather will likely be better, and you’ll be able to enjoy the old city’s splendid terrace cafés. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by ISABELYLUIS Comunicación, Tourismus Nuernberg

Prague is a monumental city, with great historic buildings that bring unique, elegant and refined atmosphere to the city. But a contemporary artist got to the city to turn upside down its classic harmony with some of his weird work.

Born in Prague, David Černý is a controversial, irreverent and disturbing artist who loves to provoke the audiences. And he does so! His sculptures, with a remarkable social criticism, against power and authority, disturbed some of his audiences.

David Černý started his career as a provoking artist when, along with his colleagues at the arts school, painted in bright pink a tank from the soviets at the garden of the German Embassy -a monument to Czechoslovakia liberation in 1945-. Černý was arrested for his colourful attack but now this tank is exposed at the Military Museum in Lešany, 20 kilometers away from Prague, ad a freedom symbol.

His work is all around the city where this artist was born. There are many, but this is a little route to the most shocking and remarkable work.

Quo Vadis?

His first work, Quo Vadis?, was located at the German Embassy in Prague (Vlašská 19, Malá Strana). In Quo Vadis? Černý reinterprets Trabant, the most common car at East Germany, putting legs instead of wheels. It’s a tribute to over 3.000 Germans from the East who invaded the garden of this embassy on summer 1989, short after the fall of the wall.

The dead horse in Saint Wenceslaus

We already said that Černý’s work is the opposite to the classicism of this city. Thus, the dead horse of Saint Wenceslaus is a good example of that, oppositely to the classic stature located in the square of the same name. Saint Wenceslaus is, indeed, a symbol to the national Czech identity, and saint patron of Bohemia.
The version by Černý of this statue is pretty close to the original, at Lucerna avenue, but the horse is upside down, death and with its tongue out.

Viselec

You should pay attention when passing by the centric street of Husava, at Staré Mesto. Actually, you should look at the sky if you don’t wanna miss it. Above, you’ll see the hanging stature, a human figure that looks a lot like Sigmund Freud.
As with most of the work by Černý, it’s open to interpretations and the artist was never willing to reveal the actual meanings.

Piss

Located by Franz Kafka Museum, at Cihelná 2b, 118. These are two figures that move thanks to an electric mechanism who are peeing in a small pool with the same shape as the Czech Republic as they write quotes, from famous local authors, with the effluent.
Next to this sculpture there is a phone number where you can send SMS suggesting your own quote to be written by this peculiar sculpture.

Miminka babies

About 216 meters high, Žižkov is the telecommunications tower in Prague and the highest building in Czech Republic. Right here, David Černý located his disturbing work of ten dark babies who climb the building while crawling.
This sculpture can be seen also from the park at Kampa island, near Charles bridge.

Klaus & Knizak

At Futura Art Gallery (Holečkova 789/49), you should go by the stairs to find two great figures that are the bottom half of a human body to put your head by the hole on their bum. Inside, a satirical video is projected featuring the former president of the Czech Republic until 2013, Václav Klaus, and the artist Milán Knížák, feeding each other while the song "We are the Champions" is played.
This is a critic to the Czech politics and also to the voyeur viewer who just observers their actions without taking part.

Shark

In 2005, this work was presented for the Bienal in Prague, but it was forbidden in other exhibitions in Belgium or Poland. This piece presents Saddam Hussein’s image captive, on his underwear and bound hand and foot, immersed in a tank of formaldehyde. The work is signed by Mahoma and was presented one year before Hussein was killed, in 2006.

Quo Vadis? by VitVit | Pink tank by Hynek Moravec| Miminka by Evrik| Piss by UkillaJJ

So you feel like visiting Prague, do you? Book your flights here!

Of course, thirty years is nothing, but that’s the time that has passed since 1986, when Asturias set up what was the first rural tourism establishment in Spain. Everything has changed since then, and for the better. The village of Taramundi, where the original La Rectoral was inaugurated, has now become an international paragon. Travellers have come from far and wide to discover it and enjoy the peace and quiet it offers, as well as to meet its people and learn its traditions. Rural tourism, which has subsequently spread across the whole of Asturias, is a leisure style with millions of adepts, some of whom have found in Asturias their coveted paradise.

La Rectoral – 30 Years of Rural Encounters in a Natural Paradise

Three decades ago, when few would have thought that tourism might become one of the region’s major economic engines, the government of the Principality of Asturias bravely decided to spearhead a project intended to transform a small spot in the Principality – Taramundi. Balancing enjoyment of and respect for the environment was the watchword of this initiative which culminated in the opening of the Hotel La Rectoral on 17 June 1986.

A Trend that Spread Like Wildfire Across the Whole of Asturias

After the inauguration of La Rectoral, new projects sprang up all over Asturias – notably in the east, west and centre of the region – in the form of small hotels, village houses and rural apartments. A whole panoply of rural accommodations which breathed new life into villages and hamlets and engendered a new concept of leisure based on authenticity and contact with nature, traditional customs and the ancestral world.

A Superb Backdrop for Rural Tourism

Preservation of the environment, which for 30 years has made us worthy of the epithet, “Asturias, a Natural Paradise”, is the perfect enticement for a sojourn in its rural areas. Asturias boasts over a third of its territory under some form of official protection, whether as a park, reserve or natural monument. Following are some of its standout areas:

In the Picos de Europa, visitors can hike through the gorges that divide this great limestone mass, delve into the activity of livestock grazing – which is still carried out within the park boundaries – or discover karst formations and glacial remains, as in the Covadonga lakes.

Another option is to visit the Fuentes del Narcea, Degaña e Ibias nature reserve, a territory with a marked variety of nuances which acts as a sanctuary for the Cantabrian brown bear and features the largest oak forest in Europe – the Muniellos Forests.

Something similar is in store for the traveller in Somiedo, as here, too, you can follow the tracks of the brown bear and because scattered across the whole territory you will come across pastureland punctuated by the presence of cabanas de teito,stone constructions with thatched roofs once used by vaqueiros or highland cowherds as a refuge in the summer months, the sight of which takes the onlooker back in time.

Beech forests are the prevalent type of vegetation in the Redes woodlands, while the spectacular summits of the Retriñón, Peña del Viento, Canto del Oso and Pico Torres are a treat for those seeking contact with nature.

Much of the reserve known as Oscos-Eo is also forested. However, what sets it apart is its status as one of Spain’s most active craft tradition areas. More than just the cradle of rural tourism, Taramundi is home to one of the most interesting ethnographic complexes on the Peninsula.

The latest addition to this array of idyllic settings is the Las Ubiñas-La Mesa Nature Park. With an area of 451 km², it is the site of the second largest limestone mountain system in the Cordillera Cantábrica – namely the Peña Ubiña Massif – and it also features various cultural vestiges which range in time from the Bronze Age to a present-day theme park – the Prehistoric Park.

Dreaming in Asturias

Dreaming in Asturias is a cinch, whether you are asleep or awake. With a stellar track record in the business, our accommodations are of the highest standard and beyond guaranteed. We cater to all kinds of visitors in terms of taste, objectives and options. From available feedback, it would seem that lodging in Asturias is always a gratifying experience.

As an example of rural excellence, some 50 rural hotels are managed under the quality seal known as “Casonas Asturianas”, while 56 Casas de Aldea y Apartamentos Rurales (village houses and rural apartments) come under the auspices of the “Asturias Calidad Rural” association.

Both the Casonas Asturianas hotels and the houses and apartments making up the Casas de Aldea y Apartamentos Rurales de Aldeas attest to the excellence shared by thousands of people who on countless occasions are able to recall and adopt as their own the motto that dreaming in Asturias is really easy and within anybody’s reach.

Alone, with your Partner or as a Family

All kinds of experiences can be had in Asturias, each one better than the last. You can savour urban or rural settings and bask in either mountain or seaside idylls, all at your own pace. And, you can do so any way you wish – alone, with your partner or with children and the whole family. The options are endless, determined by your interests and tastes.

And, very importantly, it is very easy to get from the villages to the city and vice versa. Everything is near and well connected.

Clearly, Asturias is a paradise any time of the year. It offers a host of leisure opportunities in terms of nature, culture, gastronomy, etc. All you need to do is come. Check out our flights here.

Text and images by Turismo de Asturias

On our first visit to Rome we were struck by the sheer number of fountains we came across on our walks. I don’t mean just the monumental type – and there are some very beautiful ones – but the public drinking fountains located all over the old city which are ideal for quenching your thirst. After researching the subject we learned that water and its distribution was one of the ancient Romans’ major concerns, leading them to build aqueducts and channelling systems. Much of this must have rubbed off on the subsequent generations who inherited their legacy, prompting them to continue to seek ways of managing such a valuable asset.

Before focusing on the grand monumental fountains – we have made a selection of our favourites, listed below – let’s start by talking about their more modest counterparts, the nasoni. These public drinking fountains date from 1874 and are typically made of iron, cylindrical in form and with a snout-shaped spout; hence they are known as nasoni (nasone, in the singular) which means nose in Italian. Rome has nearly 2,500 and most of them provide clean drinking water which, in the hot summer, is something to be grateful for. One of the oldestnasoniis in the Piazza della Rotonda, near the Pantheon. They are well worth seeking out on your walks and you are likely to be pleasantly surprised on more than one occasion.

Fontana di Trevi

We start with the best known and most widely photographed of them all. Visiting Rome without seeing the Trevi Fountain is like not having been there at all. Don’t expect it to be sited in a huge square – quite the opposite. It defies belief how so much activity and splendour is crammed into the intersection where it is sited. Designed by Nicola Salvi and completed in 1762 – the original preliminary drawings are by Bernini – it was commissioned by Pope Clement II and its central theme is the Taming of the waters.And, yes – go ahead and carry out the ritual of throwing a coin in the fountain, ensuring you will return to this beautiful city. Beware, though, it is strictly forbidden to emulate Anita Ekberg and Marcello Mastroianni in La Dolce Vita!

Fontana dei Quattro Fiumi

The spectacular Fountain of the Four Rivers, which is surmounted by a huge Egyptian obelisk from the Roman period, is sited in the Piazza Navona. Around the base are four statues depicting the world’s four main rivers – the Nile, Ganges, Danube and Río de la Plata. This exceptional work by the great Baroque master, Bernini, has two companion fountains on the side – Neptune and the Moor.

Fontana del Tritone

The Triton Fountain is once again the work of the great Gian Lorenzo Bernini, although this time the fountain is rather more modest and yet every bit as beautiful. Located in the Piazza Barberini, very near the Trevi Fountain, it is dedicated to the god, Triton, shown kneeling on the tail-fins of four dolphins and holding up a conch from which spouts a jet of water.

Fontana del Pantheon

Located in the picturesque Piazza della Rotonda in front of the Pantheon, this dolphin fountain is popularly known as the Fountain of the Pantheon. It was commissioned by Pope Gregory XIII and designed by Giacomo della Porta. Like the previous fountain, the basin acts as the supporting foundation for an obelisk dating from the period of Ramses II.

Two Fountains in the Piazza Farnese

The Piazza Farnese, one of our favourite squares, is the site of two highly original matching fountains set on the sides. They are strikingly shaped like bath-tubs and made of granite taken from the Caracalla Baths.

Fontana della Barcaccia

The Fountain of the Old Boat is located in the Piazza di Spagna, at the foot of the spectacular Spanish Steps. It is the work of Pietro Bernini, the father of Gian Lorenzo Bernini. Depicted in stone is a ship which, according to the tradition, was washed down here by a flash flood in the river Tiber.

When visiting Rome, be sure to visit these and many other fountains. Book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by Lalupa, Sébastien Bertrand, Matt Brisher, 2pi.pl, LASZLO ILYES, Anita Szeicz