If you go to Málaga in February, you are likely to be rewarded with a festive surprise over and above the city’s historical heritage, its incredible variety of museums, its beaches and its cuisine, in the shape of their Carnival. Indeed, when it comes to carnivals, Malagueñans would not be outclassed by the famous Carnival of Cádiz.

This year, from 30 January to 7 February, Málaga will be decked out in all its fancy-dress finery and turned into a veritable fiesta, a tribute to one of the raciest celebrations of the year – Carnival. But, what makes these festivities so special as to become a must-see?

1. A Splendid Climate

Situated in the south of Spain and bathed by the increasingly warmer waters of the Mediterranean, Málaga has a mild winter, enabling people to enjoy any outdoor activity to the full. This is also true of Carnival, known locally as the Fiesta del Invierno Cálido (Warm Winter Fiesta).

2. Murgas, Troupes and Quartet Gatherings

One of the highlights of this carnival are the gatherings of murgas, comparsas and quartets in the Teatro Cervantes, where they compete to be the wickedest band on stage and to see who delivers the wittiest song lyrics. While we’re at it, if you’re thinking of attending any of these performances, be sure to book ahead to avoid missing the shows.

3. Culinary Schedule

It couldn’t be otherwise – gastronomy plays a crucial role in Málaga’s Carnival, where traditional fare takes pride of place. The dishes you are most likely to encounter include berza (collard greens), potajes (vegetable stews), noodles, rices and paella, while the ongoing carnival background music is provided by the songs known as coplas.

4. Parades, Goddesses, Drag Queens and Even a Flower Fight

No carnival worth its salt could be without its parades, designed to delight the crowds with the colourful display of their variegated fancy dresses. One of the Malagueñan traditions that has endured to the present is the Flower Battle, which takes place in the Alameda Principal, at which petals and coloured paper flowers fly in all directions. The event has its origins in the 19th century, when the working classes took advantage of the carnival atmosphere to “assault” the privileged classes by throwing flowers at them as they filed past in their posh floats.

High notes of the parades include the election of the Carnival Gods and the Drag Queen Gala.

5. The Anchovy Burial

The anchovy, a fish which abounds in Málaga, is the protagonist of the last day of Carnival. At the “Anchovy Burial”, known here as the boqueroná,a procession is held at which a huge anchovy-shaped figure is paraded through the streets, from the central Calle Larios to La Malagueta Beach, where it ends up being torched.

Málaga – Aside from Carnival

Once you’re in Málaga, frenzied carnival merrymaking permitting, do take the chance to visit some of the many marvels to be seen in that beautiful city. We can wholeheartedly recommend Málaga Cathedral, built on the orders of the Catholic Kings when they conquered the city; the Alcazaba, a formidable Moorish fortress dating from the 11th century, the Roman Theatre and the beautiful Atarazanas Central Market, built over a former Nasrid naval shipyards of which the original marble door has been preserved. And, as befits the birthplace of Picasso, make sure you visit some of the art centres, which have turned Málaga into one of the favourite destinations of art lovers.

Put on your fancy dress and take a Vueling to Málaga to delight in its magnificent Carnival.

Text by ISABELYLUIS Comunicación

Images by Fundación Carnaval de Málaga

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación

Marseille is full of surprises, or at least that’s the feeling you get when venturing into the city. This gateway to the Mediterranean has much more to offer than what is apparent at first sight. For starters, it has two harbours – the Vieux Port (Old Port), enclosed and fortified, a vestige of times when the coastline was invaded by pirates and hostile nations. And, the new – and larger – harbour which opens out to the sea and is a symbol of contemporary times. The elegant buildings lining the city’s streets have an unkempt, decadent yet inspiring air, while the fishing quarters smack of new trends in the guise of art galleries and cafés, and avant-garde spaces such as the MuCEM (Museum for the Civilisations of Europe and the Mediterranean) and the Villa Méditerranée, attesting to Marseille being much more than just a port city. And, in the midst of all this stands the highlight of this article, one of the works which prompts many architects to pilgrimage to Marseille –Le Corbusier’s Cité Radieuse.

This huge building, recently designated a World Heritage Site by UNESCO, together with 16 other architectural works by Le Corbusier, is one of the essential icons of modern architecture and one of the artificer’s major achievements. In this massive and equally beautiful colossus in concrete, the precursor of Brutalist art and ideologue behind architecture as we know it today successfully shaped the vertical city he had dreamed of, which he named the Unité d’habitation (Housing Unity). This was the first in a succession of similar residential buildings which were subsequently erected in Nantes-Rezé (1955), Berlin-Westend (1957), Briey (1963) and Firminy (1965).

Cité Radieuse, known locally as La Maison du Fada (The Nutter's House), is a large apartment block located in the south of Marseille on the Boulevard Michelet. It was designed in 1945 and built from 1947 to 1952. It is made up of 337 duplex apartments distributed over twelve storeys. Apart from its residential function, Le Corbusier also incorporated amenities into the design, including a commercial area on the seventh and eighth floors, gardens, a paddling pool, a gym, a theatre and a nursery on the spectacular rooftop. The edifice was built in rough-cast concrete and its standout feature are the supporting pilotis or piers, as well as the polychromed decoration on the balconies which set up a rhythm across the facade.

Most of the apartments are now private property, although sightseers are allowed to visit the common areas of the building. On the seventh and eighth floors you can see how most of the commercial units have been turned into design and architects studios. An exception to this is La Ventre de l’Architecte, a luxury restaurant affording splendid views of Marseille and the coast. The crowning touch is provided by another communal area, the rooftop, an area of surprises where architectural forms have been turned into spectacular sculptures affording views over the city. A pilot apartment can be visited as part of a guided tour, but be sure to book in advance with the Marseille Tourist Office. Those who would like to broaden their experience of the Cité Radieuse can stay overnight at the Hotel Le Corbusier, housed in the building itself.

Don’t miss the chance to visit Marseille and its architectural jewel, the Cité Radieuse. Book your Vueling here!

Text and photos by Los Viajes de ISABELYLUIS

The magnificent sea port of Genoa, situated in the north of Italy, is the perfect spot for a two-day getaway. There you can discover the jewels yielded by the sediment of numerous stories that took place in that city over the years.

The old harbour is undoubtedly Genoa’s major attraction. To mark the 500th anniversary of the discovery of America – one of the city’s most celebrated citizens was Christopher Columbus – the harbour was renovated, a make-over that was long overdue. The result of that restoration includes the Bigo, a futuristic structure designed by Renzo Piano affording interesting views over the city, in addition to the Aquarium, the Biosphere and the Galata Sea Museum, one of the largest marine exhibitions in Europe.

But, apart from its harbour, the capital of Liguria offers many other enticements, such as strolling through the Old Town and wandering around the caruggi or dark, narrow back streets. Also worth visiting are the Palazzi dei Rolli, a system of 16th- and 17th-century Renaissance and Baroque palaces, forty-two of which are listed as World Heritage Sites by UNESCO. Not to be missed either are Genoa Cathedral, dedicated to St Lawrence, and the spectacular Piazza de Ferrari. For those eager to delve into Italy’s history, the place to head for is the Museo del Risorgimento, housed in the erstwhile residence of Giuseppe Mazzini, a key figure in the unification of the country.

The Monumental Cemetery of Staglieno

Apart from these monuments and landmarks, which you are sure to come across in the course of any tourist itinerary through the city, Genoa has another unusual attraction well worth visiting, the Monumental Cemetery of Staglieno. Located on the outskirts of Genoa, on a hillside next to the Bisagno Valley in the Staglieno district, lies one of Europe’s largest cemeteries, celebrated for its interesting sculptural and architectural ensembles on tombs and pantheons.

The construction of cemeteries on the outskirts of towns got under way after the 1804 Napoleonic Edict of Saint-Cloud, by which burials in churches or within city walls were banned. In the case of Genoa, Carlo Barabino was tasked with designing the city’s new cemetery in 1835. Construction work began in 1844 and the precinct was inaugurated in 1851, although building continued until 1880. The precinct was extended over time and areas dedicated to other religions were added, notably the Jewish, Orthodox, Protestant and English cemeteries – the latter houses the tomb of  Oscar Wilde’s wife, Constance Lloyd.

Its origins coincide with the rise of a markedly affluent bourgeoisie, intent on extolling their merits for posterity, to which end they commissioned artists to adorn their opulent mausoleums. These artists included such sculptors as Leonardo Bistolfi, Augusto Rivalta, Giulio Monteverde and Edoardo Alfieri.

A walk through this graveyard effectively becomes a tour of the different art styles that emerged in the 19th and 20th century, as visitors are regaled with works of Neoclassicism, Symbolism, Liberty and Art Deco. This is augmented by the presence of nature, in the guise of plant growth interspersed among the various architectural features, making for an unsettling yet inspiring experience.

Many a visitor has succumbed to the charms of this monumental cemetery. Friedrich Nietzsche and Paul Rée used to discuss philosophy as they strolled through it, while Hemingway described it as “One of the wonders of the world”. Peter Saville, for his part, used photos by Bernard Pierre Wolff of some of the sculptures in the cemetery when he designed the Joy Division album covers for Love Will Tear Us Apart and Closer.

Book your Vueling to this fantastic Mediterranean city – discover its old harbour, stroll through itscaruggi,soak up the beauty of its palaces and drop in on this very special cemetery.

Text by Los Viajes de ISABELYLUIS

Images by jeff kerwin, Enrico Sirola, Superchilum