If you travel to Trieste, don’t fail to visit its historical cafés. Part of their patina is due to their connection with literary figures – writers such as Svevo, Saba, Stendhal and Joyce frequented these establishments in search of conversation, inspiration and rest.

While these cafés enjoyed their moment of splendour in the late-19th and early-20th century, they have endured to the present, albeit with some changes, transporting their customers back to a bygone age. Visitors can admire their wooden furnishings, framed in tall architectural devices, the classic marble tables and an atmosphere redolent with the aroma of coffee.

Here are some of the standout historical cafés of Trieste:

Caffè Tommaseo (Piazza Tommaseo, 4/c)

Opened in 1830 by the Paduan, Tommaso Marcato, this is Trieste’s oldest café. It was decorated by the painter, Gatteri, who among other things commissioned the mirrors to be brought from Belgium. It was once a meeting place of merchants and writers and the first establishment in the city to serve ice-cream. It also used to host art exhibitions and concerts, a tradition still kept alive on its premises.

Caffè degli Specchi (Piazza Unità d’Italia, 7)

Founded in 1839 by the Greek, Nicolò Priovolo, it is located in one of the most privileged spots in Trieste, the Piazza Unità d’Italia, on the ground floor of the Stratti building. When you get to this café, you are hard put to decide where to sit – the interior is still tinged with the charm of its glorious past, while the terrace affords lovely views of the square and the sea. Curiously, during World War II it was used to garrison troops, and also as a warehouse and even a stable.

Caffè Tergesteo (Piazza della Borsa, 15)

Housed in the shopping arcade of the Tergesteo Palace, the former seat of Trieste’s stock exchange, it is famed for its stained-glass windows depicting scenes from the city’s history. It was once frequented during the day by businessmen who attended the stock exchange, and by night by the cultural elite.

Caffè San Marco (Via Battisti, 18)

The early years of this café were troubled ones. Having opened in 1914, the following year it was closed down and destroyed by Austro-Hungarian troops for having been the meeting place for the irredentists. It was rebuilt in the twenties, when its regular clientele featured such literary figures as Saba, Svevo and Giotti. It is now a café, cultural centre and library and still breathes the atmosphere of another age.

Caffè Torinese (Corso Italia, 2)

The first thing that strikes one when entering this bar, opened in 1915, is its Art Nouveau decoration, the work of the Trieste cabinet-maker, Debelli. Another stunning feature is the spectacular crystal chandelier that lights its comfortable interior. The current owners have managed to endow the locale with a cool, modern air in the guise of its cocktails and its wine list, which includes local wines.

How to Order a Coffee in Trieste

While this might sound outlandish, Trieste has its own names for different types of coffee and you should bear this in mind unless you want to end up gawking at the waiter who has just served up your order. An expresso is called a nero, while a capuccino is known as caffè latte. If you want a macchiato, you have to ask for a capo (capuccino) and, if you’d like your coffee served in a glass, you should specify “in a b”, as “b” is the abbreviation for glass (bicchiere) in Italian.

Ready for a good cup of coffee in Trieste? Book your Vueling here.

Text by ISABELYLUIS Comunicación

Photos by dani7c3, Caffè Tommaseo, Caffè Torinese, Caffè degli Specchi

No bridge seems to be as famous as the one in Avignon, the central theme of one of the best known children’s songs in France. Indeed, it has been sung in virtually all languages – local guides can even sing it in Japanese – so it comes as no surprise that anyone arriving at the battered Pont Saint-Bénézet is likely to sing the song or even dance it. This structure, twice destroyed by flooding along the Rhone, has become an icon of this Provençal city and its ambassador par excellence, earning it universal fame.

Apart from its bridge, Avignon, which is just an hour’s drive from Marseille, is a historic city, having once been the capital of Christendom and the centrepiece in one of the major schisms in the Catholic Church. Dating from that period is the formidable Papal Palace, the largest known Gothic palace. In the 14th century it witnessed a cultural and economic Renaissance that saw the arrival of bankers, artists and writers from all over Europe in a quest to be near the papal orbit – Petrarch was one of them.

But, it was not until five centuries later that Avignon again became a beacon of intellectual activity.  1947 saw the birth of the Avignon Festival, France’s longest-standing and most celebrated event devoted to theatre and the scenic arts and one of the most firmly rooted festivals in Europe. This year it runs into its 70th edition and will be held from 6 to 24 July at more than 30 venues.

A turning point in the Festival’s schedule of events came in the year 2000 when Avignon was designated the European Capital of Culture. Then ensued a cultural revival in this, the major population centre in the department of Vaucluse – set in the new region of Provence-Alpes-Côte d’Azur – as attested by the opening of the Lambert Collection – Museum of Contemporary Art, set up in 2000 around a historic endowment by the merchant and collector, Yvon Lambert. The endowment is admirable and comprehensive and features permanent exhibitions showcasing the work of Jean-Michel Basquiat, Sol LeWitt, Douglas Gordon and the ever-controversial photographer, Andrés Serrano, among other artists, as well as numerous temporary exhibitions.

Avignon has ten museums in all, prominent among them being the Musée du Petit Palais, with a large collection of medieval painting, the Calvet Museum, the Musée Angladon, dedicated to Impressionism, and the Musée Louis-Vouland, which specialises in the decorative arts. There is also an opera theatre, an exhibition park and some unique facilities like La FabricA, a theatre factory where various companies rehearse their performances in the run-up to the Avignon Festival.

Art is also present in Les Halles Market, endowed with a stunning vertical garden created by the artist, Patrick Blanc. This market is the ideal spot for buying fresh produce and Provençal specialities at one of their forty plus stores.

It would be amiss to end this article without recommending some of the venues for eating the tastiest food in Avignon. One is Maison de Fogasses, a splendid town palace which offers an exquisite menu of the day for around 20 euros based on locally sourced products. Another is LE 46 which specialises in French cuisine with Mediterranean flourishes.

Avignon is the perfect destination for a getaway from Marseille. Check out your flights to Marseille here.

Text by Tus Destinos

Images by Tus Destinos, Avignon-Tourisme (C.Rodde)

Walking through central Prague it’s hard not to get trapped in the elaborate net of touristy souvenir shops and hot wine stands. But just like in the Dark Ages, there is a hidden layer to the today’s city bustling with lights, sights and stores. Jewelry, accessories and home décor by local artists feeding on the country’s rich design traditions may be hard to spot by accident – but now you don’t have to.

ARTĚL

Started by Karen Feldman back in 1988, now ARTĚL is a renowned glassware brand with 2 stores in Prague and a reputation far beyond. Today, they carry Karen’s own patterned glass items as well as countless multidisciplinary articles by young local designers. Earrings to candles and rings to buttons and postcards, ARTĚL is a seminal element in the local design scene.

Celetná 29 (entrance on Rybná), Prague 1
www.artelglass.com
open daily 10:00-19:00

KUBISTA

Housed in a gorgeous cubist building called the House of the Black Madonna, Kubista shares it with the Czech Museum of Cubism and the Grand Café Orient restaurant upstairs. Focusing on one-of-a-kind cubist (and other) jewelry, lamps, and ceramics, Kubista offers a refined, intimate shopping experience. Each item has the designer’s name on the tag, and extra careful packing and shipping for fragile purchases are available.

Ovocný trh 19, Prague 1
www.kubista.cz/en/
open Tue to Sun 10:00-18:30

DOX DESIGNSHOP

The DOX Centre for Contemporary Art is alone worth a visit, but the Designshop within it puts the huge complex on the must visit map. Attracting a younger crowd in terms of both buyers and designers, the DOX Designshop shows how ambitious artists experiment with jewelry as well as traditionally Czech glass and porcelain,. The Bookshop right nearby offers the best design, art and photo book selection in town.

Poupětova 1, Prague 7
www.dox.cz/en/premises-and-shops/designshop
open Mon 10:00-18:00, Wed & Fri 11:00–19:00, Thu 11:00-21:00, Sat & Sun 10:00–18:00
closed Tuesday

FUTURISTA

A unique gallery slash shop slash workshop spot right next to the Bethlehem Chapel, Futurista Universum strives to offer what’s freshest in the local design world. Go there for an impressive selection of contemporary jewelry with an edge, cheeky accessories, and beautiful minimalist glassware. Check the website for the list of current exhibitions.

Betlémské náměstí 5a, Prague 1
www.futurista.cz/en/stranka-o-nas-2
open Mon to Fri 11:00-18:30, Sat 10:00-18:30

BELDAFACTORY

A family-run business dating back to the 1920-s, BELDAFACTORY fuses classical, contemporary and quirky in their distinctive jewelry, wedding rings and tableware designs. Made by hand with metal, precious stones and enamel, these are offered in their very own shop in central Prague, along with selected works by other local artists. Unique glass and porcelain articles are also available.

Mikulandská 10, Prague 1
www.belda.cz/english
open Mon to Fri 11:00-18:00

Image: Kubista

So you feel like visiting Prague, do you? Book your flights here!

Marseille is full of surprises, or at least that’s the feeling you get when venturing into the city. This gateway to the Mediterranean has much more to offer than what is apparent at first sight. For starters, it has two harbours – the Vieux Port (Old Port), enclosed and fortified, a vestige of times when the coastline was invaded by pirates and hostile nations. And, the new – and larger – harbour which opens out to the sea and is a symbol of contemporary times. The elegant buildings lining the city’s streets have an unkempt, decadent yet inspiring air, while the fishing quarters smack of new trends in the guise of art galleries and cafés, and avant-garde spaces such as the MuCEM (Museum for the Civilisations of Europe and the Mediterranean) and the Villa Méditerranée, attesting to Marseille being much more than just a port city. And, in the midst of all this stands the highlight of this article, one of the works which prompts many architects to pilgrimage to Marseille –Le Corbusier’s Cité Radieuse.

This huge building, recently designated a World Heritage Site by UNESCO, together with 16 other architectural works by Le Corbusier, is one of the essential icons of modern architecture and one of the artificer’s major achievements. In this massive and equally beautiful colossus in concrete, the precursor of Brutalist art and ideologue behind architecture as we know it today successfully shaped the vertical city he had dreamed of, which he named the Unité d’habitation (Housing Unity). This was the first in a succession of similar residential buildings which were subsequently erected in Nantes-Rezé (1955), Berlin-Westend (1957), Briey (1963) and Firminy (1965).

Cité Radieuse, known locally as La Maison du Fada (The Nutter's House), is a large apartment block located in the south of Marseille on the Boulevard Michelet. It was designed in 1945 and built from 1947 to 1952. It is made up of 337 duplex apartments distributed over twelve storeys. Apart from its residential function, Le Corbusier also incorporated amenities into the design, including a commercial area on the seventh and eighth floors, gardens, a paddling pool, a gym, a theatre and a nursery on the spectacular rooftop. The edifice was built in rough-cast concrete and its standout feature are the supporting pilotis or piers, as well as the polychromed decoration on the balconies which set up a rhythm across the facade.

Most of the apartments are now private property, although sightseers are allowed to visit the common areas of the building. On the seventh and eighth floors you can see how most of the commercial units have been turned into design and architects studios. An exception to this is La Ventre de l’Architecte, a luxury restaurant affording splendid views of Marseille and the coast. The crowning touch is provided by another communal area, the rooftop, an area of surprises where architectural forms have been turned into spectacular sculptures affording views over the city. A pilot apartment can be visited as part of a guided tour, but be sure to book in advance with the Marseille Tourist Office. Those who would like to broaden their experience of the Cité Radieuse can stay overnight at the Hotel Le Corbusier, housed in the building itself.

Don’t miss the chance to visit Marseille and its architectural jewel, the Cité Radieuse. Book your Vueling here!

Text and photos by Los Viajes de ISABELYLUIS