In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación

New Year’s Eve is marked by special events in all the world’s major capitals. However, few take it so seriously as the people of Edinburgh. Hogmanay, as the festivity is known in Scotland, dates from the 16th century. Pagan in origin, it was brought to Scotland by early Gaelic and Viking settlers. The liturgy for Hogmanay was simple – it was customary to visit the homes of friends and neighbours just before midnight in order to be the first to cross the threshold carrying small gifts like fruit cake, whisky, biscuits or salt to celebrate the occasion. With a tradition of nearly six hundred years to back it, Hogmanay has become one of the most important festivities in Scotland and a tourist magnet for anyone wishing to experience a different New Year’s Eve. The celebrations are long drawn out, crammed with activities marrying culture and entertainment and featuring an extensive review of Scottish history. One interesting statistic – in the mid-nineties, the Guinness Book of Records rated Hogmanay the biggest New Year’s Eve celebration in the world, with over 400,000 celebrators each year.

The upcoming Hogmanay, which will mark the passage from 2016 to 2017, will be held from 30 December to 1 January, a very full weekend during which numerous special events will be hosted at various venues in Edinburgh. In effect, the celebration provides visitors with a unique opportunity to discover the city’s most emblematic landmarks in just three days. Two tips about coming well prepared – be sure to bring both sturdy trainers and thick coats, as the temperatures in Scotland at this time of year are icy cold. Having said that, let’s go over the highlights of the festival.

The standout event is without doubt the Street Party, held in an area sectioned off in the city centre, and set against the backdrop of famous Edinburgh Castle. Various shows are staged from 7 o’clock in the evening of 31 December until 1 in the morning. One of the highlights is the musical fireworks display, held to see out 2016 and bring in 2017. A varied programme of top-notch musical performances will be hosted before and after that event at various venues. From the independent pop of The Charlatans – one of the most acclaimed British groups, with a track record of four decades – to the traditional Celtic sound of Ross Ainslie and Ali Hutton, to jazz gigs by James Brown is Annie and Brass Gumbo. There is even a slot for DJs to plug their hits.

Another show you simply cannot miss is the Torchlight Procession. Scheduled for 30 December, the parade files through Edinburgh’s Old Town and is a charity event long associated with Hogmanay. The dynamics of the procession are simple – you can attend as a spectator or purchase a torch for twelve pounds and join the mass march past, which ends with the lighting of a huge bonfire, a sound and light show and a fireworks display which will be visible from various parts of the city.

We wind up this review of the highlights of Hogmanay (there are many events, which you can check out here) with the grand finale, the Final Fling, featuring Gaelic folk dances. The Final Fling will be held in the Grand Hall of the National Museum of Scotland on Chambers Street, with Heeliegoleerie as the guest stars. Heeliegoleerie are one of Scotland’s most well-established bands who perform at the Ceilidh, an ancestral Scottish festival which acts as a social gathering and also hosts music and dances.

Come and experience Hogmanay for yourself – book your Vueling to Edinburgh here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

By Panenka www.panenka.org

Panenka, a soccer magazine anyone can read, transports us to other countries through their passion for the sport. This time they take us to the Portuguese capital where they show us their perfect eleven, both for those places related to the football game and for those touristic places.

Sports Eleven

1 Sintra A young and wealthy José Alvalade met football in the festivities of this city. On his return to Lisbon, he decided to found a football club.

2 Estádio Nacional do Portugal Headquarters of the final of Taça, hosted the first game in the history of the European Cup: Sporting-Partizan.

3 Estádio José Gomes The home of Estrela da Amadora, a football club that was founded looking at the sky is in the district of Reboleira, in Amadora.

4 Estádio Francisco Lazaro The oldest club in the city is Futebol Clube Benfica also known as “Fofó”, nothing to do with SL Benfica.

5 Estádio do Restelo One of the greatest prides of Belém is Os Belenses and its premises, from where you can see the river Tagus.

6 Estádio da Luz Renovated in 2003, the stadium of Benfica will host the Champions League final in 2014. The statue of Eusebio will greet the winner.

7 Franco Farmácia In the back room of this pharmacy in Belém, Benfica was founded and was given the red color and the eagle as a symbol.

8 Império Pavilhão Bonança Benfica basketball and hockey teams have their court here, along with Da Luz,

9 Estádio da Tapadinha In the district of Alcântara stands Atletico Clube de Portugal, former League champion and now in Second Division.

10 Estádio José Alvalade Also remodeled in 2003 for the Euro Cup. In the first match `played here, Sporting da Liboa vs. Manchester United, Ferguson fell in love with Cristiano.

Clube Naval de Lisboa 11 Founded in 1892 on the banks of River Tagus, is the best association to practice water sports in the city.

Tourism Eleven

A Torre de Belém Built in 1515 and World Heritage Site, is the first lighthouse the ships coming from America see.

B Pastéis de Belém In the bakery of the same name they sell these famous sweets of cream with a secret recipe for over 200 years.

C Monumento a los Descubrimientos A 52 meter long monument to commemorate the discoverer of Madeira, Azores and Cabo Verde.

D A Brasileira A meeting point for cultural Libon between Chiado and Bairro Alto. A statue of Fernando Pessoa included.

E Elevador de Santa Justa To link the districts of Baixa and Chiado Pombalina rises this amazing elevator building.

F Praça do Comércio It is the most important square in the city, former home for the Royal Palace, destroyed by an earthquake in 1755.

G Praça Dom Pedro IV – Known as the Rossio Square, this is the lively and noisys place in the city. Perfect for eating or extending the night.

H Catedral de Lisboa Also kown as “S锑, the oldest building in the city. Dates from S. XII and has a strong Romanic style.

I Museo del Fado In the district of Alfama, the Portuguese style reference, Fado, was born. Amalia Rodrigues sang Fado as anyone.

J Oceanário de Lisboa It is the second of these characteristics in Europe, with over 450 different aquatic species.

K Puente Vasco da Gama Above River Tagus, its 17 km. make it the longest in Europe. The best postcard of Lisbon.

BY Panenka www.panenka.org

Illustration by Pep Boatella / @pepboatella

Why not take a trip to Lisboa? Have a look at our flights here!

When you first visit Portugal, one of the things that invariably catches your eye is the pervasive presence of ceramics and wall tiles in ornamentation. Whether used as wall facings on the inside and outside of buildings – on churches, palaces or private homes, both in large cities and small villages – ceramic tiles are king in Portuguese decoration. Unlike the rest of Europe, where they are used more sparingly, in Portugal they seem to take over the walls. They feature in two major varieties – polychromed tiling and the signature blue-and-white combination, some of which are technically and aesthetically superb.

This cultural heritage of Moorish origin first took seed in Portugal in the 15th century, having entered the country via neighbouring Spain. It soon became the wall facing of choice among Portuguese royalty. The use and quality of ceramic tile decoration reached their zenith in the 18th century. Nowadays, azulejos are still very much in vogue and large workshops continue to operate.

While ceramics are in evidence throughout the country, following is a selection of the leading sites. They are well worth visiting – both for the exquisiteness of their ornamentation or owing to the presence of a large production centre.

Lisbon

As befits a capital, Lisbon is graced with numerous examples of azulejo tile facings, which even cover the walls of the city’s metro system. Among some unusual landmarks to be found in the city is the Quinta dos Azulejos, housed in the Colégio Manuel Bernardes on Paço do Lumiar street. The sheer decorative beauty of the scenes depicted on the walls in the garden is simply stunning.

However, the main reason for including Lisbon in this tour is the Museu Nacional do Azulejo, where visitors can learn all the ins and outs, production techniques and history of this quintessentially Portuguese element of architectural ornamentation. It is also a good point to start off the tour.

Aveiro

This small, beautiful city, also called the “Venice of Portugal” for its canals, which you can sail along in colourful boats known as moliceiros, is enchanting in itself. A coastal city famed for its fishing and salt production, it has a beautiful centre with outstanding examples of Modernist buildings. The authentic jewel of this city is the Railway Station, striking for its ceramic ornamentation and a fitting final flourish to any visit here. The polychromed azulejos feature depictions of railway scenes, as well as motifs from nature, culture and traditional activities. And, while you are in the city, be sure to see the beach with its bathing boxes painted in colourful stripes.

Ovar

This coastal city is worth visiting for its beaches, but it also boasts a large number of public buildings adorned with azulejos, most of which come from the factories at Vila Nova de Gaia and Aveiro. The plethora of tiled wall facings has earned Ovar the nickname of the “Azulejo Museum City”.

Válega

Just six kilometres from Ovar lies the village of Válega, where you should make a point of visiting the Church of Nossa Senhora do Amparo. Its walls are faced, both inside and out, with mostly polychromed tiles, except for the external side walls and back, which are bicoloured in blue-and-white tiles. Construction work on the church began in 1746 and lasted for a whole century.

Ilhavo

Ilhavois noteworthy above all for its Vista Alegre Factory, one of the most internationally acclaimed sites in Portugal. Founded by José Ferreira Pinto Basto in the early 19th century for glass and porcelain production, it houses a museum where visitors can learn about ceramics culture through the collections on display and the values associated with Vista Alegre.

Book your Vueling to Lisbon and discover for yourself this wonderful ceramic ornamentation on Portuguese buildings and monuments.

Text by Los Viajes de ISABELYLUIS

Images by Sunny Ripert