Manchester is one of the most highly industrialised cities in the United Kingdom, but also one of the most culturally alive. Particularly in terms of music – this is the cradle of punk, and of the groups that were spawned thereafter, notably Joy Division, New Order, The Smiths, The Stone Roses and Oasis, young bands eager to forge a better future, far removed from the industrial assembly lines. The fact is that this musical tradition also generated an extensive network of record shops, scattered across the city centre, stores which are still very much alive and kicking.

The good thing about Manchester is that, being a comparatively small city, roughly the size of Barcelona, it doesn’t take long to get from one end of it to the other. So, if you’re thinking of going there, while you’re visiting the stores we recommend in search of that record you are missing from a collection, or simply just browsing and getting your fingers grubby, you will also have time to wander through the area where the legendary disco, The Haçienda, was located, as well as the Museum – of Science and Industry, of course. So, let’s get started with those five temples of vinyl:

Empire Exchange

Rather than a store, this is more of a basement warehouse where you can wander about and breathe in dust, in search of that record by The Beatles or The Rolling Stones you need to round off your collection. Empire Exchange is acclaimed for having one of the most comprehensive selections of seven singles in England. Indeed, they stock records released from 1930 onwards. This temple of rare vinyls is located in the city centre, specifically, on Newton Street.

Piccadilly Records

Situated in the heart of Manchester, on such a venerable precinct as Oldham Street, you will feel like just another Mancunian when you stroll along it. Piccadilly Records specialises in rare albums which are hard to come by, but also in new releases of independent pop and rock and reissues of classics. Incidentally, the store is very near Piccadilly Gardens, one of the city’s loveliest green areas. It is ideally placed for visiting afterwards and having an impromptu picnic.

Clampdown Records

A small but charming shop which packs a punch, and its vintage appearance endows it with a special status. Here you will find an exquisite selection of used vinyls (especially punk and new wave) and, if you’re game for getting your fingers dirty, you can pick up some gems at a great price. Clampdown Records is on Paton Street, next door to Manchester’s old town. The area has a generous sprinkling of restaurants where you can grab a weekend brunch.

Vinyl Resting Place

Like Clampdown Records, this is also a small store which has maximised available space to a tee. It is on the third floor of Afflecks Palace, right in the centre of Manchester and near both Piccadilly Records and Empire Exchange. So, all you need is a good pair of trainers with air pockets to wander about and fit in. Vinyl Resting Place stocks a good collection of used vinyls, which range from reasonably-priced records to rare releases which will cost you an arm and a leg if you bite the bait. You’ve been warned!

Soundwaves Here We Come

This is the ideal spot for winding up your tour, as the store is also located in Afflecks Palace, just one floor down from Vinyl Resting Place – you just have to slide down the stairs to get there. The list of used vinyls at Soundwaves Here We Come encompasses virtually all styles. What’s more, if you’re lucky, you may catch some group playing live, as the store owners organise regular concerts to promote the city’s upcoming bands. Who knows – you may even be fortunate enough to cross paths withThe Stone Roses!

Put on your walking shoes and experience the magic of record hunting – check out our flights here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Images by Marc Wathleu

About an hour’s journey from Paris lies the Loire Valley, an area of vital importance in France’s history and one of the country’s fortes when it comes to tourism. The valley played a vital strategic role in the past – while it was there that, in the Middle Ages, defence works were first erected to contain the Vikings, centuries later it was the setting for the bloody battle between the English and French during the Hundred Years’ War. The reign of Charles VII marked a turning point for this beautiful valley as it was then that it reached its moment of maximum splendour and became the favourite haunts of the French nobility. They embarked on a spectacular spree of castle building on rural lands, the castles becoming veritable recreational grounds for giving free rein to their hedonistic urges. Subsequently, the French Revolution wrought havoc among most of them, leading to the loss of a considerable portion of the area’s heritage. The castles were later restored with a view to recovering their bygone splendour and they have now become one of France’s leading tourist attractions.

According to the association, “Châteaux de la Loire, Vallée des Rois” (Castles of the Loire, Valley of the Kings), which is tasked with managing the Loire Valley’s heritage, the region boasts some 70 listed sites which, in addition to castles, also include abbeys, churches and museums. Clearly, it would be madness to attempt seeing it all in one go. Visitors usually make a selection of sites to see before their tour. Here, then, are some of the standout castles:

Château de Chambord – This former hunting lodge of King Francis I is one of the kingpins of the French Renaissance in which the medieval tradition blends seamlessly with classical Italian structures. It is one of the largest and most popular castles on the route. The forest of chimneys towering over the rooftop and the double spiral staircase in the interior are absolutely stunning.

Château de Cheverny – Belonging to the Hurault family, is also dates from the Renaissance and is noteworthy for its interior decoration. Curiously enough, the building was the source of inspiration for Hergé, the creator of Tintin, when he drewChâteau de Moulinsart(Marlinspike Hall).

Château de Chenonceau – Also known as “The Ladies’ Chateau”, it is a veritable icon on the Loire châteaux route and one of the most widely visited. Built in the 16th century, one of its most striking features is its location, spanning the river Cher.

Château de Blois – The official residence of the French Kings during the Renaissance. Of the many tales that arose around it is one that claims Joan of Arc was blessed in its chapel before leading her army out to relieve the besieged city of Orleans. It now operates as a museum.

Château d'Amboise – Originally a medieval fortress, it was turned into a royal residence during the reigns of Charles VIII and Francis I. Its claim to fame is that Leonardo da Vinci was buried here after spending the last three years of his life in the castle.

Château de Langeais – Regarded as the oldest fortress in France, much of its medieval charm remains intact, including the drawbridge, which strikes a marked contrast with the Renaissance style of the west facade.

Château de Chaumont – One of its numerous owners was Catherine de Medici who counted Nostradamus among the many guests she entertained there. The garden, designed by Henri Duchêne, is where an annual International Garden Festival is currently hosted from late April to mid-October.

Five days is considered to be the minimum amount of time you need to spend on a Loire Valley itinerary. You can plan a linear route, starting from a point nearest Paris and ending on the far side (or the other way around), or stay in one of the major cities along the route, like Orleans, Blois and Tours, and make sorties from there to various landmark sites you have chosen. The most comfortable way to get around is by car, although there are other alternatives, including availing yourself of the many bus tours to be had, and combining them to suit your agenda. The fittest among you can opt to tour these lands by bicycle, taking advantage of the comparatively flat terrain.

Be sure to take a flight to Paris and head for one of these valleys with their pedigree collection of castles.

Text by Los Viajes de ISABELYLUIS

Images by Frédérique Voisin-Demery, Thomas Steiner, Benh LIEU SONG, MFSG, Jean-Christophe BENOIST

Apart from this conjunction in location and time, can an event like Sónar 2017, with the most advanced music proposals, be related to a figure who was able to capture and assimilate the essence of upcoming trends for nearly half a century like David Bowie. We believe that it can indeed. At My Vueling City we lay several bridges between the two and single out items in this year’s Sónar programme which embody the ever-restless spirit of “The Thin White Duke”.

Rebel Rebel
Bowie’s demeanour was always tinged with a heady potion of defiance against established values. He never settled in to any set aesthetic, as evinced in his constant regeneration – at every new release, he rebelled against the previous one, which accounts for his endless change of image.

The exhibition, David Bowie Is, opens at the Museu del Disseny de Barcelona on 25 May 2017. Produced by London’s Victoria and Albert Museum, it has already attracted over one and a half million visitors in the eight cities where it has been hosted so far, including London, Berlin, Paris and Chicago, making it the most visited exhibition in the 164 years since the inception of the V&A.

On display at the exhibition are over 300 objects, including photographs, record covers, handwritten letters, original costumes, stage designs and hitherto unseen material from Bowie’s concerts over the last five decades, on loan from the David Bowie Archive. David Bowie Is takes an in-depth look at the way David Bowie’s music and radical individualism have inspired others by defying conventions and seeking freedom of expression.

The Impact of Sound, and Sight Too
This year Barcelona is hosting two events related to music, and also to advanced thinking and the creative avant-garde. On the one hand, the largest exhibition ever dedicated to Bowie and, on the other, the world’s largest electronic music festival. We all know Bowie’s prowess in the musical sphere, in terms of his great ability to assimilate styles and his insatiable effervescence, which kept him constantly in touch with the latest trends until the end of his life. Indeed, the standard bearer of glam rock also flirted with more advanced genres, notably ambient music and drum and bass. Here then are some of the proposals in this year’s Sónar programme which we feel are imbued with Bowie’s spirit through and through.

Arca
Arca undoubtedly condenses the cryptic essence of Bowie’s final studio album.Blackstar and Arca speak the same language – both are solemn; both seem to know the afterlife. Of all the world’s festivals, Sónar was singled out by Arca, the unclassifiable musician and producer, for a live presentation of his newly released work which redefines him as an even more complex and evolved figure. This show will also feature the presence of and visuals by Jesse Kanda.

Moderat
Bowie moved to Berlin in the second half of the 1970s and there he became steeped in the high-calibre art and music scene. Those were the years of his collaboration with Brian Eno, during which he released the trilogy of Low, Heroes and Lodger. Moderat clearly dovetails to perfection into this pure Berlinese tradition – pop and electronic music with tunes in black and white. Moderat started out as a collaborative project between Gernot Bronsert and Sebastian Szary (Modeselektor) on the one hand, and Sacha Ring (Apparat) on the other. The idea was to work together whenever their respective projects left them enough spare time.

Nicolas Jaar
Bowie incorporated the new dance and experimental music trends in the 1990s, as evinced in such albums as Earthling and Outside, with a nod to drum and bass, electronic metal and even avant-garde jazz. Nicolas Jaar is a musician who merges seamlessly into that philosophy of musical defiance which cannot be stuffed into any specific stylistic straitjacket and also imparts a political or poetic message to his creations.

Phosphereby Daito Manabe
Music was Bowie’s great passion throughout his long career. He collaborated with the great stars of pop and rock, notably Queen, Lou Reed and Mick Jagger, and those of contemporary music such as Philip Glass, but that was not the only discipline he excelled at. He also collaborated with such top-notch artists as Tony Oursler. So, it can’t be ruled out that Bowie might have authored the background music to Phonosphere, by Daito Manabe, one of the most acclaimed digital artists in the world. This installation is an important step forward in new kinds of immersive creation and will be one of the highlights of Sónar+D 2017. This monumental structure is a robotic hybrid architecture in which synchronized mirrors, smoke machines, beams of light and up to 24 video projectors combine to create an unprecedented spatial experience, drawing from the world of new contemporary dance music, as well as the vocabulary of projection mapping.

Boris Chimp 504
Space Oddity was Bowie’s first big hit. The single was released at a time when humanity was in the grips of space exploration in the guise of journeys beyond the stratosphere. With his Multiverse, Boris Chimp 504 takes us back to that period. This audiovisual, real-time performance emphasises the relationship between audio synthesis and graphical language, with the story of the first ape to be sent to the moon in 1969 as the point of departure.

Book your Vueling to Barcelona and score a luxury double in its most highly evolved aspect – Sónar – while looking back to the figure of The Thin White Duke at the exhibition, David Bowie Is.

Text by Los Viajes de ISABELYLUIS

Located in the south of France, an hour’s drive from Marseilles and alongside the Rhone, Arles is a town you really must see if you’re heading to Provence. And, if you’re also a fan of Van Gogh, you have even more reasons to rediscover the landscapes and architectures that inspired the grand master in his Post-Impressionist painting.

Arles’ Roman Past

You cannot possibly visit this town without becoming steeped in its Roman heritage. In AD 46, as a reward for having supported Julius Caesar is his struggle against Pompey, Arles was turned into the major harbour in the area, a privilege which was withdrawn from Massilia (the former Marseilles), for having mistakenly supported the opposite side. As a result, the town then lived out its age of splendour, of which several monuments have survived the test of time, some still in excellent condition. One example is the Arles Arenas, an amphitheatre built around the 1st century AD for staging gladiator combats, the most spectacular show at the time. It is still used today, as it hosts theatre plays, concerts, bullfights and courses camarguaises (a typically local type of bullfighting). The 1st-century AD Roman Theatre is another standout monument in the city. Like all Roman cities, Arles also had its forum, the centre of the community’s social, political and religious life. In addition to the nomenclature, Place du Forum, it features an underground Cryptoporticus, a network of galleries where foundations were laid and which is open to visitors, accessed via the Hôtel de la Ville.

Other Sights in the Town

The Church of St. Trophime, located in the town hall square, is a classic example of Provençal Romanesque and Gothic. Built between the 12th and 15th century, its cloister is also well worth visiting. Another interesting sight is the Alyscamps, A Roman necropolis which was taken over by the Christians and used until the end of the Middle Ages. For those interested in discovering the town’s archaeological history, we can recommend a visit to the Musée Départemental Arles Antique, which features some striking mosaics, among other things.

Arles – the Setting for Van Gogh’s Paintings

Apart from drawing tourists to its monumental heritage, Arles attracts visitors for having being one of the major settings for Van Gogh’s works. The artist’s sojourn in the town was comparatively short – from February 1888 to May 1889 – but there he was hugely prolific, producing over 200 paintings. Captivated by its light and colour, he painted it in all its guises. Curiously enough, not one of these paintings is housed in Arles, but you can still visit all the places that inspired them. We recommend getting a street map – which can be picked up in the tourist office – and letting yourself get carried away. Some of the landmarks on the Van Gogh tour are:

- The Maison Jaune (Yellow House), on the Place Lamartine;

- The “Café la Nuit” (Night Café), on the Place du Forum;

- Arles Arenas and the Alyscamps;

- Trinquetaille Bridge;

- “Starry Night Over the Rhone”;

- “The Old Mill”, on rue Mireille;

- The garden on the Boulevard des Lices;

- The garden of the hospital, known as the Espace Van Gogh (where he was admitted during his illness and where he had his ear stitched back on after cutting it off);

- The Langlois Bridge, also known as the Van Gogh Bridge.

However, Arles did not only serve as Van Gogh’s haunts. Gauguin also visited the town and painted some of its spots. It was precisely on account of an argument between the two painters that Van Gogh ended up cutting off his ear. Another genius, Picasso, also frequented Arles over a number of years. He would often go there to watch bullfighting and to visit his friends. Proof of his close ties to the town is the donation he made of fifty-seven drawings, which can be seen in the Arles Fine Arts Museum, the Musée Réattu.

Ready to take a Vueling and be dazzled by Arles?

Text by ISABELYLUIS Comunicación

Photos by Joan Sorolla, Tristan Taussac, Anne Jacko, Shadowgate, Phillip Capper, Claude Valette