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The Cats of The Hermitage

The Hermitage Museum is a must-visit for sightseers in Saint Petersburg. It is one of the best ways to delve into the country’s past – that of the Czars – to get an idea of the opulence and splendour they lived in. The figures speak for themselves: the Hermitage has over three million artworks, from both East and West, including paintings, sculptures, archaeological pieces, Greek and Roman antiquities, jewellery and weapons – imagine that! The art gallery rates among the finest in the world, leaving behind other great art museums such as the Louvre and the Prado. What’s more; only about 3% of that huge number of artworks are actually on public display.

That enormous private collection, which became a State Museum in 1917, dates from 1764, when Catherine the Great acquired 225 Dutch and Flemish paintings. It was also during her reign that construction began on the massive architectural complex where the collections are now housed. It is made up of seven buildings: the Winter Palace – the former residence of the Czars – the Hermitage Theatre, Old Hermitage, Small Hermitage, New Hermitage, General Staff Building and the Menshikov Palace, once the residence of the governor of Saint Petersburg.

The Hermitage Cats

What strikes visitors to this magnificent museum – apart from its wealth, splendour, fine execution and antiquity – are the cats that roam about there. In case you think they are there by chance – no, they are there by design, as they are tasked with hunting down rodents to prevent any artworks from deteriorating. Thus far, it might just sound like some quaint story but there is actually a long history behind these feline guardians. In fact, they are the only tenants of the Palace that have survived all the upheavals of the country’s past – the Napoleonic invasion, the Russian Revolution and the German invasion during World War II.

The first cat to appear in the royal palace was brought there by Czar Peter I from the Low Countries. But, it was his daughter, Czarina Elisabeth Petrovna, who in 1774 decreed the use of cats to rid the palace of mice, which she was genuinely terrified of. Cats have lived in the Winter Palace ever since and have witnessed the passage of Czars, courtesans and the Bolsheviks. Nowadays they share the premises with the museum staff and visitors. Only the siege of Leningrad, which lasted nearly 900 days and sowed famine throughout the city, caused them to vanish temporarily.

There are currently over 60 cats of different breeds roaming through the basements, the offices and the area surrounding the Hermitage, although they are not allowed into the exhibition halls. They even have their own caretaker, Irina Popovets. While the museum does not have a budget for their upkeep, funds are raised for this purpose by different means. They are supported through private patronage and the association, “Feline Friends of the Hermitage”. They have even had exhibitions held in their honour.

Whether you like these whiskered creatures or not, we recommend you book a Vueling to Saint Petersburg to discover one of the world’s largest and finest art collections.

 

Text by Los Viajes de ISABELYLUIS

Images by James Byrum, Brent Ozar, Jorge Cancela, RachelH_

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Frightfest London’s Best Horror Movies

A festival that has grown steadily over the years is Frightfest, which in 2017 has come of age (it turns eighteen). This time around sees a host of screenings of fantasy films and horror movies. From 24 to 28 August, Cineworld and The Prince Charles Cinema in Leicester Square will turn London into the world capital of the genre. The two cinemas are five minutes’ walk away from each other, located in the heart of the city. And, the great thing about it is that the location of both festival venues, plus the screening times of the films, means you can stroll around the centre of London and have ample time to enjoy the movies just after lunch time.

The programme for this year’s Frightfest is a veritable wet dream for horror movie fans, with a stack of European and worldwide premieres that make a trip to London worth your while. Here, then, are some of the highlights – the world premiere of “Cult Of Chucky”, a new instalment featuring the dreaded killer doll; the long-awaited American version of the manga “Death Note”, directed by Adam Wingard, the planetary premiere of “Leatherface”, based on the famous character from “The Texas Chainsaw Massacre”, and Spanish genre movies like “El bar”, by Alex de la Iglesia and “Verónica”, by Paco Plaza, in addition to gems of the independent horror genre like “Psychopaths”, “Freehold”, “Tragedy Girls”, “Game Of Death” and “Redwood”. But, apart from new releases, the festival also intends to pay tribute to some legendary figures of the genre. In this respect, be sure to highlight in red the screening of “King Cohen”,a documentary on Larry Cohen, one of the heroes of independent Yankee horror and fantasy films, as well as modern classics such as "Hatchet” and “Return Of The Living Dead III”. Take note – many of these movies will be presented by their protagonists (film stars, directors and producers), so you might as well take along a marker pen if you want to score some autographs.

As for tickets, Frightfest offers three options – single tickets for each session, day passes and a festival pass for the whole festival. Tickets can be purchased online at both official venues. Getting to the cinemas is a cinch. The Underground stop is Leicester Square,which is in Zone 1 on the Travelcard (the cheapest one) and you can take two lines to get there – theNorthern andPiccadilly lines.

As intimated earlier, the Frightfest programme is concentrated mainly in the afternoons, which means you’ve got the mornings free. Here are some ideas about rounding off the festival experience:

– Drop in on the Forbidden Planet stores, specialised in comics, collector figures and all kinds of products related to the sci-fi, fantasy and horror genres.

– Visit the Tower of London, one of the places with the darkest, gloomiest history in the city. It was there that Henry VIII committed all kinds of murders and torture, and it is also the scene of a number of famous ghost stories. Clearly a must-visit spot for devotees of Gothic horror.

– See the Grant Museum of Zoology, by way of a Victorian time capsule, where you will feel as though you’re a character in the “Penny Dreadful” series. The Grant Museum transports the visitor to the second half of the 19th century, featuring a collection of animals in jars filled with formol, both known and rare species, some of them extinct. It also has a collection of skeletons which will make your hair stand up.

Don’t miss out on the chance to enjoy this exceptional festival of horror and fantasy films – book your Vueling now!

Text by Xavi Sánchez Pons

 

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Cité Radieuse Le Corbusier In Pristine State

Marseille is full of surprises, or at least that’s the feeling you get when venturing into the city. This gateway to the Mediterranean has much more to offer than what is apparent at first sight. For starters, it has two harbours – the Vieux Port (Old Port), enclosed and fortified, a vestige of times when the coastline was invaded by pirates and hostile nations. And, the new – and larger – harbour which opens out to the sea and is a symbol of contemporary times. The elegant buildings lining the city’s streets have an unkempt, decadent yet inspiring air, while the fishing quarters smack of new trends in the guise of art galleries and cafés, and avant-garde spaces such as the MuCEM (Museum for the Civilisations of Europe and the Mediterranean) and the Villa Méditerranée, attesting to Marseille being much more than just a port city. And, in the midst of all this stands the highlight of this article, one of the works which prompts many architects to pilgrimage to Marseille –Le Corbusier’s Cité Radieuse.

This huge building, recently designated a World Heritage Site by UNESCO, together with 16 other architectural works by Le Corbusier, is one of the essential icons of modern architecture and one of the artificer’s major achievements. In this massive and equally beautiful colossus in concrete, the precursor of Brutalist art and ideologue behind architecture as we know it today successfully shaped the vertical city he had dreamed of, which he named the Unité d’habitation (Housing Unity). This was the first in a succession of similar residential buildings which were subsequently erected in Nantes-Rezé (1955), Berlin-Westend (1957), Briey (1963) and Firminy (1965).

Cité Radieuse, known locally as La Maison du Fada (The Nutter's House), is a large apartment block located in the south of Marseille on the Boulevard Michelet. It was designed in 1945 and built from 1947 to 1952. It is made up of 337 duplex apartments distributed over twelve storeys. Apart from its residential function, Le Corbusier also incorporated amenities into the design, including a commercial area on the seventh and eighth floors, gardens, a paddling pool, a gym, a theatre and a nursery on the spectacular rooftop. The edifice was built in rough-cast concrete and its standout feature are the supporting pilotis or piers, as well as the polychromed decoration on the balconies which set up a rhythm across the facade.

Most of the apartments are now private property, although sightseers are allowed to visit the common areas of the building. On the seventh and eighth floors you can see how most of the commercial units have been turned into design and architects studios. An exception to this is La Ventre de l’Architecte, a luxury restaurant affording splendid views of Marseille and the coast. The crowning touch is provided by another communal area, the rooftop, an area of surprises where architectural forms have been turned into spectacular sculptures affording views over the city. A pilot apartment can be visited as part of a guided tour, but be sure to book in advance with the Marseille Tourist Office. Those who would like to broaden their experience of the Cité Radieuse can stay overnight at the Hotel Le Corbusier, housed in the building itself.

Don’t miss the chance to visit Marseille and its architectural jewel, the Cité Radieuse. Book your Vueling here!

Text and photos by Los Viajes de ISABELYLUIS

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Carcassonne Medieval Inspiration

Set in the middle of a triangle comprising the cities of Toulouse, Montpellier and Barcelona is this spectacular walled city, a captivating sight for all who visit it. Fittingly, it was designated a World Heritage Site by UNESCO in 1997. It is one of the leading tourist magnets in the Languedoc region and the whole of France, attracting around 4 million visitors each year. Here are the reasons why Carcassonne has become a must-visit destination.

Important Strategic Enclave

The city’s strategic location, set as it is on a hillside overlooking the Aude river valley, made it the perfect vantage point for surveilling such important routes as the one linking the Iberian Peninsula to the rest of Europe, and the Atlantic to the Mediterranean. Thus, Carcassonne became a key city for centuries. In Roman times it was already an important trading post and was coveted by Gauls, Romans – who built the first walled fortifications – Visigoths and Moors, until it ended up becoming a French royal army garrison.

A Walk Through the Cité

Vestiges of that illustrious past as a strategic bulwark can be seen in the upper city of Carcassonne, now known as the Cité, site of the old walled fortifications. Sightseers touring the interior of this huge walled precinct are immediately transported to a bygone era. The Cité is fortified by two concentric walls – the innermost ring was erected in the times of the Gauls, Romans and Visigoths, while the outer, far sturdier ring with four towers was added from the 13th century onwards. Once inside, visitors are encouraged to stroll through the city streets and soak up the medieval atmosphere that pervades the complex. The major landmarks here are the Château Comtal (Castle of the Counts), in the west of the fortified city and attached to the wall, and the Romanesque Basilica of Saint-Nazaire. Be sure to also visit the Pont Vieux (Old Bridge) which crosses the Canal du Midi and links the Cité to the lower part of Carcassonne.

Some Extras On the Way

The counterpoint to this journey into the past, which takes you through the streets of medieval Carcassonne, finds its ideal complement in a culinary break in one of the restaurants you will come across on your tour. Treat yourself to a good glass of wine, preferably Corbieres, the local Designation of Origin, accompanied by duck confit or cassoulet (a local bean stew). The best way to round off your visit to this city.

Viollet-le-Duc – The Other Great Protagonist of Carcassonne

Much of Carcassonne’s appeal revolves around the figure of French architect, archaeologist and writer, Viollet-le-Duc and the “restoration”, as unique as it was controversial, which he carried out on the Cité in the mid-19th century. The fact is that, following the Treaty of the Pyrenees in 1659,  the fortified precinct of Carcassonne was abandoned altogether and gradually deteriorated with the implacable passage of time. Indeed, it was so derelict that some voices called for its wholesale destruction. However, by popular request, it was earmarked for refurbishment, a task which was commissioned to one of the leading figures of the moment, Viollet-le-Duc.

Rather than what would now be considered a refurbishment, visitors currently find themselves before a full-blown reconstruction of the old city, including the odd flourish of a Romantic bent added by Viollet-le-Duc himself. He actually applied what was very much in vogue in restoration work at the time, although his endeavours have subsequently drawn considerable criticism from the experts. However, the result admittedly hangs together rather well and achieves the effect of immersing the visitor in a medieval past which the architect purposely set out to reinterpret.

Book your Vueling to Toulouse, which lies less than 100 kilometres from Carcassonne, and travel back in time behind the walls of that wonderful fortified precinct in Languedoc.

Text by Los Viajes de ISABELYLUIS

Images by Tournasol7

 

 

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