Federico García Lorca, the poet, playwright and a member of the Generation of 27, was undoubtedly one of the leading figures of 20th-century Spanish literature with worldwide acclaim. He is the artificer of such magnificent works as Gypsy Ballads, Poet in New York, Blood Wedding, The House of Bernarda Alba and Yerma, among others. The biography of Federico García Lorca is closely linked to the city of Granada and to some villages in the surrounding Vega of Granada. Just as these lands left their mark on his work, so has Lorca’s influence lingered there over time. We now retrace the footprints of this magnanimous artist.

The Lorca route sets out from Fuente Vaqueros, a small town on the Vega de Granada where the poet was born. The house where he was born, located at 4 Calle García Lorca, which has been turned into a museum, provides visitors with an idea of his first steps in life.

Near Fuente Vaqueros lies the town of Valderrubio. Apart from being the first place to grow Virginia tobacco brought from the Americas, it was here that Lorca spent his holidays during his infancy. Prominent places of interest include the house of Bernarda Alba, on the Calle de la Iglesia, which was next door to García Lorca’s family home. As you may have gathered, it was the source of inspiration for one of his most widely acclaimed stage plays, The House of Bernarda Alba, with its mordant portrayal of life in the Spanish heartland. The old family abode has been turned into a House Museum, with some of the poet’s personal belongings on display.

In 1909, the Lorca family moved to Granada, where our route continues. His first home in this city was at 50 Calle Acera del Darro and the second, at 31 Acera del Casino. In 1914 he started a degree in Law and Arts at Granada University. During that period, he began to frequent what was one of the most celebrated meeting places of young intellectuals, the Café Alameda, which is now the Restaurante Chikito. That what where the conversational circle known as “El Rinconcillo” used to meet. The group was made up of artists of different disciplines whose common aim it was to promote cultural renewal in the city. The Centro Artístico y Literario de Granada (CALC) and El Polinario – also a famous flamenco tablao– were other spots frequented by Lorca.

An upshot of these gatherings was that Lorca struck up a friendship with Manuel de Falla, also a member of “El Rinconcillo”. Together they organised the first Cante Jondo de Granada contest – also a first in the whole of Spain – which was held in the Plaza de los Aljibes at the Alhambra.

The second-last stopover on our itinerary, just two kilometres from Granada, is the town of Huerta de San Vicente, the family’s summer residence from 1926 to 1936. Set in a beautiful park, it became a retreat for Lorca and it was there that he was able to relax, and draw inspiration to write. It was also the place where he spent the last few days of his life. The home has now been turned into the Federico García Lorca House-Museum, with furniture, personal objects and photographs of Lorca on display.

When the Spanish Civil War broke out in the summer of 1936, Lorca was forced to seek refuge in the family home of the poet, Luis Rosales, although this did not prevent him from being arrested on 16 August 1936. Our final stop on this itinerary through Lorca’s haunts in Granada is an olive grove located between Vízcar and Alfacar, where Federico García Lorca was executed by firing squad in the morning of 18 August. This subsequently became a park named after the poet. In it stands a monolith in memory of the victims of the Francoist repression during the Civil War.

Good reason to book your Vueling to Granada and follow the Lorca trail through Granada.

Text by Los Viajes de ISABELYLUIS

Images by Alfons Hoogervorst, John Levin

Antwerp lies 50 kilometres from Brussels and is a must-see city if you happen to be in Flanders. There you will find all the ingredients for enjoying a splendid getaway – streets brimming with fashion, a magnificent historic centre with beautiful buildings, including the Rubens House museum, and a culminating tour of the district where 85% of the world’s diamond trade is concentrated – not bad, is it?

One of the best ways to “drop in on” the city is by train as you will be greeted right away by the spectacular Central Station. Built from 1895 to 1905, it consists of a large, formidable structure crowned by a huge dome and decorated in twenty different types of marble, which has earned it the nickname of “marble temple”. No wonder it is regarded as one of the finest stations in the world.

After such a grand reception, the best thing is to head for the city’shistoric centreto rake up vestiges of its splendid past. A must-visit site is the Grote Markt (Main Square), framed by 16th- and 17th-century guild buildings, with pride of place going to the Antwerp City Hall. In the centre of the square stands one of the icons of Antwerp – the fountain of Silvius Brabo. Sculpted in bronze in 1887, the theme relates to the origins of the city. Legend has it that a giant named  Druon Antigoon, who guarded the bridge over the river Scheldt, used to charge a toll for any boats wishing to sail by. Any boatman who refused to pay the fee would have his hand cut off and thrown into the river. One day, the Roman centurion, Silvius Brabo, who had grown tired of this situation, cut off the giant’s hand and threw it into the river, giving rise to the origin of the name Antwerp (Ant= hand, werpen= to throw). No wonder then that a typical local confectionery called handjes is shaped like a hand, in memory of the legendary event.

Pressing on with our downtown walk, we recommend stopping to visit the Cathedral which houses one of Rubens’ masterpieces, The Descent from the Cross. Another sight worth visiting is the Gothic Church of St James, part of the branch of the Road to Santiago which starts in the Netherlands.

Another major landmark in Antwerp is the Rubens House (Rubenshuis), where the painter spent the last 29 years of his life. Now a museum, it successfully conveys how this artistic genius lived and worked. Rubens was one of the favourites of King Philip IV of Spain, his leading patron.

Among the curiosities of this city, which has earned it worldwide fame (notwithstanding its harbour, which is one of the major ports in Europe), is its important role in the diamond trade. The figures talk for themselves: 40% of the world’s industrial diamond is marketed in Antwerp, as is over 85% of rough diamond and 50% of polished diamond – nothing to be scoffed at! The district where all this activity takes place lies south of the Central Station. There, sightseers can visit the Diamond Museum and brush up on their knowledge of this luxurious, highly valuable mineral.

More suited to a variety of budgets is Meir, the city’s most important shopping street, where you can find all sorts of brands sold from the interiors of beautiful 18th- and 19th-century town palaces. Fashion and design are also major players in Antwerp, so be sure to head for Nationalestraat to visit MoMu, the Fashion Museum.

Let yourself be carried away by the charms of this beautiful city – book your Vueling to Brussels here.

Text by Los Viajes de ISABELYLUIS

Images by tom hartley

A land fringed with some 1,800 kilometres of coastline opening onto the wild Atlantic, where winds and currents drive the build-up of waves, is bound to be the perfect destination for surfers. We now reveal the reasons why Portugal exerts such a pull on surfers and pinpoint some of the best beaches for doing this thrilling sport.

Why Surfing in Portugal Rocks

Waves of all sizes and for all tastes. The long Portuguese coastline has ample room for everyone wanting to surf, be they beginners or those who have had loads of waves behind them; that is, under their surfboard.

The good climate. In Portugal, the weather is usually good most of the year around, except in winter, when temperatures go down. The rest of the year is conducive to having a good dip with your surfboard in tow.

The food is fantastic. After a hard day’s riding waves, regaining your strength by downing some great sardinhas asadas (grilled sardines) or savouring an exquisite dish of bacalhau à brás codfish is a delight on the palate.

Affordable prices. In Portugal it is comparatively easy to find quality food and accommodation at more than reasonable prices. What more could you ask for?

The Best Beaches for Catching Waves

Portugal boasts a vast array of surfing beaches, but here are the most outstanding ones:

Ericeira

Apart from being a charming fishing village, Ericeira, situated 30 kilometres north of Lisbon, is one of the favourite destinations for surfers heading for Portugal. It has the distinction of being Europe’s first listed World Surfing Reserve on account of the quality of its waves, the great number of surfing spots and its environment. One of the most prominent spots is the area of Coxos, a small cove with waves of up to 5 metres high, suitable only for daredevils. Another of the noteworthy enclaves is around Ribeira d’Ilhas, ideal for all kinds of surfers and well-known for its beach bars, where people congregate to refuel and socialise. Any time of year is suitable for surfing on these beaches.

Peniche

Situated in the central area of Portugal’s coastline, Peniche offers what is probably the best set of surfing beaches in the country and draws enthusiasts from all over Europe. One of the best beaches is Supertubos – known among surfers as “Eurotube” – with powerful waves that will meet all surfing aficionados’ expectations. Its reputation has earned it the honour of hosting the world surfing championship once a year. Apart from surfing, its beaches are also ideal for bodyboarding and diving.

Nazaré – Praia do Norte

Like Peniche, it is situated in the central stretch of the country’s seaboard. The American, Garrett McNamara, has the honour of having surfed the biggest wave this year, an amazing 20-metre-high wave on the Praia do Norte. Indeed, herein lies the particularity of this spot on the coastline, where waves can often get to 10 metres, which is therefore a major draw for the big riders. The best time of year for viewing and experiencing this marvel of nature is in winter.

Arrifana

Situated on the Costa Vicentina in the northern Algarve, Arrifana is another of those destinations surfers should be considering. The beach is flanked at both ends by cliffs, accessed by a steep stairway. Apart from being a surfing spot, visitors to this area can also enjoy nature in the magnificent South-west Alentejo and Vicentine Coast Natural Park. The best time for surfing here is in early spring, as in summer it tends to get overcrowded.

Sagres

Also located in the Algarve, Sagres has become a veritable surfing hub. It is the ideal spot for signing up for a Surf & Yoga course at the Freeride Surf Camp, where surfing goes hand in hand with meditation, and for going on a boat ride, ideal for enthusiasts of whale- and dolphin-watching.

Book your Vueling, bring your board along and let yourself get carried away by the waves of Portugal.

Text by Los Viajes de ISABELYLUIS

Images by SayLuiiiis, Hendrik Dacquin, Hugo Silva

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS