In times when being a tourist has become so passé – the learned traveller wisely tries to avoid crowded places when seeking out the heart of a city – you could do worse than hunt for cinemas with character when visiting another country. Traditional cinemas have vanished in many places. I am referring to the ones with just a single auditorium – or two at most – which are not owned by some international conglomerate. Architecturally quaint buildings where cinema-goers felt like pilgrims going to a special place.

Berlin is a cinema lover’s capital in itself. Directors such as Rainer Werner Fassbinder and Wim Wenders were obsessed with it. Indeed, Wenders immortalised the city in his Wings of Desire and Faraway, So Close! (a sequel to the former), which have spawned articles and tours that point up the importance of Berlin’s architecture and real landmarks from the films – the Victory Column, Brandenburg Gate and Staatsbibliothek, designed by Hans Scharoun. With such a cinema tradition behind it, no wonder the city has so many movie theatres to choose from. More so, those that pamper their appearance and their movie listings. Following is our choice of five of the best which, to wit, offer some added value, such as screening films in English or featuring subtitles in that language. So, if you’re a devotee of the seventh art with a smattering of English, or merely wish to visit the buildings and their cafés, this rundown is for you.

Ladenkino

One of the city’s most prestigious cinemas, which screens original-version movies. It comprises three, small but well-equipped auditoriums, as well as a bar-café and a video library with a large selection of films on DVD and Blu-ray. The interior is amazing – some of the rooms look like a set from a film by David Lynch. Ladenkino is located in the Friedrichshain district, very near Boxhagener Platz, where a well-known open-air flea market is held every Sunday.

Odeon

Located in Schöneberg, one of Berlin’s most charming quarters –Marlene Dietrich and Helmut Newton were both born here – the area is also celebrated for its attractive culinary offerings. The Odeon captivates from the outset, prominently featuring a green neon light and an old-school awning displaying screening times, and witty phrases and questions, setting the scene for cinema-goers. Their forte is signature films and independent cinema.

Kino Central

The punkiest cinema in this list, wholly in tune with Berlin’s industrial imagery, artistically speaking. They have two auditoriums and a highly varied programme based on American and English films far removed from all grandiose Hollywood blockbusters, save for the odd exception. Located a few metres from Hackescher, a beautiful square in Berlin’s Mitte quarter which also hosts a market. Kino Central is one of the city’s film lovers’ secret haunts.

Babylon Kreuzberg

The cradle of Berlin’s punk movement, the Kreuzberg district boasts a healthy culture scene, so be sure to visit the legendary SO36 club, where Iggy Pop and David Bowie were regular clients in the seventies. The Babylon cinema is one of its nerve centres and features two auditoriums in a three-storey building with a history, which offers a bit of everything, from Indie cinema to the re-screening of classics and also horror movies (a festival of this genre is held every October).

Kino International

“Spectacular” is the word that best defines this small palace, seemingly a throwback from former times. In effect, its history stretches back several decades and both the auditorium and other facilities are markedly vintage. This is a peerless setting for raising the cinema experience to another level. It is sited in an awesome location, hard by the legendary Alexanderplatz, which makes it a compulsory landmark for any inquiring sightseer.

Fire up and discover these temples for movie lovers – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

First Discovery – The Pink City

It was in Toulouse I discovered that dusk can be pink, particularly if you watch it from the banks of the river Garonne. The light can be rather fickle, especially when it strikes from a high or low angle on the marble of the grand edifices which bedeck the city’s historic centre. The Place du Capitole, its daytime beauty matched at night by a lighting display, is the point of departure for any route through this city in the new Languedoc-Roussillon Midi-Pyrénées region. This is where the Capitole building stands, now home to the City Hall and National Theatre. Its eight pink marble columns symbolise the power of the eight districts that made up Toulouse in the 18th century. The square also has some hidden treasures, like the paintings under its colonnade where the city’s history is recounted.

Second Discovery – Home to Carlos Gardel and the Inquisition

In Toulouse I learned that Carlos Gardel was born in France, despite the Uruguayans claiming the king of tango as a fellow countryman, as I did that Antoine de Saint-Exupéry, author of The Little Prince, had stayed at the Hotel Le Grand Balcon, like all the pilots in the Compagnie Générale Aéropostale. Toulouse is also the birthplace of institutions, as antagonistic as they are important, like the Inquisition – founded to combat the Cathars – the Jeux Floraux, and the Gay Science, dating from the 14th century.

Third Discovery – A Vast Heritage

Toulouse is the site of the largest Romanesque church in the West, the Basilica of Saint-Sernin, also one of the major stopovers on the Road to Santiago on its passage through France. Close by stands the Convent of the Jacobins, a magnificent example of monastic construction and, further along the Garonne, we come across the Basilica of Notre-Dame de la Daurade, consecrated to the Black Madonna, draped in mantles made by great dressmakers.

Fourth Discovery – Pablo Picasso

It was in this city that I realised how passionate Toulousians are about Pablo Picasso. Les Abattoirs Museum, regarded as one of the leading cultural centres in Toulouse, features as an exhibit The Remains of the Minotaur in a Harlequin Costume, the work of the universal artist from Málaga.

Fifth Discovery – Aeroscopia

Toulouse is France’s aerospace capital  – the Airbus factory is located at Blagnac – particularly after the inauguration of the Aeroscopia Museum which, covering an area of 7,000 square metres, houses such legendary aeroplanes as the Concorde and the Super Guppy, the forerunner of the celebrated Beluga.

Sixth Discovery – Its Markets

In Toulouse I discovered that markets have a life of their own in France and that, apart from being venues for shopping, their restaurants attract a host of customers. The Victor Hugo Food Market, the Marché Cristal – where fruit and vegetables are sold in the open air – and the Marché des Carmes are some of the best known ones.

Seventh Discovery – N5 Wine Bar

Here, as in the rest of the country, the wine bar concept is very much in vogue. A fine example of this is the N5 Wine Bar, where you order wine by the glass (choosing both the type and the amount) and your order gets chalked up on a card which keeps track of your consumption. Be sure to try their tapas, such as the culatello di Brozzi, foie gras or Bronat cheeses.

Eighth Discovery – Toulouse Nightlife

Lastly, Toulouse is the French city with the most pronounced Spanish influence. You can tell as soon as you arrive when you start chatting to locals or when you give yourself over to the Toulousian night. In France’s fourth largest city, the people go out onto the street, regardless of the cold, and live it up for as long as they can hold out. Toulouse nightlife draws droves of locals and foreigners, many of them students, who gather at the nightspots on the Rue des Filatiers and the Carmes, Trinité, Wilson and Victor Hugo squares.

Toulouse is the perfect destination for a weekend getaway. Check out your Vueling here.

Text by Tusdestinos.net
Photos by Toulouse Tourism

History has been generous with Périgueux. This town, emblematic of the Aquitaine region, is fortunate enough to boast well preserved remains of its Gallo-Roman and medieval past, making it a unique spot. Situated on the banks of the river Isle, Périgueux makes for a great getaway, on account of both its stunning heritage and as a place to indulge in culinary delights, notably its foie gras. Périgueux, the ancient Vesunna Petrucoriorum, was one of the most important Roman centres in southern France. This is evinced in the extant remains of that civilisation, noteworthy being the Roman wall and the amphitheatre, with a capacity of 20,000 spectators, which must have rivalled Nimes or Arles. Well worth visiting is the Vesunna Gallo-Roman Museum, built around a grand Roman villa from the 1st century AD, the so-called domus des Bouquets (Domus of Vesunna). Judging by its sheer size – it covers an area of 4,000 square metres – it must have belonged to a high-ranking official of the region. Thanks to a system of walkways, the interior of the villa can be viewed from above, without impinging on the original surfaces.

A few metres from the old Gallo-Roman wall, which had some buildings set on top of it, lie vestiges of the town’s medieval past, including those of the 12th-century Château Barrière, destroyed in a fire in the 16th century, and the church of Saint-Étienne de la Cité, Périgueux’s original cathedral – up until the Wars of Religion – during which two of its four domes and the campanile were destroyed.

Touring Medieval and Renaissance Périgueux

It seems that God Himself stopped on the summit of Le Puy-Saint-Front, where man ended up building a cathedral of the same name over a former Merovingian and Carolingian church. This formidable cathedral, which rivets your gaze upwards as soon as you get near it, is a compulsory stopover for pilgrims on the Road to Santiago. It was declared a World Heritage Site in 1998. Saint-Front Cathedral is unique in that its fabric reveals exotic Byzantine flourishes at times, as well as the legacy of Sacré-Cœur on Montmartre, Paris, at others. Its interior is not quite as striking, although it does harbour the odd exceptional detail, such as the chandelier that lit the wedding of Napoleon III and countess Eugénie de Montijo in Paris.

Medieval Périgueux, with the Mataguerre Tower as the last bastion of its ancient wall, is also graced with Renaissance buildings featuring such characteristic elements of this style as inner courts and staircases. Among the most emblematic buildings is the 16th-century House of the Patissier and the Saint Front Residence, a mansion located on the Rue de la Constitution.

Gastronomy in Périgueux

At the foot of the Cathedral lies the Place de la Clautre where local farmers sell their produce in a street market on Wednesdays and Saturdays. A few streets away, two open-air markets feature two of the products that are never in short supply in the pantries of Périgueux’s inhabitants – meat and foie gras.

It is a delightful experience to wander through the maze of medieval alleyways and then book a table at one of the small bistros or restaurants where you can treat yourself to local fare. One such eatery is the refined L’Eden, on Rue de l’Aubergerie, one of the most picturesque thoroughfares in the capital of the former Périgord.

Ready to discover the charm of Périgueux? Check out your Vueling to Bordeaux here.

Text and images by Tus Destinos

Photos by Tus Destinos and Alban GILBERT - CRTA