By the narrow and winding cobbled streets in the old district of A Coruña you can revive its history. Here you can find most of the main landmarks and picturesque nooks of the city.

Cidade Vella is an urban grid that goes from María Pita square to the arts center curated by the Luís Seoane Foundation, and through other remarkable places like Xeneral Azcárrega square, Bárbaras convent or Santiago’s church. This is also the shopping district, with some great antique and handicrafts shops, where you can always buy something special. Of course you can also try the most remarkable specialties from the Galician cuisine at some of the bars or restaurants around this area.

Starting at María Pita square, this is the hearth of the city; named after a heroine that fought the British army, lead by the corsair Francis Drake, on 1589. At the center of the square, a monument by the artist Xosé Castiñeiras, stands in honor of this brave woman.

After the square, Santiago’s church is probably one of the oldest in the city. Romanesque, it was built during the 12-13th century, and at the west façade, the apostle Santiago is represented horseback.

Later, you will pass by evocative Azcárraga square that, in the past, was the most important square of Cidade Vella, taking to the House of the Municipality or the Artillery Depot. The most relevant events and celebrations took place here and also a great market with all sorts of products.

Near here there is the house where Galician poetess Rosalía de Castro lived, from 1870 to 1879, with her husband Manuel Murguía. She is one of the most relevant literary figures from the 19th century, a precursor to the modern poetry who helped restoring Galician own language and culture.

Walking to Bárbaras square, there is a convent founded in the 14th century, which later was taken by the Franciscan order. The name is given from a hermitage dedicated to Santa Bárbara, which was originally in this place.

Following, we find Santo Domingo church and convent, originally outside the walls of the old district but rebuilt, inside the Cidade Vella, in the first half of 17th century. The convent was expanded on 1726 but the church was demolished and nowadays there are only two chapels, Remedios and Rosario.

We’re getting closer to the viewpoint at San Carlos garden, which follows a romantic style and includes a statue dedicated to Roman Magnus Portus Artabrorum. There is also the coffin from general John Moore, which spawns interest among the British and who helped liberating the city from French troops who attacked in 1809. Initially, it was built as a defensive castle, outside the walls, in 16th century, but, little by little, its importance as a bulwark was lost and was eventually abandoned. In the 18th century it was regained as a garden designed by Carlos F. de Croix.

Getting close to the end of this route, the arts center curated by Louis Seoane Foundation, located at an old barracks that have been rebuilt, was opened in 2003. The foundation aims to disclosure the artwork and intellectual legacy from the artist, painter and writer Luis Seoane, and also to develop other exhibitions regarding contemporary culture and reflections.

Ayuntamiento by Carlos Fernández San Millán | Tumba de Sir John Moore by Marcus | Plaza Azcárraga by FirkinCat

A place well worth discovering! Check out our flights here.

Potsdam, which lies south-west of Berlin, has a lot to offer visitors, notably its spectacular UFA Film Studio (currently known as the Babelsberg Studio) – the oldest and largest in Europe – the Einstein Tower, designed by architect Erich Mendelsohn, and the city’s unique Dutch Quarter. However, the standout feature of this city is its beautiful, splendid parks and palaces, which led some of them to be listed as a World Heritage Site by UNESCO. We take you on a tour of these fabulous gems, some of which are worthy of the great Versailles itself.

Sanssouci Park – the Jewel in the Crown
Just over a half-an-hour’s ride on public transport from Berlin lies Sanssouci Park, featuring what for many might be termed the German Versailles, which draws thousands of visitors each year. The precinct houses a large number of parks and palaces, each of them more beautiful and surprising than the next. The artificer of this ensemble was Frederick the Great who, in his endeavour to find a place where he could get away from the pomp of the Berlin Court, hit upon this wonderful spot and commissioned what would become an idyllic retreat. The very name of the park is a statement of intent as it reveals the monarch’s penchant for French culture. It is derived from the French term,sans souci,meaning “without worries”.

Among the major landmarks in the park is the Sanssouci Palace, built from 1745 to 1747 and designed by the architect, Georg Wenzeslaus von Knobelsdorff. Noteworthy areas in this crowning work of the Rococo are the Marble Hall, inspired by the Pantheon in Rome, the delicately ornamented Music Room and the Library, which needless to say contains the works of such French writers as Voltaire, a friend of Frederick the Great, who was also a great admirer of his.

In addition to this fabulous summer palace, the park also features other equally unique landmarks commissioned by Frederick the Great and his successors. One such construction is the Chinese House (Chinesisches Haus), a clover-shaped pavilion of eastern inspiration, which was very much in vogue at the time, the Orangery (Orangerieschloss), with towers affording splendid views over the park, the New Palace (Neues Palais), commissioned by Frederick the Great to commemorate the end of the Seven Years’ War, and the Picture Gallery (Bildergalerie), boasting works by artists of the likes of Correggio, Rembrandt, Rubens, Anthony van Dyck and Antoine Watteau.

Potsdam’s “New Garden”
In the north of Potsdam lies the Neuer Garten (New Garden), another large park of which the highlight is the Jungfernsee lake. A must-visit is the Marmorpalais (Marble Palace), the summer retreat of Friedrich Wilhelm II, featuring a stunningly ornamented interior which has left more than a few visitors awestruck. Also sited here is the Cecilienhof Palace, a rural palace in Tudor style. It went down in history as being the location of the Potsdam Conference, held during the last few months of World War II.

Reopening Babelsberg Park and Palace
After remaining closed for seven decades, Babelsberg Park and Palace is now decked out to welcome visitors. To mark this long-awaited reopening, from 29 April to 15 October an exhibition will be held as a tribute to Prince Hermann Ludwig Heinrich von Pückler-Muskau, a landscape gardener and artificer, among others, of this park and these gardens. The exhibition will be sited in Babelsberg Palace. Built as of 1833 as the summer residence of future Emperor William I and his wife, Augusta, it was designed by Karl Friedrich Schinkel according to the stylistic tenets of English Tudor. The large park, for its part, was designed by Peter Joseph Lenné, while in 1840 Prince Pückler-Muskau culminated the work by lending his own touch to the gardens.

Book your Vueling to Berlin and relish your tour of the marvels offered by the city of Potsdam.

Text by Los Viajes de ISABELYLUIS

Photos by Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg

Bilbao BBK has been with us for twelve years now – that’s quite a feat. A well consolidated festival which manages to compete with some all-powerful musical events in Barcelona and Madrid within a similar timeframe. The reason for its success is simple – its lineup of artists has been steadily growing in prestige and popular appeal. BBK, which is held this year from 6 to 8 July 2017, features some awesome names. The lineup of markedly varied musical styles is headed by Depeche Mode, Phoenix, Fleet Foxes, Die Antwoord, The Killers, Two Door Cinema Club, Justice, The Avalanches and Brian Wilson, among others. If you want to attend the concerts, there are still available some 3-Day Tickets and room in the campsite, should you prefer to steer clear of hotels and instead be more adventurous.

One of the hallmarks of this festival is the grounds it is set in. Monte Kobetas (also known as Kobetamendi), is one of the city’s iconic playgrounds. This elevated, forested area affords spectacular views of Bilbao, apart from acting as one of its lungs and a spot where Bilbaines do sport and go for picnics. However, the precinct is off limits to the general public for the duration of BBK, when it is repurposed solely to music. Access to Kobetamendi is a simple matter; in fact, a couple of free bus lines are laid on for the event by the organisers, facilitating access to the festival precinct for all attendees.

Over and above the musical offerings, BBK provides the perfect excuse for getting to know other places in Bilbao, too. Here are a few proposals for early risers eager to explore the city on foot.

The Best “Pintxos”

It’s a cliché, but it’s actually true – if you visit Bilbao, you simply have to eat pintxos more than once. It is an unwritten norm. And, Bilbao happens to have some of the best bars serving up this culinary speciality. To score a bull’s-eye with your pintxos, the best thing is to head for the city’s historic centre, an area crammed with restaurants of tried and tested quality. Four of them we can highly recommend are Gure Toki,Txiriboga,Motrikes and Askao Berri.

A Touch of Art

As luck would have it, BBK coincides with one of the pictorial exhibition highlights of the year, which is still on in the Guggenheim Bilbao, namely Paris, Fin de Siècle, an exhibition showcasing the work of the most prominent late-19th-century French and European painters. It would be unthinkable not to dive into the museum to see paintings by Toulouse-Lautrec, Signac and Redo, among others, before going up to the Kobetamendi precinct to soak up the festival. Oh, and while you’re about it, make sure you don’t miss the museum’s permanent collection, featuring works by the likes of Robert Motherwell, Yves Klein, Andy Warhol, Jean-Michel Basquiat, James Rosenquist, Anselm Kiefer and Gerhard Richter.

Power Records – Bilbao’s Temple of Vinyl

When in Bilbao, dropping in on Power Records is almost as important as eating pintxos if you’re a music aficionado.This legendary store has over twenty-five years’ history behind it. Located on Calle Villarías, near the Old Town and the Nervión estuary, this establishment has a mind-blowing selection of vinyls, both second-hand and imported. This is a veritable sanctuary for music lovers hunting for rare records by their favourite groups. Apart from second-hand albums, Power Records is also dedicated to CDs, reissues and the latest releases. So, if that seven-single by Depeche Mode, or a vinyl of “Pet Sounds” by Brian Wilson has been eluding you, you’re probably going to find it here.

Book your Vueling to Bilbao and let yourself be swept away by the music waves of one of the standout festivals in Spain.

Text by Xavi Sánchez Pons

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación