Albrecht Dürer’s “The praying hands” and “Young hare” are some of the most widely reproduced works in art history. But, would this great artist have liked his work to be engraved on chocolate bars or Christmas decorations? Probably not, as his paintings are featured in the most important art museums in the world. If you look close enough, some spots in the city of Nuremberg reveal traces of Albrecht Dürer.

The Artist in His Workshop

Albrecht Dürer was born on 21 May 1471 in Nuremberg and died on 6 April 1528. He is buried in Nuremberg’s Johannisfriedhof. His father, Albrecht Dürer the Elder, moved to this city from Hungary in 1455 and married the daughter of a goldsmith. Of his 19 children, only 3 males survived, all without issue.

His first self-portrait was painted in 1484 while training in his father’s goldsmithery. It is still preserved today. Since Albrecht Dürer intended to become a painter after training as a goldsmith, his father sent him to the workshop of the painter, Michael Wolgemut, between 1486 and 1490. There he learned painting, wood carving and metal engraving.

His training took him to Basel in 1492 and to Strasbourg in 1494, among other places, where he made a living by selling books. In 1494, Albrecht Dürer received a dowry of 200 florins after marrying Agnes Frey, the daughter of a Nuremberg goldsmith. This led Albrecht to open his first painting workshop. Thanks to his mother-in-law’s relatives, he was able to come into contact with the city's upper class.

A Medieval and Renaissance Man

Living in the early Renaissance led Albrecht Dürer to strive for perfection through the technological advances of the time. He was a multifaceted genius who, in addition to painting, also explored other genres such as drawing or art theory. Noteworthy are his studies of proportion, geometry and design. Here is a review of  his legacy in the city of Nuremberg.

First, some of his works are exhibited at the German National Museum (Germanisches Nationalmuseum), one of the world’s most important research centres for Albrecht Dürer. This museum also features exhibits of German culture from pre-history to the 20th century, the most notable of its kind in the country. Their permanent exhibition includes works by German painters and sculptors, as well as sections on archaeology, weapons and armour, musical and scientific instruments, and even toys. This museum also features Dürer’s “Hercules kills the Stymphalian Birds”. However, if you would like to discover the painter in his everyday and creative life, nothing better than visiting his own house. Dürer lived and worked in the Albrecht-Dürer-Haus from 1509 until his death in 1528. After a multimedia performance you can follow the audio guide tour of this 4-storey house, narrated by “Agnes”, Dürer’s wife. The highlights of this visit are the interactive demonstrations of his recreated workshop, a print store on the 3rd floor, and a gallery with his originals and reproductions in the attic.

Some 150 metres down the street, a monument dedicated to the artist – the ­ Albrecht Dürer Monument­ –stands in the Albrecht-Dürer-Platz. Interestingly, the Felsengänge lies beneath this monument. This is a 14th-century  underground labyrinth with four levels that used to house a brewery and a wine cellar. It was used as an air-raid shelter during World War II. You can visit this maze by going to the beer store on Burgstrasse 19.

Dürer’s Everyday Life Revisited

A good way of getting to know Dürer’s life in Nuremberg is by visiting the Stadtmuseum Fembohaus. This museum, which gives a comprehensive overview of the city’s history, features the restored rooms of a 16th-century merchant’s house. For taverns and eateries, look no further than Goldenes Posthorn. After going through its heavy copper door, you will find yourself in a gastronomic paradise that has been feeding Nuremberg citizens since 1498. Here you will find great local sausages, as well as many other country dishes – hard to find in other places – in addition to vegetarian options. Another tavern from those times is Marientorzwinger. This is Nuremberg’s last zwinger – a tavern built within the walls of old military quarters. This is a picturesque establishment offering wholesome Franconian produce, in addition to simple vegetable dishes. You can choose between their unpretentious dining room and the luxurious terrace. To drink, nothing better than a Tucher beer from Fürth.

To stay the night, we recommend the Dürer-Hotel, a four-star establishment located in the historic centre, right next to the Imperial Castle. Its bedrooms and lounges are uniquely decorated, perfectly combining tradition and modernity – after Albrecht Dürer’s perfectionist spirit. Oh, and, their cuisine is spectacular, with breakfasts that include confectionery, cold meats and local cheeses. Their products are high quality and organically produced in the region.

Dürer is synonymous with Nuremberg. Come and discover the city of this emblematic Renaissance artist. Remember, you can visit any time of the year. However, if you do so in spring or summer, the weather will likely be better, and you’ll be able to enjoy the old city’s splendid terrace cafés. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by ISABELYLUIS Comunicación, Tourismus Nuernberg

Donostia-San Sebastián is a city in constant change. Perhaps its effervescence can partly be accounted for by the prevailing impetuous climate changes and, above all, by the ceaseless wind there. Coinciding with the forthcoming change of season, we recommend you visit this charming coastal city to delight in the chromatic variations of its bay – La Concha – or the crashing waves at Chillida’s Peine del Viento.

San Sebastián is currently abuzz with creative activity, now more heated than usual. The fact is that this city in Guipúzcoa will be Europe’s culture capital for the whole year, a title it shares with the city of Wrocław in Poland. Throughout 2016 there will be concerts, stage plays, talks, book presentations and a long list of miscellaneous cultural activities.

The Year’s Major Cultural Event

This is Donostia 2016, an event that does not set out to dazzle with great names on the international scene, or exorbitant investments in infrastructure. Instead, it is pioneering a new model based on experimentation, learning and developing close-knit audiences, with a view to the legacy all this will leave behind in the city as of 2017. That accounts for the programme being grounded in local tradition, albeit with an international projection.

The fact is that Donostia is no newcomer to organising events. Let’s not forget that for years the city has been hosting such long-standing festivals as Zinemaldi, the Musical Fortnight and Jazzaldi.

Activities of all kinds will be held throughout the year in various areas of the city. Like those billed to be staged in Cristina Enea Park. This beautiful park is the city’s largest and is located hard by the Estación del Norte. August will see the independent music festival, Glad is the Day, a tribute to Gladys, a local heroine among social movements. The Dabadaba and Le Bukowski clubs, in collaboration with San Sebastián 2016 and Tabakalera, will be hosting this project with the aim of putting the Egia district onto the map of the city’s summer cultural festivals. The daytime event is admission-free and will feature eight performances at two venues – Anari, Los Tiki Phantoms, Chiquita y Chatarra and The Saurs at the main venue; and AWWZ, Telmo Trenor, Kino Internacional and Javi P3Z at the electronic venue.

Donostia Goes Hipster

Modernity and culture go hand in hand in the Egia quarter. We embark on a tour of the area through some of its most emblematic spots.

Tabakalera

Unveiled last September after 10 years of renovation. Tabakalera, a new, spectacular centre of international contemporary culture is housed in a former tobacco factory covering an area of 37,000 square metres. It consists of two exhibition halls, a cinema, an art media library, creation labs, a hotel for resident artists, micro-theatre shows, concerts, two cafés, a restaurant and a roof terrace with superb views of the city.

The Egia Quarter

The renewal of two venues, namely the Victoria Eugenia Theatre and the Koldo Mitxelena Kulturenea, belonging to the Diputación Foral de Gipuzkoa (Guipúzcoa’s provincial administration), has helped shift the city’s hub to the other side of the Urumea. No wonder that this area is known as the Donostiarra Brooklyn, as it has become the city’s centre of modernity and culture.

Dabadaba

Currently one of San Sebastián’s most active venues. Concerts, festivals, exhibitions, DJ sets, flea markets and screenings are hosted in Dabadaba, a multi-purpose centre. Apart from musical and cultural events, on weekday mornings it also offers breakfast, shakes and natural fruit juices. This venue is up with the latest trends, such as a revival of interest in beer – a varied and growing selection of commercial and craft beers are featured on its menu.

Le Bukowski

Le Bukowski is another major night-time meeting point in the Egia quarter. It might lack the sophistication of the Victoria Eugenia Theatre, or the modernity of Rafael Moneo’s Kursaal Auditorium. But, what does that matter if what you want is to listen to good rock or dance music? This is the yardstick club in Donostia, both for live and DJ music. It has been active for three decades and not for nothing is it as fresh as the day it first opened.

Gazteszena

A space in the Egia quarter which has been operating as a multi-purpose venue since 1998. This year it will be hosting the Mojo Workin festival on 18 and 19 March, an event dedicated to rhythm and blues and soul which will be featuring international artists and DJs.

Donostia is always on duty for the traveller. Come and visit its trendiest quarter in a particularly exciting year. Check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Donostia 2016, Dabadaba

On our first visit to Rome we were struck by the sheer number of fountains we came across on our walks. I don’t mean just the monumental type – and there are some very beautiful ones – but the public drinking fountains located all over the old city which are ideal for quenching your thirst. After researching the subject we learned that water and its distribution was one of the ancient Romans’ major concerns, leading them to build aqueducts and channelling systems. Much of this must have rubbed off on the subsequent generations who inherited their legacy, prompting them to continue to seek ways of managing such a valuable asset.

Before focusing on the grand monumental fountains – we have made a selection of our favourites, listed below – let’s start by talking about their more modest counterparts, the nasoni. These public drinking fountains date from 1874 and are typically made of iron, cylindrical in form and with a snout-shaped spout; hence they are known as nasoni (nasone, in the singular) which means nose in Italian. Rome has nearly 2,500 and most of them provide clean drinking water which, in the hot summer, is something to be grateful for. One of the oldestnasoniis in the Piazza della Rotonda, near the Pantheon. They are well worth seeking out on your walks and you are likely to be pleasantly surprised on more than one occasion.

Fontana di Trevi

We start with the best known and most widely photographed of them all. Visiting Rome without seeing the Trevi Fountain is like not having been there at all. Don’t expect it to be sited in a huge square – quite the opposite. It defies belief how so much activity and splendour is crammed into the intersection where it is sited. Designed by Nicola Salvi and completed in 1762 – the original preliminary drawings are by Bernini – it was commissioned by Pope Clement II and its central theme is the Taming of the waters.And, yes – go ahead and carry out the ritual of throwing a coin in the fountain, ensuring you will return to this beautiful city. Beware, though, it is strictly forbidden to emulate Anita Ekberg and Marcello Mastroianni in La Dolce Vita!

Fontana dei Quattro Fiumi

The spectacular Fountain of the Four Rivers, which is surmounted by a huge Egyptian obelisk from the Roman period, is sited in the Piazza Navona. Around the base are four statues depicting the world’s four main rivers – the Nile, Ganges, Danube and Río de la Plata. This exceptional work by the great Baroque master, Bernini, has two companion fountains on the side – Neptune and the Moor.

Fontana del Tritone

The Triton Fountain is once again the work of the great Gian Lorenzo Bernini, although this time the fountain is rather more modest and yet every bit as beautiful. Located in the Piazza Barberini, very near the Trevi Fountain, it is dedicated to the god, Triton, shown kneeling on the tail-fins of four dolphins and holding up a conch from which spouts a jet of water.

Fontana del Pantheon

Located in the picturesque Piazza della Rotonda in front of the Pantheon, this dolphin fountain is popularly known as the Fountain of the Pantheon. It was commissioned by Pope Gregory XIII and designed by Giacomo della Porta. Like the previous fountain, the basin acts as the supporting foundation for an obelisk dating from the period of Ramses II.

Two Fountains in the Piazza Farnese

The Piazza Farnese, one of our favourite squares, is the site of two highly original matching fountains set on the sides. They are strikingly shaped like bath-tubs and made of granite taken from the Caracalla Baths.

Fontana della Barcaccia

The Fountain of the Old Boat is located in the Piazza di Spagna, at the foot of the spectacular Spanish Steps. It is the work of Pietro Bernini, the father of Gian Lorenzo Bernini. Depicted in stone is a ship which, according to the tradition, was washed down here by a flash flood in the river Tiber.

When visiting Rome, be sure to visit these and many other fountains. Book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by Lalupa, Sébastien Bertrand, Matt Brisher, 2pi.pl, LASZLO ILYES, Anita Szeicz

Apart from this conjunction in location and time, can an event like Sónar 2017, with the most advanced music proposals, be related to a figure who was able to capture and assimilate the essence of upcoming trends for nearly half a century like David Bowie. We believe that it can indeed. At My Vueling City we lay several bridges between the two and single out items in this year’s Sónar programme which embody the ever-restless spirit of “The Thin White Duke”.

Rebel Rebel
Bowie’s demeanour was always tinged with a heady potion of defiance against established values. He never settled in to any set aesthetic, as evinced in his constant regeneration – at every new release, he rebelled against the previous one, which accounts for his endless change of image.

The exhibition, David Bowie Is, opens at the Museu del Disseny de Barcelona on 25 May 2017. Produced by London’s Victoria and Albert Museum, it has already attracted over one and a half million visitors in the eight cities where it has been hosted so far, including London, Berlin, Paris and Chicago, making it the most visited exhibition in the 164 years since the inception of the V&A.

On display at the exhibition are over 300 objects, including photographs, record covers, handwritten letters, original costumes, stage designs and hitherto unseen material from Bowie’s concerts over the last five decades, on loan from the David Bowie Archive. David Bowie Is takes an in-depth look at the way David Bowie’s music and radical individualism have inspired others by defying conventions and seeking freedom of expression.

The Impact of Sound, and Sight Too
This year Barcelona is hosting two events related to music, and also to advanced thinking and the creative avant-garde. On the one hand, the largest exhibition ever dedicated to Bowie and, on the other, the world’s largest electronic music festival. We all know Bowie’s prowess in the musical sphere, in terms of his great ability to assimilate styles and his insatiable effervescence, which kept him constantly in touch with the latest trends until the end of his life. Indeed, the standard bearer of glam rock also flirted with more advanced genres, notably ambient music and drum and bass. Here then are some of the proposals in this year’s Sónar programme which we feel are imbued with Bowie’s spirit through and through.

Arca
Arca undoubtedly condenses the cryptic essence of Bowie’s final studio album.Blackstar and Arca speak the same language – both are solemn; both seem to know the afterlife. Of all the world’s festivals, Sónar was singled out by Arca, the unclassifiable musician and producer, for a live presentation of his newly released work which redefines him as an even more complex and evolved figure. This show will also feature the presence of and visuals by Jesse Kanda.

Moderat
Bowie moved to Berlin in the second half of the 1970s and there he became steeped in the high-calibre art and music scene. Those were the years of his collaboration with Brian Eno, during which he released the trilogy of Low, Heroes and Lodger. Moderat clearly dovetails to perfection into this pure Berlinese tradition – pop and electronic music with tunes in black and white. Moderat started out as a collaborative project between Gernot Bronsert and Sebastian Szary (Modeselektor) on the one hand, and Sacha Ring (Apparat) on the other. The idea was to work together whenever their respective projects left them enough spare time.

Nicolas Jaar
Bowie incorporated the new dance and experimental music trends in the 1990s, as evinced in such albums as Earthling and Outside, with a nod to drum and bass, electronic metal and even avant-garde jazz. Nicolas Jaar is a musician who merges seamlessly into that philosophy of musical defiance which cannot be stuffed into any specific stylistic straitjacket and also imparts a political or poetic message to his creations.

Phosphereby Daito Manabe
Music was Bowie’s great passion throughout his long career. He collaborated with the great stars of pop and rock, notably Queen, Lou Reed and Mick Jagger, and those of contemporary music such as Philip Glass, but that was not the only discipline he excelled at. He also collaborated with such top-notch artists as Tony Oursler. So, it can’t be ruled out that Bowie might have authored the background music to Phonosphere, by Daito Manabe, one of the most acclaimed digital artists in the world. This installation is an important step forward in new kinds of immersive creation and will be one of the highlights of Sónar+D 2017. This monumental structure is a robotic hybrid architecture in which synchronized mirrors, smoke machines, beams of light and up to 24 video projectors combine to create an unprecedented spatial experience, drawing from the world of new contemporary dance music, as well as the vocabulary of projection mapping.

Boris Chimp 504
Space Oddity was Bowie’s first big hit. The single was released at a time when humanity was in the grips of space exploration in the guise of journeys beyond the stratosphere. With his Multiverse, Boris Chimp 504 takes us back to that period. This audiovisual, real-time performance emphasises the relationship between audio synthesis and graphical language, with the story of the first ape to be sent to the moon in 1969 as the point of departure.

Book your Vueling to Barcelona and score a luxury double in its most highly evolved aspect – Sónar – while looking back to the figure of The Thin White Duke at the exhibition, David Bowie Is.

Text by Los Viajes de ISABELYLUIS