Located in the south of France, an hour’s drive from Marseilles and alongside the Rhone, Arles is a town you really must see if you’re heading to Provence. And, if you’re also a fan of Van Gogh, you have even more reasons to rediscover the landscapes and architectures that inspired the grand master in his Post-Impressionist painting.

Arles’ Roman Past

You cannot possibly visit this town without becoming steeped in its Roman heritage. In AD 46, as a reward for having supported Julius Caesar is his struggle against Pompey, Arles was turned into the major harbour in the area, a privilege which was withdrawn from Massilia (the former Marseilles), for having mistakenly supported the opposite side. As a result, the town then lived out its age of splendour, of which several monuments have survived the test of time, some still in excellent condition. One example is the Arles Arenas, an amphitheatre built around the 1st century AD for staging gladiator combats, the most spectacular show at the time. It is still used today, as it hosts theatre plays, concerts, bullfights and courses camarguaises (a typically local type of bullfighting). The 1st-century AD Roman Theatre is another standout monument in the city. Like all Roman cities, Arles also had its forum, the centre of the community’s social, political and religious life. In addition to the nomenclature, Place du Forum, it features an underground Cryptoporticus, a network of galleries where foundations were laid and which is open to visitors, accessed via the Hôtel de la Ville.

Other Sights in the Town

The Church of St. Trophime, located in the town hall square, is a classic example of Provençal Romanesque and Gothic. Built between the 12th and 15th century, its cloister is also well worth visiting. Another interesting sight is the Alyscamps, A Roman necropolis which was taken over by the Christians and used until the end of the Middle Ages. For those interested in discovering the town’s archaeological history, we can recommend a visit to the Musée Départemental Arles Antique, which features some striking mosaics, among other things.

Arles – the Setting for Van Gogh’s Paintings

Apart from drawing tourists to its monumental heritage, Arles attracts visitors for having being one of the major settings for Van Gogh’s works. The artist’s sojourn in the town was comparatively short – from February 1888 to May 1889 – but there he was hugely prolific, producing over 200 paintings. Captivated by its light and colour, he painted it in all its guises. Curiously enough, not one of these paintings is housed in Arles, but you can still visit all the places that inspired them. We recommend getting a street map – which can be picked up in the tourist office – and letting yourself get carried away. Some of the landmarks on the Van Gogh tour are:

- The Maison Jaune (Yellow House), on the Place Lamartine;

- The “Café la Nuit” (Night Café), on the Place du Forum;

- Arles Arenas and the Alyscamps;

- Trinquetaille Bridge;

- “Starry Night Over the Rhone”;

- “The Old Mill”, on rue Mireille;

- The garden on the Boulevard des Lices;

- The garden of the hospital, known as the Espace Van Gogh (where he was admitted during his illness and where he had his ear stitched back on after cutting it off);

- The Langlois Bridge, also known as the Van Gogh Bridge.

However, Arles did not only serve as Van Gogh’s haunts. Gauguin also visited the town and painted some of its spots. It was precisely on account of an argument between the two painters that Van Gogh ended up cutting off his ear. Another genius, Picasso, also frequented Arles over a number of years. He would often go there to watch bullfighting and to visit his friends. Proof of his close ties to the town is the donation he made of fifty-seven drawings, which can be seen in the Arles Fine Arts Museum, the Musée Réattu.

Ready to take a Vueling and be dazzled by Arles?

Text by ISABELYLUIS Comunicación

Photos by Joan Sorolla, Tristan Taussac, Anne Jacko, Shadowgate, Phillip Capper, Claude Valette

While Paris is the city of light, and Lisbon is the white city, Marrakech is known as “the red city” for the colour of its walls and many of its buildings. But, you only have to stroll about the city for a while to realise that the colour red falls way short. Here, then, we offer you a visit in full colour of one of Morocco’s most fascinating cities.

WHITE: You’re sure to whip out your camera the moment you arrive, as the Marrakech Menara airport is the first surprise you’ll encounter. One of the leading airports in the country, during a renovation undertaken from 2006 to 2008 it was endowed with a stunning white structure which combines traditional and modern elements which set up an interplay of light and shadow that generates a different effect at different times of day.

GREEN: Moroccans are very welcoming. As soon as you arrive at your lodgings, you will inevitably be offered mint tea. It will be the first, but not the last. It could safely be considered the city’s “official” beverage, and you are going to see mint all over the place. Apart from the mint they put in your tea, it is well worth venturing into the Souk in search of the mint stalls, housed in a small, less touristy corner of the market near the pyjama and olive stalls. The time we were there, lots of women came to choose the sprig of mint they liked best. It seems there are many different kinds, but neither the photographer nor myself were able to distinguish between them!

ORANGE: While mint tea is the city’s official drink, the beverage of choice in Jemaa el-Fnaa is orange juice. The city’s most famous and packed square is strewn with carts where you can get a delicious orange or grapefruit juice at any time of the day. It is impossible to refuse one, even if it is just to carry a glass around with you, because that is the only way they will stop calling out to you at the top of their voice from each fruit-juice stall.

BLUE: A stroll through Jardín Majorelle is enough to realise why Yves Saint Laurent and his partner, Pierre Bergé, fell in love with this place and decided to acquire and restore it. It is perhaps one of the most amazing spots in Marrakech. It bears the name of Jacques Majorelle, a French Orientalist painter who settled there in 1923 and in 1930 had a studio built in such a peculiar shade of blue that is was christened “Marjorelle blue”. The garden around it is a living artwork in itself, filled with exotic plants and rare species which the artist brought back with him from his journeys. There is also a small memorial to Saint Laurent, which was what spared the place from being swallowed up by a development project.

FUCHSIA: The city is laced with it, as this colour turns up in the most unexpected spots. The fuchsia will strike you when you sit down in the Nomad bar terrace, when you take in views of the city or when you go up the staircase to the terrace of the Maison de la Photographie (highly recommendable, by the way, although perhaps more for the terrace than the exhibits). The bougainvillea fuchsias pop up everywhere – on rooftops, window sills and on top of some garden walls. It provides colour highlights, making the bustling city seem even more lively.

BLACK: One of the least likely colours we would associate with soap is black, yet black soapis a traditional product widely used in Morocco. You’ll come across it if you decide to relax in a hammam, but it is not a “tourist product”. It is sold in markets and is used in the hammams frequented by locals (who have nothing to do with tourists. If you’re up for an experience beyond relaxation, venture into one – it’s something you won’t easily forget). The manufacturing process is mainly artisanal, based on black olives and oil. It is a good exfoliant and contains a lot of Vitamin E, so your skin feels like new.

BEIGE: If you stay in a riad, beige is likely to be the dominant colour during your sojourn. Riads are a highly recommendable alternative to hotels and are becoming more fashionable. A riad is a traditional Moroccan house or palace with a small patio or garden interior. To lodge in one of these is to live out the Moroccan experience more fully, in a genuine setting. Authenticity is imbued through respect for tradition. More and more westerners are opening riadsand, indeed, it is thanks to them that certain techniques, like tadelakt, have been preserved. For years, this lime-based plastering system was a symbol of Marrakech. However, it gradually fell into disuse and is now being recovered by foreigners, like Stephan and Xavier of Riad Snan 13. They opted for beige, the natural tadelakt colour, which has endowed their small riad and its priceless rooms with a warm, oriental ambience. It is well worth visiting for a stay and is very central. You will be lavished with fantastic breakfasts and, above all, their hospitality, with has the drawback that you won’t want to go home!

Don’t put off this unique experience! Check out our flights here.

Text by Anna Guitart

Images by Noemi de la Peña Fillat

That Berlin has a daunting variety of cultural resources is a well-known fact. Indeed, it is one of the main reasons for visiting the city. Added to the alternative venues that appear to spring up in the most unlikely spots in town – and not always easy to locate, at that – there are the more official offerings, which include a vast range of museums. Hence, those given to “collecting museums” on their journeys to various cities in the world will face a dilemma when it comes to Berlin – that of having to choose from the huge gamut of museums, housing an overwhelming quality and quantity of works.

The Museum Island

Museum Island (Museumsinsel), as it was re-christened in 1870, takes up the northern half of the island formed by the river Spree on its passage through the city. This is a must-visit destination for any museum buff in Berlin. It contains no fewer than five splendid museums, featuring collections that enable you to travel through art from ancient times to the 19th century. The value of the vast collections here led it to be listed as a World Heritage Site in 1999.

One of the most striking spaces in the complex is the Pergamon Museum, which draws about one million visitors a year. It features a collection of classical antiquities, a museum dedicated to Middle Eastern art, and another devoted to Islamic art. The building was designed to house large-scale artworks, notably its two standout exhibits – the Pergamon Altar and the Ishtar Gate.

The highlight of the Altes Museum (Old Museum) is the building itself. Dating from 1830, it is the work of the architect Karl Friedrich Schinkel, and one of the finest examples of German Neoclassicism. Housed in its interior is a splendid collection of exhibits from classical antiquity.

Sited behind the previous museum is the Neues Museum (New Museum), home to the magnificent collection of the Egyptian Museum of Berlin and the Museum für Vor- und Frühgeschichte (Museum of Prehistory and Early History). Its paramount exhibit is the superlative Nefertiti bust, which attracts a large number of visitors each year.

No less important is the Alte Nationalgalerie (Old National Gallery), a magnet for enthusiasts of 19th-century art, and the Bode Museum, with an endowment that includes sculpture ranging from Byzantine to Italian Gothic to Prussian Baroque, as well as one of the largest numismatic collections in the world.

Gemäldegalerie

The Gemäldegalerie lies west of Potsdamer Platz, within the complex of museums and concert halls making up the Kulturforum (Culture Forum). The gallery houses an excellent collection of paintings by European artists active from the 13th to the 18th century, with works by Dürer, Lucas Cranach the Elder, Hans Holbein, Jan van Eyck, Raphael, Titian, Caravaggio, Rubens, Rembrandt and Johannes Vermeer.

Neue Nationalgalerie

Another of the museums making up the Kulturforum is the Neue Nationalgalerie. Located in the Tiergarten, it is housed in an original building with glassed walls and a spectacular metal roof, the work of the architect Mies van der Rohe. Opened in 1968, this museum specialises in international art from the early 20th century to 1960. Standout features of this collection are the work of the German Expressionists and the Bauhaus.

Martin Gropius Building

Located on the Niederkirchnerstraße, between Checkpoint Charlie and Potsdamer Platz, in a building designed by the great uncle of the architect who founded the Bauhaus, Walter Gropius, this interesting exhibition space is celebrated for its excellent temporary exhibitions.

Berlinische Galerie

Inaugurated in 1975, the Berlinische Galerie is the best option for whoever wishes to take the pulse of art production in Berlin, as its collection features artworks produced in the German capital from 1870 until the present time. It is situated in Kreuzberg, one of the trendiest districts in the city where, if you’re good at getting your bearings, you can unearth the best of the alternative scene.

Berggruen Museum

Lastly, we have also chosen the Berggruen Museum, located opposite Charlottenburg Palace, as it houses exhibits donated by the art collector and dealer Heinz Berggruen. It is a collection of modern art classics with works by Picasso, Matisse, Klee and Giacometti as its major offerings.

Book your Vueling to Berlin and get ready to discover its magnificent museums.

Text by Los Viajes de ISABELYLUIS

Images by Lestat, Manfred Brückels, Christoph Rehbach. Rae Allen, Pedelecs, Jean-Pierre Dalbéra

Venice is a city in north-eastern Italy made up of 118 little islands separated by canals and joined by bridges. It is famous because of the beauty of its setting, and its architecture, and its art. This is why the whole city, including the famed lagoon, has been designated a World Heritage Site.

It is named for the ancient Veneti people who inhabited the region in the tenth Century before Christ. The city is known variously as La Dominante, la Serenísima, the Queen of the Adriatic, the City of Water, the City of Masks, and the Floating City. In a piece inThe New York TimesLuigi Barcina described it as "the most beautiful city ever built by man”. It is universally regarded as one of Europe’s most romantic cities, where visitors can enjoy the waterway, gondolas, palazzos, old treasures, and delicious cuisine, as the water laps ceaselessly against the walls of fabulous churches and other ornate buildings. A boat ride down the Grand Canal makes you feel like a figure in an old painting.

Venice is an open-air museum. Its architecture, monuments, and buildings reflect its Byzantine heritage, and nowhere more strikingly than in the mosaics of the Basilica de San Marcos. Very near the Piazza de San Marcos (St. Mark’s Square),we find the Palazzo Ducale (Doge’s Palace), where the city’s ruler once dwelled, and which exemplifies the ostentation of the Renaissance period. Visitors may descend to the gloomy palace dungeons, and then get some fresh air on the famous Ponte dei Sospiri (Bridge of Sighs), where prisoners often caught their last glimpse of the Adriatic.

The city’s main street isn’t a street at all, but the celebrated Grand Canal. This is a good place to buy a City Pass, the most economical option for moving around Venice on its vaporetto water buses, with many stops along the Grand canal.

One of the numerous mansions along the canal is the sumptuous, 14^th C. Palazzo de Santa Sofia; better known as the Ca d’oro, (house of gold), because the abundant gilt in the polychrome and white marble exteriors that once made this lovely Gothic building shine like a jewel. There is also the famous Rialto bridge, which retains all the elegance that made it such a sensation when it was completed in 1591, 400 years after the first pontoon bridge was built on the site.

A city’s true character is often to be found in its markets, and Venice has two that should not be missed by visitors. One is the Erbaria product and fish market in the Rialto district, where you should check out the local asparagus and artichokes. Then there is La Pescheria for a dazzling variety of mainly local fish and seafood.

For connoisseurs of Italian cuisine, the Riva del Vinis the place to find the café or restaurant of your dreams in a quiet riverbank setting. Other excellent restaurant districts are Campo Santa Margherita, with its floating terraces, Zattere, where you can watch the sun set over the Laguna Veneto, and the streets near the fashionable Campo Giacomo di Rialto,where many Venetians take their “aperitivi” in the late afternoon. Try a Spritz and a snack of delicious codfish. The classic Venetian recipe for Spritzes, by the way, is 1/3 dry wine like Prosecco, 1/3 soda or bubbly mineral water, and 1/3 sweet Aperol or bitter Campari.

Outstanding amongst the city’s numerous museums is the Guggenheim, with possibly the continent’s best collection of European and American art from the first half of the 20^th C, housed in the old Palazzo Venier dei Leoni on the Grand Canal, where it was opened in 1980 to show Peggy Guggenheim’s personal collection, masterpieces from the Gianni Mattioli collection, a garden of sculptures by Nasher, and temporary exhibitions.

To view the city in all its splendour from a distance you can take a number 42 vaporetto at the San Sacaria stop in St. Mark’s Square to the island of Murano, passing the Fondamento Nuove and stopping to visit the San Michelle cemetery, a “cemetery island”, where you can see the graves of such luminaries as Igor Stravinsky, Joseph Brodsky, Sergei Diaghilev, Ezra Pound, and Luigi Nono.

If all the water makes you hanker for a beach, there’s the legendary,Lido –a 7-mile long sandbar in the lagoon– with its many stylish cafes and restaurants.

To really discover Venice, you need to get lost there, so use the vaporettos freely and get off at any stop –the streets are safe even after dark. And a night-time visit to St. Mark’s Square is an experience you will always treasure.

Venice. There’s simply nothing like it. However often you visit, the surprises keep coming! Now’s the time to book a flight there with Vueling. Check out our prices here!

Photos: Fernando Sanz
Text: Tensi Sánchez de actitudesmgz.com