The name Ronda inevitably conjures up pictures of its lofty Puente Nuevo (New Bridge) and spectacular bullring. Situated in the north-west of Málaga province, in the beautiful natural setting of the Serranía de Ronda range, it is the ideal spot for a weekend getaway.

In the course of its history, Ronda has been conquered by Celts, Iberians, Phoenicians, Greeks, Carthaginians, Romans, Arabs and Berbers, as evinced in the city’s rich heritage. It was also occupied by the French in 1810, prompting the emergence of a bandit resistance movement known as bandolerismo.

Ronda, A Monumental City

The obvious starting point is the Puente Nuevo, one of the city’s icons.Built in the 18th century, it connects the historic town to the city’s modern districts, spanning a 100-metre-deep ravine through which the river Guagalevín flows. It is well worth crossing the bridge to see the stunning views. Another vantage point is provided by the balconies in the Jardines de Cuenca, revealing a view of the bridge in all its splendour. But, there’s more. Pre-dating the Puente Nuevo is the Puente Romano (Roman Bridge), also known as the Puente de las Curtidurías, in addition to the Puente Viejo, finished in 1616.

Another sightseeing area is the inner city with its narrow streets, particularly the Calle Manuel Montero with its characteristic white houses adorned with flowering geraniums. The area also boasts a large number of mansions and palaces, notably the Mondragón Palace. Moorish in origin, the building features harmoniously blended Mudéjar and Renaissance styles. It currently houses the Ronda Museum. Other outstanding buildings are the Palace of the Marqués de Salvatierra, the Casa del Gigante (House of the Giant), a jewel of Nasrid architecture, the Renaissance-style House of St John Bosco and the Palacio del Rey Moro (Palace of the Moorish King). The latter houses a fountainhead opened up by the Moors which provides access down to the river.

When it comes to religious architecture, a must-see monument is the Church of Santa María la Mayor, built over the High Mosque of Medina. A prominent feature of its interior is the choir, carved in fine walnut and oak woods.

There are numerous vestiges of the old Moorish settlement, as we saw for ourselves. You can still visit the Muslim Medina, of which part of the wall has been preserved, although the most striking feature is the Almocábar Gate, dating from the 13th century. However, the most important vestige of that period is the Arab Baths –the best preserved on the Iberian Peninsula –built in the 13th and 14th century alongside the Arroyo de las Culebras.

Also worth exploring is Ronda’s Roman past, the major landmark being the Acipino Archaeological Site. Located some 20 kilometres outside the city, the standout feature in this complex is the Roman theatre.

Ronda – A City of Bulls

As intimated at the beginning of this post, the Bullring is another icon for which Ronda is famous. The Real Maestranza de Caballería de Ronda, unveiled in 1785, is one of the oldest and most monumental bullrings in Spain. Interestingly enough, its design is attributed to Martín de Aldehuela, artificer of the Puente Nuevo. For those who wish to explore the world of bullfighting, the bullring includes the Museo de la Tauromaquia (Museum of Tauromachy) which is open to the public.

However, Ronda is not only well-known in bullfighting circles for its bullring. It was here that modern tauromachy emerged, as did the Corridas Goyescas, and the city is the cradle of powerful matador dynasties like the Romeros and the Ordóñez. This is precisely why Ronda was frequented by its two best-known international aficionados, Ernest Hemingway and Orson Welles, and the ashes of Orson Welles were deposited in the Ordóñez family estate in Ronda.

Ronda – the Home of Good Food and Drink!

The best way to round off a tour of Ronda is to try its culinary specialities, notably their sopa de castañas (chestnut soup),migas con chorizo (cured pork sausage crumble), rabo de toro (bull’s tail stew), conejo a la rondeña (Ronda-style rabbit) and perdiz al tajo (Tajo-style partridge).The ideal accompaniment to these dishes is any of wines produced in the nearby Serranía de Ronda, designated either DO Málaga or DO Sierras de Málaga.

Ready to explore all the cities concealed in Ronda? Secure your Vueling here.

Text by ISABELYLUIS Comunicación

Photos by SuperCar-RoadTrip.fr, Elliott Brown, Julia Kostecka, Antonio

Sometimes you just have to burst certain stereotypes which seem to hound some cities. Our case in point is paradigmatic. In effect, Granada has such a lot going for it, apart from the legendary Alhambra and the first Renaissance cathedral to be built in Spain, the imperial Santa Iglesia Catedral Metropolitana de la Encarnación (both of these must-visit landmarks, although not the sum of the city’s attractions). Located on the banks of the river Genil and towered over by the Sierra Nevada, the capital of Granada is one of the focal points in Andalusian culture, a university city where the old and new come together. Local traditional music – flamenco, cante jondo – ring out side by side with pop music and contemporary rock (all related to independent music).

Granada has fewer than 250,000 inhabitants, but is an inexhaustible academy of artists and bands. Enrique Morente, Los Planetas, Lagartija Nick, 091 and Lori Meyers, to name just some of the more famous among them, emerged from the city’s streets and corners and went on to write some of the most celebrated chapters in Spanish music. Being a small city, you can walk through it comfortably. All you need is a pair of good trainers and, above all, motivation. So, if you’re eager to find out about more than just its historical landmarks, here goes a few musical slots geared to discovering a different Granada.

As mentioned above, the old and new come together in Granada. What’s more, those two currents have merged, thanks to the work of some of the aforementioned artists, like Enrique Morente and the incombustible Largartija Nick. The first must-visit spot on any tour of the city’s vibrant music scene is Sacromonte, the cradle of Granadan folklore. Situated in the Sierra de San Miguel and with a privileged view of the city, the area is brimming with caves blessed with excellent acoustics where the gypsy community organises recitals of cante jondo and flamenco. The performances are generous and varied. Apart from Sacromonte, it is well worth strolling through the district of Albaicín – also on the upper side of the city – another cradle of Granada flamenco and one of the most acclaimed gastronomic enclaves. In the streets of this district lies one of the most celebrated flamenco schools in the country, the Instituto de Flamenco Flora Albaicín.

Moving on to wholeheartedly modern currents, Granada is the land of independent rock. It boasts a rich fabric of clubs and concert halls with programmes that also open up to styles beyond Indie (electronic, mestizaje). One of the most venerable spots is Planta Baja, a veritable cultural institution in the city which, apart from hosting consolidated bands, also gives emerging local talent the chance to make their mark. Located in downtown Granada, near the Basilica of Juan de Dios, the Monastery of San Jerónimo and Granada Cathedral – you guessed it; you might as well do some sightseeing before visiting it – it offers activities from noon onwards and DJ sessions at the weekend. Some of the big names that will feature on stage at Planta Baja in the coming months include Sex Museum, Soledad Vélez and Carlos Sadness. Another club which deserves a pilgrimage if you’re into pop and rock is El Tren, located on the outskirts of the city.

A place with so much musical activity could not fail to have a good number of record shops, too. One of the best is Discos Marcapasos, just a few metres from Planta Baja. Located at 6 Calle Duquesa, it is the nerve centre of Granada’s music scene, also offering a generous stock of CDs and vinyls covering sixties years of pop music. It provides advance ticket sales for concerts at Planta Baja, El Tren and other venues in town as well. The store also hosts such activities as ad hoc DJ sessions, record signings and acoustic concerts. Another of the city’s institutions well worth considering is Discos Bora Bora, a small store with a large selection of vinyls.

Book your Vueling to Granada and discover its music scene.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Located in the south of France, an hour’s drive from Marseilles and alongside the Rhone, Arles is a town you really must see if you’re heading to Provence. And, if you’re also a fan of Van Gogh, you have even more reasons to rediscover the landscapes and architectures that inspired the grand master in his Post-Impressionist painting.

Arles’ Roman Past

You cannot possibly visit this town without becoming steeped in its Roman heritage. In AD 46, as a reward for having supported Julius Caesar is his struggle against Pompey, Arles was turned into the major harbour in the area, a privilege which was withdrawn from Massilia (the former Marseilles), for having mistakenly supported the opposite side. As a result, the town then lived out its age of splendour, of which several monuments have survived the test of time, some still in excellent condition. One example is the Arles Arenas, an amphitheatre built around the 1st century AD for staging gladiator combats, the most spectacular show at the time. It is still used today, as it hosts theatre plays, concerts, bullfights and courses camarguaises (a typically local type of bullfighting). The 1st-century AD Roman Theatre is another standout monument in the city. Like all Roman cities, Arles also had its forum, the centre of the community’s social, political and religious life. In addition to the nomenclature, Place du Forum, it features an underground Cryptoporticus, a network of galleries where foundations were laid and which is open to visitors, accessed via the Hôtel de la Ville.

Other Sights in the Town

The Church of St. Trophime, located in the town hall square, is a classic example of Provençal Romanesque and Gothic. Built between the 12th and 15th century, its cloister is also well worth visiting. Another interesting sight is the Alyscamps, A Roman necropolis which was taken over by the Christians and used until the end of the Middle Ages. For those interested in discovering the town’s archaeological history, we can recommend a visit to the Musée Départemental Arles Antique, which features some striking mosaics, among other things.

Arles – the Setting for Van Gogh’s Paintings

Apart from drawing tourists to its monumental heritage, Arles attracts visitors for having being one of the major settings for Van Gogh’s works. The artist’s sojourn in the town was comparatively short – from February 1888 to May 1889 – but there he was hugely prolific, producing over 200 paintings. Captivated by its light and colour, he painted it in all its guises. Curiously enough, not one of these paintings is housed in Arles, but you can still visit all the places that inspired them. We recommend getting a street map – which can be picked up in the tourist office – and letting yourself get carried away. Some of the landmarks on the Van Gogh tour are:

- The Maison Jaune (Yellow House), on the Place Lamartine;

- The “Café la Nuit” (Night Café), on the Place du Forum;

- Arles Arenas and the Alyscamps;

- Trinquetaille Bridge;

- “Starry Night Over the Rhone”;

- “The Old Mill”, on rue Mireille;

- The garden on the Boulevard des Lices;

- The garden of the hospital, known as the Espace Van Gogh (where he was admitted during his illness and where he had his ear stitched back on after cutting it off);

- The Langlois Bridge, also known as the Van Gogh Bridge.

However, Arles did not only serve as Van Gogh’s haunts. Gauguin also visited the town and painted some of its spots. It was precisely on account of an argument between the two painters that Van Gogh ended up cutting off his ear. Another genius, Picasso, also frequented Arles over a number of years. He would often go there to watch bullfighting and to visit his friends. Proof of his close ties to the town is the donation he made of fifty-seven drawings, which can be seen in the Arles Fine Arts Museum, the Musée Réattu.

Ready to take a Vueling and be dazzled by Arles?

Text by ISABELYLUIS Comunicación

Photos by Joan Sorolla, Tristan Taussac, Anne Jacko, Shadowgate, Phillip Capper, Claude Valette

“Our friend and companion Mr Kans Kamper of the Foot-Vallsection of the Sociedad los Deportesand former Swiss champion wishes to organise some football matches in Barcelona” read an advert in the weekly newspaper, Los Deportes on 22 October 1899. Hans Gamper, now known as Joan Gamper, was the Club's Swiss founder, player and president, and a key figure in the destiny of the Barcelona football team. He was already a prominent soccer player in his own country and, when he moved to Barcelona in 1899 for business reasons, he refused to forego his passion. He published the above advert in an attempt to perpetuate the sport. As a result, the foundational assembly of FC Barcelona was held on 29 November in the Gimnasio Solè. Located in Montjuïc del Carme Street number 5 (on the corner of Pintor Fortuny, near the Ramblas and very close to the Canaletes fountain), these premises went on to become a garage until they were bought by a construction company in 1996, demolished and rebuilt to be used as office space. However, a plaque at the entrance reminds passers-by that this place saw the birth of one of the most admired football clubs in the world.

From La Escupidera to Camp Nou

After continuously moving from one venue to another, Barça finally bought some grounds in 1909 between the streets Comte d’Urgell, Villarroel, Coello – now Londres – and Indústria – now París – where the first stadium was built. It was commonly known as La Escupidera (The Spittoon), given its small size. With a capacity for 6,000 spectators, it was almost too small from the outset. The numbers attending matches were such that those left outside would climb the outer walls of the premises in order to follow the game. The bottoms of these enthusiasts were exposed to the street, in view of passers-by, which is why Barça supporters are now known as culés (“bottomers” in Catalan).

In view of this, FC Barcelona moved to a stadium in the district of Les Corts, situated in the block delimited by the streets Numància, Travessera de Les Corts, Vallespir and Marquès de Sentmenat. Inaugurated on 20 May 1922, the stadium could initially hold 60,000 spectators. This enlargement also turned out to be insufficient to seat all those who wished to enjoy Ladislao Kubala’s football. This football wizard ­– included in the Barça "Holy Trinity" completed by Johan Cruyff and Leo Messi – was influential in the demolition of the Les Corts field and the construction of Camp Nou. The location of theformer stadiumis now commemorated by a plaque on an apartment block in Numància Street.

The new blaugrana colosseum, with a capacity for almost 100,000 people, was inaugurated on 24 September 1957 and has become a symbol of world football. A few metres from the stadium, encapsulating the essence of the club, stands the Masia Can Planas – a country house from 1702 that was until recently the residence of the blaugrana stars. For more information on Barça’s different headquarters, click here.

Between Euphoria and Faith

In February 1930, the weekly newspaper “La Rambla” was founded by Barça's president-to-be, Josep Suñol, with its headquarters at Las Ramblas number 13. Today, these premises are occupied by Núria Restaurant, just opposite the Canaletes fountain. At a time when football matches were not yet broadcasted on radio, the employees of the newspaper would hang a board from their office balcony with the day’s results. This was the way culés used to find out how well their team had done. If the score was satisfactory, the celebration would start. Since then, and still today, Canaletes fountain is the epicentre of Barça euphoria. Legend has it that, if visitors drink from the waters of Canaletes, they will eventually return to the city.

To wind up the celebrations, the football stars would end up on the balconies of the Generalitat de Catalunya and Barcelona City Hall in Sant Jaume square. Players, coaches and executives would then go to the Mercè chapel, a Baroque church located in La Mercè square, adjoining Carrer Ample and Passeig de Colom, to offer the winning trophy to the city's patron saint. Not very far from there is the cathedral of Santa María del Mar. This beautiful Gothic church was attacked at the beginning of the Civil War and most of the stained glass windows were destroyed. The government of the Generalitat insisted on its restoration, which was financed by various wealthy families of the time and Barcelona institutions, such as FC Barcelona. As a token of gratitude, the club's emblem was placed on the window in the church sanctuary. Indeed, football is a question of faith.

Barcelona is no doubt one of the most football-mad cities in the world. You can breathe Barça everywhere. Come and see it for yourself! Check out our flights here.

Text by Oriol Rodríguez / ISABELYLUIS Comunicación

Images by Oriol Rodríguez, Juanedc, Maria Rosa Ferre, Jordi Ferrer, Enfo_34/ Fundació del FC Barcelona