Practically the whole of 20th-century architecture is represented in Prague’s urban fabric. Even today you can admire examples of major achievements in the various styles that emerged over the last century. Here at My Vueling City we have prepared an introduction to these styles, as embodied in some of the city’s most emblematic buildings.

Modernism

Among other things, Modernism was born of a desire to harmoniously depict “a total artwork”. One of the most prominent illustrations of this in the Czech capital is Villa Bílek. The sculptor, graphic artist and illustrator František Bílek (1872–1941) – together with Alfons Mucha – was one of the leading exponents of Czech Art Nouveau. This studio and residential villa, located near Prague Castle, was built in 1911. It was designed as a backdrop to reflect a field of grain – indeed, many of its details give form to this idea. For instance, the columns are stylised sheaves of wheat. The villa now houses a permanent exhibition on František Bílek.

Cubist Architecture

Cubist architecture took hold solely in Czechoslovakia. In this style, artistic value prevails over practicality, which often ends up tending to an exercise in style. At any rate, well worth the visit is the House of the Black Madonna or Dům u Černé Matky Boží, designed by the acclaimed Czech architect, Josef Gočár. Design enthusiasts will be pleased to learn that this is the site of the Museum of Decorative Arts, featuring furniture, ceramics, posters, publicity graphics and other select works by the Cubist painter, Emil Filla, and Josef Čapek. There is also an exhibition of Czech Cubism which runs until 31 December 2017. And, there’s more – the building also houses the Grand Café Orient, the only Cubist café in the world.

Functionalism

Functionalism is an architectural principle by which the form of a building is derived from its function. It was the essence of modernity as opposed to traditionalism. The best example of this in Prague is the Villa Müller, designed by Adolf Loos and Karel Lhota for the owner of a construction company, František Müller. In this villa, built from 1928 to 1930, Loos applied both functionalist ideas and the Raumplan theory – instead of dividing available space into different levels or storeys, it is distributed in “cubes”. The latter are arranged so that each room is interspersed on different levels. The building belongs to the City of Prague Museum and the interior still features the original furniture and fixtures. There is also a small exhibition on the life of Adolf Loos.

Socialist Realism

Functionalism inadvertently created a kind of transition towards post-war Soviet realism. Prague was happily spared from being disfigured by the Communist regime and subsequent Soviet domination. It is not so long ago that half of Europe still lived under a Communist regime dominated by the USSR. Prague was one of the most important cities on the other side of the iron curtain, and it was there that the leading Soviet architects of the time were active – their work can still be admired today. It may not be one of the most widely applauded styles in the history of architecture, but it impresses in that it clearly fulfilled its mandate, becoming an identity trait for a whole era.

Socialist realism architecture tended to be monumental, historicist, symmetrical, decorative and studded with references to Stalinism. The most famous building from that period is the Hotel International Prague, in the Letná district, put up under the direction of the government of the time. Like Warsaw’s Palace of Culture and Science, it was a small-scale copy of seven similar, monumental buildings in Moscow. Completed in 1954, the building with the tallest tower is 16 storeys or 88 metres high.

Independence – Contemporary Architecture

Despite Prague regaining its freedom after the fall of the Communist Bloc, this did not prompt an architectural revival in the city. It did, however, spark a marshalling of valuable resources to restore the city’s historical areas and renovate its residential districts. The most internationally acclaimed achievement of recent times is held to be the celebrated Dancing House – also known as Ginger & Fred for its silhouette, which evokes the two dancers of Hollywood fame. Designed by Vlado Milunič, a native of Prague, and the American Frank Gehry, it initially stirred up considerable controversy due to its placement among Baroque, Gothic and Art Nouveau buildings, seriously rupturing the area’s urban profile. It now contains an art gallery, a bar, a restaurant and a hotel.

This, then, is My Vueling City‘s review of Prague’s most prominent architectural landmarks from the 20th century. We expect you to be surprised by them when you visit the city. Check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Czech Tourism, Wikipedia Commons

In effect, whatever’s hipster today becomes a trend tomorrow. Or at least that’s how it’s been so far. This alternative craze is spreading so fast is risks going mainstream, becoming a mass, commercial phenomenon. But, for as long as it endures, they’re still calling the shots. In London districts such as Hackney you can see larger communities of long-bearded – but well-groomed – men wearing lumberjack plaid jackets and vintage hairstyles than in other districts in the city. Here are some of their currently favourite haunts. Be warned – some of them feature new forms of leisure!

F. Cooke / Peters & Co. Gin Palace

At no. 9 Broadway Market in Hackney we find a bar that seems to have emerged from days long gone. During the day, F. Cooke serve pies, eel and delicatessen galore, many dishes based on recipes over a century old. By night, the locale concept transforms completely. In fact, its name changes to Peters & Co. Gin Palace, as it turns into a veritable gin palace, like those that existed in London in Victorian times. You can savour this marvellous elixir by choosing from over twenty brands on their list.

Nights of Drink and Draw – On the Cutting Edge

Londoners are well aware that the best way to be a good hipster is to be an aesthetics and leisure innovator. A trend that has become popular lately involves combining drink and drawing. These are the so-called Drink and Drawspots, where you paint or draw in the company of other art enthusiasts, artists or just amateurs eager to have some fun. The fad hails from the arty Brooklyn district where people meet at specific local nightspots to have a drink while they scribble away.

These gatherings are usually chaired by an art teacher, who decides on the various poses (about 6) adopted by a model. After a 45-minute session of drawing and painting, there is a break to have a drink and chat with the other participants. This is the ideal moment to socialise. Then follows another painting session. At the end, the teacher critiques the artworks with the whole class. The session typically lasts about 3 hours and costs £18, which includes a drink. The places where you can drink and draw are:

Doodle-le-do, led by Natalia Talkowska, holds regular gatherings in London, Dublin, Poland and Holland. People come to meet, chat, draw, eat sandwiches and drink. Ditto Press, however, offers classes soused in home-brewed beer. Their bent is illustration and printing, which is hosted in their studio on Benyon Road, N1. Drink, Shop, Do, for its part, is a bar, pastry shop and craft workshop at King’s Cross where afternoon tea is set against craftwork classes. Doodle Bar, in Battersea, and The Book Club, in Shoreditch, both stage drawing events on their premises. Lastly, The Idler Academy offers art classes while savouring gin-tonics based on Hendricks.

Netil Market

For over four years it has opened on Saturdays from 11 a.m. to 7 p.m. on premises at nearby Westgate Street. It comprises a cluster of craft shops, bric-a-brac and barbershops and, of course, food stalls. Clearly the perfect spot for pro hipsters. The market belongs to Netil House, a creative community based on Westgate Street. The terrace cafe affords panoramic views of the whole city. The atmosphere becomes vibrant from spring onwards.

One faction of hipsters are advocating rural life in the heart of the city. No wonder, then, that you can find pastry shops offering homemade cakes. Yeast Bakery, also in the market, provides Breton butter-bakes made in a wood-fired oven. At Brawn (open Tuesday to Saturday) you can taste an endless array of organic wines, while at Jones Diary you can buy all kinds of homemade cheeses, and Lee’s Seafood specialises in fried fish.

At nightfall, where better to go than Mare Street. There, Cock Tavern has become all the rage. This pub specialises in home-brewed beer and was last year named Beard Friendly Pub of the Year, a title awarded by the Beard Liberation Front, a group which campaigns in support of beards. You can also sip a coffee while your bicycle gets a looking over at Look Mum No Hands! Now for a secret which only a few people know about – the supper clubs, a number of restaurants half-concealed inside other establishments. Also in this area is Printers & Stationers, housed in a warehouse area at the back of a would-be print shop on Ezra Street.

We shall tell no more – no point in revealing all the secrets at once. So, hurry before these fabulous spots go out of fashion or get overrun. Check out our prices here!

Text by Isabel y Luis Comunicación

Image by Printers & Stationers, Ben Brannan, Thomas Wootton

Recently landed in Budapest, the Pearl of the Danube, we enter one of the most romantic cities of Eastern Europe with countless opportunities to enjoy our stay. If you’re asking yourself where to start, we have 7 essential sights to see during your visit:

1.- Admire the most emblematic monuments

The worlds third largest Parliament, a symbolic landmark of Budapest rises imposingly on Kossuth Sqaure, boasting a neo-Gothic style. The latter, together with the Buda Castle, an old residence of the kings of Hungary and Budapest’s oldest Chain Bridge define the personality of this city, which was indeed a major power during the Austro Hungarian Empire.

2.- Discover the Art Noveau

 Budapest is known for its numerous examples of art noveau architecture, a slightly peculiar style that intertwines elements of nature, asymmetrical shapes and sinuous curves, which decorate the facades of the buildings in the streets. The architectural merit of such exaltation is largely attributable to Ödön Lechner, also known as the “Hungarian Gaudí”, whose most famous work corresponds to the Royal Postal Savings Bank, which is full of floral patterns, colourful mosaics and some components of popular culture. Villa Balázs Sipeky and the Institute of Geology are other notable samples of the work of this brilliant architect. Our favourite example of art noveau is Walkó House, because of its facade, decorated with eight different varieties of animals.

3.- Relax your body in the Széchenyi Baths

Budapest has numerous thermal spas and baths for whenever you want to take a day of rest and revitalization after a long walk around the city. Széchenyi is the most majestic and largest spa in Europe, with fifteen indoor pools, ten saunas and steam rooms and three large outdoor swimming pools. It is common to see locals enjoying the spas, as they are a nice meeting point to chat.

4.- Go for a drink to the Bars of the ruins

If you want to immerse yourself in the most modern and happening Hungarian underground scene, you cannot escape from Budapest without going to one of these bars, which are located in old buildings, with a slightly worn out and decadent look but decorated in such a way that the vintage kitch look makes them very special. The best atmosphere in the city is definitely found in these bars, which are decorated with all kinds of Antique furniture, extravagant paintings and curious objects. We recommend the legendary Szimpla Kert Kazincy Street; the Instant bar, decorated like the wild west movies or the chaotic Púder, where there are also theatre performances and dj sets at night. 

5.- Visit the Muvesz Mozi Cinema

Budapest is known for its rich film culture, so it is definitely worth stopping by to visit one of their alternative cinemas. Intellectuals and big screen lovers residing in the capital visit Muvesz Mozi, where they show a large variety of movies- from old films that where made five years ago to recent independent films made by new and upcoming directors. In addition, this special cinema has a very cool café, decorated with different atmospheres to fit the different spaces, making you feel like a traveller through time and space.

6.- Visit the Sziklakorhaz museum, a hospital and secret bunker

This spectacular museum housed in what was once a hospital adjacent to a nuclear bunker in Budapest during World War II shows, in an extremely real and almost scary way, what was once experienced within these underground walls. The various facilities and rooms for the wounded, wax mannequins, medical devices and even the possibility to activate the emergency alarm at the end of the tunnel give you an idea of what happened, even if it mean getting goose bumps!

7.- Try the cuisine

The Central Market is one of the greatest culinary references in the city, where you can taste the typical traditional goulash or buy fresh groceries to cook at home. Kosher sweets are also a Hungarian specialty, we recommend the ones at Cukrászda Fröhlich. Last but not least, you must try the bread and butter with paprika and onion, which is served at any bar or restaurant. If you like spicy food, Budapest is the perfect place for your palate.

Why not take a trip to Budapest? Have a look at our flights here!

Picture by teofilo

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little