Berlin clearly lived through one of its most bizarre periods during the Cold War. Bizarre, in that erecting a wall dividing a city into two parts, separating families and neighbours and setting them in opposing universes, is an Orwellian experience to say the least.

Each part of the city obviously developed in a very different way. On the one hand, East Berlin stagnated within a system based on obsessive control by the regime, a pattern shared by the rest of the communist bloc. West Berlin, for its part, evolved in similar fashion to the rest of the capitalist world.

West Berlin – From the Mecca of the Underground to Hedonistic House

From the seventies on, in line with the new trends in England and the United States, a new musical scene began to gain currency in Berlin, based on creative freedom and the aesthetic of a clean break with the past. Berlin became one of the leading centres of punk and all its subsequent ramifications. Their outsider and underground art culture sediment attracted performers of the calibre of David Bowie, Brian Eno, Keith Haring and Lou Reed throughout the seventies. By then, a good number of bands were feeding such exciting circuits as those of London and Sheffield.

At the end of the seventies, the music of Joy Division and dabblers in electronic and industrial music were adopted as icons of the flourishing alternative scene of an open Berlin. Unlike the British or American varieties, German post-punk was characterised by a tension between politics and culture and aesthetically owes much to krautrock, as many of its themes are endless repetitions at a heady pace, notably Geld/Money by the arty band, Malaria, or the early recordings of DAF.

As of 1980, the exciting Berlin scene was always on the move, spawning an inexhaustible string of bands like Einstürzende Neubauten– headed by the controversial Blixa Bargeld – Die Unbekannten, Nina Hagen, Die Krupps, Mekanik Destrüktiw Komandoh, Die Tödliche Doris, Geile Tiere and Die Arztewith their punk funk distinguished by sarcastic lyrics.True to say, the scene was not made up of musicians alone, but by film stars and directors, writers, philosophers, artists and photographers, too. By the mid-eighties a process of disintegration had set in. Music became ever more commercial and groups began to sign up with multinationals. However, it was not long before a new sound revolution arose which had a marked impact on the city – the advent of acid house and techno. Recall that Berlin’s Love Parade was the first mass parade of electronic music in the world. The first Love Parade was in 1989. The event started out as a clamour for peace and mutual understanding through music. Just a few months later, the Wall came down and West Berlin was consigned to history.

The legendary SO36 was still going strong at that time. The club, located on the Oranienstrasse near Heinrichplatz in the Kreuzberg district, took its name from the area’s famed postal code – SO36. The district of Kreuzberg is historically the home of Berlin punk, and of other alternative German subcultures. SO36 was initially dedicated mainly to punk music. As of 1979 it attempted a crossover between punk, new wave and visual art. In those days the club rivalled New York’s CBGB as one of the world’s leading new wave spots. Others on the Berlin circuit included Metropol, the disco, Kino, the club 54 Kantstrasse and the Sputnik alternative cinema, where the cult film Christiane F. premiered.

Period Document on the Big Screen

The 13th Beefeater In-Edit Festival will be held in Barcelona from 29 October to 8 November. Prominent among the many films to be shown is B-Movie: Lust & Sound in West-Berlin 1979-1989, a documentary directed by Jörg A. Hoppe, Heiko Lange and Klaus Maeck on music, art and chaos in the Wild West of Berlin in the decade of the 1980s, the walled city that became a creative crucible for a special type of pop subculture which attracted brilliant dilettantes and world-famous celebrities of all kinds. However, prior to the fall of the Iron Curtain, artists, squatters, poets, music creators and hedonists came together to enjoy a highly unconventional lifestyle in Berlin. They all knew it would be short-lived but, who’s worried about tomorrow? It was a case of living for the here and now.

Featuring mostly unreleased television material and original footage, photos and interviews, B-Movie chronicles life in a divided city, a cultural interzone where anything seemed possible – a place different from anywhere else in Europe. It is a fast-moving collage of stories about a frenzied but creative decade starting with punk and ending with the Love Parade, in a city where days are short and nights are interminable.

Berlin is currently experiencing a youthful resurgence in terms of cultural activity – and music, too! Why wait to discover it all? Check out our tickets here.

Text by ISABELYLUIS Comunicación

Images by B-Moviem, SO36

When talking about Majorca, we usually limit ourselves to the wonderful beaches and landscapes to be explored and tend to ignore its main city, Palma. Tucked away in this enchanting port city with a centennial history are numerous gems that make this a must-visit destination on the island. Following are some pointers to landmarks that make this city so alluring.

1. A Cathedral Filled With Surprises
You can’t help seeing it – Majorca Cathedral protrudes well above all other buildings in the city. Also known as La Seu, this monument in Levantine Gothic style is characterised by its lofty bearing – it is one of Europe’s tallest Gothic cathedrals – and its huge rose window, also one of the largest of its kind, while the interior is crammed with surprises. It features the legacy of Gaudí, who rearranged the interior in the early-20th century, incorporating Modernist ornamental elements and a baldachin on the unfinished altar. Then there is the amazing ceramic mural of Mediterranean inspiration which crowns the Chapel of the Most Holy, the work of Miquel Barceló, which visitors are unlikely to miss.

2. The Characterful Lonja
This must-visit 15th-century building, designed by Guillem Sagrera, was once the headquarters of the School of Merchants. Nowadays, visitors are dazzled by its helicoidal columns, which end in groined vaults that look like palm trees at first glance. The construction is enormously inspiring, capable of transporting the viewer to a time when Palma was a major trade centre.

3. A Route Through Miro’s Majorca
The imprint of Joan Miró is ever-present in the city where he spent the last 27 years of his life. Be sure to visit the Pilar i Joan Miró Foundation to see the artist’s house and workshop, in addition to a small part of his vast oeuvre. And, still in the same area, the recently opened Marivent Palace gardens feature twelve of Miró’s sculptures.

4. A Good Measure of Contemporary Art
In Palma, contemporary art is not limited to the figure of Miró. If you head for Es Baluard, Palma’s Museum of Modern and Contemporary Art, you can also see works by the leading artists and movements that have come together and still converge in the Balearic Islands. Another venue you should make a point of visiting is the Juan March Museum Foundation which houses a highly interesting collection of contemporary Spanish art.

5. The Waterfront Promenade
Like any decent seaside resort, Palma is fringed from one end to the other by a long waterfront promenade which affords a different angle on the city. The view is stunning when you draw level with the Cathedral, and the promenade also has leisure areas where locals do various sports or just lounge around and chill out.

6. De Luxe Cuisine
Palma has splendid and highly assorted culinary offerings. The local tradition, in the form of tapas bars and restaurants offering locally sourced products, exists side by side with establishments that have reinvented Majorcan cuisine and taken it to a new level, and those serving up international cuisine. Don’t hesitate to try Majorca’s typical and essentialsobrasada,a spicy, pork sausage, or to put yourself in the hands of gourmet chefs with their bolder gastronomic interpretation.

7. Santa Catalina, The Hipster Quarter
This erstwhile fishing quarter has undergone a facelift and a marked transformation in recent years, becoming one of the most attractive beats in town. We recommend visiting it at dusk, when the establishments get into full swing, and refueling by opting for a hearty dinner in of one the area’s trendy restaurants.

8. Terraces with Views
Another way to enjoy the city is from one of the rooftop terraces which some bars and restaurants have tucked away. There you can order a small feast while soaking up the breathtaking views. One such spot with magnificent views is the Nakar Hotel, which offers an excellent culinary assortment served up by Majorcan chef Miquel Calent.

9. An Ensaimada as a Souvenir
You cannot possibly leave Majorca without an ensaimada under your arm. This is a giveaway at your destination airport, but there’s no resisting the delight of eating one. Filled with angel hair squash, custard, chocolate and even sobrasada – or without a filling, if you prefer – you can get your hands on this tasty souvenir in numerous pastry shops. Among our favourites are Forn Fondo and Horno Santo Cristo.

Book your Vueling to Palma de Mallorca, explore its streets and let yourself get carried away by the charm of this city.

Text by Los Viajes de ISABELYLUIS

Photo by SBA73

Picasso’s Corunnan period remains fairly unexplored, even though he himself considered it important to his development. On occasion, he even rated it above his Blue and Rose Periods. It all began in October 1891, when Pablo Ruiz Picasso was nine years old and, together with his sisters Conchita and Lola and his mother María, left his hometown of Málaga and moved to Galicia where his father, José Ruiz Blasco, took up a teaching post at the Provincial School of Fine Arts in A Coruña. The boy from Andalusia attended both the local secondary school and the aforementioned Fine Arts School for three years, embarking on his art studies at the latter.

During his sojourn in A Coruña, the young boy produced over 200 works, now housed in the world’s leading Picasso museums (Paris, Barcelona and Málaga) or in private collections, as is the case of Portrait of Modesto Castilla,which in 2012 was auctioned for 2.6 million euros, the highest price ever fetched by a painting executed by a boy – Picasso was 12 years old at the time.

So, on any trip to A Coruña, be sure to go on the following itinerary which will take you to the most significant landmarks during Picasso’s Corunnan period.

Picasso House Museum
The Ruiz Picasso family lived in Galicia on the second floor at 14 Calle Payo Gómez for five years. The building, its original structure still intact, features typical Galician architecture, including wooden galleries. The family’s living quarters include a re-creation of a 19th-century home, with a few reproductions of Picasso’s Corunnan work and that of his father, in addition to an engraving by the former which is contemporary with Guernica.

Instituto da Guarda
The Instituto Eusebio da Guarda, located in the Plaza de Pontevedra, is the secondary school and art school attended by Picasso. His school grades were very poor, but he excelled in his art exams. It was on the first floor that he received tuition from such artists as his father, in addition to Román Navarro, Isidoro Brocos and Amorós y Botella.

The Plaza de Pontevedra
This square, which at the time was still sand and stone, was where Picasso played at bulls and bullfighters with his friends, including Antonio Pardo Reguera, Constantino Sardina and Jesús Salgado. A drinking fountain used to stand in the square which the maid employed by the Ruiz Picasso family got drinking water from.

The Beaches of Riazor and Orzán
It is said that Picasso discovered the female nude for the first time in Riazor. This occurred while playing near the bathing boxes that used to be on the beach, which also had boats that Pablo drew. As for Orzán, he executed an oil on panel of that beach.

Chapel of San Andrés
The restored, Neo-Romanesque-style Chapel of San Andrés opened to the public in May 1890. Seven sculptures by Brocos, one of Pablo’s tutors at the School of Fine Arts, were put on display in its interior thereafter. A few metres from the chapel stands the Circo de Artesanos where Picasso attended dance classes.

The Calle Real
In February 1895, Picasso held his first exhibition at 20 Calle Real, in what was then a furniture store, which earned him two excellent press reviews. In March he staged his second exhibition in the same street – purportedly at number 54 – where he showed his Man in Cap, now housed in the Musée Picasso, Paris.

San Carlos Garden
In A Coruña, Picasso heard the story of Lady Hester Stanhope, the lover of Sir John Moore, who died in 1809 and was buried in this garden. He liked it so much that he vowed to travel to England to learn more about her. In fact, the first time he visited Paris, in 1900, he actually intended it to be a stopover on his way to London. Later, however, he changed his mind.

Escola de Artes e Superior de Deseño Pablo Picasso
This school, located at 2 Calle Pelamios, was where Picasso pursued his studies after leaving the Fine Arts School. Several of the chalk drawings he executed during the three years he studied in A Coruña are displayed in the school’s corridors, while photocopies of his school report are exhibited in the foyer.

San Amaro Cemetery
This is where Pablo’s younger sister, Conchita, was buried after her death from diphtheria on 10 January 1895. Costales, Brocos, Navarro and Gumersindo Pardo Reguera are also buried in this graveyard.

The Tower of Hercules
Picasso went on long strolls from his home to the Tower of Hercules, a lighthouse which was designated a World Heritage Site in 2009. Pablo did oil paintings of it and also drew it in both his Corunnan notebooks and one of his news sheets. In the latter he called it the “Tower of Candy”.

Text by Turismo A Coruña

De Stijl,one of the major avant-garde movements of the 20th century, is celebrating its anniversary. No less than a hundred years have passed since Theo van Doesburg published the first issue of the magazine, De Stijl,after which this unique movement would eventually be named. Conceptualising art as all-embracing, dominated by geometry and the use of primary colours, the artists Piet Mondrian, Bart van der Leck, Gerrit Rietveld, Jacobus Johannes Pieter Oud, Vilmos Huszár, Cornelis van Eesteren, Antony Kok and Theo van Doesburg were instrumental in changing the course of the visual arts. As the cradle of this art style, Holland is gearing up to celebrate this event on a grand scale, with exhibitions, special itineraries, reviews and tributes to contemporary artists.

First Stop – The Hague
A first, essential stopover for this celebration is The Hague, just over a half-an-hour’s train ride from Amsterdam. There you can visit the Gemeentemuseum, which has the world’s largest collection of Mondrian’s works, boasting over 300 exhibits. To mark the centenary of De Stijl, they have organised Mondrian to Dutch Design. 100 years of De Stijl, an annual cycle comprising three exhibitions revolving around the figure of Mondrian and the De Stijl movement.

While you’re in The Hague, be sure to visit the City Hall, designed by architect Richard Meier, the walls of which are used as a huge canvas for displaying Mondrian’s popular grids, filled in with the most emblematic colours of the De Stijl – yellow, blue and red.

Celebrating De Stijl Architecture in Utrecht
Utrecht houses one of the leading icons of the De Stijl movement, the Rietveld Schröder House. Regarded as Rietveld’s crowning achievement and built in 1924, its design adheres to the movement’s tenets, dominated by planes and lines to form flexible spaces. This was highly innovative at the time and the house also features a generous dose of primary colours in its decoration. It is currently a UNESCO World Heritage Site and is part of Utrecht’s Centraal Museum collection. Incidentally, the latter is hosting an exhibition, lasting until 11 June, entitled Rietveld’s Masterpiece; Long live De Stijl! dedicated to Rietveld’s career, as well as his links to other artists in the movement such as Bart van der Leck, Theo van Doesburg and Willem van Leusden.

Leiden and Drachten – Spotlighting Theo van Doesburg, the Founder of De Stijl
Another two stopovers on our centenary route of the De Stijl are Leiden and Drachten. Leiden was where Theo van Doesburg published his first issue of the magazine, De Stijl, leading to the birth of the new movement. Here, from 2 June to 27 September, you can visit the exhibition, Open-Air Museum de Lakenhal, featuring a prototype of “Maison d’Artiste”, the work of Theo van Doesburg and Cor van Eesteren.

In Drachten, one of the houses in the so-called Parrot District, designed by Theo van Doesburg, will be open to the public during the second half of 2017.

Mondrian’s Legacy
In addition to visiting The Hague, where, as mentioned earlier, one of the largest collections of the artist is on display, those wishing to find out more about one of the leading figures of the De Stijl movement should also see Mondrian’s house of birth, located in Amersfoort, as well as head for Winterswijk, where Mondrian lived from the age of 8 to 20, which also features what is known as the Villa Mondrian.

Book your Vueling to Amsterdam and join in the celebration of the centenary of the De Stijl.

Text by Los Viajes de ISABELYLUIS