With its five centuries of history, the Carnival of Las Palmas de Gran Canaria is a must-visit event for all enthusiasts of this festivity, when the streets in the capital of this fantastic Canary island are inundated with music, entertainment, colour, masks and other festival costumes. Its origins go back to the time of the island’s conquest, when its population included a large number of Genoese, who were instrumental in introducing the festivity – it is assumed to have been a highly italianised celebration during that period. The magnificent climate, the proximity of the beach and the friendly demeanour of the people meant that Carnival was here to stay. It has now grown into one of the most popular Carnival celebrations in the world.

Those of you wishing to experience for yourselves this year’s Carnival of Las Palmas de Gran Canaria should head for the island between 10 February and 5 March, when most of the scheduled activities take place during the lengthy festivity. The list of things to see and do is endless, but the crowning moments include the Gala de la Reina (the Queen’s Gala), the Carnaval al Sol (Carnival in the Sun), held at Las Canteras, the shortlisting and election of the Drag Queen at the Drag Queen Gala, the Traditional Carnival at Vegueta, the Carnaval de Día (Day Carnival) in Santa Catalina and the Cabalgata Infantil (Children’s Horse Parade). Spoiled for choice?

The nerve centre of Carnival is located in Santa Catalina Park, where the highlights of the festivities are staged. Local streets and establishments fill up with people dressed in striking costumes, ready to express themselves to the full.

Every year has a central theme for the festival, and this year it is The Eternal Spring, which is supposed to inspire the costume design of both locals and festival-goers from everywhere, all intent on coming to enjoy the Carnival of Las Palmas de Gran Canaria. Here, you would be hard pressed to see anyone not concealed behind a mask, wig or fancy dress of some kind – you have been warned.

Your Carnival experience will often be accompanied by the sound of murgas –similar to the chirigotas of Cádiz – with ensembles chanting songs set to satirical lyrics poking fun at the political and social status quo, in addition to comparsas or carnival troupes dancing to the beat of batucadas (percussion groups). Be sure to let yourself get carried away by the rhythm!

Any festivity worth its salt also has a culinary facet, and the Carnival of Las Palmas de Gran Canaria is no exception. Be sure to taste the tortitas de carnaval (carnival flapjacks), sopas de miel(a bread pudding) and pan dulce (sweet bread), all designed to restore your energy after so much revelry and upheaval.

Time for a Breather

If you’re lucky enough to be able to spend so many days that you end up getting worn out from so much cavorting to the Carnival beat, fear not. Gran Canaria is an island laden with secluded spots where you can wander about far from the everyday bustle. You can take the opportunity to sunbathe and have a dip at Maspalomas beach, or that of El Inglés, marvel at the natural spectacle provided by the blowhole known as the Bufadero de la Garita, or head for Tejeda and its stunning lunar landscape, presided over by the formidable Roque Nublo.

Pick up your fancy dress and get ready to delight in the Carnival of Gran Canaria – book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by El Coleccionista de Instantes Fotografía & Video

Half an hour south of Barcelona lies the Penedès DO wine region, primarily noted for being a leading producing centre of cava, one of Spain’s most celebrated sparkling wines. A mainstay of all major celebrations in the country, the origins of this “Catalan champagne” go back to the mid-19th century. French champagne arrived in the area around 1820 and a certain Luis Justo Villanueva of the Instituto Agrícola Catalán de San Isidro was one of the first vintners to try out and advocate the traditional champenoise method required to produce this innovative product. However, it was the Reus-based firm Soberano & Cía, run by Domènec Soberano i Mestres and Francesc Gil i Borràs, that first marketed the product, presenting it at the Paris World Fair of 1868.

Initially, the same grape variety was used as in champagne, but, owing to the phylloxera epidemic of 1887 which ravaged the local vines, the use of indigenous grape varieties was introduced, endowing the cava we know today with its distinctive personality. The main varieties are macabeo, parellada and xarel·lo.

It was originally known as champagne but, as a result of French champagne being awarded “protected geographical status” in 1972, the Catalan variety began to be called cava, named after the cellars (cavas) where the wine reposes during its production.

Well, what’s in it for anyone wishing to set out in search of those delicious bubbles? For starters, there is the product itself, a worthy equal to its French counterpart in terms of quality. And, those who are not particularly fond of sparkling beverages can always embark on tasting sessions of the region’s other wines, which deserve a section of their own. Then there is the scenery, characterised by vineyards stretching across the land and the proximity of the Mediterranean, in addition to the villages where the wine cellars are located. And, if you’re eager for still more, you can explore the region’s culinary offerings and the enotourism activities hosted there, noteworthy being the Wine and Cava Routes, a set of ten trails taking you through the different vineyards. What more could you ask for?

The town of Sant Sandurní d’Anoia is regarded as the “cava capital” of the DO Penedès wine region as 75% of the area’s production is concentrated here. It is thus a fitting point of departure for embarking on any route associated with this fine sparkling wine. You could make an initial stop at the Cava Interpretation Centre, a 1,200-square-metre space where you can learn about cava production, as well as its history, origins and other details.

Before or after visiting some of the wine cellars, we recommend taking a stroll in the town centre as a number of interesting Modernist buildings are located there. Noteworthy examples of such Art Nouveau edifices include the Lluís Mestres House, Cal Rigol, the Escoles Noves building and the headquarters of the Ateneu Agrícola.

Then comes the time for venturing into some of the myriad wineries in the town. Among the most popular is Cava Codorniu, which dates back to 1872. Apart from its cava, one of its standout features is the building itself, designed by the Modernist architect, Puig i Cadafalch. A curiosity you will discover on a visit to this winery are its 26 kilometres of underground cellars. The other great winery, of international fame, is Cava Freixenet, which first opened in 1861. The building, in Noucentista style with Modernist touches, is one of the leading works of the architect, Josep Ros Ros.

The following list features all the wineries and cavas making up the DO Penedès, showing their location and contact details, to help you plan a trip through the region and visit your favourites.

Make a point of striking a trail through the DO Penedès in search of its main cavas and wineries – book your Vueling to Barcelona here.

Text by Los Viajes de ISABELYLUIS

Images by Angela Llop, MARIA ROSA FERRE

A festival that has grown steadily over the years is Frightfest, which in 2017 has come of age (it turns eighteen). This time around sees a host of screenings of fantasy films and horror movies. From 24 to 28 August, Cineworld and The Prince Charles Cinema in Leicester Square will turn London into the world capital of the genre. The two cinemas are five minutes’ walk away from each other, located in the heart of the city. And, the great thing about it is that the location of both festival venues, plus the screening times of the films, means you can stroll around the centre of London and have ample time to enjoy the movies just after lunch time.

The programme for this year’s Frightfest is a veritable wet dream for horror movie fans, with a stack of European and worldwide premieres that make a trip to London worth your while. Here, then, are some of the highlights – the world premiere of “Cult Of Chucky”, a new instalment featuring the dreaded killer doll; the long-awaited American version of the manga “Death Note”, directed by Adam Wingard, the planetary premiere of “Leatherface”, based on the famous character from “The Texas Chainsaw Massacre”, and Spanish genre movies like “El bar”, by Alex de la Iglesia and “Verónica”, by Paco Plaza, in addition to gems of the independent horror genre like “Psychopaths”, “Freehold”, “Tragedy Girls”, “Game Of Death” and “Redwood”. But, apart from new releases, the festival also intends to pay tribute to some legendary figures of the genre. In this respect, be sure to highlight in red the screening of “King Cohen”,a documentary on Larry Cohen, one of the heroes of independent Yankee horror and fantasy films, as well as modern classics such as "Hatchet” and “Return Of The Living Dead III”. Take note – many of these movies will be presented by their protagonists (film stars, directors and producers), so you might as well take along a marker pen if you want to score some autographs.

As for tickets, Frightfest offers three options – single tickets for each session, day passes and a festival pass for the whole festival. Tickets can be purchased online at both official venues. Getting to the cinemas is a cinch. The Underground stop is Leicester Square,which is in Zone 1 on the Travelcard (the cheapest one) and you can take two lines to get there – theNorthern andPiccadilly lines.

As intimated earlier, the Frightfest programme is concentrated mainly in the afternoons, which means you’ve got the mornings free. Here are some ideas about rounding off the festival experience:

– Drop in on the Forbidden Planet stores, specialised in comics, collector figures and all kinds of products related to the sci-fi, fantasy and horror genres.

– Visit the Tower of London, one of the places with the darkest, gloomiest history in the city. It was there that Henry VIII committed all kinds of murders and torture, and it is also the scene of a number of famous ghost stories. Clearly a must-visit spot for devotees of Gothic horror.

– See the Grant Museum of Zoology, by way of a Victorian time capsule, where you will feel as though you’re a character in the “Penny Dreadful” series. The Grant Museum transports the visitor to the second half of the 19th century, featuring a collection of animals in jars filled with formol, both known and rare species, some of them extinct. It also has a collection of skeletons which will make your hair stand up.

Don’t miss out on the chance to enjoy this exceptional festival of horror and fantasy films – book your Vueling now!

Text by Xavi Sánchez Pons

In addition to its canals, the dockside in the old harbour, the Gravensteenor Castle of the Counts of Flanders, the City Hall and the Korenmarkt, one of Ghent’s major attractions is an altarpiece. Granted, it might not sound overly exciting or novel at first glance. If we add that it is one of the masterpieces of Flemish painting and the cornerstone in the transition from medieval to Renaissance art, it might start arousing some interest. And, that it is one of the artworks which, in the course of history, has been stolen most often, as well as having travelled through many countries, you are bound to see it in a different light.

The masterpiece in question is the Polyptych of The Adoration of the Mystic Lamb,also known as the Ghent Altarpiece, the work of the brothers Hubert and Jan van Eyck. It is located on the high altar in St Bavo Cathedral and was executed in 1426, commissioned by Joost Vijdt and his wife, Lysbette Borluut. The altarpiece consists of 12 panels painted in oil on both sides and measuring 3.5 m high by 4.6 m wide. It remains closed most of the year, and is only opened on festive holidays, revealing all its splendour. The paintings on the outer panels are more sober, with a marked sculptural air, the central theme being the Annunciation. A noteworthy highlight of the inner panels is their colouring, with a Deësis of Christ the King, the Virgin Mary and John the Baptist as the prominent upper feature, and the Adoration of the Lamb in the lower centre. Without going into the subject, the symbology and details behind the scenes of the altarpiece would fill a whole book.

The startling vicissitudes affecting this artwork date from 1566, when the retable had to be dismantled and concealed in the City Hall to preserve it from an assault by Calvinist iconoclasts.

In 1781, the two upper panels, depicting Adam and Eve, were removed from the ensemble, as Joseph II of Bohemia and Hungary found the nakedness of the figures disagreeable. In the 19th century, the panels were replaced with clothed versions of Adam and Eve, executed by the Belgian painter, Victor Lagye.

In 1800, the Napoleonic troops regarded it as the spoils of war – the wings were sectioned off and sold, while the central panels ended up in the Louvre. Once Napoleon had been defeated, the panels were restored to their rightful place in Ghent. But not for long.

In 1816, the vicar of St Bavo sold several of the side panels, which passed through a number of hands before coming into the possession of Wilhelm II, King of Prussia. They ended up being displayed at the Kaiser Friedrich Museum in Berlin. To provide a better view of them, the panels were sectioned lengthwise to reveal the obverse and reverse sides in the same plane. At the end of the First World War, among the multitude of artworks Germany was forced to return were these panels, which were again replaced in their original site.

In 1934, the panel of The Just Judges was stolen and a ransom of one million Belgian francs was demanded for its safe return, but the deal was rejected. It is still missing to this day and has been replaced by a copy, the work of the Brussels Fine Arts Museum curator, Jef Van der Veken.

Needless to say, the altarpiece was not left unscathed by the Second World War either, forming part of the large-scale plunder perpetrated by the Nazis. After a complex hunt for stolen art undertaken by the so-called “Monuments Men”, it was located in the Altaussee salt mine in the Austrian Alps.

The altarpiece is currently being restored, so not all the panels are on display in St Bavo Cathedral. To make up for this, those interested can follow the restoration project live in the Ghent Fine Arts Museum (MSK).

Now that you’re up to speed with all the ins and outs behind this marvellous artwork, we recommend you get hold of a Vueling and see it for yourself. And, don’t leave it too long, in case it gets stolen again!

Text by ISABELYLUIS Comunicación