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Bergamo The Pearl of Lombardy

With a millennial tradition, Bergamo rises majestically atop a hill in Lombardy. Its medieval old town is one of the best preserved in the region, with vestiges of the passage of Venetians, Austrians, Napoleon and, lastly, the unifiers under Garibaldi. But, apart from its monumental heritage, Bergamo is also famous for its cuisine and for being the birthplace of one of the leading opera composers of all time – Gaetano Donizetti.

Between the Città Alta and the Città Bassa

The Bergamasque universe is split in two. The historic centre is surrounded by an old wall at the top of a steep hill in what is known as the Città Alta or Upper City. At the foot of these hills lies the Città Bassa or Lower City which spreads across the plains and is now the hub of the city’s development.

Until the 19th century, the only connection between the two parts of Bergamo was via the sloping fortified wall gates. Over a hundred years ago, however, they were joined by a funicular railway which now links the Upper and Lower City in less than five minutes. The ride affords some stunning views.

The Essential Bergamo

The two main thoroughfares in old Bergamo are Via Gombito and Via Bartolomeo Colleoni. The network of streets that fan out from there is well worth strolling through as they are structured around the Piazza Vecchia, of which the architect Le Corbusier said it was the most beautiful square in Italy. It is also the site of some of the city’s most significant buildings. Presiding over the area is the formidable Torre Civica, also known as the Campanone, a stunning campanile from where the bells once pealed out to mark curfews and which connects the Palazzo della Ragione to the Palazzo del Podestà.

At the other end of the square stands the white Palazzo Nuovo, designed by the architect Vincenzo Scamozzi. It now houses a library, while a second-hand book and antique market sets up shop under its arcade on Sunday mornings.

The arches attached to the municipal building on the far side of the square lead to the Piazza Duomo. Sited here and well worth visiting is the Cathedral, although absolute pride of place goes to the adjoining Basilica di Santa Maria Maggiore, one of the most beautiful churches in the north of Italy. Begun in the 12th century, its Romanesque exterior belies its opulent interior, studded with frescoes, coloured stucco and marquetry work of the finest quality. A prominent highlight is the Colleoni Chapel. Here, too, lie the mortal remains of the most illustrious Bergamasque, Gaetano Donizetti, as well as those of his master, the no less distinguished Simon Mayr.

A Universal Bergamasque

No account of Bergamo would be complete without mention of the composer, Gaetano Donizetti, who was born and died here. Indeed, every step one takes through the city is a constant reminder of the romantic musician. Whether you are a music lover or not, we wholeheartedly recommend visiting the Museo Donizettiano, located near the Basilica de Santa Maria, with its collection of the composer’s personal belongings and several of his handwritten musical scores. The city’s leading theatre, the Donizetti Theatre, is yet another reminder of Bergamo’s favourite son. Adjacent to the theatre, a large monument pays tribute to his figure, while in autumn the city hosts the Festival Donizetti, which includes performances of his operas and includes guest opera stars from abroad. The festival is also a good time to discover the Teatro Sociale which, after its latest refurbishment in 2009, is unlikely to leave you indifferent.

Essential Cuisine

By now nobody would be surprised to hear about the excellence of Italian cuisine, and Bergamasque cooking is no exception. The star dish in the city is their casonsei or casoncelli alla bergamasca, a meat-filled pasta with a superb sage butter sauce. Their cured meat is another forte of the region, as are the wines. There are two venues you should make a point of visiting if you want to taste their finest cuisine. First, Da Mimmo, on the Via Colleoni in the Città Alta. Here you can taste some of the local specialities and one of the city’s most famous pizzas. The other essential eatery is the Baretto de San Vigilio. You can only get there by taking a second funicular from the Città Alta. The restaurant serves delicious traditional cuisine with signature flourishes and affords what are some of the best views of Bergamo. You simply must try their homemade tiramisu, one of the tastiest in the north of Italy.

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Text by Aleix Palau for Los Viajes de ISABELYLUIS

Images by Aleix Palau, Rick Ligthelm, David Spender

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Orán: la perla oculta del Mediterráneo

Oran is still off the beaten tourist track, which makes it all the more appealing when it comes to planning a trip which avoids scheduled routines and well-worn tourist prototypes. During the French colonial period it was the capital of the Oran Department, and it is currently an important port city and commercial hub and boasts one of the leading universities in North Africa. Sunni Islam is the official State religion, although there are Christian and Jewish minority communities. A visa is required when travelling there.

The Spain Brand in Oran

The capital of western Algeria, Oran occupies a privileged, strategic location in the Mediterranean basin. It is regarded by Spaniards as the most Spanish city in Africa, given the wealth of Spanish vestiges still present right across the region. Indeed, traces of Spain linger in local culture, language and gastronomy. The Oranians eat cocas, a sausage similar to Spanish sobrasada, and claim to have invented the paella, a word derived from the Arabic baiya, consisting of rice and seafood. The city also sports a bullring – now in disuse – which was inaugurated in 1954.

In geographical terms, Oran is the point in Algeria closest to the Iberian peninsula and indeed, on a clear day, the city of Almería can be seen from Oran, or vice versa. Its privileged position has enabled it to build up all manner of land and maritime connections. Its bay opens to the north-east, while the western flank is dominated by the steep Aïdour mountain. The city lies sheltered between the old colonial city and the new developments, which lend it a more modern air. Not to be missed is a stroll down the seafront promenade with its delightful panoramic view of the harbour and the old city. From here you can walk to the interesting Pacha Mosque.

You should not pass over the occasion to visit the famous Santa Cruz Fort. Built atop a mountain adjacent to the city, where it has served as a faithful lookout for over four centuries, this is undoubtedly the masterpiece of Spanish military architecture in the city, and also houses the well-worth-seeing Chapel of the Virgin.

The Place de la Perle (or Plaza de Armas), once the centre of Oran, while the city was under Spanish rule, is another of the prime sightseeing spots. Together with the Spanish Gate, the Casbah, the Porte de Santon, the St Philip Garrison and the Tambour de San José, it is one of the best preserved places from that period, from the 16th to the 18th century. Most striking is this latter monument, due to its important role in the Spanish history of Oran. Radiating from there was a network of underground galleries which ran underneath the old citadel and connected the Qasr el-Bey (Bey Castle) to the Santa Cruz Fort.

Historical District

The old town features an alcazaba (citadel), a fortified urban enclosure built to house the governor’s residence, to defend a specific area and its surroundings and to garrison troops, making up a small military precinct. The cluster of buildings forming this citadel includes an 18th-century mosque.

The district of Sidi El Houari, the patron saint of the city, is the oldest in Oran. There are guided tours of the walls and tunnels dating from the Spanish period, the Spanish Gate, the Madrid Ramp, la Blanca, la Escalera, the Casbah, etc. In this historical district you can also see the old Saint-Louis school, and the Pacha Mosque, built during the 17th century. Before leaving Oran, make sure you visit the marabout or Moorish shrine of the city’s patron saint, Sidi El Houari and make a wish, as tradition dictates.

This district also houses some of the city’s most important museums. The Ahmed Zabana Museum, formerly known as the Demaeght Museum, has archaeological, ethnological and natural history collections from the Maghreb on display, as well as an exhibition area devoted to Oran. In the archaeology section, the Carthaginian and Roman collections take pride of place. The buildings date from 1933, while in 1986 the museum was taken over by the Ministry of Culture and renamed. It comprises seven sections focusing on Oran and its surrounding region – fine art, the Moudjahid, numismatics, pre-history, old Oran, ethnography and natural history. Another prominent museum is the Moudjahid, located in the USTO district, which is dedicated as a memorial to the struggle for independence during the Algerian War.

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Text by ISABELYLUIS Comunicación

Photos by Algerian Embassy

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A Route Through the Seville of Don Juan Tenorio

There is one night in the year inevitably associated with witches, horror stories, pumpkins, bonfires and disguises and that it is 31 October, the eve of All Saints. One of the many traditions alive in Spain is the stage performance of Don Juan Tenorio, by the poet, José Zorrilla. The ritual has been performed continuously ever since it made its debut around 1844. While at first glance a romantic drama might seem out of place on a night more suited to The Munsters, there is a reason for it – much of the second act in the play takes place in a cemetery, and many of the protagonists are dead souls who come alive and interact with the lead figure. Chilling, isn’t it?

Don Juan Tenorio’s Seville

Having solved the first mystery, a second issue arises. What connection is there between one of the most popular Juanes in literature and the city of Seville? First, it was here in Seville that José Zorrilla wrote his stage play and where the story is set. Granted, Zorrilla was actually inspired by Tirso de Molina’s The Trickster of Seville and the Stone Guest, written in 1630, which is where the myth of Don Juan stems from. The work ended up seducing such artists as Molière, Mozart, Lord Byron and Espronceda, among others.

A different, entertaining way of touring Seville is to stroll along its streets in search of possible sites featured in that drama, and the spots where tributes to the work are located. Here are some of them:

The Hostería del Laurel (Plaza Venerables 5) is located in the heart of Santa Cruz, one of the most popular districts in Seville. This former boarding house is where José Zorrilla lodged when he wrote Don Juan Tenorio. This, the birthplace of the literary classic, also acted as a source of inspiration for some scenes. Despite the passage of time, it is still worth venturing inside, where some of its historical essence has survived intact.

A few yards from the Hostería del Laurel lies the Plaza de la Alianza, site of the home of Doña Ana de Pantoja, the future wife of Don Luis Mejía, who rivalled Don Juan Tenorio when it came to causing mischief. There is actually a scene in this square where Don Juan tries to wrest his beloved from the grasp of Don Luis.

It is more difficult to find the convent where Doña Inés – one of the main characters in this romantic drama – was confined. The convent belonged to the Order of Calatrava, which is why the habits she wears bear the emblematic red cross of Calatrava. Indeed, a convent once stood in the Calle de Calatrava, which was re-christened thus in honour of the literary work. Following the disentailment it was subsequently demolished, the sole surviving vestige being a chapel which was eventually turned into a warehouse. Easier to locate is the Plaza de Santa Marta, which everyone agrees was the spot where Doña Inés was abducted by our hero.

Still in the beautiful Santa Cruz quarter, we find the Plaza de Doña Elvira, site of the home of Don Gonzalo de Ulloa, the father of Doña Inés, who was staunchly against her alliance with Don Juan.

Concerning the location of Don Juan Tenorio’s house, literary sources cite it as being on the banks of the river Guadalquivir, where he ended up fleeing, although the exact spot is unknown. There is also the real site because, if you’ve done some reading on the subject, the Tenorio family actually existed and tradition places them in the Convent of San Leandro, situated in the square of the same name.

The scene of the final duel, in which Captain Centella kills Don Juan Tenorio, takes place in the present-day Calle Génova, now re-christened the Avenida de la Constitución.

To wind up this tour commemorating the literary classic, you can visit the Plaza de los Refinadores where a statue to Don Juan Tenorio, sculpted by Nicomedes Díaz Piquero, was erected in 1975.

By the way – if you’re in Seville any weekend from 31 October to 15 November, we recommend visiting the San Fernando Cemeterywhere Engranajes Culturales is staging a dramatised visit and performance of the third act of Don Juan Tenorio.

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Text by ISABELYLUIS Comunicación

Images by Víctor Fernández Salinas, Consuelo Ternero, Sandra Vallaure

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Alternative Jerusalem

Jerusalem is a fascinating place. Strolling through its Old City – the cradle of Jewish, Christian and Muslim culture – is like walking across a set in some Hollywood blockbuster directed by Cecile B. Demille. This enclave breathes history in every stone holding up its temples and other buildings although, when it comes to travels, the capital of Israel has long been classed as a religious destination. Indeed, any pilgrimage to the Holy Land should include a fascinating tour of the city’s catacombs. In the following we reveal the most interesting spots in an alternative Jerusalem, pinpointing the bars and clubs in the renovated Mahane Yehuda market.

Adraba Books

A meeting point for the city’s literary community, Adraba Books is Jerusalem’s bookstore for anyone seeking stories that go beyond official accounts. Over and above its café – worth commending in a country which does not stand out for its espressos, macchiatos and cappuccinos – it is noteworthy for its section of art volumes and its stock of titles in foreign languages, particularly English. Sderot Ben Maimon 5

Casino De Paris

Located in the heart of Mahane Yehuda – a refurbished market filled with colourful food stalls by day, many of which become bars and clubs with live music by night – stands the Casino de Paris, formerly one of the most popular clubs among British officers stationed in Jerusalem during the nineteen twenties. A century later it is now reliving its days of glory, and can count among its die-hards a large, motley crew of night revellers. The revival is largely the brainchild of Sha’anan Streett, the vocalist of Hadag Nahash, one of Israel’s most widely acclaimed hip-hop bands, and Eli Mizrahi, the owner of the nearby Machneyuda, possibly the best restaurant in the city. 3 Mahane Yehuda Street

Gatsby

Next door to a fast-food eatery, Gatsby is half-concealed behind a drab black steel gate, lacking any sign that might denote its presence. Despite its brief history (it opened just over a year ago), it is actually Jerusalem’s first cocktail lounge to re-create the ambience of an American speakeasy from the Prohibition era. It is stunning to see their barwoman wielding the cocktail shaker. As in other locales of this kind, you can only gain access if you know the secret code of the day, or else pretend to be a strayguiri– it worked with me. 18 Hillel Street

Lev Smadar

Lev Smadar opened in 1921 and is one of the most emblematic cinemas in Jerusalem. Hidden in an alleyway in the German quarter, it is honestly more difficult to find than Wally without his striped shirt. It features American, European and Israeli independent cinema and is frequented by the city’s arty crowd. All the movies are screened in their original version and local films are in Hebrew with English subtitles. 4 Lloyd George Street

Razzouk Tattoo Studio

Lost among the winding streets skirting the Jaffa Gate lies Razzouk Tattoo, the first and only tattoo parlour in Jerusalem’s Old City. Like almost everything here, the story of Razzouk Tattoo is fascinating. The Razzouks, a family of Egyptian origin, have been tattooing since the 14th century. In those times Copts would have a small cross etched on the inside of their wrist to gain entry to churches. After settling in Jerusalem, the grandfather, Yacoub Razzouk, opened his studio in the mid-20th century. The family tradition is now furthered by his grandson, Wassim Razzouk. 31 St. George Street

Uganda

This club is ideal for dropping in on the night scene on weekdays. It has been operating for the last ten years and is one of the favourite sanctuaries of DJs involved in Israel’s electronic underground. It is also a place to feed on vinyls, graphic novels and other Israeli counter-culture publicity. It is also one of the few clubs in town where you can quaff on a pint of Taybeh, a Palestinian beer which is up there with the best German or Belgian barley beverages. 4 Aristobolos Street

Videopub

This is the only openly gay bar in Jerusalem and a winner if you want to have a memorable night in the city. If you strike it lucky, you will happen upon one of their popular thematic parties from the 80s and 90s, soirées where the punchiest hits from those two decades will sound out one after the other. And, if you get too heavily involved in the revelry, don’t be surprised if you get carried off by one of the drag queens, who will lead you onto the dance floor. You’ve been warned! 1 Horkanus Street

Yellow Submarine

Open since 1991, the Yellow Submarine is Jerusalem’s most emblematic concert hall, the venue where both good – and the best – stars (albeit, unknown here) of the eminently interesting Israel music scene have performed, as well as some of the leading international figures that have visited the country. In addition to their daily bowling schedule, this booster of local talent also hosts conferences and exhibitions, as well as being hired out for rehearsals and recording sessions. 13 Ha-Rechevim Street

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Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Photos by Oriol Rodríguez, Cine Lev Smadar (© Alex Jilitsky), Uganda (© Udim), Yellow Submarine (© Uri Leshem)

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