They call it “The Eternal City”. The fact is that Rome still dwells in a historical limbo typified by a coexistence between Etruscan, Roman, medieval, Renaissance, Baroque and even Fascist vestiges. In this cradle of our civilisation and hub of the Catholic religion, monuments like the Colosseum, the Vatican, the Forum and the Pantheon are visited by millions of tourists each year. But, other jewels known to far fewer visitors also lie concealed in this great city. We roamed its most emblematic quarters and discovered the twelve most spectacular yet little known churches.

Trastevere

Here, tourists and locals jostle about one of the city’s liveliest, most characterful quarters. Here, too, stand some of Rome’s most fascinating medieval churches, in particular, Santa Maria in Trastevere.

1. San Francesco a Ripa – Bernini’s Other Ecstasy
Piazza di San Francesco d’Assisi 88

Possibly Gian Lorenzo Bernini’s best known work is the Ecstasy of St  Theresa. However, what many are unaware of is that a church in the very heart of Trastevere conceals another ecstasy by this artist. The church in question is San Francesco a Ripa, home to his Blessed Ludovica Albertoni, a masterpiece in marble which you are sure to enthuse over. The church is also famous for having been built on the former site of a hospice where St Francis of Assisi lodged during his visit to Rome in 1219. Indeed, his crucifix and stone pillow can still be seen in the cell where he stayed.

Piazza Navona

The Piazza Navona, one of the great works of the Italian Baroque, is built on the site of the Stadium of Domitian, hence its oval shape. The area features myriad vestiges of Borromini, Bramante and Bernini in the guise of fountains, churches and palaces. With a lively atmosphere during the day and by night, this is one of the best spots to take the city’s pulse.

2. Santa Maria della Pace – Bramante’s Proportions
Vicolo del Arco della Pace 5

This superb church was designed by Baccio Pontelli in the second half of the 15th century and includes a cloister by Bramante from the year 1504. Here, the great Italian architect applied the rules of classical proportions to generate an effect of spaciousness in an otherwise small area.

Campo de’ Fiori

The streets in this quarter have preserved their medieval atmosphere and sited here is one of Europe’s most famous open-air markets. It was a centre of the Renaissance, featuring buildings such as the Palazzo Farnese and Palazza Spada. Wandering through its streets, we came across the colourful Jewish ghetto, the Roman Theatre of Marcellus and the surprising Portico of Octavia.

3. San Girolamo della Carità – A Baroque Festival
Via de Monserrato 62A

This church is located near the church of Santa Maria in Monserrato degli Spagnoli, on the spot where St Filippo Neri lived. It houses the stunning Spada Chapel, which is well worth the visit. Designed by Borromini, it is an ode to the Italian Baroque, with statues, marble- and jasper-veined panels and all kinds of gilt decoration simulating curtains and flowered damasks.

Esquilino

Esquilino is the largest of Rome’s seven hills and a quarter which still retains much of its original character. Roman vestiges are in evidence in many spots, noteworthy being the ruins of the Baths of Trajan and the Domus Aurea. However, if it stands our for anything it is for its numerous churches, some of them built in private homes.

4. Santa Bibiana
Via Giovanni Giolitti 154

The simple facade of Santa Bibiana was Gian Lorenzo Bernini’s first architectural commission. The building houses the remains of St Bibiana, who was scourged to death with leaded thongs in Roman times. The small pillar inside the church is believed to be where the martyr was tortured. The interior also features a marble statue of the saint sculpted by Bernini himself. Interestingly enough, it was the first clothed figure sculpted by the Neapolitan artist.

5. Santa Prassede
Via di Santa Prassede 9A

The Basilica of Saint Praxedes, a celebrated gem of Byzantine art, houses one of Rome’s most interesting mosaic ensembles. The church was commissioned by Pope Paschal I in the 9th century, on the site of a former oratory from the 2nd century. While it has undergone alterations, its original medieval structure is still visible. The central nave contains a well where tradition has it St Praxedes buried the remains of 2,000 martyrs. Pride of place, however, goes to the beautiful mosaics, depicting saints, animals, palm trees and poppies. The church also contains part of a column, brought here from Jerusalem, to which Christ is said to have been tied and scourged.

Lateran

The Lateran Palace, the papal residence during the Middle Ages, stands next to one of the most spectacular churches in Rome, St John in Lateran.

6. Scala Santa and Sancta Sanctorum
Piazza di San Giovanni in Laterano 14

Many sightseers overlook this spot when visiting St John in Lateran. The building, designed by Domenico Fontana, houses the two remaining vestiges of the Lateran Palace, namely the Scala Santa and Sancta Sanctorum. The former is a set of 28 steps where, according to tradition, Christ walked up to Pilate’s residence before being tried. They were brought from Jerusalem by the mother of Emperor Constantine, St Helena, and ordered to be placed in this spot by Pope Sixtus V  when the Lateran Palace was destroyed. The steps are considered holy and an object of pilgrimage, so that visitors are only allowed to ascend them on their knees. At the top of the stairs is the Sancta Sanctorum containing a painting which was allegedly executed by St Luke with the assistance of an angel.

7. Santa Croce in Gerusalemme
Piazza di Santa Croce in Gerusalemme

While now very different in appearance, the original church was founded by St Helena, the mother of Constantine the Great, in the year 320 AD. It houses relics from Christ’s Crucifixion. The crypt contains a statue of St Helena which had originally been unearthed in the Ostia archaeological site. The tomb of Cardinal Quiñones, confessor to Charles I of Spain, was sculpted by Sansovino.

8. Santo Stefano Rotondo
Via di Santo Stefano Rotondo 7

St Stephen in the Round is one of the oldest churches in Rome. Founded in 468 AD, its striking circular ground plan is difficult to forget. The four side chapels house part of the original medieval frescoes, while the standout feature is a 7th-century mosaic depicting Jesus with SS Felician and Primus.

Caracalla

The spectacular ruins of the Baths of Caracalla have long been the main attraction in this part of the city which is ideal for strolling in. What in Roman times was a residential area now boasts many green zones and affords views of the Roman wall and the Porta San Sebastiano, one of Rome’s best preserved gates.

9. Santa Maria in Domnica
Piazza della Navicella 2

Dating from the 7th century, the church is thought to have been built on the site of a former fire station. It is well worth getting to this eminently untouristic church to enjoy the peaceful atmosphere. Don’t miss the stunning mosaic in the apse, commissioned by Pope Paschal I in the 9th century.

10. San Giorgio in Velabro
Via Velabro 19

Primitive in appearance, this church was inexplicably targeted by a terrorist attack in July 1993 which destroyed the portico and tympanum. They were restored and no signs of the attack remain. Noteworthy in the apse is a fresco by Pietro Cavallini. A prominent feature in one corner of the facade is the Arco degli Argentari, dedicated to Emperor Septimius Severus in 204 AD.

11. Santa Sabina
Piazza Pietro d’Illiria 1

Like San Giorgio in Velabro, this is one of Rome’s churches that best preserves the Christian basilica layout. It features a pulpit, choir and 16th-century throne, while the windows illuminate a nave graced with exquisite Corinthian columns. The doors in the side portico, with carvings depicting Biblical scenes, date from the 5th century.

Environs of Rome

The catacombs, Via Appia Antica and Borghese Gallery are located beyond the city centre.

12. Santa Costanza
Via Nomentana 349

Inspired by circular-plan churches such as the Palatine Chapel at Aachen, or Santo Stefano Rotondo, Santa Costanza is one of the early Christian jewels. Originally built as a mausoleum for the daughters of Constantine the Great, the 12 columns supporting the vault are a veritable feat of engineering. A replica of the Costanza sarcophagus housed in the Vatican Museum is set in a niche.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Brindisi, with a population of nearly 90,000 inhabitants, is a surprisingly calm and highly relaxing destination. The city has a glorious past, as evinced in the large number of vestiges still to be seen. Indeed, since ancient times Brindisi was known as the “Gateway to the East”, on account of its geographical location. This led it to become the perfect harbour for Roman vessels to dock at before sailing for the Near East. It was subsequently pilgrims, crusaders and merchants that set out from these shores, and the city also marked the end of the Roman road known as the Via Appia or Appian Way. Here at Vueling City we have prepared six family activities for your stay in this resort, which is also ideal for indulging in “slow tourism”.

Strolling Through the City

The city of Brindisi, on the Adriatic Sea, is situated between two deep bays and connected to the open sea via a deep, narrow channel overlooked by the Castello Rosso (Red Castle), so called for the colour of the stone used in its construction. This provides an exceptional starting point for a tour of the city. Another ideal start is the Castello Svevo or Swabian Castle, which overlooks the harbour’s western channel. The fortress is trapezoidal in shape, although it was remodelled many times over after the arrival of the Aragonese. Your itinerary might then take you to San Giovanni al Sepolcro (the Church of Saint John Sepulchre), which features a splendid, finely decorated marble portal. From there you can head for the Piazza del Duomo and visit the Cathedral. Next, go down the Via Colonne and stop at the foot of the Colonna Romana (Roman Column), originally flanked by another, identical column which is currently located in Lecce. The best way to round off the tour is to approach the Corso Garibaldi, a palm-tree-lined avenue which connects the harbour to the esplanade and train station.

Italy’s Largest Safari Park with Wild Animals

An outing likely to be hugely popular with the kids is a visit to the safari park with the largest number of wild animals in Italy, situated a few kilometres from Fasano. At Fasanolandia, lions, tigers, bears, elephants, antelope, giraffe, bison, deer, zebras and camels roam free among the park’s lush Mediterranean vegetation. The circuit is negotiated by car and there are several routes to choose from. The park also boasts an ornithological exhibit, a tropical room, a zoo and an oceanarium, each with its own variety of wild species – macaws, zebra finches, alligators, snakes, bears, hippos, dolphins and penguins, among others. There is also a Zoo Safari and a large Theme Park.

Total Relax

Another great place to chill out, as well as to enjoy healing therapies and personal care treatment are the Torre Canne Thermal Baths, set amid a lovely fir-tree park which includes a small lake fed by underground streams renowned for their therapeutic properties. This is a spot for the whole family to enjoy water in a different way.

Enjoy Nature

The Torre Guaceto Nature Reserve, a veritable oasis run by the WWF (World Wildlife Fund for Nature), is undoubtedly the most spectacular nature park in the area. If offers a wealth of possibilities, criss-crossed by footpaths and trails that are ideal for long, relaxed hikes or bicycle outings with the children. If you haven’t brought the children along, you could do some yoga, a popular activity here in the heart of this splendid nature reserve.

A Tranquil Sea

If there is a place all children root for, it has to be the seaside. The Brindisi coastline is flat and sandy throughout. It is blessed with a longer-than-usual holiday season thanks to its mild climate, which spills over into the autumn. The crystal-clear emerald-green and deep, sea-blue sea is ideal for diving, revealing stunningly rich Mediterranean flora and a seabed where the plant-carpeted depths are interspersed with rocky and sandy sea floors. This is the perfect habitat for the common snipe, ducks, nightingales and various kinds of amphibians. It is also the domain of a wealth of marine plant species, including undersea meadows of seagrass (Posidonia oceanica), sea fans or gorgonians and coral.

Back to the Past

In mid-August,Ostuni,a half-hour’s drive north of Brindisi, hosts the traditional Sagra Vecchi Tempi festivity, packed with musical and folk events, a cult festival that pays homage to the past. Take a stroll through the town’s alleyways and steep yourself in quaint scenes of country life set in accurately reconstructed craft workshops, where you can also taste delicious snacks of traditional local cuisine. At the forefront are the cheeses, both fresh and cured, made on local livestock farms and featuring ricotta, cacioricotta and pecorino, a sheep’s-milk cheese. And, true to local tradition, you can also find a variety of breads – focacce, frise and taralli. A special treat is to be had in the form of typical confectionery, notably the mandorla riccia or “curled almond” and cegliese,a biscuit containing roast almonds, cherry preserve and lemon.

Don’t think twice – if you’re seeking a calm yet entertaining holiday with the children, check out our flights here!

Text by ISABELYLUIS Comunicación

Images by Fototeca ENIT-Turismo Italiano, Freshcreator

Düsseldorf is the capital of North Rhine-Westphalia. In the mid-19th century it experienced economic growth fuelled by the Industrial Revolution. During the Second World War, the city was practically reduced to rubble but, thanks to the German miracle, it soon became one of the economic powerhouses of the Federal Republic of Germany.

Düsseldorf – Centre of the Avant-Garde Universe

Brian Eno once said that the Neu! experimental rock band from Düsseldorf was one of the three most inventive beats of the sixties, together with Fela Kuti’s afrobeat and James Brown’s funk. In the late sixties and early seventies, a characteristic Düsseldorf sound started to take shape, based on elements of early rock combined with those of experimental rock. Michael Rother and Klaus Dinger were the pioneers and both of them were members of Neu!, a reference model in the development of the endless machine beat typical of krautrock and, subsequently, in the early creation of Kraftwerk, the primogenitors of modern electronic music. Dinger is also credited with being the originator of themotorik beat, a rhythmic pattern based on a regular, mechanical and repetitive beat. Rother, for his part, also worked with Dieter Moebius and Hans-Joachim Roedelius, members of Cluster; they later teamed up to found Harmonia.

Kling Klang Studio

Ralf Hütter of Kraftwerk once said that the synthesizer is a psychoanalytic machine. Indeed, synths were the instruments that nourished the music of this German band, who also happened to design the world’s most modern studio in a flash. They called it the Kling Klang Studio, sited in the centre of Düsseldorf. The project was started by Ralf Hütter and Florian Schneider in 1970, but was not finished until 1975, an event marked by the release of the record, “Radio-Activity”. During the eighties, the studio was refurbished according to a modular rack design, with a view to being taken along on their forthcoming tour. It was originally sited at 16 Mintropstrasse, but in 2009 it was relocated to Meerbusch-Osterath, some 10 kilometres from Düsseldorf. This move has enabled the studio and office to be located on the same premises. The new Kling Klang includes a rehearsal room for preparing concerts.

Kunstsammlung NRW

This is where, in 2013, Kraftwerk embarked on their current 3D tour which is taking them to emblematic places across the globe to present their daring visual show, during which the audience require 3D glasses to get a much more intense sensorial experience. At Kunstsammlung, art is the central focus. The backbone of the collection is made up of 88 works by Paul Klee, while the rest are highly valuable contemporary artworks.

The Düsseldorf Scene Today

The electronic scene is currently not as solid as it was a few years ago. Loco Dice is a local artist with some international acclaim within the minimal scene headquartered here – the Desolat label. Another label based in the city is Themes for Great Cities, the home of Wolf Müller, a project by Jan Schulte, one of the most restless souls on the local electronic scene at the moment and a direct heir to the Düsseldorf sound.

Salon Des Amateurs is undoubtedly one of the most interesting clubs in the city. It is located in the heart of the art community, namely the Kunshalle, an exhibition space specialising in contemporary art. When entering the premises, one is struck by the Max Ernst sculpture. Here, the kraut tradition blends with the most select electronic avant-garde. At “The Salon”, as it is known here, the whole liturgy of dance takes place. Two of the resident DJs are Jan Schulte and Detlef Weinrich, from the legendary elektronische musik group Kreidler, who pioneered a fusion of ambient, post rock and IDM in the nineties, although their sessions are characterised by a mix of krautrock, African percussion and cosmic jazz. The name is drawn from the Salon organised by the Société Des Artistes Français, an association of French painters and sculptors who held annual events featuring the work of non-professional artists. This was the spirit of the venue in its early years, marked by a certain degree of anarchy, as reflected in the type of audience that frequented the event, from professors in their sixties to teenage skaters. Loco Dice’s Desolat label is headquartered here and makes the club the cradle of the city’s techno once again. The mission of Salon Des Amateursis to take up where Creamcheese left off as a progressive music disco, heir to the non-objective art movement that set in during the late sixties and turned out to be essential to the birth and development of the krautrock style. Then there is Ratinger Hof, a refurbished pub near the Kunstakademie, which became the epicentre of the punk movement in the seventies and eighties, and was graced by bands of the stature of Kraftwerk, Neu! and DAF.It now operates more as a club and the audience is mostly young. Speaking of clubs, most of the ones that hosted electronic underground have now closed down. Only the 102, known as Kiesgrube during the summer season, is still going strong.

Come and experience the effervescent music scene in Düsseldorf. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Kraftwerk, Kunstsammlung, Salon Des Amateurs

The region of Chianti stretches between Arezzo and the Colline Pisane. Regarded as the heart of Tuscany since time immemorial, it is made up of a number of grand landscapes dotted with vineyards, chestnut and holm oak forests, evocative medieval villages, romantic castles and fascinating colonial-style palaces. To crown it all, this is also the land that produces one of the finest wines in the world – Chianti.

A Route Through Chianti

Arriving from Florence, the customary approach road through this wine country takes visitors to the pretty town of Impruneta – in all, a 40-minute car ride. We were captivated by Impruneta on account of its numerous monuments, notably the crenellated belltower from the 13th century and the Basilica of Santa Maria with its Treasure Museum in the annex. Two events of international acclaim are held in these surroundings – the Fiera di San Luca (St Luke’s Fair) and the Festa dell'Uva (Grape Festival) with a traditional parade of allegorical floats. Both festivals are held in autumn.

While heading for Siena we stopped at the old medieval town of Greve in Chianti, which features a triangular public square. It is fringed by buildings and loggias which led us willy-nilly to the Church of Santa Croce. The most important wine fair in all Chianti is held precisely in this square. We then went for a stroll through the upper part of Greve, home to Montefioralle Castle which forms part of the old fortified town.

After passing briefly through the medieval village of Volpaia, we found ourselves in Radda. There we visited the 14th-century Church of San Niccolò and the majestic Palazzo Pretorio (dating from circa 1415). We then made for the parish Church of San Giusto in Salcio, located in a luxuriant hollow set between vineyards, and that of Santa Maria Novella with its characteristic Romanesque facade. As soon as we left, we went straight to the Consorzio Vino Chianti Classico (Consortium of Classic Chianti Wine) which includes the Chiantigiano Study Centre.

Our journey continued across the Chianti hills where we came across panoramas that would take Instagram by storm. We passed through Gaiole, halfway between Florence and Siena and, as we were leaving the town, we stumbled upon some spectacular scenery of vineyards and castles, like those in San Leonino and Fonterutoli.

After leaving the Sienese town we approached Castellina, a stronghold of Etruscan origin with its beautiful central square traversed by the medieval Via delle Volte. From there we went to Monteriggione, a twenty-minute car ride away, built on a hillside and endowed with a compact, walled fortification.

Lastly, we stopped off at the splendid Poggibonsi, a town which holds its grape-treading festival in October.

The Wine

There is a large variety of Chianti wines on account of the peculiarities of local soils and the different production methods in each area or winery. Varying percentages of the same grape yield the leading names – Sangiovese (75-90%), Canaiolo (5-10%) and Malvasia (5-10%), the perfect composition hit upon by Baron Ricasoli in the 19th century to which Tuscan Trebbiano was subsequently added. Here the tradition is so deeply rooted that one can pick out the croplands planted with the different grape varieties.

The method of cultivation, known as L'Arco Toscana, takes place on clayey galestro soil which is porous and permeable and prevents water from collecting around the roots. A characteristic of the post-harvest period is that the grape clusters on some vines appear to have been overlooked, although this is actually part of a centuries-old “control” method. It consists of adding fresh raisin must to fermented wine to induce refermenting, by which all the sugar is converted into alcohol, yielding a particularly dry, stable wine.

After fermenting, the wines continue to be refined until March in steel casks or cement and, once bottled, are ready to be marketed.

Chianti has a characteristic fiery, ruby-red colour. The aroma is intense, with dominant violet, iris and vanilla, while the bouquet is harmonious and dry, with reminiscences of vanilla and almond. The experts claim it ages into a smoother, more velvety wine.

Chianti is a prefect table wine – the aged varieties and reserves pair with red meat, game and spicy cheeses. It is served at room temperature. As for local cuisine, typical Tuscan dishes include ribollita, its main ingredients being cooked vegetables left over from previous meals which are reboiled, augmented with dry bread and dressed with extra virgin olive oil. Another classic in the region are the antipasti such as chicken liver crostini, tomato bruschetta and Sienese capocollo,known locally as finocchiata.