Jazz was of course born in the United States. However, if you care to read the finer print, you will discover that something happened in the 1930s in Europe which was to revolutionise American jazz. In the gypsy camps on the outskirts of Paris – now the city’s 18th arrondissement – the young Django Reinhardt improvised a fusion of swing and traditional Eastern European music on his banjo. He taught himself, paying special attention to finger position, and inadvertently invented jazz manouche or gypsy jazz, a genre which elicits virtuosity in the playing and is pleasant on the ear.

Django lost two fingers on his left hand when his caravan caught fire, prompting him to develop an unusual way of playing the guitar. His original style, agility and speed at producing notes earned him the epithet of “father of gypsy jazz”. Together with the violinist, Stéphane Grappelli, he created the legendary Quintette du Hot Club de France, the first gypsy jazz club.

The Festival Django Reinhardt was first inaugurated a few years after his death. It was held at Samois-sur-Seine, 50 kilometres south of Paris, where he spent his final years and where he is buried. The 38th edition of the festival will be held from 6 to 9 July 2017 and, although last year it had to be moved to the Fontainebleau Chateau gardens – 50 kilometres from Paris and well connected by public transport – the original essence of the festival has survived intact. The venue is a place of pilgrimage for Django devotees and the world’s hub of gypsy jazz. This year’s lineup will see the likes of bassist Avishai Cohen, Cuban pianist Roberto Fonseca, the guitar virtuoso trio of Jean-Luc Ponty, Biréli Lagrène and Kyle Eastwood, Woody Allen’s pet gypsy jazz favourite, Stephane Wrembel and the Django Memories Project, made up of the prestigious musicians who produced the soundtrack of the recently premiered film, Django. But, at this festival the music overspills the stage – artists and devotees from across the globe hold jam sessions all over the fair grounds, beating out gypsy rhythms and reliving Django Reinhardt’s musicality.

If after that “authentic gypsy encampment” you are game for more, we have made the following selection from among the many gypsy jazz clubs Paris has to offer.

La Chope des Puces

This is unquestionably the temple of Django Reinhardt in Paris. The resident guitarist, Ninine Garcia, who hails from one of the top Parisian manouche families, leads the jam session every weekend from 12.30 a.m. to 7 p.m. Located in the Marché aux Puces, guests share a table – to taste traditional French cuisine – in a very squashed vital space, among guitars, violins and photos hanging on the walls recalling the master. Tucked away in the back room is a guitar workshop and a manouche jazz school. A venue that oozes genuine charm! 122 rue des Rosiers, Saint-Ouen

MONK – La Taverne de Cluny

Located in the heart of the Latin Quarter, MONK is a bar devoted to the world of beer. It boasts over 50 types of bottled beer, and 10 types of draught. But La Taverne de Cluny is also a jazz club. Every Thursday and Sunday, the small stage in this typically French bar, with upholstered little tables and chairs, fills up to the sound of top-notch gypsy jazz produced by such reputable artists as Christophe Brunard, Sébastien Giniaux and Samy Daussat, among others. A must-visit spot!  51, rue de la Harpe

Café Artistique l’Apostrophe

This small, cosy musical café located just a few metres from the Canal Saint-Martinin the 10th arrondissement provides live music from Wednesday to Saturday. Over the last four years, the programme has been featuring gypsy jazz concerts from 8.30 p.m. on Fridays. L’Apostrophe has been graced by all the leading lights of the Parisian manouche scene, as well as gypsy jazz guitarists from the United States, Britain and Brazil, among others. Albert Bello, Spain’s top gypsy jazz exponent and the director of Festival Django L’H, the only festival in Spain dedicated to Django Reinhardt, has also performed there. And, the first Thursday of each month sees a jazz jam with the vocals supplied by Barbie Camion. 23 rue de la Grange aux Belles

Aux Petits Joueurs

Aux Petits Joueurs is a restaurant in the 19th arrondissement, a bistro in the purest French style where you can taste salads with hot goat’s-milk cheese, cheese boards, duck confit, tarte tatin and crepes, to name just the ABC of French cuisine. The restaurant features a jazz concert, ranging from Latin music to gypsy jazz, each day of the week except Mondays – when it is closed. The venue has seen performances by the leading figures of this genre, notably Adrien Moignard, Sébastien Giniaux and Pierre Manetti, among many others. Tuesdays and Wednesdays feature jam sessions at which some artists invite others, and it all ends up in a full-blown manouche festival. 59 rue Mouzaïa

Les Idiots

A highly popular micro-bar, among other reasons for their reasonable prices – quite a feat in Paris – and their homemade meals. Located on the Boulevard de Ménilmontant, it is a favourite haunt amongbobos(from “bourgeois, bohemian”). A young, relaxed atmosphere frequented by veritable hordes of guests. The limited capacity does not deter them from hosting jazz sessions, led by guitarist Michael Gimenez and with the participation of various gypsy jazz artists, in a corner of the bar each Monday from 9 p.m. to 11.30 p.m. 115 boulevard de Ménilmontant

Book your Vueling to Paris and get into the swing of the gypsy jazz featured across the city.

Text by Teresa Vallbona

The beautiful region of Campania in southern Italy features two gems that enable us to spotlight daily life during the Roman period – Pompeii and Herculaneum. The fact that these archaeological sites are so well preserved – possibly more so than any other in Europe – on account of a natural disaster has a horrific, spine-chilling side to it. This somehow magnanimous tragedy was caused by the eruption of Mt Vesuvius on 24 August in AD 79, which buried in lava and ashes these two localities, which became frozen in time forever, or at least for many centuries. Nowadays both sites are places of pilgrimage for tourists, bystanders and scholars eager to find out more about Rome’s past.

Pompeii

Prior to forming part of the Roman Empire, Pompeii (Pompei, in Italian) was a Greek and Samnite settlement. In AD 62 it was struck by a terrible earthquake, which left part of the city in ruins. Interestingly enough, some remains from that time reveal Pompeii in the throes of reconstruction, as evinced in the Temple of Jupiter, or the plaques on some buildings featuring the names of benefactors who had helped fund the repair work. Unfortunately, their efforts were in vain, as the eruption of Vesuvius led it all to be smothered in lapilli, causing the death of the entire population and rendering Pompeii uninhabitable.

The city fell into oblivion until it was rediscovered and excavated in 1748 under Charles III of Spain, also known as Charles VII of Naples. Initially, the excavations were only intended to salvage valuable objects, which were then incorporated into the royal collection. Over time, however, the endeavours took on a more professional guise and archaeological work on the site continues even today. Stories from the past are still being unearthed, while work to preserve the ruins is ongoing.

A tour of Pompeii should be taken calmly. The itinerary usually takes about 3 to 4 hours and our first recommendation is to wear sturdy footwear and, should you visit the site in summer, to avoid the peak sunlight hours and wear sun protection. And, of course, to get the most out of your visit, it is advisable to secure a guide, who will orientate you and point out the various areas, or at least an audio guide. But, it is well worth the effort, as the itinerary is full of stories, anecdotes and a number of surprises. One such titbit is The House of the Tragic Poet, where in the vestibule you can see a mosaic with the inscription, Cave Canem (Beware of the Dog)! Or the risque frescoes in the changing rooms of the Underground Thermae, with sexually explicit scenes. Other thermae, known as the Stabian Baths, reveal a sophisticated system of heating using hot air, which circulated between the walls under the floor.

Be sure to visit the Villa dei Misteri, one of the most important buildings in the whole complex. A noteworthy feature of the interior is the stunning Dionysiac frieze, a series of frescoes depicting the rituals of initiation into the “bridal mysteries”. Another house, the House of the Vettii, one of the most luxurious in the city, boasts some excellent frescoes, some of which depict trompe l'oeil views of architecture.

Herculaneum

While Pompeii is more popular among visitors and covers a larger area, the best preserved ruins are to be found in Herculaneum (Ercolano, in Italian). This is true of the houses which in some cases are two-storeys buildings. In this instance the houses were both buried by and preserved for posterity by the pyroclastic flow of the eruption. Excavations got under way in 1738 and the finds unearthed here exerted a marked influence on Neoclassicism. Among the many that came to light in 1980 in the rooms or fornici were over 200 skeletons of people of all ages and social status huddled under archways who were burned by the heat given out by the volcano. Interestingly, they had taken refuge from the disaster with their most valuable belongings in harbour warehouses.

Herculaneum was smaller in size than Pompeii and excavations have revealed mainly houses, most of them with magnificent mosaics, as in the House of the Mosaic Atrium, the House of Neptune and Amphitrite and the House of the Skeleton. Other landmarks include the male and female bath houses which have yielded considerable details about life during those times.

National Archaeological Museum

We recommend rounding off your tour of those sites by a visit to the National Archaeological Museum in Naples, which houses a large part of the objects, frescoes and mosaics excavated at both Pompeii and Herculaneum.

Treat yourself to a getaway to Naples and travel back in time to Pompeii and Herculaneum.

Text by Los Viajes de ISABELYLUIS

Images by Pablo Cabezos, Andy Hay, Carlo Mirante, momo, Citi-zen, Aleksandr Zykov, Rachel Bickley, Amphipolis

Gijon Sound is a musical movement that arose in Asturias during the early 1990s to become one of the most popular scenes in Spanish indie music. While Los Planetas were starting to define the musical movement in Granada that would go on to counter another musical scene created in Madrid during the 1980s by the name of the ‘Movida Madrileña’, La Buena Vida was doing the same in San Sebastian and El Niño Gusano in Zaragoza – decentralising the focus placed by Spanish music on the capital city that had so greatly featured in the ‘Movida Madrileña’.

Many of you will remember the most iconic band of this sound, Australian Blonde, whose hit song Chup Chup was used for the film ‘Las historias del Kronen’ by Montxo Armendáriz and was even heard on the radio shows of Los 40 Principales. However, you may be surprised to learn that other bands of equal importance coincided in time and space with Australian Blonde, such as Penelope Trip, Manta Ray and Nosoträsh. Penelope Trip provided the space for many of the bands from the movement to rehearse and Nacho Vegas from Manta Ray used to provide drinks at La Plaza – a bar that became the temple where all indie musicians from Asturias would gather. Many of the musicians from the Gijon Sound movement studied at Oviedo University and spent a great deal of time on the Milan Campus, whose cafeteria often served as a meeting place for the bands of the 1990s. Besides the bands mentioned above, other Asturian bands like Doctor Explosión should also be recognised as, although they were not fully involved in the indie sound of the Gijon Sound, they were in the right place at the right time. Also worthy of special mention are the bands created by the girlfriends of the members of bands in the Gijon Sound movement, such as Undershakers or Nosoträsh.

Other lesser-known bands could include Screamin’ Pijas, Las Buges or Babylon Chat, one of whose tracks is included in our Podcast, or the noisy Eiminator Jr., a band who took their name from a track by Sonic Youth on their Daydream Nation album and whose sound is closer to noise pop than that of the Gijon Sound.

This brief journey through the Asturian sound would not be complete without mention of Paco Loco, the producer for most of the Gijon Sound bands, who has become perhaps the most reputable producer of Spanish indie music, the Astro music label and the Gijon International Film Festival, one of the benchmark film festivals in Spain and very closely associated with this movement. The film festival regularly includes courses, discussions, meetings with directors and daily concerts or live music parties. (www.gijonfilmfestival.com)

We now offer you a brief tour of the bars around Gijon where the Gijon Sound movement was most present, some of which still conserve the same musical spirit today. We also offer a podcast including some typical Gijon Sound tracks for you to listen to while you visit the bars we recommend here.

The small, cramped but charming bars and good music of Cimadevilla are an essential requirement for experiencing the nightlife in Asturias. Let us begin in the Plaza de la Corrada, more specifically at the La Plaza bar, spiritual home of the Gijon Sound. Very close to La Plaza, you will find Soho, which plays great Spanish music until four in the morning and then British music until the sun rises. Soho has a well-kept secret: a small upper floor accessed by climbing some steps that is easily among the best in the Gijon nightlife. We cannot fail to mention the most legendary bar in the city: Escocia. This bar has become a refuge for those of us in our early forties and still maintains the spirit of the Gijon Sound. El Patio de la Favorita is another trendy bar, with great music and a live DJ every night. On the way, between the Plaza de El Marqués and El Patio, and as long as you like a good gin & tonic, Lola Gin is a great place for you to enjoy a G&T with cucumber, lemon or lime.

1. La Plaza, Travesía de la Corrada con la de Atocha, Gijon
2. Soho, Calle de las Cruces, 33201 Gijon
3. Escocia, 7 Calle de Santa Lucía, 33206 Gijon
4. El Patio de la Favorita, 4 Calle Ezcurdia, 33203 Gijon
5. Lola Rojo Gin, 5 Calle de San Antonio, 33201 Gijon

Perfect plan to go with friends! Check our flights and sign up! 

There is one night in the year inevitably associated with witches, horror stories, pumpkins, bonfires and disguises and that it is 31 October, the eve of All Saints. One of the many traditions alive in Spain is the stage performance of Don Juan Tenorio, by the poet, José Zorrilla. The ritual has been performed continuously ever since it made its debut around 1844. While at first glance a romantic drama might seem out of place on a night more suited to The Munsters, there is a reason for it – much of the second act in the play takes place in a cemetery, and many of the protagonists are dead souls who come alive and interact with the lead figure. Chilling, isn’t it?

Don Juan Tenorio’s Seville

Having solved the first mystery, a second issue arises. What connection is there between one of the most popular Juanes in literature and the city of Seville? First, it was here in Seville that José Zorrilla wrote his stage play and where the story is set. Granted, Zorrilla was actually inspired by Tirso de Molina’s The Trickster of Seville and the Stone Guest, written in 1630, which is where the myth of Don Juan stems from. The work ended up seducing such artists as Molière, Mozart, Lord Byron and Espronceda, among others.

A different, entertaining way of touring Seville is to stroll along its streets in search of possible sites featured in that drama, and the spots where tributes to the work are located. Here are some of them:

The Hostería del Laurel (Plaza Venerables 5) is located in the heart of Santa Cruz, one of the most popular districts in Seville. This former boarding house is where José Zorrilla lodged when he wrote Don Juan Tenorio. This, the birthplace of the literary classic, also acted as a source of inspiration for some scenes. Despite the passage of time, it is still worth venturing inside, where some of its historical essence has survived intact.

A few yards from the Hostería del Laurel lies the Plaza de la Alianza, site of the home of Doña Ana de Pantoja, the future wife of Don Luis Mejía, who rivalled Don Juan Tenorio when it came to causing mischief. There is actually a scene in this square where Don Juan tries to wrest his beloved from the grasp of Don Luis.

It is more difficult to find the convent where Doña Inés – one of the main characters in this romantic drama – was confined. The convent belonged to the Order of Calatrava, which is why the habits she wears bear the emblematic red cross of Calatrava. Indeed, a convent once stood in the Calle de Calatrava, which was re-christened thus in honour of the literary work. Following the disentailment it was subsequently demolished, the sole surviving vestige being a chapel which was eventually turned into a warehouse. Easier to locate is the Plaza de Santa Marta, which everyone agrees was the spot where Doña Inés was abducted by our hero.

Still in the beautiful Santa Cruz quarter, we find the Plaza de Doña Elvira, site of the home of Don Gonzalo de Ulloa, the father of Doña Inés, who was staunchly against her alliance with Don Juan.

Concerning the location of Don Juan Tenorio’s house, literary sources cite it as being on the banks of the river Guadalquivir, where he ended up fleeing, although the exact spot is unknown. There is also the real site because, if you’ve done some reading on the subject, the Tenorio family actually existed and tradition places them in the Convent of San Leandro, situated in the square of the same name.

The scene of the final duel, in which Captain Centella kills Don Juan Tenorio, takes place in the present-day Calle Génova, now re-christened the Avenida de la Constitución.

To wind up this tour commemorating the literary classic, you can visit the Plaza de los Refinadores where a statue to Don Juan Tenorio, sculpted by Nicomedes Díaz Piquero, was erected in 1975.

By the way – if you’re in Seville any weekend from 31 October to 15 November, we recommend visiting the San Fernando Cemeterywhere Engranajes Culturales is staging a dramatised visit and performance of the third act of Don Juan Tenorio.

Ready to be a Don Juan in Seville? Secure your Vueling ticket here.

Text by ISABELYLUIS Comunicación

Images by Víctor Fernández Salinas, Consuelo Ternero, Sandra Vallaure