When talking about Majorca, we usually limit ourselves to the wonderful beaches and landscapes to be explored and tend to ignore its main city, Palma. Tucked away in this enchanting port city with a centennial history are numerous gems that make this a must-visit destination on the island. Following are some pointers to landmarks that make this city so alluring.

1. A Cathedral Filled With Surprises
You can’t help seeing it – Majorca Cathedral protrudes well above all other buildings in the city. Also known as La Seu, this monument in Levantine Gothic style is characterised by its lofty bearing – it is one of Europe’s tallest Gothic cathedrals – and its huge rose window, also one of the largest of its kind, while the interior is crammed with surprises. It features the legacy of Gaudí, who rearranged the interior in the early-20th century, incorporating Modernist ornamental elements and a baldachin on the unfinished altar. Then there is the amazing ceramic mural of Mediterranean inspiration which crowns the Chapel of the Most Holy, the work of Miquel Barceló, which visitors are unlikely to miss.

2. The Characterful Lonja
This must-visit 15th-century building, designed by Guillem Sagrera, was once the headquarters of the School of Merchants. Nowadays, visitors are dazzled by its helicoidal columns, which end in groined vaults that look like palm trees at first glance. The construction is enormously inspiring, capable of transporting the viewer to a time when Palma was a major trade centre.

3. A Route Through Miro’s Majorca
The imprint of Joan Miró is ever-present in the city where he spent the last 27 years of his life. Be sure to visit the Pilar i Joan Miró Foundation to see the artist’s house and workshop, in addition to a small part of his vast oeuvre. And, still in the same area, the recently opened Marivent Palace gardens feature twelve of Miró’s sculptures.

4. A Good Measure of Contemporary Art
In Palma, contemporary art is not limited to the figure of Miró. If you head for Es Baluard, Palma’s Museum of Modern and Contemporary Art, you can also see works by the leading artists and movements that have come together and still converge in the Balearic Islands. Another venue you should make a point of visiting is the Juan March Museum Foundation which houses a highly interesting collection of contemporary Spanish art.

5. The Waterfront Promenade
Like any decent seaside resort, Palma is fringed from one end to the other by a long waterfront promenade which affords a different angle on the city. The view is stunning when you draw level with the Cathedral, and the promenade also has leisure areas where locals do various sports or just lounge around and chill out.

6. De Luxe Cuisine
Palma has splendid and highly assorted culinary offerings. The local tradition, in the form of tapas bars and restaurants offering locally sourced products, exists side by side with establishments that have reinvented Majorcan cuisine and taken it to a new level, and those serving up international cuisine. Don’t hesitate to try Majorca’s typical and essentialsobrasada,a spicy, pork sausage, or to put yourself in the hands of gourmet chefs with their bolder gastronomic interpretation.

7. Santa Catalina, The Hipster Quarter
This erstwhile fishing quarter has undergone a facelift and a marked transformation in recent years, becoming one of the most attractive beats in town. We recommend visiting it at dusk, when the establishments get into full swing, and refueling by opting for a hearty dinner in of one the area’s trendy restaurants.

8. Terraces with Views
Another way to enjoy the city is from one of the rooftop terraces which some bars and restaurants have tucked away. There you can order a small feast while soaking up the breathtaking views. One such spot with magnificent views is the Nakar Hotel, which offers an excellent culinary assortment served up by Majorcan chef Miquel Calent.

9. An Ensaimada as a Souvenir
You cannot possibly leave Majorca without an ensaimada under your arm. This is a giveaway at your destination airport, but there’s no resisting the delight of eating one. Filled with angel hair squash, custard, chocolate and even sobrasada – or without a filling, if you prefer – you can get your hands on this tasty souvenir in numerous pastry shops. Among our favourites are Forn Fondo and Horno Santo Cristo.

Book your Vueling to Palma de Mallorca, explore its streets and let yourself get carried away by the charm of this city.

Text by Los Viajes de ISABELYLUIS

Photo by SBA73

When it comes to Germany’s underground, everyone thinks of grand Berlin with its hipsters strolling through Kreuzberg, especially when it was alternative and arty – now Neukölln has taken over – its endless art galleries, flohmarkts and variegated events staged on any derelict or decadent-looking site.

However, it might occur to a few of you that Hypezig – from “hype” and “Leipzig” – has become Berlin’s major rival in the last ten years. The city is ideal for soaking up street art or homing in on radically alternative galleries, far removed from the bustle of the capital and beyond the tourist trail. A city where throngs of students, artists and musicians have been mingling for a long time.

Mom, I Want to be an Artist in Hypezig!

Spinnerei

This former cotton mill – once the largest in Europe – is a paradise for any art lover. Nearly a hundred artists and many galleries coexist in this emblematic spot. And, if you happen to stop by, you should not miss the ASPN Galerie, headed by Arne Linde, as this was a beacon of Leipzig’s art scene when it first got off the ground. Also a must is the Galerie Kleindienst, the city’s “New Leipzig School” of artists involved with all kinds of media and materials. At the Spinnerei you will also come across small establishments offering creative products, as well as a cinema and a bistro to act as your watering hole.

Weißcube Galerie

This gallery, housed in a white cube in the middle of a Bauhaus villa garden, is a must-see landmark. Apart from providing viewers with a fine example of outsider art, the dialogue set up between the building’s architectural pieces and its surroundings will leave no one indifferent.

Ortloff Galerie

On display in this gallery are exhibits ranging from graphic design to sculptures, to installations of all types. Many of the exhibiting artists are graduates of the Hochschule für Grafik und Buchkunst Leipzig (HGB), the city’s visual arts faculty.

But, perhaps the best way to soak up the art is to stroll through Leipzig’s streets. When you least expect it, you are likely to turn a corner and bump into such works as “Mural of the peaceful revolution”, by Michael Fischer, or Blek Le Rat’s “Madonna and child” graffito, which was restored and placed behind a protective glass screen.

Dancing in the Night

And, since man does not live by art alone, getting into the swing of the city’s nightlife is a good way of rounding off the day.

Elipamanoke

This is one of the first locales to be opened in the east of Leipzig, an area characterised by its industrial past and transformed into one of the city’s hot districts. The underground parties in Elipamanoke move to the rhythm of minimal techno and house, although you can also hear drum’n’bass or electroswing.

Institut fuer Zukunft

Their rule forbidding taking photos and their access policy make this an exclusive club which prides itself on being an alternative to the current club scene. The lineup at Institut fuer Zukunft features local and international DJs who gift experimental sessions of house and techno. During the day, they host conferences and debates on gender, club culture and electronic music.

Villa Hasenholz

The best parties are usually held at venues that were not originally clubs. Thus, this kulturhaus and biergarten called Villa Hasenholz, which is also a residence for artists, hosts rave-ups of all kinds. Making use of either the interior or their outside garden, the premises can operate as a disco, a concert hall or a multi-purpose festival venue, outside the established circuit and idyllically located in a forest.

Leipzig is the ideal destination for a weekend getaway where you can steep yourself in a bohemian ambience of art and music. It is also one of the iconic cities for its classical music or for lazing in its parks and gardens, like the Clara-Zetkin-Park, where jazz is played every Sunday. But the city offers, above all, a markedly alternative Germany, alien to any stodgy clichés. It also brings home the fact that smaller cities such as Weimar, Dresden or Bremen are also likely to raise the eyebrows of more than one cosmopolitan hipster.

I’m sure you’re eager to plunge into the city’s cultural effervescence. Make haste – check out our flights to Leipzig here.

Text by Carmen Gómez for ISABELYLUIS Comunicación

Photos by Elipamanoke, Institut fuer Zukunft, di.fe88, GlynLowe, Pfauenauge

The Alhambra is Granada’s landmark par excellence – no one disputes that. That’s where we usually fix our gaze, be it from one of the viewpoints or cármenes thronging the Albaicín quarter, or when scouting its interior and being carried away by the marvels it holds, particularly the gorgeous ornamentation of its Nasrid palaces. While the Alhambra is the iconic symbol of the Moorish presence in the city, it is not the only vestige in Granada that points to its rich cultural heritage. The following routes are designed to encourage you to venture along some of the city’s streets in search of the Moorish footprint, which has survived the passage of time.

Route 1. The Albaicín

Separated from the Alhambra by the river Darro, and one of the best vantage points from which to view that monument, the Albaicín quarter reveals traces of its Arab past wherever you wander. Its narrow, winding streets, where you are certain to get lost in search of the famous San Nicolás viewpoint, contain traces which clearly reflect what was once the Medina of Granada. The cisterns, tasked with storing and distributing water throughout the city, which you will come across all over the Albaicín, are the first signs of the quarter’s Moorish legacy. Our first stop on this itinerary is the Carrera del Darro, opposite Cadí Bridge, the site of a small gem known as El Bañuelo. These 11th-century Arab baths are made up of three rooms which still preserve their original vaulting with octagonal and star-shaped skylights, as well as columns with Roman, Visigoth and caliphal capitals.

Just a stone’s throw from El Bañuelo, in the Portería de la Concepción, stands the Casa de Zafra, regarded as one of the finest examples of Nasrid domestic architecture. Built in the 14th century and now reconditioned as the Centro de Interpretación del Albaicín, its interior still features remains of the original murals.

Linking up with the Carrera del Darro again and continuing along the Paseo de los Tristes as far as Calle Horno de Oro you will come across the Casa Horno de Oro, built in the late-15th century. Yet another example of the architectural harmony associated with these homes, characterised by a rectangular patio with a cistern, with the rooms arranged around the lower side of it. The next stop on our tour is the road to Sacromonte, up the hill known as Cuesta del Chapiz, the site of the Casa del Chapiz, a Moorish house now converted into the School of Arabic Studies, the gardens of which afford magnificent views of the Alhambra.

Further up the Cuesta del Chapiz you come to Plaza del Salvador, where the High Mosque of the Albaicín once stood, the site of which is now taken up by the Church of El Salvador. Built in Mudéjar style, preserved in its interior is what was once the patio of ablutions of the former mosque, accessed from Calle Panaderos. A prominent feature of this peaceful backwater are the white-painted horseshoe arches, which stand out against the greenery of the lemon trees adorning the patio.

Having got this far, we recommend you take the opportunity to visit a classic landmark – the Mirador de San Nicolás (San Nicolás viewpoint). Enjoy the amazing views of the Alhambra, take a selfie for posterity and recoup your strength for the last stop on this itinerary, Dar-al-Horra Palace. Built in the 15th century on the site of a former, 11th-century Zirid palace, this was the retreat of the sultana Aisha and mother of Boabdil, the last king of Granada. This palace encapsulates the essence of Nasrid palaces, comprising a central patio with a water well around which the rooms are arranged, as are two porticoes along the shorter sides. Noteworthy is the north portico, boasting a viewing platform with splendid vistas of the Cerro de San Cristóbal.

We recommend rounding off the itinerary by having a cup of tea in one of the numerous tea shops studding the Calle Calderería Nueva. You will be forgiven if you get transported to some Arab city as you stroll along this street.

Route 2. “New Granada”

The neighbourhood known as Nueva Granada is laid out around Granada Cathedral, built on the site of the former High Mosque. The route starts at the Corral del Carbón, once a hostel for merchants which comprised an area for depositing their wares, rooms for resting in and stables for tethering their horses. From there we head to the Alcaicería, the former silk exchange, which still bears some resemblance to an Arab souq, despite having been gutted by fire in 1843 and rebuilt in romantic, neo-Arab style. It has now been reconditioned mainly as a venue for selling souvenirs of Granada.

Book your Vueling to Granada and venture along its streets in search of the city’s Moorish past.

Text by Los Viajes de ISABELYLUIS

It was a film that led me to Turin. I was stunned by a giant edifice topped by a spire which towered over the city. It was the Mole Antonelliana, a vivid name alluding to both its blunt presence and its designer, Alessandro Antonelli, who had initially conceived of it as a synagogue. I discovered it in a humble but significant independent film entitled Dopo Mezzanotte (After Midnight), by Davide Ferrario, who lives in the city and has shot many of his films there. It is a hymn to cinema, a passion triangle with the action set in the Museo Nazionale del Cinema, which has been housed in the Mole since 2000. With an area of 3,200 square metres, it is the largest in Europe dedicated to “the Seventh Art”. It is a highly original, spectacular exhibition, both for its location and the layout of its collections, including pre-cinematographic devices, magic lanterns, and both old and modern stage items – notably masks from Star Wars and Bergman’s The Seventh Seal, Superman’s cloak and Marilyn Monroe’s bodice. It is actually one of the most frequented museums in Italy, quite a feat in a country with such a rich history and art heritage. It is also the site of the Turin Film Festival, next slated for 20 to 28 November, which has featured such filmmakers as Nanni Moretti, Gianni Amelio and Paolo Virzi.

The City that Bewitched Risi, Tornatore and Argento

The fact that Turin was Italy’s first capital is evident in its cinema, from Neorealism to erotic comedies, with a profusion of such explicit detective films as Double Game, Black Turin and Torino, centrale del vizio. It was in Turin that the master of horror movies and self-confessed lover of the city, Dario Argento, shot several scenes from one of his first hits, The Cat o' Nine Tails. He went on to film in their entirety his latest works, Do You Like Hitchcock?, Sleepless (Non ho sonno) and Giallo.

The city of the Juventus and Torino football clubs, the annual contenders at the “Derby della Mole”, is also an obligatory stop on the journeys depicted in the perennial classics. Enrico Loverso emigrates from the poor south to the Turinese industrial north in The Way We Laughed (Così ridevano) by Gianni Amelio. In Everybody's Fine (Stanno tutti bene), by Giuseppe Tornatore, an elderly, splendid Marcello Mastroianni visits his adult children distributed across Italy and finds the last of them – of course – in Turin. And, the irascible blind captain played by Vittorio Gassman sets off from Turin station in Scent of a Woman, directed by Dino Risi (the remake, with Al Pacino, came years later). Risi also happened to make his cinema debut in the same Alpine city, when he was assistant director during the shoot of Piccolo mondo antico (Little Ancient World), and it was there, too, that he one night declared his eternal love to the stunning actress, Alida Valli, while they were sitting in a carriage in the rain, in the romantic, lush gardens of the Parco Valentino.

The Setting for Robberies and Spies in American Movies

In The Pink Panther 2, with Steve Martin, one of the city’s most prized treasures is stolen – no less than the Turin Shroud. However, the film that has probably set Turin most on the map is the 1969 cult movie, The Italian Job, by Peter Collinson (which has seen a recent remake). In it, Michael Caine flees with his loot from the carabinieri in his Mini Coopers, through the Palazzo Carignano, along the inner staircases of the Palazzo Madama and around the exterior of the Gran Madre di Dio Church, skidding through the glamorous Galleria San Federico shopping centre, and driving over the flared roof of the Palazzo a Vela, built for the Italia 61 Exhibition and refurbished as a sports centre for the 2006 Winter Olympics. He also drives up the heady oval test track on the old FIAT factory – the city’s veritable economic driving force for decades – housed in the Lingotto building, now a multidisciplinary space for trade fairs and festivals. In his final getaway, his Minis reach the nearby Alps, the formidable mountain range which acts as the backdrop for this stunning city, after having crossed the river Po.

And, opposite the Po stands the majestic Piazza Vittorio Veneto, which appears in The Bourne Ultimatum, a saga starring Matt Damon. However, the café where we later see the fired up secret agent sitting is actually in Madrid! The fact is that the film crew were back working in Spain when a change to the script forced them to repeat the shoot of the scene originally filmed in Turin. The magic of cinema always involves some hidden devices!

If you fancy seeing the city for yourself, secure your ticket here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by Felipe Cadona Colombo, Jean-Pierre Dalbera, Luigi Giordano, Marco Coïsson, MarkusMark, Nicola Gambetti