Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

When thinking of museums to visit in Paris, the first thing that springs to mind are the great temples of art, notably the Louvre, epitomised by the enigmatic smile of the Mona Lisa, the Orsay Museum, featuring a stunning collection of Romanticism and Impressionism that will delight any art lover, and the Pompidou Centre, with one of the most comprehensive modern and contemporary art collections in the world.

However, apart from those grand institutions, Paris also has other venues where, in addition to art, you can discover the life and times of other personages associated with the city, or simply enjoy the works of private collections displayed in fabulous exhibition halls.

One of the trendiest districts of late is Le Marais, situated in the 3rd and 4th arrondissements on the right bank of the Seine. It boasts numerous venues where in some cases you can enjoy a different, less crowded and at once rewarding exhibition experience. Here, then, is our selection of some of the museums you should make a point of visiting while touring this colourful, cosmopolitan district.

Maison de Victor Hugo

Victor Hugo is the first protagonist in our selection as he is privileged to have his own museum in what is the nerve centre of Le Marais, the Place des Vosges. From 1832 to 1848, Victor Hugo lived on the third floor of the Hôtel de Rohan-Guéménée, where he wrote most of Les Misérables. Currently a museum, where visitors can gain greater insight into this essential figure of French literature.

Musée Picasso

Another great name, this time of one of the most influential artists of the 20th century, makes up our second option. The Musée Picasso, housed in the Hôtel Salé, has a large collection of 200 paintings, 100 sculptures – this is the most prominent section in the museum – and ceramics, and 3,000 drawings and engravings covering all periods. It also features the painter’s own art collection, with works by Paul Cézanne and Henri Rousseau, among others.

Shoah Foundation

What started out as a monument to the “Unknown Jewish Martyr” grew into the Fondation pour la Mémoire de la Shoah, one of the largest Holocaust documentation centres in Europe. The Hebrew word shoah, which means “catastrophe”, is used to designate the Holocaust. The entrance to the building is inscribed with the names of the 76,000 Jews that were deported from France to the Nazi concentration camps.

Museum of Jewish Art and History

Situated in Le Marais is the Jewish quarter, known locally as the Pletzl (meaning “square” in Yiddish). It is worth strolling around the streets in the area and enjoying the sight of the colourful shops. While in this quarter, we recommend a visit to the Hôtel de Saint-Aignan, located at 71 Rue du Temple, as it houses the Museum of Jewish Art and History, where you can learn all about the history of the Jewish communities of France, Europe and North Africa, from the Middle Ages until the present.

Musée Cognacq-Jay

Housed in the Hôtel Donon, the Cognacq-Jay Museum features the 18th-century collection of artworks built up by Ernest Cognacq and his wife, Marie-Louise Jay, from 1900 to 1925. Your visit will reveal more than 1,200 works and objects collected by this couple of art collectors, the standout pieces being paintings by Canaletto, Tiepolo, Boucher, Fragonard, Greuze and Reynolds.

Museum of Magic and Museum of Automata

The Museum of Magic reveals the secrets behind the art of magic, conjuring tricks and illusionism. On display are all manner of items used to perform magic tricks (magic wands, boxes, magic caps, etc.) and visitors are treated to live shows, too. Also housed in this building is the Museum of Automata, boasting a collection of 100 mechanical contrivances which will amaze you. Ideal for those travelling with children.

Book your Vueling to Paris, tour one of the city’s trendiest districts and venture into some of its unusual museums.

Text by Los Viajes de ISABELYLUIS

Images by Assayas, Sailko, Guillaume Baviere

Everything about Paris is enchanting – its streets, stores, bistros, pastry shops, fashion – but, if there is one thing I’m crazy about its the cultural life. I could churn out post after post about the city’s theatres, street festivals and markets and underground concerts. But, today it’s time to open my diary and review the most exciting exhibitions due to grace the French capital in the coming months. There’s a bit of everything, from ancient classics to contemporary offerings. Pack your bags – we’re off to Paris!

1. Vermeer and the Masters of Genre Painting in the Louvre
Nobody was able to capture genre scenes of 17th-century Holland as masterfully as Johannes Vermeer. On display at the Louvre is an exhibition at which Vermeer and such contemporaries of his as Pieter de Hooch, Frans van Mieris, Gerrit Dou, Jan Steen and Gerard ter Borch face off in an interplay which denotes similarities and reveals influences. Until 22 May.

2. Iconic Henri Cartier-Bresson
One of the great milestones in the history of photography is the book, Images à la Sauvette. Iconic and defiant, Henri Cartier-Bresson’s title was published in 1952 and has now become a cult manual. With the cover design by Henri Matisse, it is the backbone of an exhibition which will appeal to devotees of both photography and the oeuvre of the father of photojournalism. At the Fondation Henri Cartier-Bresson. Until 23 April.

3. Cy Twombly – A Complete Retrospective at the Centre Pompidou
The Centre Pompidou is celebrating its fortieth anniversary in style. One of the flagship exhibitions in this celebration is the retrospective devoted to Cy Twombly, who rates among the most influential visual artists of the 20th century. A hundred and forty sculptures, drawings, photographs and paintings yield an exceptional view of this multi-faceted artist, providing a unique angle on one of the undisputed greats.

4. Rodin – The Centennial Exhibition
Any history of sculpture would be unthinkable without mention of Auguste Rodin. He goes down in art history as a fundamental artificer and this year marks the centenary of his death. On display at the Grand Palais are some of the most celebrated works of the forerunner of modern sculpture, in an exhibition which also features pieces by other great masters who were influenced by Rodin. Works by Jean-Baptiste Carpeaux, Antoine Bourdelle, Paul Claudel and Constantin Brancusi will share the space until 31 July.

5. Sky and Mysticism at the Musée d’Orsay
The sky and the stars are a recurring theme as of 19th-century symbolism. Such artists as Gauguin, Denis, Seurat, Monet, Klimt, Hodler, Munch, Van Gogh and Kandinsky were transported by the spirituality of nature and landscape. In the exhibition, Beyond the Stars. The Mystical Landscape from Monet to Kandinsky, the Musée d’Orsay, in collaboration with the Art Gallery of Ontario, provides a look at the more mystical side of the work of these artists.

6. Appel Returns To Paris
On loan from the Karel Appel Foundation of Amsterdam, the Musé d’Arte Moderne (MAM) of Paris is exhibiting twenty-one paintings and sculptures by this artist, who died in 2006. Karel Appel, a founding member of the Cobra group, which started in Paris in 1948 and disbanded in 1951, strove to break free of the academicism of the period and produce a more spontaneous, experimental art, including a set of practices inspired by primitivism. Until 20 August.

Book your Vueling to Paris and soak up the art in some of these magnificent temporary exhibitions in the city’s paramount art centres.

Text by Aleix Palau

Photo by Yann Caradec

Rabat is a little known destination and one not much frequented by tourists heading to Morocco. This is precisely one of its major attractions – the chance to enjoy its monuments and spots full of atmosphere, minus the stress associated with other cities like Marrakech, Casablanca or Fez.

The city lies on the mouth of the river Bou Regreg, on the Atlantic seaboard, and is a curious blend of the old and new. The old medina and the city walls contrast with the new city, home to the country’s administrative facilities. It is not overly big, so you can see it all in a couple of days. Following is a selection we have made of the essential sights to see when visiting Rabat.

The Hassan Tower – Splendour Cut Short

The Hassan Tower is one of Rabat’s major landmarks, the unfinished fruit of the city’s greatest age of splendour. In the 12th century, Sultan Yaqoub al-Mansour decided to build the largest mosque in the West, to which end he commissioned the same architect who had designed the Koutoubia Mosque in Marrakech, and La Giralda of Seville. Unfortunately, the sultan died before the mosque had been completed, and construction work came to a halt. The most striking architectural feature is the minaret with its geometric designs. It was scheduled to be 86 metres high, but only 44 metres were eventually completed. The rest of the complex comprises the columns built to support 21 naves.

Alongside this ancient mosque stands the Mausoleum of Muhammad V, where the remains of the Alawite monarchs, Muhammad V and Hassan II, were laid to rest. Built between 1961 and 1971, it is a commendable example of contemporary Moroccan architecture. The project was assigned to the Vietnamese, Vo Toan, who successfully captured the essence of the country’s architectural and decorative tradition.

In Search of Origins – the Chellah Necropolis

The Chellah is a fortified precinct located some 2 kilometres from Rabat. Its interior houses, among other things, remains of the Roman city – after the Phoenicians and Carthaginians, they were the first to settle the area. Preserved in this early urban nucleus are the remains of the forum and temple of Jupiter. There are also vestiges of the early Islamic era. In the 15th century the precinct was reconverted by the Arabs into a necropolis, and features remains of tombs and a mosque.

The Kasbah of the Udayas – Rabat’s Magical Corner

Rabat is well worth visiting, if only for a tour of this walled quarter, made up of labyrinthine streets full of houses painted blue and white. The Kasbah was built in the 17th century by the Udayas on a cliff sited on the south bank of the river mouth to defend the coastline from a possible Spanish invasion. This is evident in its fortress-like character, with numerous battlements and lookouts, which now make excellent viewpoints for sightseers. In addition to wandering through the streets, soaking up the atmosphere in all its corners, you should take the chance to visit the Museum of the Udayas, located in the Andalusian Gardens, which boasts one of the finest jewellery collections in Morocco.

City of Gardens

Rabat is also known as the “city of gardens”, so make sure you stroll leisurely through and relax in one of them. Most noteworthy are the Nouzzah Hassan Gardens, located opposite the city walls, designed by the French general, Lyautey; the Jardins d'Essais Botanical Gardens, with exotic fruit, ornamental and Mediterranean trees, and Rabat Zoo, for those who fancy seeing animals, apart from plants.

Shopping in the Souq

The word souq, associated with tranquility, might sound like science fiction to the traveller in Morocco, but this is true of the bazaar in Rabat. With hardly any hustling by street vendors, you can tour the Souq in search of food, spices, craftwork, garments, carpets and a host of other goods.

You’ve noted everything you can see in Rabat, right? Take out a Vueling and enjoy a visit to this city.

Text by ISABELYLUIS Comunicación

Images by Jacopo Romei, SnippyHolloW, Fr Maxim Massalitin, Mustapha Ennaimi, Julia Chapple, Shawn Allen