When you first visit Portugal, one of the things that invariably catches your eye is the pervasive presence of ceramics and wall tiles in ornamentation. Whether used as wall facings on the inside and outside of buildings – on churches, palaces or private homes, both in large cities and small villages – ceramic tiles are king in Portuguese decoration. Unlike the rest of Europe, where they are used more sparingly, in Portugal they seem to take over the walls. They feature in two major varieties – polychromed tiling and the signature blue-and-white combination, some of which are technically and aesthetically superb.

This cultural heritage of Moorish origin first took seed in Portugal in the 15th century, having entered the country via neighbouring Spain. It soon became the wall facing of choice among Portuguese royalty. The use and quality of ceramic tile decoration reached their zenith in the 18th century. Nowadays, azulejos are still very much in vogue and large workshops continue to operate.

While ceramics are in evidence throughout the country, following is a selection of the leading sites. They are well worth visiting – both for the exquisiteness of their ornamentation or owing to the presence of a large production centre.

Lisbon

As befits a capital, Lisbon is graced with numerous examples of azulejo tile facings, which even cover the walls of the city’s metro system. Among some unusual landmarks to be found in the city is the Quinta dos Azulejos, housed in the Colégio Manuel Bernardes on Paço do Lumiar street. The sheer decorative beauty of the scenes depicted on the walls in the garden is simply stunning.

However, the main reason for including Lisbon in this tour is the Museu Nacional do Azulejo, where visitors can learn all the ins and outs, production techniques and history of this quintessentially Portuguese element of architectural ornamentation. It is also a good point to start off the tour.

Aveiro

This small, beautiful city, also called the “Venice of Portugal” for its canals, which you can sail along in colourful boats known as moliceiros, is enchanting in itself. A coastal city famed for its fishing and salt production, it has a beautiful centre with outstanding examples of Modernist buildings. The authentic jewel of this city is the Railway Station, striking for its ceramic ornamentation and a fitting final flourish to any visit here. The polychromed azulejos feature depictions of railway scenes, as well as motifs from nature, culture and traditional activities. And, while you are in the city, be sure to see the beach with its bathing boxes painted in colourful stripes.

Ovar

This coastal city is worth visiting for its beaches, but it also boasts a large number of public buildings adorned with azulejos, most of which come from the factories at Vila Nova de Gaia and Aveiro. The plethora of tiled wall facings has earned Ovar the nickname of the “Azulejo Museum City”.

Válega

Just six kilometres from Ovar lies the village of Válega, where you should make a point of visiting the Church of Nossa Senhora do Amparo. Its walls are faced, both inside and out, with mostly polychromed tiles, except for the external side walls and back, which are bicoloured in blue-and-white tiles. Construction work on the church began in 1746 and lasted for a whole century.

Ilhavo

Ilhavois noteworthy above all for its Vista Alegre Factory, one of the most internationally acclaimed sites in Portugal. Founded by José Ferreira Pinto Basto in the early 19th century for glass and porcelain production, it houses a museum where visitors can learn about ceramics culture through the collections on display and the values associated with Vista Alegre.

Book your Vueling to Lisbon and discover for yourself this wonderful ceramic ornamentation on Portuguese buildings and monuments.

Text by Los Viajes de ISABELYLUIS

Images by Sunny Ripert

As in much of Spain, Holy Week unfolds with great intensity in most of Sicily. This comes as no surprise – the processions of penitents commemorating Christ’s Passion and Death were brought to the island by the Spanish in the 16th century.  While they abound across Sicily, the processions that arouse the greatest expectation are those held in villages like Enna and Caltanissetta, both of which lie about an hour’s drive away from Catania.

But all Sicily’s beautiful, timeless villages preserve their deep-rooted traditions, each with its own character. A holiday on the island during Holy Week could combine sightseeing in coastal towns, discovering local architecture and tasting their delicious cuisine. And, during the festivities, the religious guilds stage spectacular Easter processions in which the Baroque aesthetic prevails.

If you want to savour some of these ancient festivals, go to Prizzi on Easter morning. There they celebrate the Ballo dei diavoli (dance of the devils). In this folk tradition from the Middle Ages, death, dressed in yellow, accompanied by devils clad in red, roam the town heckling the passers-by, who can only get rid of their tormentors by giving them a donation. This takes place just when the madonna and child make their entry. This curious form of revelry, a mix of the religious and the profane, represents the eternal struggle between good and evil.

A similar event known as the Diavolatais held in Adrano.The main square or Piazza Umberto provides the backdrop for this battle between good and evil, represented by Lucifer and his devils on one side and St Michael the Archangel on the other.

Another picturesque celebration is the Madonna Vasa Vasa,in Modica, in which the faithful crowd around the floats on their way to the church of St Mary of Bethlehem to witness the traditional bacio di mezzogiorno (the noon kiss) between the Virgin Mary and the resurrected Christ. Vasa means “kiss”. Dressed in mourning, the Madonna is carried through the streets of Modica in search of her son, to the rhythm of drumming. Throughout the procession, the people sing, dance and drink to celebrate the event. While strolling through the winding streets of Modica’s charming historical centre, visitors will eventually come across the striking Baroque architecture in the area around the Castle of the Counts of Modica, listed as a World Heritage site since 2002.

One of the oldest and most enigmatic celebrations is the Procession of the Mysteries, held in the historical centre of Trapani. Full of light and emotion, this procession consists of twenty float groups depicting the Passion and Death of Christ which parade through the streets for 24 hours, starting on Good Friday afternoon. The figures are borne on the shoulders of the massari to the rhythm of a traditional music known as annaccata.

As in all traditional festivities, Holy Week in Sicily has its characteristic confectionery. The colomba pasquale (Easter dove), also known as the palummeddi or pastifuorti, is eaten in the home. This typical sweet is usually shaped like a dove or rooster, although new shapes are emerging all the time. It consists of flour, sugar and cinnamon, topped off with a hard-boiled egg as a symbol of Easter and rebirth. A similar pastry is the cuddura, typical of the Calabria region. Based on flour and water, it is similarly adorned with hard-boiled eggs. The casatta siciliana is another cake eaten at Easter, although it is sold in pastry shops all year around. If you would like to taste some of these delicacies, the best assortment is to be had at Pasticceria Irrera, on the Piazza Cairoli 12 in Messina, and at Caffè Sicilia, on Corso Vittorio Emanuele III, 125 Noto de Siracusa.

Go for it! Check out our prices here!

Text by ScannerFM

Image by Clemensfranz, Carmelo Giuseppe Colletti, Rmax75, Giovanni, Traktorminze

No other Spanish dish has spread throughout the world like the Valencian paella. Along with toros and sangria, these are the very first words all tourist learn when they step on these lands. Likewise, when they get to Spain, they are flooded with posters of "typical spanish" or "spanish paella" to end up having any low quality mixture of rice or directly frozen, nothing to do with the original recipe.

No other course shows as much controversy in its preparation and ingredients required like it. As it happens with other traditional dishes such as the fabada in Asturiana or the Andalusian gazpacho, when the valencians speak about paella they light up watching the original recipe distorted.

Imagine that there is even a wikipaella to protect and defend the original paella where the basic rules of the Valencian paella are manifested. Such as:"The original paella has its origin in the Valencian community", "The best paellas are cooked with firewood and rice from the Valencian community" or "authentic paellas are made according the tradition of each area of the Valencian community ".

In general, there is consensus that the authentic Valencian paella uses other ingredients besides rice, the garrofón -big beans-, chicken, rabbit, ripe tomato, ferradura beans - flat green beans- olive oil, salt, water and saffron. And in some cases they also add snails, rosemary or paprika.

Some will say that the best paella is the one they eat at home - and they are probably right-but if you go to Valencia and want to eat some of the best paellas in the world, you can find some of the winners and finalists of the Sueca’s International Paella Competition , a prestigious international competition that rewards those cooks who prepare the best Valencian paella of the world.

Restaurant Ampar (third winner of the 2014 edition)
Navarro Reverter Avenue, 14, 46004 Valencia

The Ampar restaurant, located on the ground floor of the Hotel Hospes Palau de la Mar, in the historic center of Valencia, won the third prize in the 2014 Sueca’s International Paella Competition .The first prize went to the Miguel y Juani restaurant –from the chefs Julian Garcia and Mercedes Vacas – from Alcudia (Mallorca), where 35 of the best paella cooks were brought together.

Casa Picanterra, from Cullera (second prize of the 2013 edition)
Calle den picanterra nº3, 46400 Cullera

In 2013, the Picanterra chefs won the second prize of the contest.

El Redolí, from El Palmar (finalistas edición 2013)
Calle del Arzobispo Aliaga, 0, 46012 Palmar, Valencia

Other restaurants in Valencia where paella is prepared according to the original recipe:

La Pepica
Passeig de Neptú, 6, 46011 València

Casa Ripoll
Playa de la Malvarrosa, Paseo Marítimo, Módulo 7, 46011 València

Casa Roberto
Carrer del Mestre Gozalbo, 19, 46005 València

La Riuà
Carrer del Mar, 27, 46003 València

Casa Carmela
Calle Isabel de Villena, 155, 46011 València

Restaurante la Herradura
Paseo Marítimo, módulo 2 (Malvarrossa), 46011 Valencia

El Racó de la Paella
Carrer de Mossèn Rausell, 17, 46015 València

Picture from Jan Harenburg

Makes you want to go, right? Do it! Check out our prices here!

Jazz was of course born in the United States. However, if you care to read the finer print, you will discover that something happened in the 1930s in Europe which was to revolutionise American jazz. In the gypsy camps on the outskirts of Paris – now the city’s 18th arrondissement – the young Django Reinhardt improvised a fusion of swing and traditional Eastern European music on his banjo. He taught himself, paying special attention to finger position, and inadvertently invented jazz manouche or gypsy jazz, a genre which elicits virtuosity in the playing and is pleasant on the ear.

Django lost two fingers on his left hand when his caravan caught fire, prompting him to develop an unusual way of playing the guitar. His original style, agility and speed at producing notes earned him the epithet of “father of gypsy jazz”. Together with the violinist, Stéphane Grappelli, he created the legendary Quintette du Hot Club de France, the first gypsy jazz club.

The Festival Django Reinhardt was first inaugurated a few years after his death. It was held at Samois-sur-Seine, 50 kilometres south of Paris, where he spent his final years and where he is buried. The 38th edition of the festival will be held from 6 to 9 July 2017 and, although last year it had to be moved to the Fontainebleau Chateau gardens – 50 kilometres from Paris and well connected by public transport – the original essence of the festival has survived intact. The venue is a place of pilgrimage for Django devotees and the world’s hub of gypsy jazz. This year’s lineup will see the likes of bassist Avishai Cohen, Cuban pianist Roberto Fonseca, the guitar virtuoso trio of Jean-Luc Ponty, Biréli Lagrène and Kyle Eastwood, Woody Allen’s pet gypsy jazz favourite, Stephane Wrembel and the Django Memories Project, made up of the prestigious musicians who produced the soundtrack of the recently premiered film, Django. But, at this festival the music overspills the stage – artists and devotees from across the globe hold jam sessions all over the fair grounds, beating out gypsy rhythms and reliving Django Reinhardt’s musicality.

If after that “authentic gypsy encampment” you are game for more, we have made the following selection from among the many gypsy jazz clubs Paris has to offer.

La Chope des Puces

This is unquestionably the temple of Django Reinhardt in Paris. The resident guitarist, Ninine Garcia, who hails from one of the top Parisian manouche families, leads the jam session every weekend from 12.30 a.m. to 7 p.m. Located in the Marché aux Puces, guests share a table – to taste traditional French cuisine – in a very squashed vital space, among guitars, violins and photos hanging on the walls recalling the master. Tucked away in the back room is a guitar workshop and a manouche jazz school. A venue that oozes genuine charm! 122 rue des Rosiers, Saint-Ouen

MONK – La Taverne de Cluny

Located in the heart of the Latin Quarter, MONK is a bar devoted to the world of beer. It boasts over 50 types of bottled beer, and 10 types of draught. But La Taverne de Cluny is also a jazz club. Every Thursday and Sunday, the small stage in this typically French bar, with upholstered little tables and chairs, fills up to the sound of top-notch gypsy jazz produced by such reputable artists as Christophe Brunard, Sébastien Giniaux and Samy Daussat, among others. A must-visit spot!  51, rue de la Harpe

Café Artistique l’Apostrophe

This small, cosy musical café located just a few metres from the Canal Saint-Martinin the 10th arrondissement provides live music from Wednesday to Saturday. Over the last four years, the programme has been featuring gypsy jazz concerts from 8.30 p.m. on Fridays. L’Apostrophe has been graced by all the leading lights of the Parisian manouche scene, as well as gypsy jazz guitarists from the United States, Britain and Brazil, among others. Albert Bello, Spain’s top gypsy jazz exponent and the director of Festival Django L’H, the only festival in Spain dedicated to Django Reinhardt, has also performed there. And, the first Thursday of each month sees a jazz jam with the vocals supplied by Barbie Camion. 23 rue de la Grange aux Belles

Aux Petits Joueurs

Aux Petits Joueurs is a restaurant in the 19th arrondissement, a bistro in the purest French style where you can taste salads with hot goat’s-milk cheese, cheese boards, duck confit, tarte tatin and crepes, to name just the ABC of French cuisine. The restaurant features a jazz concert, ranging from Latin music to gypsy jazz, each day of the week except Mondays – when it is closed. The venue has seen performances by the leading figures of this genre, notably Adrien Moignard, Sébastien Giniaux and Pierre Manetti, among many others. Tuesdays and Wednesdays feature jam sessions at which some artists invite others, and it all ends up in a full-blown manouche festival. 59 rue Mouzaïa

Les Idiots

A highly popular micro-bar, among other reasons for their reasonable prices – quite a feat in Paris – and their homemade meals. Located on the Boulevard de Ménilmontant, it is a favourite haunt amongbobos(from “bourgeois, bohemian”). A young, relaxed atmosphere frequented by veritable hordes of guests. The limited capacity does not deter them from hosting jazz sessions, led by guitarist Michael Gimenez and with the participation of various gypsy jazz artists, in a corner of the bar each Monday from 9 p.m. to 11.30 p.m. 115 boulevard de Ménilmontant

Book your Vueling to Paris and get into the swing of the gypsy jazz featured across the city.

Text by Teresa Vallbona