Everything about Paris is enchanting – its streets, stores, bistros, pastry shops, fashion – but, if there is one thing I’m crazy about its the cultural life. I could churn out post after post about the city’s theatres, street festivals and markets and underground concerts. But, today it’s time to open my diary and review the most exciting exhibitions due to grace the French capital in the coming months. There’s a bit of everything, from ancient classics to contemporary offerings. Pack your bags – we’re off to Paris!

1. Vermeer and the Masters of Genre Painting in the Louvre
Nobody was able to capture genre scenes of 17th-century Holland as masterfully as Johannes Vermeer. On display at the Louvre is an exhibition at which Vermeer and such contemporaries of his as Pieter de Hooch, Frans van Mieris, Gerrit Dou, Jan Steen and Gerard ter Borch face off in an interplay which denotes similarities and reveals influences. Until 22 May.

2. Iconic Henri Cartier-Bresson
One of the great milestones in the history of photography is the book, Images à la Sauvette. Iconic and defiant, Henri Cartier-Bresson’s title was published in 1952 and has now become a cult manual. With the cover design by Henri Matisse, it is the backbone of an exhibition which will appeal to devotees of both photography and the oeuvre of the father of photojournalism. At the Fondation Henri Cartier-Bresson. Until 23 April.

3. Cy Twombly – A Complete Retrospective at the Centre Pompidou
The Centre Pompidou is celebrating its fortieth anniversary in style. One of the flagship exhibitions in this celebration is the retrospective devoted to Cy Twombly, who rates among the most influential visual artists of the 20th century. A hundred and forty sculptures, drawings, photographs and paintings yield an exceptional view of this multi-faceted artist, providing a unique angle on one of the undisputed greats.

4. Rodin – The Centennial Exhibition
Any history of sculpture would be unthinkable without mention of Auguste Rodin. He goes down in art history as a fundamental artificer and this year marks the centenary of his death. On display at the Grand Palais are some of the most celebrated works of the forerunner of modern sculpture, in an exhibition which also features pieces by other great masters who were influenced by Rodin. Works by Jean-Baptiste Carpeaux, Antoine Bourdelle, Paul Claudel and Constantin Brancusi will share the space until 31 July.

5. Sky and Mysticism at the Musée d’Orsay
The sky and the stars are a recurring theme as of 19th-century symbolism. Such artists as Gauguin, Denis, Seurat, Monet, Klimt, Hodler, Munch, Van Gogh and Kandinsky were transported by the spirituality of nature and landscape. In the exhibition, Beyond the Stars. The Mystical Landscape from Monet to Kandinsky, the Musée d’Orsay, in collaboration with the Art Gallery of Ontario, provides a look at the more mystical side of the work of these artists.

6. Appel Returns To Paris
On loan from the Karel Appel Foundation of Amsterdam, the Musé d’Arte Moderne (MAM) of Paris is exhibiting twenty-one paintings and sculptures by this artist, who died in 2006. Karel Appel, a founding member of the Cobra group, which started in Paris in 1948 and disbanded in 1951, strove to break free of the academicism of the period and produce a more spontaneous, experimental art, including a set of practices inspired by primitivism. Until 20 August.

Book your Vueling to Paris and soak up the art in some of these magnificent temporary exhibitions in the city’s paramount art centres.

Text by Aleix Palau

Photo by Yann Caradec

Rabat is a little known destination and one not much frequented by tourists heading to Morocco. This is precisely one of its major attractions – the chance to enjoy its monuments and spots full of atmosphere, minus the stress associated with other cities like Marrakech, Casablanca or Fez.

The city lies on the mouth of the river Bou Regreg, on the Atlantic seaboard, and is a curious blend of the old and new. The old medina and the city walls contrast with the new city, home to the country’s administrative facilities. It is not overly big, so you can see it all in a couple of days. Following is a selection we have made of the essential sights to see when visiting Rabat.

The Hassan Tower – Splendour Cut Short

The Hassan Tower is one of Rabat’s major landmarks, the unfinished fruit of the city’s greatest age of splendour. In the 12th century, Sultan Yaqoub al-Mansour decided to build the largest mosque in the West, to which end he commissioned the same architect who had designed the Koutoubia Mosque in Marrakech, and La Giralda of Seville. Unfortunately, the sultan died before the mosque had been completed, and construction work came to a halt. The most striking architectural feature is the minaret with its geometric designs. It was scheduled to be 86 metres high, but only 44 metres were eventually completed. The rest of the complex comprises the columns built to support 21 naves.

Alongside this ancient mosque stands the Mausoleum of Muhammad V, where the remains of the Alawite monarchs, Muhammad V and Hassan II, were laid to rest. Built between 1961 and 1971, it is a commendable example of contemporary Moroccan architecture. The project was assigned to the Vietnamese, Vo Toan, who successfully captured the essence of the country’s architectural and decorative tradition.

In Search of Origins – the Chellah Necropolis

The Chellah is a fortified precinct located some 2 kilometres from Rabat. Its interior houses, among other things, remains of the Roman city – after the Phoenicians and Carthaginians, they were the first to settle the area. Preserved in this early urban nucleus are the remains of the forum and temple of Jupiter. There are also vestiges of the early Islamic era. In the 15th century the precinct was reconverted by the Arabs into a necropolis, and features remains of tombs and a mosque.

The Kasbah of the Udayas – Rabat’s Magical Corner

Rabat is well worth visiting, if only for a tour of this walled quarter, made up of labyrinthine streets full of houses painted blue and white. The Kasbah was built in the 17th century by the Udayas on a cliff sited on the south bank of the river mouth to defend the coastline from a possible Spanish invasion. This is evident in its fortress-like character, with numerous battlements and lookouts, which now make excellent viewpoints for sightseers. In addition to wandering through the streets, soaking up the atmosphere in all its corners, you should take the chance to visit the Museum of the Udayas, located in the Andalusian Gardens, which boasts one of the finest jewellery collections in Morocco.

City of Gardens

Rabat is also known as the “city of gardens”, so make sure you stroll leisurely through and relax in one of them. Most noteworthy are the Nouzzah Hassan Gardens, located opposite the city walls, designed by the French general, Lyautey; the Jardins d'Essais Botanical Gardens, with exotic fruit, ornamental and Mediterranean trees, and Rabat Zoo, for those who fancy seeing animals, apart from plants.

Shopping in the Souq

The word souq, associated with tranquility, might sound like science fiction to the traveller in Morocco, but this is true of the bazaar in Rabat. With hardly any hustling by street vendors, you can tour the Souq in search of food, spices, craftwork, garments, carpets and a host of other goods.

You’ve noted everything you can see in Rabat, right? Take out a Vueling and enjoy a visit to this city.

Text by ISABELYLUIS Comunicación

Images by Jacopo Romei, SnippyHolloW, Fr Maxim Massalitin, Mustapha Ennaimi, Julia Chapple, Shawn Allen

Just 50 kilometres from one of France’s most widely visited landmarks, Mont Saint-Michel, and very near another de rigueur tourist resort, Saint-Malo, lies Cancale, which guards a very special culinary secret. This small town in Brittany boasts what are considered to be the best oysters in France. Some even dare to claim they are the best in the world. Whatever their actual rating, the oysters of Cancale are clearly world famous and it is worth making a stopover just to try them.

The Romans are said to have been the first to discover the fine quality of the oysters here, while centuries later, Louis XIV and Napoleon counted them among their favourites, and no wonder! Just as wine is a reflection of the earth that nurtures the grapes it is made from, the quality of this prized mollusc is determined by the place where it is found. It transpires that this stretch of coastline in Brittany is endowed with excellent nutrients, which would account for their special flavour.

Cancale, where fishing has been the major source of income for centuries, has now been given over to oyster cultivation. Your visit will take you to see the oyster rafts and, even more impressively, the ritual of harvesting. A word of warning, though – the success of this display will depend on the state of the tides, so take this into account when planning your trip. Should this not be enough for you, and assuming you would like to gain expertise in the matter, be sure to visit the Ferme Marine de Cancale, an exhibition area where you can boost your knowledge of these prized molluscs and learn about the “Gardeners of the Sea”.

However, Cancale is not only a place to learn about oyster culture, but to taste their exquisite huîtres (oysters), too. In the harbour, next to the Pointe des Crolles lighthouse, you will find a number of stalls where you can get your hands on a good helping of these small delicacies and savour them right there on the beach. There are many prices and types – flat oysters are the most highly valued – and, optionally, you can also squeeze lemon juice on them and ask for them to opened.

If you prefer to eat the oysters or other sea delights more comfortably seated, there are several restaurants along the esplanade where you can indulge in this pleasure, and a generous helping of seafood is reasonably priced. A classic to order is mussels and chips, a traditional dish in the area.

For those seeking quite another gastronomic experience and who have a sizeable current account, this is the land of the acclaimed chef, Olivier Roellinger. Very near Cancale, the Château Richeux houses Le Coquillage, a magnificent restaurant which bears out, day after day, just why it was awarded three Michelin stars – which Roellinger turned down, incidentally – and why his cuisine continues to be exquisite. And – you guessed it – the splendid oysters of Cancale are on the menu.

So, now that you have scoped the spot where the best oysters in France (and the world) are said to be cultivated, it’s time to book your Vueling to Rennes – less than an hour’s drive from Cancale – and treat yourself to that exquisite delicacy.

Text by Los Viajes de ISABELYLUIS

Images by Julien Barrier, sam.romilly

What do Ben Hur, La Dolce Vita, Gangs of New York and Nine have in common? At first glance, we might think… nothing, but, if we pay attention to the credits, we will see they were all shot at Cinecittá. For many of us, these film studios, located on the outskirts of Rome, are inevitably associated with the name of the great Federico Fellini, but they have also been a privileged host to some of the best moments in cinema history, and the spot where a large number of movie stars converged.

This “Cinema City” was built in 1937 after the previous studios were destroyed in a fire, the cause of which has never been accounted for. The construction project was commissioned to the engineer, Carlo Roncoroni, and the architect, Gino Peressutti. The aim was to build a veritable city of the seventh art, capable of competing with Hollywood itself, which would turn Italian cinema into a worldwide beacon. It should be noted that Mussolini’s Fascist regime was in power at the time and, like Germany, the Italian regime regarded cinema as a powerful propaganda tool.

Fortunately for us, not everything produced there was regime propaganda as it eventually became the place that witnessed the passage of great names in the history of Italian cinema – Roberto Rossellini, Federico Fellini, Vittorio De Sica and Luchino Visconti.

Production came to a halt when the Second World War broke out, and the premises were even put to a different use. Two years before the war came to an end, Cinecittá was occupied by the Nazis and converted into a concentration camp for civilians. It was subsequently bombarded by Allied forces and then turned into a shelter for internally displaced people. All this upheaval led to the loss of most of the technical equipment and machinery once housed in the studios.

After weathering those dark years, Cinecittà gradually evolved into its period of greatest splendour. First, it became the site of grand American productions, featuring such unforgettable movies as Ben Hur,Quo Vadis? and Cleopatra. Second, this was where the careers of the great figures of Italian cinema unfolded. And, the presence of the Americans brought a fresh lease of life and modernity to the Eternal City, as so accurately portrayed in Fellini’s La Dolce Vita.

But all golden ages have their expiry date and the number of large-scale productions began to wane in the seventies, losing out to television. The fact is that the trend of block-buster productions started falling behind, while Italian cinema gradually ceased to be a major player on the world scene. Despite this, the studios can still boast of having been involved in such movies as The Godfather III, by Francis Ford Coppola (1988), The English Patient, by Anthony Minghella (1996), Gangs of New York, by Martin Scorsese (2002), The Passion of the Christ, by Mel Gibson (2004) and the popular television series,HBO Rome (2005-2007).

On a curious note and perhaps as a symbol of our times, Cinecittá is currently the premises of the house and set of Grande Fratello, the Italian version of Big Brother, a contest which has become one of the great television hits.

Cinecittá is now a place of pilgrimage for any film-lovers worth their salt, although what remains to experience is merely an exercise in nostalgic reunion with a period in which cinema was different. It is also a good excuse for taking the whole family along to teach the new generations some cinema history and show them one of its landmark venues. In addition to its sets and some of the most popular set designs, visitors can also see the exhibitions hosted in the Fellini Building.

Nowadays, it might feel weird to stroll through those almost ghostly spaces, tinged with the decadence of time, and try to relive the period in which the great American film stars walked those corridors. What is guaranteed though is the flush of excitement one feels when catching sight of its stunning, iconic entrance.

Ready for a trip to the cinema? Check out your Vueling to Rome here.

Text by ISABELYLUIS Comunicación

Images by Jean-Pierre Dalbéra, Carlo Mirante