The Bauhaus School – from the German bau (construction) and haus (house) – was probably one of the most important and revolutionary driving forces in the 20th century in the fields of art, design and architecture. In the short space of merely 20 years, a team of inquiring artists and architects, influenced by the social movements of the time, managed to overturn the prevailing way of conceiving art and architecture and their relationship to society. Their achievements include laying the foundations for industrial design, graphic design and modern architecture. What’s more, they even put forward and saw implemented an alternative educational model which was ahead of its time. A host of figures succumbed to such innovation and each contributed their grain of sand, including Walter Gropius, Hannes Meyer, Ludwig Mies van der Rohe, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, Marcel Breuer and Lyonel Feininger.

A good way of taking stock of that brilliant past, which we are now so indebted to, is by visiting two cities where the movement was based –Weimar and Dessau.

Weimar – The First Steps

Weimar was the first of three centres of Bauhaus activity. No wonder, then, that this city had already been the hub of the German Enlightenment and a meeting place for intellectuals. The Bauhaus was founded in 1919 by Walter Gropius, who took his first tentative steps in the Haus Hohe Pappeln, a school of arts and crafts designed by a pioneer of modernity, Henry van de Velde.

The only building in the Bauhaus style still standing in Weimar is the Haus am Horn, built in 1923 and designed by Georg Muche, a painter and lecturer at the Bauhaus. The building was designated World Heritage of the 20th Century in 1996.

Located in the Theaterplatz is the Weimar Bauhaus Museum, a moderately sized venue devoted to the Bauhaus. A much more spacious centre is due to be inaugurated in 2018.

Dessau – The Boom

In 1925, Walter Gropius was forced to close the school in Weimar for political reasons, but he received the necessary support to move it to Dessau. Fortunately, in the case of Dessau, there are lots of buildings that have survived to the present, including the school itself, regarded as a masterpiece of European rationalism. When preparing the groundwork for your tour of the various Bauhaus landmarks in the city, we recommend you browse this website to check the times and to book your tickets, as not all the areas are admission free.

Bauhaus Building (Bauhausgebäude).The work of Walter Gropius, this is the most emblematic of the Bauhaus constructions. Built in 1925 and 1926, it is made up of various interconnecting volumes, each with a different function. Building work involved the use of industrial techniques and a striking feature of the design is the glazed frontage.

Masters’ Houses (Meisterhäuser).Located near the school, this ensemble of four residential buildings was home to the masters: Gropius, Moholy-Nagy/Feninger, Muche/Schelemer and Kandinsky/Klee. Their interiors are open to the public, except for that of Gropius, which was destroyed during the war.

Törten Estate. The work of Walter Gropius, this ensemble of 300 houses was built in 1920 in the south of Dessau. Commissioned by the City Council, it is a prototype of a housing estate and was intended to act as a model for social housing.

Kornhaus. More playful in design, this restaurant and pub overlooking the river Elbe was designed by Carl Fieger, a draughtsman in Gropius’ practice.

Berlin was the last of the Bauhaus centres, where it was located from 1932 to 1934. However, the rise of National Socialism would put an end to this brilliant core of creativity and innovation, driving it to other countries, but the mark it left has survived until the present.

From Leipzig it is an easy train ride to both Weimar and Dessau, where you can steep yourself in the Bauhaus. Check out your flight here!

Text by Los Viajes de ISABELYLUIS

When you first visit Portugal, one of the things that invariably catches your eye is the pervasive presence of ceramics and wall tiles in ornamentation. Whether used as wall facings on the inside and outside of buildings – on churches, palaces or private homes, both in large cities and small villages – ceramic tiles are king in Portuguese decoration. Unlike the rest of Europe, where they are used more sparingly, in Portugal they seem to take over the walls. They feature in two major varieties – polychromed tiling and the signature blue-and-white combination, some of which are technically and aesthetically superb.

This cultural heritage of Moorish origin first took seed in Portugal in the 15th century, having entered the country via neighbouring Spain. It soon became the wall facing of choice among Portuguese royalty. The use and quality of ceramic tile decoration reached their zenith in the 18th century. Nowadays, azulejos are still very much in vogue and large workshops continue to operate.

While ceramics are in evidence throughout the country, following is a selection of the leading sites. They are well worth visiting – both for the exquisiteness of their ornamentation or owing to the presence of a large production centre.

Lisbon

As befits a capital, Lisbon is graced with numerous examples of azulejo tile facings, which even cover the walls of the city’s metro system. Among some unusual landmarks to be found in the city is the Quinta dos Azulejos, housed in the Colégio Manuel Bernardes on Paço do Lumiar street. The sheer decorative beauty of the scenes depicted on the walls in the garden is simply stunning.

However, the main reason for including Lisbon in this tour is the Museu Nacional do Azulejo, where visitors can learn all the ins and outs, production techniques and history of this quintessentially Portuguese element of architectural ornamentation. It is also a good point to start off the tour.

Aveiro

This small, beautiful city, also called the “Venice of Portugal” for its canals, which you can sail along in colourful boats known as moliceiros, is enchanting in itself. A coastal city famed for its fishing and salt production, it has a beautiful centre with outstanding examples of Modernist buildings. The authentic jewel of this city is the Railway Station, striking for its ceramic ornamentation and a fitting final flourish to any visit here. The polychromed azulejos feature depictions of railway scenes, as well as motifs from nature, culture and traditional activities. And, while you are in the city, be sure to see the beach with its bathing boxes painted in colourful stripes.

Ovar

This coastal city is worth visiting for its beaches, but it also boasts a large number of public buildings adorned with azulejos, most of which come from the factories at Vila Nova de Gaia and Aveiro. The plethora of tiled wall facings has earned Ovar the nickname of the “Azulejo Museum City”.

Válega

Just six kilometres from Ovar lies the village of Válega, where you should make a point of visiting the Church of Nossa Senhora do Amparo. Its walls are faced, both inside and out, with mostly polychromed tiles, except for the external side walls and back, which are bicoloured in blue-and-white tiles. Construction work on the church began in 1746 and lasted for a whole century.

Ilhavo

Ilhavois noteworthy above all for its Vista Alegre Factory, one of the most internationally acclaimed sites in Portugal. Founded by José Ferreira Pinto Basto in the early 19th century for glass and porcelain production, it houses a museum where visitors can learn about ceramics culture through the collections on display and the values associated with Vista Alegre.

Book your Vueling to Lisbon and discover for yourself this wonderful ceramic ornamentation on Portuguese buildings and monuments.

Text by Los Viajes de ISABELYLUIS

Images by Sunny Ripert

Hip hop arrived in France in 1979 and was highly influenced by the hip hop scene in the States, especially the gangsta scene. Hip hop became very popular in France due to the sizeable African community living in the country. The political and social situation in French cities consolidated rap sung in French and, in 1982, numerous radio stations broadcasting hip hop emerged. This gave shape to a burgeoning urban movement.

France is the second-largest market in the world for hip hop and Marseille is home to a number of artists in the genre. MC Solaar has become one of the most successful stars of French hip hop. MC Solaararrived from Senegal in 1970 and settled in Villeneuve-Saint-Georges. Two movements emerged from there; the artists who work more closely with melodies and funk; and those that choose a more aggressive style, more hardcore.

Guide to hip hop locations in Marseille:

Hip Hop Shop: At 97 Rue de Rome, you will find this urban clothing shop where you can buy all kinds of clothes and accessories that are directly related to the world of hip hop. Some of the brands you can find at Hip Hop Shop include Pelle Pelle, Street Vision and TwoAngle.
Address: 97 Rue de Rome, Marseille
Tel.: 91 54 16 61

Galette Records: At 31 Rue des Trois Rois, since January 2010, you can find this music shop that, besides the most select hip hop, also sells a range of the latest hip hop from Marseille and the rest of France. You can also find soul, funk, jazz, Afro and Latino music.

Address: 31 Rue des Trois Rois, Marseille
Tel.: 09 77 76 05 07

Address: 178 Rue de Rome, Marseille
Tel.: 91 37 58 65

Le Mille-Pattes: In the Noailles district is where all hip hop lovers in Marseille gather at this cultural association with Franco-African roots set up in 1996. Its goal is to support and promote any artistic expression in Marseille.

Address: 62-64 Rue d’Aubagne, 13001 Marseille.
Tel.: 91 55 70 60

Radio Grenouille: the radio station that plays all the latest hip hop. It is very popular among the people of Marseille and many others in the rest of France, who listen online at http://www.radiogrenouille.com/. This cultural radio station plays non-commercial music with a commitment to bring music and culture closer to young people. It is based at the Friche Belle de Mai Gallery in the Belle de Mai district.

Address: 41 Rue Jobin – 13003
Tel.: 95 04 95 15

A place well worth discovering! Check out our flights here.

Rabat is a little known destination and one not much frequented by tourists heading to Morocco. This is precisely one of its major attractions – the chance to enjoy its monuments and spots full of atmosphere, minus the stress associated with other cities like Marrakech, Casablanca or Fez.

The city lies on the mouth of the river Bou Regreg, on the Atlantic seaboard, and is a curious blend of the old and new. The old medina and the city walls contrast with the new city, home to the country’s administrative facilities. It is not overly big, so you can see it all in a couple of days. Following is a selection we have made of the essential sights to see when visiting Rabat.

The Hassan Tower – Splendour Cut Short

The Hassan Tower is one of Rabat’s major landmarks, the unfinished fruit of the city’s greatest age of splendour. In the 12th century, Sultan Yaqoub al-Mansour decided to build the largest mosque in the West, to which end he commissioned the same architect who had designed the Koutoubia Mosque in Marrakech, and La Giralda of Seville. Unfortunately, the sultan died before the mosque had been completed, and construction work came to a halt. The most striking architectural feature is the minaret with its geometric designs. It was scheduled to be 86 metres high, but only 44 metres were eventually completed. The rest of the complex comprises the columns built to support 21 naves.

Alongside this ancient mosque stands the Mausoleum of Muhammad V, where the remains of the Alawite monarchs, Muhammad V and Hassan II, were laid to rest. Built between 1961 and 1971, it is a commendable example of contemporary Moroccan architecture. The project was assigned to the Vietnamese, Vo Toan, who successfully captured the essence of the country’s architectural and decorative tradition.

In Search of Origins – the Chellah Necropolis

The Chellah is a fortified precinct located some 2 kilometres from Rabat. Its interior houses, among other things, remains of the Roman city – after the Phoenicians and Carthaginians, they were the first to settle the area. Preserved in this early urban nucleus are the remains of the forum and temple of Jupiter. There are also vestiges of the early Islamic era. In the 15th century the precinct was reconverted by the Arabs into a necropolis, and features remains of tombs and a mosque.

The Kasbah of the Udayas – Rabat’s Magical Corner

Rabat is well worth visiting, if only for a tour of this walled quarter, made up of labyrinthine streets full of houses painted blue and white. The Kasbah was built in the 17th century by the Udayas on a cliff sited on the south bank of the river mouth to defend the coastline from a possible Spanish invasion. This is evident in its fortress-like character, with numerous battlements and lookouts, which now make excellent viewpoints for sightseers. In addition to wandering through the streets, soaking up the atmosphere in all its corners, you should take the chance to visit the Museum of the Udayas, located in the Andalusian Gardens, which boasts one of the finest jewellery collections in Morocco.

City of Gardens

Rabat is also known as the “city of gardens”, so make sure you stroll leisurely through and relax in one of them. Most noteworthy are the Nouzzah Hassan Gardens, located opposite the city walls, designed by the French general, Lyautey; the Jardins d'Essais Botanical Gardens, with exotic fruit, ornamental and Mediterranean trees, and Rabat Zoo, for those who fancy seeing animals, apart from plants.

Shopping in the Souq

The word souq, associated with tranquility, might sound like science fiction to the traveller in Morocco, but this is true of the bazaar in Rabat. With hardly any hustling by street vendors, you can tour the Souq in search of food, spices, craftwork, garments, carpets and a host of other goods.

You’ve noted everything you can see in Rabat, right? Take out a Vueling and enjoy a visit to this city.

Text by ISABELYLUIS Comunicación

Images by Jacopo Romei, SnippyHolloW, Fr Maxim Massalitin, Mustapha Ennaimi, Julia Chapple, Shawn Allen