Fez is the symbolic heart of Morocco, as well as the country’s spiritual and cultural centre. Green prevails on the mosque facades and domes and is regarded worldwide as the colour of Islam. This fact is also reflected in the Fez Festival of World Sacred Music, which attracts musicians from all over the planet every summer. This is a unique event which sets up avenues of dialogue between disparate cultures and religions from Islamic lands.

But, don’t start panicking! You needn’t expect slow religious concerts in the sense of Gregorian chant. Rather, this is a festival which, year after year, promises to dish out great chunks of entertainment. On previous occasions, the Fez Festival was graced by the participation of music stars of the calibre of Björk, Paco de Lucía, Patti Smith, Joan Baez and Youssou N’Dour.

Noteworthy among the cultural and musical offerings at this year’s festival – which features over 500 international musicians starring in more than 50 shows and 10 concerts – is the flamenco of Diego el Cigala, the rhythm & blues of The Temptations with their legendary seal of American Motown, the video artist Jean de Boysson and the Malian singer and songwriter, Oumou Sangare, among many others.

In Memory of Hassan Al Wazzan, Explorer of Al-Andalus

This the 21st edition of the Fez Festival will be held from 22 to 30 May. Under the slogan, “A Reflection of Africa”, the festival commemorates the journeys of Hassan Al Wazzan, the Andalusi explorer known as the Lion of Africa whose remains are buried in Fez.

The life of Hassan Al Wazzan, who lived in the 15th and 16th century, was one of a nomad who was forced to travel due to political and religious circumstances. He embarked on a diplomatic career while studying in a Fez madrasa and travelled across all of North Africa as an explorer and geographer. Finally, he went to Rome, where he was adopted as a son of Leo X. There he was baptised with the name Giovanni Leone de Medicis (or Leo Africanus), although he never turned his back on the Islamic tradition.

Alternative Activities

The music programme is supplemented by a comprehensive schedule of parallel activities, notably film screenings, conferences, exhibitions and children’s activities. An alternative cycle of free concerts will be staged throughout the festival in Bab Boujloud square, paralleled by the Nuits Soufies, featuring free, daily concerts in the Dar Tazi gardens, right in the heart of the Fez medina, a symbolic place providing a broad overview of the all-embracing Islamic culture.

Fez – the Cradle of North African Culture

With over a million inhabitants, the Fez el-Bali medina (Old Fez) stacks up as one of the largest inhabited medieval cities in the world. The district is listed as a World Heritage site and contains the world’s largest pedestrian precinct. Its interior is a maze of 10,000 backstreets, some of which are cul-de-sacs, while others seem to lead you back to your starting point. Getting your bearings in that labyrinth can be complicated, but that’s part of its charm.

Like Fez el-Bali, Fez el-Jdid is a walled enclosure. Set in the walls are a number of palaces, gardens, bazaars and Koranic schools, the architecture of which is more elegant than in the rest of the city. The most interesting sights in the area are the Dar El Makhzen Royal Palace and the Mellah or Jewish quarter.

One of the most popular places with tourists is the Chaouwara tannery. While not suitable for the squeamish, on account of the potent smell given off by the animal hides, a visit to this quarter comes highly recommended. Seen from a vantage point, the quarter is magical, resembling a painter’s palette.

Text by Scanner FM

Images by Phil Chambers, Deniz Eyuce, Pablo Jimenez, Elena, Adolf Boluda and Sergio Morchon

A few days ago, after Banksy had updated his website, we noticed that his work is now displayed at various points in “The Jungle” refugee camp in Calais, one of the largest camps in western Europe. Despite his identity still being cloaked in anonymity, Banksy is currently one of the most highly valued artists around. His sharp, critical wit is undoubtedly the hallmark of his work.

Noteworthy among the four new artworks he posted is the one showing Steve Jobs carrying an early-eighties Macintosh, with a sack slung over his shoulder, reminiscent of the bags the forced migrants often take with them on their harsh journey. This is clearly a reference to the whole migratory movement being enacted from Syria to Europe. Jobs was, of course, the son of a Muslim Syrian immigrant and was adopted by a middle-class family of Armenian origin. That is the conceptual link Banksy draws between Steve Jobs and the Syrian diaspora.

Another Banksy offering in the same area makes reference to a famous work by Théodore Géricault, The Raft of the Medusa, painted between 1818 and 1819, depicting a group of castaways in danger, packed onto a drifting raft. This alludes to the dangerous voyage embarked on by many of these refugees who risk their lives crossing the Mediterranean on flimsy rafts. In this version, the castaways are crying out for help to a modern cruise ship speeding past near the horizon. The artist had previously drawn attention to the issues surrounding the refugee crisis in a work entitled, Dismaland.

In addition to these artworks, members of Banksy’s team set up 12 permanent installations in Calais, and a makeshift children’s playground in the camp precinct. The materials used were either sourced locally or were remnants of the Dismaland project brought here for the purpose. This new project is known as Dismal Aid.

A Much Frequented But Little Visited City

Calais is primarily a city of passage. Some 15 million people are estimated to pass through it each year as it is a compulsory way station for access between France and England. In contrast, comparatively few people actually spend some time visiting the city. However, we can wholeheartedly recommend this city in the north of France, with little over 75,000 inhabitants and just 34 km from Dover, as a tourist destination. Its charm lies not in its architecture or monuments but in its privileged siting on the seaboard and the majestic Côte d’Opale.

The city is not celebrated for its grand monuments or buildings, but it does have such landmarks as the Musée Mémoire 1939-1945, dedicated to the Second World War and housed in a bunker, a sculptural group by Rodin known as The Burghers of Calais, located opposite the City Hall, and the Cité Internationale de la Dentelle et de la Mode, the city’s Lace Museum. On display is a century-old mechanical loom with 3,500 vertical threads and 11,000 horizontal ones. Calais’ genuine heritage lies in its natural surroundings and local scenery is stunning. Come armed with your camera as the views are breathtaking. The attractive seafront is dotted with striped changing booths which take you back to the early 20th century. The sands stretch westwards for 8 km along the dune-filled Blériot beach, so named as it was here that the pioneer aviatorLouis Blériottook off on the first ever solo flight over the English Channel in 1909.

By the way, when you feel like having lunch or dinner, be sure to head for the Histoire Ancienne, a bistro specialising in regional and French dishes, some cooked on an open wood fire. This very pleasant, Parisian-style restaurant was opened in the 1930s. Prices are affordable, with dinner ranging from 19 to 28 euros.

Don’t miss your getaway to Calais – check out our flights to Lille here.

Text by ISABELYLUIS Comunicación

Images by Rob Sinclair, Carawah, Olivier Duquesne

What do cities like Cannes, Berlin,Venice, San Sebastián or Locarno have in common? Well, they all host long-standing film festivals and, for a number of days and at different spots in town, all feature both screenings and parallel events as a tribute to the seventh art. Visiting these cities during a festival reveals a different side to them. Instead of the conventional tourist escapade, it involves experiencing the city from a cultural viewpoint like any of its residents. To the above-mentioned cities we should add Rotterdam, famous for having one of the largest maritime harbours in the world. It is also an industrial centre and a capital of football, with three teams in the Dutch top-flight Eredivisie – Feyenoord, Sparta and Excelsior. Over and above that, however, Rotterdam is privileged to host a highly potent film festival which turns the city into one of the leading world cinema hubs for a period of twelve days.

This time around, the International Film Festival Rotterdam (its official name) will take place from 25 January to 5 February 2017, and the programme is dedicated to art house films, both European and international, and the leading figures of independent cinema. This year is dedicated to a retrospective of Jan Němec, one of the paramount filmmakers in Czech cinema, who died a few months ago. A tribute to his figure will involve screening his best known films, as well as a posthumous film, The Wolf from Royal Vineyard Street. The official festival lineup will feature the latest movies by Jim Jarmusch, Paterson and Gimme Danger, in addition to the long-awaited film, Jackie, by Pablo Larraín, starring Natalie Portman.

The focal point of the festival will be De Doelen, a venue with an eventful history in downtown Rotterdam. Its location gives you plenty of time to stroll around and discover the city between screenings. De Doelen was built in 1966 and is both a convention centre and the primary venue of the Rotterdam Philharmonic Orchestra. The other cinemas providing screenings are also in the city centre, in such charming theatres as Oude Luxor and the Pathé Schouwburgplein. They are relatively near some museums which are well worth visiting, including the Maritime Museum, devoted to the importance of maritime culture and various aspects of sailing. Apart from the exhibition space, it features a canal in the surrounding area offering all types of parallel activities. The Boijmans Van Beuningen Museum is Rotterdam’s stellar art museum with an amazing collection, a dream come true for any painting enthusiast. Its exhibits include works by Salvador Dalí, Tintoretto, Hubert van Eyck, Willem Heda and Pieter Bruegel, among others, but it doesn’t stop there – the museum also covers other art disciplines (industrial design, installations, graffiti) and itinerant exhibitions that are refreshed each month. By the way – the Boijmans Van Beuningen Museum is just a stone’s throw away from Museumpark, one of the city’s lungs and most beautiful parks.

Apart from the aforementioned films and cycles, the International Film Festival Rotterdam also hosts a number of out-of-the-ordinary special screenings. One of the most prominent is a whole, day-long session dedicated to children. This year it falls on Sunday 29 January and features a selection of films which the little ones can enjoy in the company of their parents. Other events worth mentioning include two short marathons to be hosted on 4 February. Lasting six hours each, they will be held in the Kino Rotterdam, a cinema where you can also have dinner or a drink, if you wish. Check out the rest of the festival events here.

Be sure to discover Rotterdam through the prism of its cinema festival – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

No bridge seems to be as famous as the one in Avignon, the central theme of one of the best known children’s songs in France. Indeed, it has been sung in virtually all languages – local guides can even sing it in Japanese – so it comes as no surprise that anyone arriving at the battered Pont Saint-Bénézet is likely to sing the song or even dance it. This structure, twice destroyed by flooding along the Rhone, has become an icon of this Provençal city and its ambassador par excellence, earning it universal fame.

Apart from its bridge, Avignon, which is just an hour’s drive from Marseille, is a historic city, having once been the capital of Christendom and the centrepiece in one of the major schisms in the Catholic Church. Dating from that period is the formidable Papal Palace, the largest known Gothic palace. In the 14th century it witnessed a cultural and economic Renaissance that saw the arrival of bankers, artists and writers from all over Europe in a quest to be near the papal orbit – Petrarch was one of them.

But, it was not until five centuries later that Avignon again became a beacon of intellectual activity.  1947 saw the birth of the Avignon Festival, France’s longest-standing and most celebrated event devoted to theatre and the scenic arts and one of the most firmly rooted festivals in Europe. This year it runs into its 70th edition and will be held from 6 to 24 July at more than 30 venues.

A turning point in the Festival’s schedule of events came in the year 2000 when Avignon was designated the European Capital of Culture. Then ensued a cultural revival in this, the major population centre in the department of Vaucluse – set in the new region of Provence-Alpes-Côte d’Azur – as attested by the opening of the Lambert Collection – Museum of Contemporary Art, set up in 2000 around a historic endowment by the merchant and collector, Yvon Lambert. The endowment is admirable and comprehensive and features permanent exhibitions showcasing the work of Jean-Michel Basquiat, Sol LeWitt, Douglas Gordon and the ever-controversial photographer, Andrés Serrano, among other artists, as well as numerous temporary exhibitions.

Avignon has ten museums in all, prominent among them being the Musée du Petit Palais, with a large collection of medieval painting, the Calvet Museum, the Musée Angladon, dedicated to Impressionism, and the Musée Louis-Vouland, which specialises in the decorative arts. There is also an opera theatre, an exhibition park and some unique facilities like La FabricA, a theatre factory where various companies rehearse their performances in the run-up to the Avignon Festival.

Art is also present in Les Halles Market, endowed with a stunning vertical garden created by the artist, Patrick Blanc. This market is the ideal spot for buying fresh produce and Provençal specialities at one of their forty plus stores.

It would be amiss to end this article without recommending some of the venues for eating the tastiest food in Avignon. One is Maison de Fogasses, a splendid town palace which offers an exquisite menu of the day for around 20 euros based on locally sourced products. Another is LE 46 which specialises in French cuisine with Mediterranean flourishes.

Avignon is the perfect destination for a getaway from Marseille. Check out your flights to Marseille here.

Text by Tus Destinos

Images by Tus Destinos, Avignon-Tourisme (C.Rodde)