No other Spanish dish has spread throughout the world like the Valencian paella. Along with toros and sangria, these are the very first words all tourist learn when they step on these lands. Likewise, when they get to Spain, they are flooded with posters of "typical spanish" or "spanish paella" to end up having any low quality mixture of rice or directly frozen, nothing to do with the original recipe.

No other course shows as much controversy in its preparation and ingredients required like it. As it happens with other traditional dishes such as the fabada in Asturiana or the Andalusian gazpacho, when the valencians speak about paella they light up watching the original recipe distorted.

Imagine that there is even a wikipaella to protect and defend the original paella where the basic rules of the Valencian paella are manifested. Such as:"The original paella has its origin in the Valencian community", "The best paellas are cooked with firewood and rice from the Valencian community" or "authentic paellas are made according the tradition of each area of the Valencian community ".

In general, there is consensus that the authentic Valencian paella uses other ingredients besides rice, the garrofón -big beans-, chicken, rabbit, ripe tomato, ferradura beans - flat green beans- olive oil, salt, water and saffron. And in some cases they also add snails, rosemary or paprika.

Some will say that the best paella is the one they eat at home - and they are probably right-but if you go to Valencia and want to eat some of the best paellas in the world, you can find some of the winners and finalists of the Sueca’s International Paella Competition , a prestigious international competition that rewards those cooks who prepare the best Valencian paella of the world.

Restaurant Ampar (third winner of the 2014 edition)
Navarro Reverter Avenue, 14, 46004 Valencia

The Ampar restaurant, located on the ground floor of the Hotel Hospes Palau de la Mar, in the historic center of Valencia, won the third prize in the 2014 Sueca’s International Paella Competition .The first prize went to the Miguel y Juani restaurant –from the chefs Julian Garcia and Mercedes Vacas – from Alcudia (Mallorca), where 35 of the best paella cooks were brought together.

Casa Picanterra, from Cullera (second prize of the 2013 edition)
Calle den picanterra nº3, 46400 Cullera

In 2013, the Picanterra chefs won the second prize of the contest.

El Redolí, from El Palmar (finalistas edición 2013)
Calle del Arzobispo Aliaga, 0, 46012 Palmar, Valencia

Other restaurants in Valencia where paella is prepared according to the original recipe:

La Pepica
Passeig de Neptú, 6, 46011 València

Casa Ripoll
Playa de la Malvarrosa, Paseo Marítimo, Módulo 7, 46011 València

Casa Roberto
Carrer del Mestre Gozalbo, 19, 46005 València

La Riuà
Carrer del Mar, 27, 46003 València

Casa Carmela
Calle Isabel de Villena, 155, 46011 València

Restaurante la Herradura
Paseo Marítimo, módulo 2 (Malvarrossa), 46011 Valencia

El Racó de la Paella
Carrer de Mossèn Rausell, 17, 46015 València

Picture from Jan Harenburg

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In times when being a tourist has become so passé – the learned traveller wisely tries to avoid crowded places when seeking out the heart of a city – you could do worse than hunt for cinemas with character when visiting another country. Traditional cinemas have vanished in many places. I am referring to the ones with just a single auditorium – or two at most – which are not owned by some international conglomerate. Architecturally quaint buildings where cinema-goers felt like pilgrims going to a special place.

Berlin is a cinema lover’s capital in itself. Directors such as Rainer Werner Fassbinder and Wim Wenders were obsessed with it. Indeed, Wenders immortalised the city in his Wings of Desire and Faraway, So Close! (a sequel to the former), which have spawned articles and tours that point up the importance of Berlin’s architecture and real landmarks from the films – the Victory Column, Brandenburg Gate and Staatsbibliothek, designed by Hans Scharoun. With such a cinema tradition behind it, no wonder the city has so many movie theatres to choose from. More so, those that pamper their appearance and their movie listings. Following is our choice of five of the best which, to wit, offer some added value, such as screening films in English or featuring subtitles in that language. So, if you’re a devotee of the seventh art with a smattering of English, or merely wish to visit the buildings and their cafés, this rundown is for you.

Ladenkino

One of the city’s most prestigious cinemas, which screens original-version movies. It comprises three, small but well-equipped auditoriums, as well as a bar-café and a video library with a large selection of films on DVD and Blu-ray. The interior is amazing – some of the rooms look like a set from a film by David Lynch. Ladenkino is located in the Friedrichshain district, very near Boxhagener Platz, where a well-known open-air flea market is held every Sunday.

Odeon

Located in Schöneberg, one of Berlin’s most charming quarters –Marlene Dietrich and Helmut Newton were both born here – the area is also celebrated for its attractive culinary offerings. The Odeon captivates from the outset, prominently featuring a green neon light and an old-school awning displaying screening times, and witty phrases and questions, setting the scene for cinema-goers. Their forte is signature films and independent cinema.

Kino Central

The punkiest cinema in this list, wholly in tune with Berlin’s industrial imagery, artistically speaking. They have two auditoriums and a highly varied programme based on American and English films far removed from all grandiose Hollywood blockbusters, save for the odd exception. Located a few metres from Hackescher, a beautiful square in Berlin’s Mitte quarter which also hosts a market. Kino Central is one of the city’s film lovers’ secret haunts.

Babylon Kreuzberg

The cradle of Berlin’s punk movement, the Kreuzberg district boasts a healthy culture scene, so be sure to visit the legendary SO36 club, where Iggy Pop and David Bowie were regular clients in the seventies. The Babylon cinema is one of its nerve centres and features two auditoriums in a three-storey building with a history, which offers a bit of everything, from Indie cinema to the re-screening of classics and also horror movies (a festival of this genre is held every October).

Kino International

“Spectacular” is the word that best defines this small palace, seemingly a throwback from former times. In effect, its history stretches back several decades and both the auditorium and other facilities are markedly vintage. This is a peerless setting for raising the cinema experience to another level. It is sited in an awesome location, hard by the legendary Alexanderplatz, which makes it a compulsory landmark for any inquiring sightseer.

Fire up and discover these temples for movie lovers – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

When you first set eyes on the formidable Neuschwanstein Castle, you are bound to feel enveloped by the air of romanticism it gives off. For a moment, you could well be in some setting from a knightly novel or a fairy-tale. This is how we think Walt Disney must have felt, as it inspired him in his design of the castle for the cartoon version of The Sleeping Beauty.

The artificer of this colossal architectural undertaking of medieval inspiration was Ludwig II of Bavaria, as a tribute to his childhood home, Hohenschwangau Castle. Situated in Schwangau, the latter was a ruined fortress rebuilt by his father, Maximilian II of Bavaria, thereafter becoming home to this unusual figure in Bavarian history.

Solitude, Romanticism and Wagner

The biography of Ludwig II of Bavaria, the son of Maximilian II of Bavaria and Princess Marie of Prussia, was clearly a product of the times, with the king’s reign in decline as protagonist, and romanticism and historicism as the backdrops to a king who yearned to have reigned in former times and who ended up alone and isolated in a permanent state of nostalgia, during which he fritted away the family fortune on building huge castles or acting as the patron to Richard Wagner, his great friend and icon.

Born in 1845, he was crowned king at the early age of 18, long before he was able to fulfil his dreams. The tensions at the time between Austria and Prussia and the end of the Bavarian Alliance led to a progressive decline in his power and his interest in politics. In 1886, his eccentric behaviour and melancholic bent prompted him to be declared unfit to rule. The day after he was deposed, he died in strange circumstances while strolling in the vicinity of Lake Starnberg in the company of Dr Gudden, his psychiatrist.

A good way to learn more about the life of this enigmatic figure is by watching the film ,Ludwig, by the great Luchino Visconti. It traces the life of Ludwig II and also features a stunning Romy Schneider as the Austrian Empress Sissi, his beloved cousin and close friend, who ended up nicknaming him “Mad King Ludwig”.

The “New Swan Stone”

During his reign and in keeping with the family tradition of building castles, Ludwig II of Bavaria commissioned a total of three castles – Linderhof, Herrenchiemsee and Neuschwanstein. The latter became the most popular of them and it is there he ended up living during the latter years of his life, although it hadn’t actually been completed. Sited near Füssen in the Pöllat Gorge and very near his childhood residence, it was originally named “New Hohenschwangau Castle”. After the king’s death, the name was changed to Neuschwanstein, meaning “New Swan Stone”.

Incredible as it may sound, particularly on account of its size, the castle was originally built as the king’s refuge, a place where he would live in solitude and give free rein to his passion for the Middle Ages, stories and Wagner. That makes it more of a fairy-tale stage than a residential palace. Who could have possibly told Ludwig II of Bavaria that the work he would end up being deposed for was to eventually become Germany’s most widely visited monument, chalking up 1.4 million visitors a year?

Neuschwanstein Castle is a landmark on one of Germany’s best known tourist routes, the Romantic Road (Romantische Strasse).The itinerary features a number of fantastic medieval castles, beautiful scenery, enchanting villages, splendid vineyards and a delicious cuisine. It starts at Würzburg, about 110 kilometres south-east of Frankfurt, and ends in Füssen, 82 kilometres south-west of Munich.

If you prefer to avoid doing the whole route and would instead like to just visit this wonderful castle, your best option is a getaway to Munich, which lies 120 kilometres away. Book your Vueling and discover this fairy-tale castle.

Text by Los Viajes de ISABELYLUIS

Images by Cezary Piwowarski

Holy Week coincides with the onset of spring, a season associated with milder temperatures. Although you should still pack some warm clothes – jerseys, jacket, raincoat, gloves, cap and scarf – it’s unlikely to snow in Warsaw, unless you’re in the higher mountain areas. And, by early April, the days are quite long and sunny. Unlike in other European countries, during Holy Week in Poland both the Thursday and Friday are working days and most of the museums and shops are open to the public. Visiting hours at churches may be different, however, as in Kalwaria Zebrzydowska, where the largest Good Friday procession of all Poland is held.

As in other areas where the Catholic festivities are traditionally observed, Palm Sunday is celebrated here in style. Like in Spain, in Poland the faithful carry palms, but here they are far more elaborate. Dried flowers and paper flowers go into their careful making by hand. They are so popular here that many towns and villages organise palm contests. We recommend taking the two-and-a-half-hour drive to Łyse, in the region of Masovia, where you can find palms of up to 6 metres high.

Cultural activity also revolves around Easter. The keynote event is the Ludwig van Beethoven Easter Festival. Held in Warsaw, as well as in Krakow and Gdansk, it attracts classical music virtuosos from all over to perform a number of works based on Holy Week themes. The festival alone makes it well worth visiting the city. Over the festive period churches host classical music concerts. The programme features religious works, pride of place going to the staging of the Lord's Sepulchre. This is undoubtedly a good reason for visiting the holy precincts of Poland’s capital city. Even under the Communist regime the uncensored sepulchres stood for the most important political events of the time.

Another high moment of the holy celebration is the blessing of the food. Starting on Easter Saturday morning, crowds of people congregate at the churches bearing adorned baskets containing, in addition to the classical hand-painted Easter eggs, bread, salt, pepper, sausage and an endless assortment of Easter pastries to have them blessed. Once the ritual has been completed, they may then eat meat. In bygone days the baskets’ contents were indicative of the purchasing power of the various families – the greater the amount and variety of food, the high their economic status.

Easter eggs are decorated in different ways and this is often the favourite activity of the younger members of the household. Once boiled, the easiest thing is to colour them with polychromed powders dissolved in water. These colours are sold in small sachets at this time of year. A more natural technique is to boil the eggs in a pot with onion skins, giving the eggshells a dark tinge and, the more onion skin you use, the darker the colour. After the eggshell has dried out, it can be drawn on or incised using a sharp needle.

Easter Monday is noticeably more playful in character and closely linked to rural traditions. In Polish it is known as Lany poniedzialek – “Water Monday” – as Slavic tradition has it that throwing water over the girls is believed to ensure their health and fertility. So, make sure you keep your eyes skinned because even today you can have a bucket of cold water thrown over you.

Cuisine is important in Poland at Easter and tables are decked out with Easter eggs, symbols of a new life. Confectionery also plays a major role, particularly mazurek, a cake based on butter and very thick cream, eggs, sugar and flour. It is also stuffed with nuts, chocolate and fruit (orange or lemon). Another cake typically made during this festive season is kaimak. Although similar to mazurek, the dough contains liquid toffee.

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Text by ISABELYLUIS Comunicación

Images by Polish National Tourist Office