Joan of Arc is one of those unforgettable historical figures with a passionate biography. Her life has spawned a myriad of books and films that attempt to uncover the secrets of that mysterious personage. Born into times of upheaval, against the backdrop of the Thirty Years’ War, she went from being a humble, illiterate countrywoman to leading an army of five thousand men, all prompted by her “visions”. It was God himself that talked to her and told her she had a mission to accomplish – to lead the French army and drive out the English in order to achieve the coronation of Charles VII of France. Quite a feat! This might seem outlandish to us now but, in the early 15th century, the role and power of religion were undisputed. Not for nothing were kings thus proclaimed “by the grace of God”. What’s more, the recipient of these visions was a brave and tenacious woman with powerful convictions.

Orleans, the City that Saw Her Triumph

One of the key moments in her life took place in Orleans, for which she was thenceforth known as the Maid of Orleans. On 8 May 1429 she accomplished one of her most extraordinary feats by liberating the city from the English, which marked the beginning of the reconquest of the occupied territories. To commemorate her victory, the Joan of Arc Festival is held in Orleans at this time  every year at which her momentous feat is re-enacted through mock battles, accompanied by a modern festival event, the Set Electro Festival, with various DJ performances.

During the siege of Orleans, our heroine lived in the house of Jacques Boucher, treasurer to the Duke of Orleans. Rebuilt in 1960, it is currently known as the House of Joan of Arc. The building features a multimedia room, and a research and documentation centre for those wishing to learn more about the Maid of Orleans and her passage through the city.

For the more scholarly researchers, the Joan of Arc Centre houses one of the largest libraries on the subject, enabling visitors to consult a host of period manuscripts and documents.

Rouen – the Tragic End

After her passage through Orleans, Joan of Arc sought to lay down her arms, as she had ceased to have visions, but she was entreated to return to the battlefield and ended up acquiescing. This time things did not go so well. After being defeated in a number of campaigns, in 1430 she was captured by the Burgundians, handed over to the English and taken to Rouen. Here commenced the most arduous episode in her life. After a lengthy inquisitorial procedure, she was accused of heresy and witchcraft and sentenced to be burned at the stake.

During her interrogation, she was incarcerated in the Dungeon or Joan of Arc Tower, part of the castle built by Philippe Auguste in 1204. Still standing, the castle is open to the public.

The Archiepiscopal Palace, an acclaimed specimen of medieval architecture and the setting for part of the legal process was recently converted into the Historial Jeanne d’Arc. Inaugurated in March 2015, it is now the largest area dedicated to the memory of Joan of Arc. Its 1,000m² of floor space is endowed with the latest technologies for narrating and unveiling the history of our heroine and taking us back to the period she lived in.

Joan of Arc was executed on 30 May 1431 in the Place du Vieux Marché, now an essential place of pilgrimage. The Church of Joan of Arc was built in the square in 1979, designed by the architect, Louis Arretche, for a dual purpose – to honour St Joan of Arc and as a civilian memorial to the heroine. The church was built on the very spot where the saint was burned alive, and the exact location of her martyrdom is duly marked.

How to Get There

Both destinations are a train journey of just over an hour away from Paris. The Orleans train runs from the Gare Austerlitz, while the Rouen line starts at the Gare Saint-Lazare.

Live out the story of Joan of Arc – check out our flights to Paris here.

Text by ISABELYLUIS Comunicación

Photos by fidber, Roger Salz and Edhral

Fez is the symbolic heart of Morocco, as well as the country’s spiritual and cultural centre. Green prevails on the mosque facades and domes and is regarded worldwide as the colour of Islam. This fact is also reflected in the Fez Festival of World Sacred Music, which attracts musicians from all over the planet every summer. This is a unique event which sets up avenues of dialogue between disparate cultures and religions from Islamic lands.

But, don’t start panicking! You needn’t expect slow religious concerts in the sense of Gregorian chant. Rather, this is a festival which, year after year, promises to dish out great chunks of entertainment. On previous occasions, the Fez Festival was graced by the participation of music stars of the calibre of Björk, Paco de Lucía, Patti Smith, Joan Baez and Youssou N’Dour.

Noteworthy among the cultural and musical offerings at this year’s festival – which features over 500 international musicians starring in more than 50 shows and 10 concerts – is the flamenco of Diego el Cigala, the rhythm & blues of The Temptations with their legendary seal of American Motown, the video artist Jean de Boysson and the Malian singer and songwriter, Oumou Sangare, among many others.

In Memory of Hassan Al Wazzan, Explorer of Al-Andalus

This the 21st edition of the Fez Festival will be held from 22 to 30 May. Under the slogan, “A Reflection of Africa”, the festival commemorates the journeys of Hassan Al Wazzan, the Andalusi explorer known as the Lion of Africa whose remains are buried in Fez.

The life of Hassan Al Wazzan, who lived in the 15th and 16th century, was one of a nomad who was forced to travel due to political and religious circumstances. He embarked on a diplomatic career while studying in a Fez madrasa and travelled across all of North Africa as an explorer and geographer. Finally, he went to Rome, where he was adopted as a son of Leo X. There he was baptised with the name Giovanni Leone de Medicis (or Leo Africanus), although he never turned his back on the Islamic tradition.

Alternative Activities

The music programme is supplemented by a comprehensive schedule of parallel activities, notably film screenings, conferences, exhibitions and children’s activities. An alternative cycle of free concerts will be staged throughout the festival in Bab Boujloud square, paralleled by the Nuits Soufies, featuring free, daily concerts in the Dar Tazi gardens, right in the heart of the Fez medina, a symbolic place providing a broad overview of the all-embracing Islamic culture.

Fez – the Cradle of North African Culture

With over a million inhabitants, the Fez el-Bali medina (Old Fez) stacks up as one of the largest inhabited medieval cities in the world. The district is listed as a World Heritage site and contains the world’s largest pedestrian precinct. Its interior is a maze of 10,000 backstreets, some of which are cul-de-sacs, while others seem to lead you back to your starting point. Getting your bearings in that labyrinth can be complicated, but that’s part of its charm.

Like Fez el-Bali, Fez el-Jdid is a walled enclosure. Set in the walls are a number of palaces, gardens, bazaars and Koranic schools, the architecture of which is more elegant than in the rest of the city. The most interesting sights in the area are the Dar El Makhzen Royal Palace and the Mellah or Jewish quarter.

One of the most popular places with tourists is the Chaouwara tannery. While not suitable for the squeamish, on account of the potent smell given off by the animal hides, a visit to this quarter comes highly recommended. Seen from a vantage point, the quarter is magical, resembling a painter’s palette.

Text by Scanner FM

Images by Phil Chambers, Deniz Eyuce, Pablo Jimenez, Elena, Adolf Boluda and Sergio Morchon

A few days ago, after Banksy had updated his website, we noticed that his work is now displayed at various points in “The Jungle” refugee camp in Calais, one of the largest camps in western Europe. Despite his identity still being cloaked in anonymity, Banksy is currently one of the most highly valued artists around. His sharp, critical wit is undoubtedly the hallmark of his work.

Noteworthy among the four new artworks he posted is the one showing Steve Jobs carrying an early-eighties Macintosh, with a sack slung over his shoulder, reminiscent of the bags the forced migrants often take with them on their harsh journey. This is clearly a reference to the whole migratory movement being enacted from Syria to Europe. Jobs was, of course, the son of a Muslim Syrian immigrant and was adopted by a middle-class family of Armenian origin. That is the conceptual link Banksy draws between Steve Jobs and the Syrian diaspora.

Another Banksy offering in the same area makes reference to a famous work by Théodore Géricault, The Raft of the Medusa, painted between 1818 and 1819, depicting a group of castaways in danger, packed onto a drifting raft. This alludes to the dangerous voyage embarked on by many of these refugees who risk their lives crossing the Mediterranean on flimsy rafts. In this version, the castaways are crying out for help to a modern cruise ship speeding past near the horizon. The artist had previously drawn attention to the issues surrounding the refugee crisis in a work entitled, Dismaland.

In addition to these artworks, members of Banksy’s team set up 12 permanent installations in Calais, and a makeshift children’s playground in the camp precinct. The materials used were either sourced locally or were remnants of the Dismaland project brought here for the purpose. This new project is known as Dismal Aid.

A Much Frequented But Little Visited City

Calais is primarily a city of passage. Some 15 million people are estimated to pass through it each year as it is a compulsory way station for access between France and England. In contrast, comparatively few people actually spend some time visiting the city. However, we can wholeheartedly recommend this city in the north of France, with little over 75,000 inhabitants and just 34 km from Dover, as a tourist destination. Its charm lies not in its architecture or monuments but in its privileged siting on the seaboard and the majestic Côte d’Opale.

The city is not celebrated for its grand monuments or buildings, but it does have such landmarks as the Musée Mémoire 1939-1945, dedicated to the Second World War and housed in a bunker, a sculptural group by Rodin known as The Burghers of Calais, located opposite the City Hall, and the Cité Internationale de la Dentelle et de la Mode, the city’s Lace Museum. On display is a century-old mechanical loom with 3,500 vertical threads and 11,000 horizontal ones. Calais’ genuine heritage lies in its natural surroundings and local scenery is stunning. Come armed with your camera as the views are breathtaking. The attractive seafront is dotted with striped changing booths which take you back to the early 20th century. The sands stretch westwards for 8 km along the dune-filled Blériot beach, so named as it was here that the pioneer aviatorLouis Blériottook off on the first ever solo flight over the English Channel in 1909.

By the way, when you feel like having lunch or dinner, be sure to head for the Histoire Ancienne, a bistro specialising in regional and French dishes, some cooked on an open wood fire. This very pleasant, Parisian-style restaurant was opened in the 1930s. Prices are affordable, with dinner ranging from 19 to 28 euros.

Don’t miss your getaway to Calais – check out our flights to Lille here.

Text by ISABELYLUIS Comunicación

Images by Rob Sinclair, Carawah, Olivier Duquesne

A selection of family-friendly countries in Europe which are perfect for visiting with the kids this spring, by Mammaproof.