When you first set eyes on Versailles, you realise why it was the jewel in Louis XIV’s crown. Starting with what had been his father’s hunting lodge, the Sun King had Europe’s largest palace built. The opulent interiors and splendid gardens could accommodate up to 20,000 people. The king had the leading artists and architects at his disposal – Louis Le Vau and Hardouin-Mansart designed the building; Charles Le Brun, the interiors, while André Le Nôtre remodelled the gardens. Everything was ready to receive the court.

Europe’s Largest Palace

The main rooms in the residence were on the first floor. There we find the Chambers of the King and Queen, arranged around the Marble Court, the latter set behind the last railing in the access to the palace from the street. If you have seen films like Marie Antoinette, by Sofia Coppola, or the television series, Versailles (we can wholeheartedly recommend both), you will know that their chambers were anything but private. The queens of France used to give birth before the court, while the kings went through the daily waking routine known as le lever du Roi (the king’s rising), attended by courtiers and family members, who came to see the monarch getting up.

The king had areas where he worked, including the Council Chamber, where he received his ministers and family, or the room known as the Louis XVI Library, characterised by the sovereign’s globe of the world and its priceless Neoclassical panelling. The chambers of the king and queen are connected by the Antechamber or Oeil-de-boeuf(Bull’s-eye)Roomon account of the large round window. The story goes that, on the night of 6 October 1789, when a group of revolutionaries stormed the palace in search of Queen Marie Antionette, she fled through this room to her husband’s chamber and safety. The following day they abandoned the palace forever.

Also on the first floor, on the side of the palace giving onto the gardens, are the State Apartments. The most famous of these is the 73-metre-long Hall of Mirrors, with its views over the gardens, where major official ceremonies were held. It was there that in 1919 the Treaty of Versailles was signed, marking an end to World War I. Other rooms well worth seeing include the War Drawing Room, located next to the Hall of Mirrors and featuring a large relief of Louis XIV on horseback trampling his enemies under foot, the Apollo Drawing Room and the Hercules Drawing Room, which houses the monumental painting, Feast in the House of Simon, by Veronese, a gift from the Republic of Venice to Louis XIV.

Household Chapel and Opéra Royal

Also on the first floor is access to the Royal Chapel, used by the king and his family, and to the Battles Gallery, the outcome of a renovation by Louis-Philippe on former apartments used by nobles. It was turned into a gallery of historical paintings housing works by the likes of Delacriox and Gérard.

A must-visit site on the ground floor are the priceless Apartments of the Mesdames Adélaïde and Victoire, the daughters of Louis XV, who never married and lived here until the time of the Revolution.

Another grand edifice in the Palace of Versailles is the Opéra Royal. This theatre, built in 1770 to mark the engagement of Louis XVI and Marie Antoinette, is not open to the public. It does, however, host an interesting opera season which is the perfect excuse to spend an evening there and feel like a regular courtier.

Gardens, Fountains and Lost Palaces

After a visit to the palace, the best thing is to wander around the huge gardens and enjoy the fountains. Various shows are staged on different days, so it is worth checking out the programme before planning your visit.

The gardens are laid out in formal fashion, with geometrically-shaped pathways lined with tree groves, hedges, flowers, fountains and ponds. Fountains such as Neptune, Latona, the Colonnade and the Dragon Fountain provide some of the most impressive sights. It is rewarding to stroll among them and end off by heading for the Trianon, one of the jewels of Versailles. Here you will find two buildings – the Grand Trianon, a palace commissioned by Louis XIV as a retreat from court life and to host his mistresses, and the Petit Trianon, built for Louis XV but which became Marie Antoinette’s favourite retreat. She also had a quaint little theatre built in it. Be sure to also visit the Queen's Hamlet, where Louis XVI’s wife had an estate of twelve buildings modelled according to the aesthetic of a rural village, peasants and farm animals included. She would seek refuge here to get away from the demands of court life.

Book your Vueling to Paris and head for Versailles, which is just a half-hour’s train ride away. You won’t regret seeing such a splendid palace and feeling like a king for a few hours.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Situated in western Holland, on the final stretch of the river Meuse, the modernity breathed by Rotterdam is stunning, far removed from the usual image we have of European cities. Don’t expect to find a typical historic city centre, with a jumbled network of backstreets and time-worn buildings storied with its historical past. The city layout and its tall buildings are more reminiscent of New York’s Manhattan than other Dutch cities like Amsterdam or Utrecht.

The Bombing Raids and Nazi Occupation

The reason for this peculiarity – so to speak – goes back to the Second World War. On 14 May 1940, in a desperate attempt to secure the surrender of Rotterdam, the German air force bombarded the city to such an extent that hardly any building was left standing in the city centre. The air raids destroyed over 24,000 homes and led to the loss of around 800 lives.

Rising from the Ashes

After the city was liberated from the Nazis, unlike other European cities that set about restoring their historic centres as best they could, Rotterdam elected to start from scratch. In this respect, they did not hesitate to adopt the latest building trends, as evinced in every corner of the city. Herein lies Rotterdam’s chief appeal – a host of contemporary architectural discourses coexisting in harmony.

The Standout Features

As Rotterdam has a lot of architecture worth viewing, and one does not always have enough time to see it all, here is a selection of the major landmarks in the city:

The Erasmus Bridge – or Erasmusbrug – which connects the north and south parts of the city, is the work of Ben Van Berkel. Inaugurated in 1996, this imposing structure over the river Meuse has become a well-known landmark.

Near one end of the bridge are two emblematic buildings which can’t fail to attract one’s attention. One is the KPN Telecom Building, designed by Renzo Piano, one facade of which leans slightly towards the city. It is studded with green lights that generate different figures or messages. Just behind it stands “De Rotterdam”, a huge complex consisting of three inter-connected towers. Designed by Rem Koolhaas, it was inaugurated in 2013.

Another icon of Rotterdam, although of a much smaller size, are the Cube Houses (Kubuswoning), designed by the architect, Piet Blom. The original structure of these houses is the result of tilting the cubes 45 degrees and setting them on hexagonal pillars. The set of houses, made up of 32 cubes, has an unusual forest-like appearance. For those curious to see what they look like inside, there is one open to visitors.

The Kuntshal cultural centre, designed by Rem Koolhaas, is well worth seeing, both for the building itself and the collections it houses. The ample, 3,300 m², of available space enables five exhibitions to be hosted in parallel. While it lacks its own, or a permanent, exhibition, it does act as an expositor for the latest trends in contemporary art.

The Central Library exterior, with its huge pipes painted in bright colours, is reminiscent of the Pompidou Centre in Paris, which provided the Van den Broek studio with the necessary inspiration to design this building. Opened in 1983, it is Holland’s largest public library. A quaint detail is the giant chess board inside.

The dazzling red covering the spectacular structure of the New Luxor Theatre is the first thing that catches one’s eye when approaching it. Opened in 2001, it is the work of the Australian architect, Peter Wilson. There are guided visits of the theatre interior and, for those of you who visit on your own, don’t miss the views to be had on the roof terrace.

The outstanding feature of Rotterdam Central (Centraal Station) is the entrance ceiling – shaped like a boomerang, it is made of stainless steel and covered in red-cedar panelling. Three teams of architects were commissioned to undertake the recent extension and remodelling project, namely Benthem Crouwel Architects, MVSA Meyer en Van Schooten Architecten and West 8.

Don’t miss out on one of Europe’s finest showcases of contemporary architecture – treat yourself to a Vueling, here.

Text by ISABELYLUIS Comunicación

Photos by bertknot, Franklin Heijnen, Luke Price, Tim van Vliet, Rory Hyde

Some destinations attract visitors for their museums; others, for their beaches or mountains, for the energy they give off or, simply, because they are fashionable. In the case of Tangier, the journey is inevitably related to the inspiration and yearnings for the past which it harbours like some muse of the arts. Myriad artists and scholars have passed through that city, located on the northern tip of Morocco, and have become spellbound by its charms.

The Light and Colour of Tangier

The first artist to be captivated by Tangier was the French painter, Eugène Delacroix. In 1832 he journeyed there as part of a diplomatic mission and ended up being seduced by its light and colour, as masterfully portrayed in such paintings as Jewish Wedding in Morocco.

The Spanish painter, Mariano Fortuny, who was familiar with Delacroix’s production, also went to Tangier in search of that magic, which infused a host of sketches and notes for his Orientalist works.

Henri Matisse reached Tangier in 1912. There, not only did he encounter “the landscapes of Morocco just as Delacroix had depicted them in his paintings”, as he himself stated, but he also discovered a new palette of colours for his own works. He took up lodgings in room 35 of the extant Grand Hotel Villa de France, where he painted such works as Window at Tangier.

Paul Bowles, Tangier and the Beat Generation

Tangier became a veritable beacon for writers, particularly in the 1950s and part of the 1960s. And, no wonder, as from 1923 to 1956 the city was a demilitarised zone under joint administration by various countries. This measure was implemented on account of its strategic position in the Strait of Gibraltar and the ensuing international disputes over its control. Known as the Tangier International Zone, it became a place of passage for many people – diplomats, adventurers, artists, spies and others. Functioning as “everyone’s city” or, if you will, “no man’s city”, it enjoyed an unusual status as a place of freedom and tolerance which would be difficult to find elsewhere.

One of the best known regulars in the city was the writer and composer, Paul Bowles, who arrived in Tangier in 1947 and was completely swept off his feet by its charms. It was there that he wrote his first novel, The Sheltering Sky, so masterfully ported to the cinema by the director, Bernardo Bertolucci. Then ensued the arrival of other creative figures, including Truman Capote, Tennessee Williams and Francis Bacon. And, he was also instrumental in spawning the Beat Generation – William Burroughs, Allen Ginsberg and Jack Kerouac, who succumbed to the allure of a place where they could give free rein to their imagination and – there’s no denying it – their vices, too.

Tangier Today

What remains of all that past now? While a lot of water has flowed under the bridge since then, and the city is in the throes of a process of renewal, the spots which resonate of those artists are still standing.

A visit to the Grand Socco provides a suitable introduction to the city. Its pleasant ambience and colourfulness are guaranteed, as is your likelihood of (literally) getting lost in its streets. You will eventually end up willy-nilly in the Petit Socco, a square in the heart of the Medina, packed with cafés and restaurants. Another square, the Place de France, is also a must-see, as it is the site of the Grand Café de Paris, with a history of its own. This is where our protagonists spent countless hours chatting and observing the passers-by.

The Fondation Lorin, housed in a synagogue, boasts a fine collection of photographs, documents and posters that give you a good idea of what Tangier was like in the first half of the 20th century. Then there is the Tangier American Legation Museum, a visit not to be missed by enthusiasts of Paul Bowles as it features a section dedicated to the writer which displays photos, portraits and Moroccan musical scores which he recorded himself.

The Villa Muniria – now reconditioned as the Hotel El-Muniria (1, Rue Magellan) – was the favourite lodgings of the Beat Generation. Tennessee Williams and the Rolling Stones themselves were counted among the guests that stayed there. It was there, too, in room number 9, that William Burroughs wrote his seminal work, Naked Lunch.

Another landmark of literary Tangier is the Librairie des Colonnes (54, Boulevard Pasteur). It was a meeting place for writers and artists, while nowadays it continues to host cultural activities.

Like the writers and artists of yesteryear, allow yourself to succumb to the charms of this inspiring city and plan your trip with Vueling!

Text by ISABELYLUIS Comunicación

Images by Dieter Weinelt, Andrzej Wójtowicz

Christmas in Tenerife is characterised by the mild climate and the lively, festive street atmosphere in all corners of the island. Cities like La Laguna and Santa Cruz are decked out in colourful poinsettias and Christmas decorations, endowing the streets with a special flamboyance. A host of cultural activities are scheduled for the season, including concerts, exhibitions, theatre plays, traditional celebrations, crib displays, craft fairs, etc. Among the standout events is the Christmas concert on 25 December at Puerto de Santa Cruz, performed by the Symphonic Orchestra of Tenerife. As is to be expected, the festive season also features a host of activities for the little ones, notably the Parque Infantil de Tenerife (Tenerife Children’s Park). To round off the experience, make a point of trying the traditional confectionery on sale at this time of year. Here are some of the features that make this season one of the year’s most engaging in Tenerife.

Activities for Children

Youngsters have a range of activities to choose from at Christmas time, but the one everyone waits for with baited breath is the PIT (Parque Infantil y Juvenil de Tenerife) (Tenerife Children’s and Juvenile Park), a genuine amusement park which is hosted in The Tenerife International Centre for Trade Fairs and Congresses from mid-December until the beginning of January.

The PIT first opened in 1989 and has staged innovative and extremely entertaining activities ever since. It is usually divided into forty-five entertainment and game areas where a team of 200 people chaperone visitors every day. Dozens of activities are hosted in this park, all of them designed for children or youngsters, although families will also find places where they can have a great time.

Another of our proposals is located in Puerto de la Cruz, specifically in the church of Peña de Francia, where the Children’s and Juvenile Choral Assembly is organised by the Reyes Bartlet Choir around this time each year.

And, lastly, in the south of Tenerife, in one of Spain’s most cutting-edge buildings, the Magma Arte & Congresos on the Costa Adeje, you can have a great time on the skating rink – 720 square metres of a 5-star ice rink where you feel as if you were opposite the Rockefeller Center in New York, the Natural History Museum of London or the Hôtel de Ville in Paris. A unique attraction for all the family which you should make a point of visiting. Take note!

Customs and Traditions

Needless to say, Christmas in Tenerife is charged with customs and tradition, involving theatre plays, masses, parades, etc. Many of the events that are held here have been celebrated year after year for centuries.

The misas de la luz (light masses) are one of the most popular religious events in the Canary Islands. They date from 1768, according to the last will and testament of the nobleman, Alonso de Medina. Running from 16 to 25 December, they are held at various points in the archipelago. Hundreds of people in the congregation gather just before six in the morning, when mass is due to start, and sing Christmas carols at the church entrances. One of the most exciting moments occurs on 23 December, when the retinue files through the towns and villages and takes part in communal singing and dancing.

Another long-standing tradition on the island is Christmas crib-making. A profusion of highly original cribs are displayed in numerous public and private buildings around Tenerife. Among the most famous of them is the one in the headquarters of CajaCanarias, in Santa Cruz de Tenerife, or the one hosted at El Cabildo, also in the island’s capital, in addition to those exhibited in town halls and other public buildings.

Christmas Confectionery

The islands boast a huge variety of sweets and at Christmas the vast array of confectionery focuses on more specialised offerings. Homemade Christmas candies can be savoured in numerous corners of the archipelago and the most popular ingredients are millo (corn), almonds, honey and fruit.

One of the most typical Christmas candies on the island are the so-called truchas, although they can be found all year around. They consist of patties filled with sweet potato, angel’s hair pumpkin and, sometimes, custard. Their preparation is straightforward and they are usually made in all homes.

Get going and enjoy a Christmas getaway to Tenerife – book your Vueling here.

Text and photos by Turismo Tenerife