Who hasn’t spent hours enjoying the adventures of Tintin and his dog Snowy (Milhou in the original French)? Do you remember the lonesome cowboy Lucky Luke astride his horse Jolly Jumper, being pursued by the dreadful Dalton brothers? What about the office boy Spirou and his inseparable pals Fantasio and the squirrel Spip? And the little blue Smurfs in their mushroom houses, fleeing from the evil Gargamel and his cat Azrael? What do they all have in common? All their authors are from Belgium, which boasts its share of the Franco-Belgian comic publishing industry, the world’s biggest after those of the United States and Japan. Visitors to Brussels are soon aware of the importance of comics, dubbed “the ninth art” (the first eight, as everyone knows but forgets, are architecture, sculpture, painting, dance, music, poetry, cinema, and television), since comics are all over the place, in museums, shops, outdoor murals, and festivals.

Museums

In the heart of Brussels (rue des Sables, 20), in the sumptuous Art Nouveau building designed by Victor Horta in 1906, is the Belgian Comic Strip Centre (popularly know as the CBBD, standing for Centre Belge de la Bande Dessinée), with a steadily expanding permanent collection and numerous temporary exhibitions that draw thousands of people to this popular venue.

Just down the rueis the Marc Sleen Museum, with a permanent exhibition, a reading room, and a programme of temporary shows focusing on the work of the Flemish cartoonist Marc Sleen, best known for his series “The Adventures of Nero & Co.”

Some 30 km. distant, in Louvain-la-Neuve, we find the Mecca of all Tintin fans, the Hergé Museum, in a building designed by the French architect Christian de Portzamparc. The museum displays original drawings, photographs, objects, films and other documents having to do with Tintin and his creator Hergé, whose real name was Georges Remi (1907-1983), the most celebrated Belgian cartoonist of all time.

A more relaxing spot is the Moof Museum (“Museum Of Original Figurines” spells MOOF –get it?) with three-dimensional representations of a host of comic book figures, and well as other collectors’ items, original artwork, and prints.

Comic Strip Route

Thanks to an initiative of the Belgian Comic Strip Centre in the 1990s, you can also enjoy cartoons in Brussels’ streets, where some 50 painted murals on buildings depict scenes from Lucky Luke, Tintin, the Smurfs, Nero, Asterix, and many more comic book series.

Shopping for Comics

Understandably, Brussels is a must for collectors of original comic artwork and for published comics. To start with the biggest, there is Brüsel (Boulevard de Anspach 98), three whole floors of comics, objects, silkscreen prints, and original drawings. For something a little more special try the Maison de la Bande Dessinée (Boulevard de l’Impératrice, 1), a bookstore featuring an ample selection of old comics, special editions, reprints, a Manga departments, and Dutch- and English-language sections. Tintin fans will not want to miss La Boutique de Tintin, (rue de la Colline 13) for every sort of Tintin memorabilia. Lastly, we recommend the Huberty-Breyne Gallery (rue Bodenbroeck, 8ª Place du Grand Sablon), with exhibitions of illustrations, and where original drawing are on sale.

Fairs and Festivals

Devoted comic fans should schedule a visit to the bi-annual Brussels Comic Strip Festival and the Strip Turnhout, specialising in Dutch-language comic strips. There’s also the even merrier Belgium Comics Festival, with a varied activity programme ensuring fun for all, including the Balloons’ Day Parade, a procession of giant inflated cartoon characters.

If comics are your passion, Brussels is the place to be. Check out our fares today!

Text: Isabel y Luis Comunicación

Photos:
Wallonie-Bruxelles Tourisme
Bruxelles, parcours bande dessinée (Stéphane Colman, Billy the Cat)_© CBBD - Daniel Fouss
Bruxelles, parcours bande dessinée (Jacobs, Blake et Mortimer)_© WBT - J.P. Remy
Bruxelles, parcours bande dessinée (Hergé, Quick et Flupke)_© WBT - J.P. Remy
Hergé Museum
Hergé Museum frontage - Nicolas Borel

Travelling in big cities has the major drawback of having to cover large distances from one point to another. In such cases the metro is usually our best solution, saving us long journeys by bus, endless walks or uncertain (and expensive) taxi rides. This form of public transport, which funnels us through the bowels of the large urban connurbations – with the odd, welcome foray to the surface above ground – is very useful for spanning long distances. However, that descent into the depths can be rather claustrophobic and even an ordeal for some. And, considering the fact that we are sometimes hard put to find our bearings in the city, and that metro signs are not always as intuitive as we would like, the experience can end up being quite exhausting and stressful. Who hasn’t got off at the wrong stop at least once on the London Underground, for instance!

Stockholm, like many other European capitals, boasts a magnificent underground network for moving about the city. So far, so good. However, unlike other countries, Sweden’s capital has elected to create a more pleasant, inspiring experience by decorating many of the metro stations with artworks. Around 90 of the total of 110 stations making up the network enable commuters to enjoy the work of over 150 artists who were specifically commissioned to take part in this project. Paintings, ceramics, bas-reliefs and sculptures adorn the premises, turning the ordinarily humdrum act of taking the metro into a more agreeable and interesting experience.

Construction of the Stockholm metro network began in 1950. Right from the outset, its public function was taken into consideration, as was the idea of embellishing it with artworks. The first stations to be built were those on the green line, dating from the nineteen fifties, notably the T-Centralen, a junction now crossed by the three main metro lines. The good practice of incorporating art into station design has endured until the present. Among the most impressive examples we encountered on our trip were those to be had at Solna Centrum and Rådhuset, of which the latter resembles the very gateway to Hell.

The Stockholm metro has generated so much buzz that it has become a major meeting point for tourists. And, just like any other city museum, it is the object of guided tours in summer (from June to September) which is when the largest number of visitors come to Stockholm. You are advised to head for the tourist office at the T-Centralen station, which is where you can book tours and where they start from – the guided tours are in English only.

Book your Vueling to Stockholm and discover the artworks which adorn the metro stations of that beautiful city for yourself.

Text by Los Viajes de ISABELYLUIS

Images by Steph McGlenchy, Vargklo, Daniel Mott, Jakub Kadlec

Brussels may rightly pride itself on having a large number of Art Nouveau buildings, a veritable pole of attraction for anyone visiting the city. Indeed, the Belgian capital was one of the focal points where this art movement emerged in the late-19th- and early-20th century. Art Nouveau ended up permeating all artistic disciplines, from architecture to sculpture, painting, furniture design, jewellery and graphic design, among others.

Modernism, which came to be known as Art Nouveau in France and Belgium, took its first few steps in Brussels in 1893 with the construction of the Tassel House, located at 6 Rue Paul-Emile Janson, designed by the architect Victor Horta. The idea was to then create a new style which involved breaking with the past by leaving behind the historicism which prevailed in architecture at the time and usher in another style which more accurately reflected the modern era. This break led to the rise of two trends in the city – the floral style, with forms inspired by nature, of which Victor Horta was the most prominent exponent, and the geometric, as championed mainly by the architect and designer, Paul Hankar.

The advent of this movement coincided with a time of growth in the city, when such districts as Schaerbeek, Etterbeek, Ixelles and Saint-Gilles were in the throes of urban renewal, so that many of the houses that went up in those areas were imbued with the new style. Some 500 buildings from that period have survived to the present.

The Major Landmarks

Among the must-see gems of Art Nouveau in Brussels are, in the first instance, the four buildings known collectively as the“Major Town Houses of Victor Horta in Brussels”,all of which were designated World Heritage Sites by UNESCO. They are as follows:

Tassel House. As mentioned above, it is regarded as the first manifestation of Art Nouveau in Brussels, as well as one of the first in the world to open up a new direction in contemporary architecture.

Hôtel Solvay. Located at 224 Avenue Louise, it is possibly one of the standout buildings of Belgian architecture. Its facade reveals the presence of glass, iron and natural stone, Victor Horta’s favourite materials.

Hôtel van Eetvelde. Edmond van Eetvelde, administrator of the Congo Free State, commissioned Victor Horta to design this town house with a view to providing a modern space for entertaining his visitors. Located at 4 Avenue Palmerston, it is striking for the innovative distribution of its interior spaces and for the stained-glass and mosaic ornamentation.

Maison & Atelier Horta. Converted into what is now the Horta Museum, this was the home of Victor Horta, built from 1898 to 1901. It comprises two independent buildings in that each has its own style, but they were conceptualised as a unified whole and are interconnected.

Another building that should feature on your itinerary through the Art Nouveau landmarks of Brussels is the Comics Art Museum. Built in 1906, apart from from being a compulsory place of pilgrimage for devotees of the ninth art, it is a magnificent example of Art Nouveau, the work of the iconic architect of the time in this city, Victor Horta.

Also make a point of visiting the Musical Instruments Museum, designed by the architect Paul Saintenoy and originally built as the Old England department store. And, wander down Rue Saint-Boniface, where you will come across five buildings designed by the architect Ernest Blérot at number 15, 17, 19, 20 and 22. And, lastly, we recommend you head for 71 Rue Defacqz, where you can admire the Paul Hankar House.

Now that you have some of the keys to discovering Art Nouveau in Brussels, book your Vueling here and get ready to enjoy it all.

Text by Los Viajes de ISABELYLUIS

Images by mertxe iturrioz, Arco Ardon , William Murphy , Steve Cadman, J. Miers

That Berlin has a daunting variety of cultural resources is a well-known fact. Indeed, it is one of the main reasons for visiting the city. Added to the alternative venues that appear to spring up in the most unlikely spots in town – and not always easy to locate, at that – there are the more official offerings, which include a vast range of museums. Hence, those given to “collecting museums” on their journeys to various cities in the world will face a dilemma when it comes to Berlin – that of having to choose from the huge gamut of museums, housing an overwhelming quality and quantity of works.

The Museum Island

Museum Island (Museumsinsel), as it was re-christened in 1870, takes up the northern half of the island formed by the river Spree on its passage through the city. This is a must-visit destination for any museum buff in Berlin. It contains no fewer than five splendid museums, featuring collections that enable you to travel through art from ancient times to the 19th century. The value of the vast collections here led it to be listed as a World Heritage Site in 1999.

One of the most striking spaces in the complex is the Pergamon Museum, which draws about one million visitors a year. It features a collection of classical antiquities, a museum dedicated to Middle Eastern art, and another devoted to Islamic art. The building was designed to house large-scale artworks, notably its two standout exhibits – the Pergamon Altar and the Ishtar Gate.

The highlight of the Altes Museum (Old Museum) is the building itself. Dating from 1830, it is the work of the architect Karl Friedrich Schinkel, and one of the finest examples of German Neoclassicism. Housed in its interior is a splendid collection of exhibits from classical antiquity.

Sited behind the previous museum is the Neues Museum (New Museum), home to the magnificent collection of the Egyptian Museum of Berlin and the Museum für Vor- und Frühgeschichte (Museum of Prehistory and Early History). Its paramount exhibit is the superlative Nefertiti bust, which attracts a large number of visitors each year.

No less important is the Alte Nationalgalerie (Old National Gallery), a magnet for enthusiasts of 19th-century art, and the Bode Museum, with an endowment that includes sculpture ranging from Byzantine to Italian Gothic to Prussian Baroque, as well as one of the largest numismatic collections in the world.

Gemäldegalerie

The Gemäldegalerie lies west of Potsdamer Platz, within the complex of museums and concert halls making up the Kulturforum (Culture Forum). The gallery houses an excellent collection of paintings by European artists active from the 13th to the 18th century, with works by Dürer, Lucas Cranach the Elder, Hans Holbein, Jan van Eyck, Raphael, Titian, Caravaggio, Rubens, Rembrandt and Johannes Vermeer.

Neue Nationalgalerie

Another of the museums making up the Kulturforum is the Neue Nationalgalerie. Located in the Tiergarten, it is housed in an original building with glassed walls and a spectacular metal roof, the work of the architect Mies van der Rohe. Opened in 1968, this museum specialises in international art from the early 20th century to 1960. Standout features of this collection are the work of the German Expressionists and the Bauhaus.

Martin Gropius Building

Located on the Niederkirchnerstraße, between Checkpoint Charlie and Potsdamer Platz, in a building designed by the great uncle of the architect who founded the Bauhaus, Walter Gropius, this interesting exhibition space is celebrated for its excellent temporary exhibitions.

Berlinische Galerie

Inaugurated in 1975, the Berlinische Galerie is the best option for whoever wishes to take the pulse of art production in Berlin, as its collection features artworks produced in the German capital from 1870 until the present time. It is situated in Kreuzberg, one of the trendiest districts in the city where, if you’re good at getting your bearings, you can unearth the best of the alternative scene.

Berggruen Museum

Lastly, we have also chosen the Berggruen Museum, located opposite Charlottenburg Palace, as it houses exhibits donated by the art collector and dealer Heinz Berggruen. It is a collection of modern art classics with works by Picasso, Matisse, Klee and Giacometti as its major offerings.

Book your Vueling to Berlin and get ready to discover its magnificent museums.

Text by Los Viajes de ISABELYLUIS

Images by Lestat, Manfred Brückels, Christoph Rehbach. Rae Allen, Pedelecs, Jean-Pierre Dalbéra