Knebworth is no more than a village in the north of Hertfordshire, just over a half an hour’s train ride from central London. The original village, known as Old Knebworth, grew up around Knebworth House, a large Tudor country house with a Neogothic facade and a priceless Jacobean banquet hall. The new Knebworth village sprang up in the 19th century one mile east of Old Knebworth, alongside the train station and A1 motorway. But, it was from the 1970s onwards that the village came into the limelight owing to the mass concerts held there. The first groups to draw tens of thousands of fans to the spot were Led Zeppelin, Pink Floyd and The Rolling Stones. And, in the 80s and 90s, the venue hosted events in the form of a festival, featuring such bands as Genesis, Dire Straits, Eric Clapton and Elton John.

But, pride of place goes to Oasis, who in two nights drew a crowd of no fewer than a quarter of a million people. Britain or, indeed, the whole world, had been bitten by the Oasis bug. There had been nothing like it since the advent of The Beatles. The group’s managers realised they were on to a good thing and decided to expose their proteges to as large an audience as possible. And where better to hold the festival than grounds well connected to the City? Thus, in the evening of 10 August 1996, the members of Oasis landed in their helicopter with a flabbergasted look on their faces. We recommend you see the documentary, “Supersonic”, by Mat Whitecross, which recently premiered in Spain during the last edition of In-Edit. The film tells the story of the band as seen through the eyes of its lead members, Liam and Noel Gallagher, covering the period running from their beginnings until the moment these two macro-concerts were held. But, apart from breaking all records, what else took place during those 48 hours? Here are 10 curious titbits that you were probably unaware of.

1. Two and a half million people applied for tickets

Over four per cent of the population of England applied for tickets to see Oasis at Knebworth, the largest ever demand for concert tickets in British history. Some 250,000 fans actually saw the band on those two nights – another record – but, incredibly, Oasis could have sold another 18 shows at Knebworth.

2. 7,000 people are thought to have been on the guest list

This figure has proved impossible to verify, although it is known to run into the thousands. But, what is really striking are the eye-witness accounts, which paint a picture of unimaginable indulgence backstage. A huge marquee was apparently full of bars, with well stocked bar counters. Drinks were on the house for both days and there were also free sweets and ice-creams. Additionally, a number of magicians and caricaturists were brought in to liven up the pre-concert wait.

3. 3,000 pro technicians were needed to organise the concert

No wonder, though, as the equipment included 11 loudspeaker towers set up increasingly further afield to make sure everyone would be able to hear Noel’s chords and Liam’s growling equally intensely.

4. The concerts had their own radio station for the occasion

Radio Supernova broadcast on 106.6 FM for a range of 20 miles. For the days it was on air, it blared out the Oasis signature tunes non-stop, followed by songs by the support bands. The station also broadcast information about the concert, accesses and transport to the grounds.

5. John Squire had the flu when guest player of “Champagne Supernova”

For many, a highlight of the night was when fellow Mancunian John Squire appeared on stage. The guitarist had split off from The Stone Roses just a couple of months before that and he showed up to sprinkle a touch of magic over the performances of “Champagne Supernova” and “I Am The Walrus”. A few days later, Noel Gallagher revealed to NME that he had been performing while under the effects of a severe bout of flu.

6. Oasis brand binoculars were handed out to all VIPs

A touch of irony, as the VIP area was the only vantage point from where the concert could be clearly seen without binoculars. But, to top it all, the Manchester boys had the visual aid of the largest video wall on earth at the time. Oh, well – who hasn’t been given some superfluous gift at some time in their lives? The Gallagher guests were not to be outdone.

7. The Charlatans supported Oasis just three weeks after the death of their keyboardist, Rob Collins

For The Charlatans, Knebworth was a bittersweet event. On the one hand, it acted as a launching pad for a band which was a standard-bearer of the early-nineties Madchester scene. But, on the other, they had to perform without their charismatic Rob Collins, who had died in a car crash three weeks earlier. An endearing moment came when Liam Gallagher dedicated the song “Cast No Shadow” to the fallen Charlatan.

8. Only 10 arrests were made during those two days

Which is quite surprising, given the huge number of festival-goers. How did they manage it? While it may seem unlikely to some, the fact is that Oasis fans are mostly law-abiding citizens.

9. Noel remembers nothing

As the saying went at the time, “If you can't remember anything about Britpop, it means you weren’t there”. And Noel’s recollection of that period is very sketchy. On occasion, he has even remarked that “even now, if I close my eyes, I can’t remember the moment I was on stage”.

10. One Oasis member thinks they should have split up immediately afterwards

“I always thought we should have retired after the second night at Knebworth”, said the guitarist Paul “Bonehead” Arthurs to The Guardian in 2009. In hindsight, it’s easy to draw the conclusion that Oasis would never better what they had achieved at Knebworth. But, who’s the brave guy that dares leave the group when it’s riding the crest of the wave? Bonehead finally quit in 1999 and became an ordinary person again.

Now you know a bit more about the legendary concert performed by Britain’s last great band. All that’s left is to discover the area where it all took place. Well, then, get “supersonic” and check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Wikipedia Commons

With a millennial tradition, Bergamo rises majestically atop a hill in Lombardy. Its medieval old town is one of the best preserved in the region, with vestiges of the passage of Venetians, Austrians, Napoleon and, lastly, the unifiers under Garibaldi. But, apart from its monumental heritage, Bergamo is also famous for its cuisine and for being the birthplace of one of the leading opera composers of all time – Gaetano Donizetti.

Between the Città Alta and the Città Bassa

The Bergamasque universe is split in two. The historic centre is surrounded by an old wall at the top of a steep hill in what is known as the Città Alta or Upper City. At the foot of these hills lies the Città Bassa or Lower City which spreads across the plains and is now the hub of the city’s development.

Until the 19th century, the only connection between the two parts of Bergamo was via the sloping fortified wall gates. Over a hundred years ago, however, they were joined by a funicular railway which now links the Upper and Lower City in less than five minutes. The ride affords some stunning views.

The Essential Bergamo

The two main thoroughfares in old Bergamo are Via Gombito and Via Bartolomeo Colleoni. The network of streets that fan out from there is well worth strolling through as they are structured around the Piazza Vecchia, of which the architect Le Corbusier said it was the most beautiful square in Italy. It is also the site of some of the city’s most significant buildings. Presiding over the area is the formidable Torre Civica, also known as the Campanone, a stunning campanile from where the bells once pealed out to mark curfews and which connects the Palazzo della Ragione to the Palazzo del Podestà.

At the other end of the square stands the white Palazzo Nuovo, designed by the architect Vincenzo Scamozzi. It now houses a library, while a second-hand book and antique market sets up shop under its arcade on Sunday mornings.

The arches attached to the municipal building on the far side of the square lead to the Piazza Duomo. Sited here and well worth visiting is the Cathedral, although absolute pride of place goes to the adjoining Basilica di Santa Maria Maggiore, one of the most beautiful churches in the north of Italy. Begun in the 12th century, its Romanesque exterior belies its opulent interior, studded with frescoes, coloured stucco and marquetry work of the finest quality. A prominent highlight is the Colleoni Chapel. Here, too, lie the mortal remains of the most illustrious Bergamasque, Gaetano Donizetti, as well as those of his master, the no less distinguished Simon Mayr.

A Universal Bergamasque

No account of Bergamo would be complete without mention of the composer, Gaetano Donizetti, who was born and died here. Indeed, every step one takes through the city is a constant reminder of the romantic musician. Whether you are a music lover or not, we wholeheartedly recommend visiting the Museo Donizettiano, located near the Basilica de Santa Maria, with its collection of the composer’s personal belongings and several of his handwritten musical scores. The city’s leading theatre, the Donizetti Theatre, is yet another reminder of Bergamo’s favourite son. Adjacent to the theatre, a large monument pays tribute to his figure, while in autumn the city hosts the Festival Donizetti, which includes performances of his operas and includes guest opera stars from abroad. The festival is also a good time to discover the Teatro Sociale which, after its latest refurbishment in 2009, is unlikely to leave you indifferent.

Essential Cuisine

By now nobody would be surprised to hear about the excellence of Italian cuisine, and Bergamasque cooking is no exception. The star dish in the city is their casonsei or casoncelli alla bergamasca, a meat-filled pasta with a superb sage butter sauce. Their cured meat is another forte of the region, as are the wines. There are two venues you should make a point of visiting if you want to taste their finest cuisine. First, Da Mimmo, on the Via Colleoni in the Città Alta. Here you can taste some of the local specialities and one of the city’s most famous pizzas. The other essential eatery is the Baretto de San Vigilio. You can only get there by taking a second funicular from the Città Alta. The restaurant serves delicious traditional cuisine with signature flourishes and affords what are some of the best views of Bergamo. You simply must try their homemade tiramisu, one of the tastiest in the north of Italy.

Fire up and visit this fantastic Lombard city – book your Vueling to Milan here.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Images by Aleix Palau, Rick Ligthelm, David Spender

Among the many charms of Spain’s capital, the quarter known as the Madrid of the Austrias is one of the most exciting areas in the city. The irregular layout in this section of Madrid’s historic district dates from the 16th and 17th century. It was the setting for duels and intrigues, and a privileged witness to the passage of the Habsburg dynasty through the city. Indeed, it was the Habsburgs or Austrias who chose Madrid to be the capital of their empire and they had it embellished to reflect that status.

Plaza Mayor and Environs

The Plaza Mayor is the main precinct to be built by the Austrias in Madrid and, as such, the perfect spot to start our itinerary. Full of atmosphere and thronging with people, it is one of Europe’s most beautiful squares. The project designer was Juan de Herrera, commissioned by Philip II, although it was during the reign of Philip III that it acquired something like its current appearance. I say “something like” because it was gutted by fire in 1790 and had to be restored to a design by Juan de Villanueva. Sited on one side of the square is the Casa de la Panadería, dating from 1590, the first building to go up in the precinct. In the centre of the square stands the equestrian statue of Philip III, by Giambologna and Pietro Tacca.

Emerging from the square along Calle Gerona, opposite us stands the opulent Santa Cruz Palace, in the Plaza de las Provincias, which originally served as a royal prison. Built in Herrerian style as of 1629, in 1791 it also sustained fire damage and was likewise restored under the direction of Villanueva. However, some of its original features were retained, notably the main entrance portal, the twin towers flanking the facade and the large, central coast-of-arms. Since 1938 it has been the seat of the Ministry of Foreign Affairs.

In the same square stands a replica of the 17th-century Fuente de Orfeo (Orpheus Fountain) – the original is housed in the National Archaeological Museum. Continuing along Calle de la Fresa as far as Calle Postas, we come to the Posada del Peine, one of the oldest hostel facilities in Spain, founded in 1610.

Calle Arenal and Plaza de Oriente

From here we walk into Calle del Arenal, site of the popular, 17th-century Church of San Ginés which houses a large number of artworks. Nearby stands the legendary San Ginés Chocolate Factory, dating from 1894, a favourite among Madrilenians for having chocolate con churros.

The area between Calle Arenal and Gran Vía contains a network of streets which are the site of a  number of well-preserved monasteries, including the Monastery of the Descalzas Reales and the Convent of the Encarnación.

Further along Calle Arenal we come to the Plaza de Isabel II, formerly known as the Caños del Peral, with its spectacular Teatro Real facade. The square was important at the time of the Austrias as standing in its centre was one of the city’s major fountains. The remains of this fountain can still be seen by going down into the Ópera metro station.

Going around the Teatro Real we come to the Plaza de Oriente, home to the Royal Palace, which stands on the former site of the Habsburg citadel, known as the Alcázar. South of the Plaza de Oriente lies the Plaza de Ramales, once the site of the Church of St John the Baptist, where Diego Velázquez was buried. Oddly enough, various searches were conducted to find his bones. They were never found, but are still believed to be somewhere in the square.

Heading down Calle San Nicolás, we emerge into one of the oldest parts of the quarter, featuring the church of St Nicholas of Bari, the oldest church in Madrid. Turning back towards Calle Mayor, we come across the Palace of the Dukes of Uceda, a majestic 17th-century residence. Next door stands the Church of El Sacramento, which was financed by the Duke of Uceda in 1616.

Back in the Plaza Mayor, a must-visit landmark is the Arco de Cuchilleros, a traditional arcade lined with mesones and home to the famous restaurant, Casa Botín which, founded in 1725, has the honour of being the oldest restaurant in the world. The Arco de Cuchilleros was built by Juan Gómez de Mora in 1619 to offset the split level between the square and the Cava de San Miguel. This building, which is three storeys higher than the rest of the ensemble, was for centuries the tallest construction in Madrid. Behind the Cava de San Miguel lies the San Miguel Market, a favourite among Madrilenians when they go out to eat top-quality tapas. Near the market stands the Plaza de la Villa, one of the most emblematic Habsburg squares in the city on account of three unique buildings – the Casa de la Villa – the former City Hall – the House and Tower of Los Lujanes and the Casa de Cisneros.

Be sure to visit the Austrias’ Madrid – book your Vueling here.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

From David Bowie or Iggy Pop, to U2 or R.E.M, Berlin has long been a source of inspiration for the most famed ambassadors of pop and rock (their impact on club culture deserves a separate article). With the iconic Hansa Tonstudio recording studios as the hub of experimentation and creation, the German capital stands out as the inextricable backdrop for beacons of musical genesis over the last few decades.

“Heroes” (David Bowie, 1977)

David Bowie took refuge in Berlin in search of inspiration in the late seventies. His German sojourn ended up spawning the Berlin Trilogy,a triptych of albums that began with Low (1977) and ended with Lodger (1978), although epitomised by the second album, Heroes.Recorded in the legendary Hansa Tonstudio (or Hansa Studio by the Wall), the title track recounts the story of two lovers who hide their idyll in the shadows of the Berlin Wall.

“Lust For Life” (Iggy Pop, 1977)

Following in the footsteps of his friend, David Bowie, Iggy Pop headed for Berlin to develop his career as a solo artist. The first chapter in that new venture was The Idiot (1977). A bigger hit still was Lust for Life, released that same year. With the Hansa Studio by the Wall again becoming his centre of operations, Iggy Pop took just eight days to breathe life into such essential titles in his repertory as Lust for Life, The Passenger and Tonight.

“Kollaps” (Einstürzende Neubauten, 1981)

Few albums has captured so well the essence of Berlin in the early eighties as Kollaps, Einstürzende Neubauten’s debut. A landmark industrial and experimental band, the calling card of this group led by Blixa Bargeld was a collection of pieces which even today, three decades on, still resound as searing, psychotic and oppressive – an exquisite torture on the ears.

“Night Time” (Killing Joke, 1985)

The quasi-metal, industrial band, Killing Joke, achieved one of their major hits with Night Time, a work suggestive of an interlude between their strident beginnings and the calmer stretches they would subsequently experiment with, albeit fruitlessly. And, while you’re at it – listen to Eighties, the last track on the album, and then do the same with Come as You Are, by Nirvana. Influence, coincidence or plagiarism?

“Black Celebration” (Depeche Mode, 1986)

Depeche Mode went to Berlin to record their fifth studio album, with Martin Gore then consolidating as the band’s creative engine. As the title suggests,Black Celebrationstresses the darkening sound passages that the Britons had been flirting with in their previous works, Construction Time Again (1983) and Some Great Reward (1984). Definitely one of the most influential records of the eighties.

“Your Funeral… My Trial” (Nick Cave And The Bad Seeds, 1986)

Nick Cave has stated on more than one occasion that Your Funeral… My Trial is the best album in their career. Indeed, his long fourth track harbours some of the most hair-raising cuts by the Australian, like its counterpart, Your Funeral, My Trial, Stranger Than Kindness or The Carny which Cave and The Bad Seeds would play a year later in the Wim Wenders film, Wings of Desire.

“Bossanova” (Pixies, 1990)

Engendered in Berlin, this third album of the Pixies is undoubtedly one of the great works of independent rock. The hideout of simply irresistible tracks like Velouria, Dig for Fire or Allison, their customary dedication to sure-fire tunes entangled with distorted guitar rasps,Bossanovareveals borrowings from surf and space rock. While not a conceptual work, many of the themes bear references to aliens, UFOs and the remaining extraterrestrial paraphernalia that so obsessed its leader, Black Francis.

“Achtung Baby” (U2, 1991)

Having scoured the roots of American music with Rattle and Hum (1988), U2’s next release marked a radical departure in sound. Having moved to Berlin to allow the winds of change blowing across the city to rub off on them, the Irishmen caught the world unawares with a work grounded in the essences of the burgeoning genres, including independent rock and electronic music. Achtung Baby is one of those definitive records in the history of rock.

“Collapse Into Now” (R.E.M., 2011)

R.E.M. was one of the most popular bands in the last few decades, with the added advantage that they managed to keep their integrity and artistic credibility intact. They split up in September 2011, a few months before the release of their last album, Collapse Into Now. Recorded in the Hansa Tonstudio, this is a standout farewell bordering on the sublime, as in Discover, Mine Smell Like Honey and Überlin.

Berlin Musictours offers an extensive, more than interesting gamut of tours to the hotspots of Berlin’s ever effervescent musical activity. Among the various itineraries to choose from, notable routes include the Bowie Berlin Tour, U2 Berlin Tour, Depeche Mode Berlin Tour and Hansa Studio Tour. Why wait to discover an à la carte musical Berlin? Check our flights here.

Text by Oriol Rodríguez for ISABELYLUIS Comunicación