With a deeply tradition of music, Leipzig has been home to the renowned musicians and composers from all times, for the likes of Johan Sebastian Bach, Richard Wagner, Schumann or Mendelssohn. Music and culture is in every corner of the city, in the habitual concerts in Augustusplatz or in the different music festivals of every music style that the city offers.

Also known as Heldenstadt (City of Heroes), Leipzig was crucible for the revolution against the communist dictatorship in Eastern Germany, in a non-violent revolution that was called Friedliche Revolution and that ended up with the fall of the Wall in Berlin in 1989. 

Baroque, neoclassical and modernist architecture blends with the buildings of the Soviet-era in Leipzig and there are many shops, restaurants, cafés and clubs in the city center. 

A place that shows how the city is constantly culturally evolving is Spinnerei, (http://www.spinnerei.de/ , Spinnereistraße 7 ), an old cotton spinning mill in the district of Lindenau that is now a big factory for culture diffusion where talent and art from the artists of the so-called “New School Of Leipzig”. You can visit workshops, exhibition gallerys and Art shops, asist the cinema forums and eat at their restaurants. 

If you are interested in the History of Music in Leipzig you have plenty of museums and interesting places to visit 

Museum of Musical Instruments
You will enjoy of one of the most important collections in the world and discover a good perspective of the History of Music of the city

Bach's Museum
You will discover Bach, the main artist in baroque german musical style everywhere in the city. Especially in this museum which opened in 2010. An interactive exhibition that present the life and works of Johann Sebastian Bach.

Mendelssohn's museum-house
The last home for Felix Mendelssohn, a late Biedermeier-style house where he moved with his family in 1845, is since 1997 the composer's museum where you will see the original furniture and some of his objects.

Gewandhaus concert hall
Headquarters of the Gewandhaus orchestra. Founded in 1743 and directed for a long time by Kurt Masur, one of the promoters of the peaceful Leipzig's revolution. The main attraction is the visit to the impressive 6,638 pipe organ!

But there is not only music in Leipzig. Auerbachs Keller, a famous restaurant , is a must in the city. Here , Johann Wolfgang von Goethe spent long times as a student and now is full of students and young people from all over the world. It was founded in 1525 by a doctor in his own home cellar.

History has its own place as well in Mädle, an old drugstore which is now a restaurant and a night pub. In Bergstrasse 19, there is also a Saxon food restaurant Thüringer Hof where Lutero used to go.

Notice that there is a Flea Market in Leipzig on the last weekend of the month. They say it is the eldest and the biggest in Europe

Picture Gewandhaus by Andreas Praefcke/ Picture Leipzig by Tino Strauss / Picture Bach by nalocos.blogspot.com

Sometimes you just have to burst certain stereotypes which seem to hound some cities. Our case in point is paradigmatic. In effect, Granada has such a lot going for it, apart from the legendary Alhambra and the first Renaissance cathedral to be built in Spain, the imperial Santa Iglesia Catedral Metropolitana de la Encarnación (both of these must-visit landmarks, although not the sum of the city’s attractions). Located on the banks of the river Genil and towered over by the Sierra Nevada, the capital of Granada is one of the focal points in Andalusian culture, a university city where the old and new come together. Local traditional music – flamenco, cante jondo – ring out side by side with pop music and contemporary rock (all related to independent music).

Granada has fewer than 250,000 inhabitants, but is an inexhaustible academy of artists and bands. Enrique Morente, Los Planetas, Lagartija Nick, 091 and Lori Meyers, to name just some of the more famous among them, emerged from the city’s streets and corners and went on to write some of the most celebrated chapters in Spanish music. Being a small city, you can walk through it comfortably. All you need is a pair of good trainers and, above all, motivation. So, if you’re eager to find out about more than just its historical landmarks, here goes a few musical slots geared to discovering a different Granada.

As mentioned above, the old and new come together in Granada. What’s more, those two currents have merged, thanks to the work of some of the aforementioned artists, like Enrique Morente and the incombustible Largartija Nick. The first must-visit spot on any tour of the city’s vibrant music scene is Sacromonte, the cradle of Granadan folklore. Situated in the Sierra de San Miguel and with a privileged view of the city, the area is brimming with caves blessed with excellent acoustics where the gypsy community organises recitals of cante jondo and flamenco. The performances are generous and varied. Apart from Sacromonte, it is well worth strolling through the district of Albaicín – also on the upper side of the city – another cradle of Granada flamenco and one of the most acclaimed gastronomic enclaves. In the streets of this district lies one of the most celebrated flamenco schools in the country, the Instituto de Flamenco Flora Albaicín.

Moving on to wholeheartedly modern currents, Granada is the land of independent rock. It boasts a rich fabric of clubs and concert halls with programmes that also open up to styles beyond Indie (electronic, mestizaje). One of the most venerable spots is Planta Baja, a veritable cultural institution in the city which, apart from hosting consolidated bands, also gives emerging local talent the chance to make their mark. Located in downtown Granada, near the Basilica of Juan de Dios, the Monastery of San Jerónimo and Granada Cathedral – you guessed it; you might as well do some sightseeing before visiting it – it offers activities from noon onwards and DJ sessions at the weekend. Some of the big names that will feature on stage at Planta Baja in the coming months include Sex Museum, Soledad Vélez and Carlos Sadness. Another club which deserves a pilgrimage if you’re into pop and rock is El Tren, located on the outskirts of the city.

A place with so much musical activity could not fail to have a good number of record shops, too. One of the best is Discos Marcapasos, just a few metres from Planta Baja. Located at 6 Calle Duquesa, it is the nerve centre of Granada’s music scene, also offering a generous stock of CDs and vinyls covering sixties years of pop music. It provides advance ticket sales for concerts at Planta Baja, El Tren and other venues in town as well. The store also hosts such activities as ad hoc DJ sessions, record signings and acoustic concerts. Another of the city’s institutions well worth considering is Discos Bora Bora, a small store with a large selection of vinyls.

Book your Vueling to Granada and discover its music scene.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Not for nothing is the small town of Saint-Émilion a veritable magnet for wine lovers. The surrounding farmland is blessed as one of the leading red wine producing areas in Bordeaux, along with the Médoc, Graves and Pomerol. Celebrated worldwide, each year it attracts wine connoisseurs, tourists and passers-by who roam from one chateau to the next in search of the best local wine. But, that is not the only reason they come here. They are also drawn by the magic enveloping this town of steep, narrow streets, Romanesque churches and picturesque ruins which, alongside the vineyards, make up an irresistibly charming ensemble. No wonder, then, that Saint-Émilion and its environs are listed as World Heritage by UNESCO.

Saint-Émilion is named after the monk Émilion, who settled here in the 8th century and was credited with performing a number of miracles. The monks that were gradually drawn to the area were instrumental in getting the wine-marketing business off the ground, based on the vineyards which have been tended in Saint-Émilion since Roman times.

A must-visit destination for wine connoisseurs, the town features numerous landmarks well worth visiting. Its Monolithic Church is one of these. Carved out of a cliff from the 12th to the 15th century, its interior is surprisingly spacious and the complex is crowned with a lofty tower. Other highlights of Saint-Émilion include the Collegiate complex and the Cordeliers Cloister.

And, needless to say, there are always the chateaux, which can be visited as part of tours offered by the Saint-Émilion Tourist Office. But, why not strike out on a different kind of visit. Here’s how…

Les Grandes Heures de Saint-Émilion

When planning your visit to Saint-Émilion, we suggest you factor in one of the leading local festivals, Les Grandes Heures de Saint-Émilion. What makes this festival so special is that it is the only way to visit some of the region’s magnificent chateaux where this splendid, popular wine is made, in a unique, out-of-the-ordinary setting. The programme features classical music concerts accompanied by wine tasting sessions, endowing a visit to the wine cellar with a wholly different dimension. The festival opens in March and runs until December, when the last concert is held. This year, the first concert is scheduled to take place in the Château Fombrauge on 29 March.

The sites where you can enjoy this experience include the Château Soutard, Château de Pressac, Château Angélus, Château Cantenac, Château Fombrauge and Château Cheval Blanc, known for being one of the few producers whose wine is designated Premier grand cru classé A.But the programme is not limited to the wine cellars dotting the area; some of the concerts are also held at such emblematic sites as the Monolithic Church of Saint-Émilion. Be sure to book your ticket in advance.

Book your Vueling to Bordeaux, which lies just 40 kilometres from Saint-Émilion, and get to know one of France’s leading wine-producing areas.

Text by Los Viajes de ISABELYLUIS

Image by Tim Snell

Berlin clearly lived through one of its most bizarre periods during the Cold War. Bizarre, in that erecting a wall dividing a city into two parts, separating families and neighbours and setting them in opposing universes, is an Orwellian experience to say the least.

Each part of the city obviously developed in a very different way. On the one hand, East Berlin stagnated within a system based on obsessive control by the regime, a pattern shared by the rest of the communist bloc. West Berlin, for its part, evolved in similar fashion to the rest of the capitalist world.

West Berlin – From the Mecca of the Underground to Hedonistic House

From the seventies on, in line with the new trends in England and the United States, a new musical scene began to gain currency in Berlin, based on creative freedom and the aesthetic of a clean break with the past. Berlin became one of the leading centres of punk and all its subsequent ramifications. Their outsider and underground art culture sediment attracted performers of the calibre of David Bowie, Brian Eno, Keith Haring and Lou Reed throughout the seventies. By then, a good number of bands were feeding such exciting circuits as those of London and Sheffield.

At the end of the seventies, the music of Joy Division and dabblers in electronic and industrial music were adopted as icons of the flourishing alternative scene of an open Berlin. Unlike the British or American varieties, German post-punk was characterised by a tension between politics and culture and aesthetically owes much to krautrock, as many of its themes are endless repetitions at a heady pace, notably Geld/Money by the arty band, Malaria, or the early recordings of DAF.

As of 1980, the exciting Berlin scene was always on the move, spawning an inexhaustible string of bands like Einstürzende Neubauten– headed by the controversial Blixa Bargeld – Die Unbekannten, Nina Hagen, Die Krupps, Mekanik Destrüktiw Komandoh, Die Tödliche Doris, Geile Tiere and Die Arztewith their punk funk distinguished by sarcastic lyrics.True to say, the scene was not made up of musicians alone, but by film stars and directors, writers, philosophers, artists and photographers, too. By the mid-eighties a process of disintegration had set in. Music became ever more commercial and groups began to sign up with multinationals. However, it was not long before a new sound revolution arose which had a marked impact on the city – the advent of acid house and techno. Recall that Berlin’s Love Parade was the first mass parade of electronic music in the world. The first Love Parade was in 1989. The event started out as a clamour for peace and mutual understanding through music. Just a few months later, the Wall came down and West Berlin was consigned to history.

The legendary SO36 was still going strong at that time. The club, located on the Oranienstrasse near Heinrichplatz in the Kreuzberg district, took its name from the area’s famed postal code – SO36. The district of Kreuzberg is historically the home of Berlin punk, and of other alternative German subcultures. SO36 was initially dedicated mainly to punk music. As of 1979 it attempted a crossover between punk, new wave and visual art. In those days the club rivalled New York’s CBGB as one of the world’s leading new wave spots. Others on the Berlin circuit included Metropol, the disco, Kino, the club 54 Kantstrasse and the Sputnik alternative cinema, where the cult film Christiane F. premiered.

Period Document on the Big Screen

The 13th Beefeater In-Edit Festival will be held in Barcelona from 29 October to 8 November. Prominent among the many films to be shown is B-Movie: Lust & Sound in West-Berlin 1979-1989, a documentary directed by Jörg A. Hoppe, Heiko Lange and Klaus Maeck on music, art and chaos in the Wild West of Berlin in the decade of the 1980s, the walled city that became a creative crucible for a special type of pop subculture which attracted brilliant dilettantes and world-famous celebrities of all kinds. However, prior to the fall of the Iron Curtain, artists, squatters, poets, music creators and hedonists came together to enjoy a highly unconventional lifestyle in Berlin. They all knew it would be short-lived but, who’s worried about tomorrow? It was a case of living for the here and now.

Featuring mostly unreleased television material and original footage, photos and interviews, B-Movie chronicles life in a divided city, a cultural interzone where anything seemed possible – a place different from anywhere else in Europe. It is a fast-moving collage of stories about a frenzied but creative decade starting with punk and ending with the Love Parade, in a city where days are short and nights are interminable.

Berlin is currently experiencing a youthful resurgence in terms of cultural activity – and music, too! Why wait to discover it all? Check out our tickets here.

Text by ISABELYLUIS Comunicación

Images by B-Moviem, SO36