First, the bad news – Marseille is not Paris. Unlike its long-standing rival, France’s second largest city lacks top-drawer museums, stunning landmarks and hordes of Japanese tourists queueing up outside Louis Vuitton. The good news is that… Marseille is not Paris. Pampered by the Mediterranean, this city of radiant sunlight, with its multicultural population and suburbs in the very heart of the city, is so much of an oddity that it earned itself the nickname Planète Mars.

With one of the largest ports in the Mediterranean, a chaotic urban layout and an abiding reputation for being a decadent capital, Marseille is above all France’s enfant terrible, a noisy, dynamic city full of contrasts, where street hawkers take over the pavements, walls are smothered in graffiti, one’s clothes are impregnated with a brackish odour and the Olympique de Marseille is the mortar that binds it all together.

Apart from the usual tourist destinations, the tables have turned since it was voted European Capital of Culture in 2013. Zaha Hadid, Jean Nouvel and Norman Foster all have their state-of-the-art buildings on the snazzy waterfront esplanade. The bohemian way of life, however, is to be found inland and that is where we are heading. With a map in our pockets, we embark on our alternative, urban bobo tour of the capital of Provence!

At La Friche la Belle de Mai

An erstwhile tobacco factory at the Gare Saint-Charles is Marseille’s liveliest cultural centre. We have come to La Friche! Exhibition areas, artists’ ateliers, theatre, skating ramps and even a nursery rub shoulders here. All in one hybrid amalgam and in constant flux, focused on contemporary creation in a precinct where the communal spirit matches the extensive programme.

The huge roof terrace, which affords spectacular city views, is filled to bursting in summer, as it hosts parties with guest DJs and open-air cinema on Sundays. For the rest of the year the music never stops, while the Cabaret Aléatoire features sessions ranging from rock to hip-hop.

If you need to refuel, head for La Salle des Machines, a café-bookshop where you can have a café au lait while you leaf through a catalogue of the latest shows. But, if you’re actually feeling peckish, Les Grandes Tables is the place to go. Here, the menu changes each day, but they always have the classic steak tartare and Caesar salad. Mondays usher in a market of local produce and, as you well know, French markets are peerless.

Outside, alongside the warehouses and level with passing TGVs, the walls of a city park are daubed in graffiti proclaiming “Skateboarding is not a crime”. Here, skaters spin their tricks, while others play basketball, scale the climbing wall, play in the children’s area or work the land in the community allotment. That’s Marseille – a heterogeneous magma where everyone and everything become fused.

A few metres to the west, among the maze-like streets of La Belle de Mai, stands Le Gyptis Cinéma. Their (original version!) listings are as eclectic as the city itself, featuring thematic film cycles, classics, titles you won’t find on the Internet and children’s movies. The facade is peopled with portraits of neighbourhood characters, the upshot of a communal street-art programme designed to put a face to the locals.

And, with that image fixed in our mind’s eye, we head for Cours Julien, the hardcore urban Marsellais scene.

Around Cours Julien – Street Art & Urban Vibe

Alternative, carefree and colourful, the Cours Ju, as locals call it, is the in district right now. Take the metro to Notre Dame du Mont, although the climb up from the harbour is a heart-stopper. A district of artists, musicians and designers and the bastion of the ultra-modern bobo community (bobo, in French, is a nickname for “bourgeois-bohemian”), the Cours Ju is an endless string of trendy cafés, restaurants of all kinds, vintage stores and streets covered in full-colour graffiti.

The fact is that no other spot in the “Hexagone” can boast such a tour de force of urban art of this calibre. Streets fronts along Rue Vian, Pastoret and Bussy l’Indien are overrun by countless pamphleteering murals of a social nature, with references to pop culture or signs announcing the cafés hidden inside. Street art is clearly part of Marseille’s urban DNA, both rebellious and multicultural, as evinced in their well-known hip-hop – see this fast-paced video set to a local rap rhythm to get the idea.

Against this backdrop, every square metre of what is Marseille’s Kreuzberg is inundated with alternative art galleries, terraces, cafés and stores selling anything from apparel to household goods. The best approach is to venture carefree into the chaotic maze of pedestrian streets and let yourself get carried away by the relaxed atmosphere.

In the Cours itself, the multi-faceted concept store Oogie sells apparel and books, but also serves food and houses a hairdressing salon which hosts DJ parties. Nearby, La Licorne makes soaps using traditional methods and, in the rue Trois Frères Barthélémy, the Brasserie de la Plaine micro-brewery sells craft beer and has a bistro where you can wolf down the market-cuisine formule du jour or menu of the day, which usually consists of a starter, main course and dessert for around €10.

The trendiest spot par excellence is WAAW, on the rue Pastoret. Halfway between a bistro and a cultural centre, WAAW’s activities range from presentations to silk-screen print shops. It is also the best place to make a technical stop, order the dish of the day or stock up for the evening on a pastis or rosé when it’s time for the popular “apéro” – a pre-dinner aperitif.

Night time ushers in drinks and music. Sited in the Place Jean Jaurès, L’Intermédiaire is one of the best venues for live and DJ-set alternative music. Next door is Au Petit Nice, which offers a huge selection of beers in an inner patio where you can while away the hours. And, in La Dame Noir, hipsters queue up to get into the most sought-after club in the area.

As if that weren’t enough, a local producers’ market sets up shop in the Cours Ju every Wednesday morning. Stamp traders get their turn on Sundays, while second-hand books are sold every second Saturday in the month. The Marché de La Plaine, in the Place Jean Jaurès, is a market selling fruit and vegetables, cheese, fish, takeaway food, cheap footwear and accessories of all kinds on Tuesday, Thursday and Saturday mornings, while the flower market is held on Wednesdays.

The Cours Ju has a special something which grows on you! Get going and discover cosmopolitan Marseille – book your Vueling here!

Text by Núria Gurina i Puig for Los Viajes de ISABELYLUIS

Photos by Caroline Dutrey, Coralie Filippini, JeanneMenjoulet&Cie, marcovdz, Pop H

Modernism emerged in the late-19th and early-20th century, marking a break in style with the past, in line with the prevailing cosmopolitan, entrepreneurial mindset of the moment.

In 1883, the city needed to expand, leading to the construction of its famous Ensanche district,which spans the present-day streets of Juana de Vega,Picavia,Feijoo, Plaza de Lugo and Plaza de Pontevedra.

With the wealth they had acquired from foreign trade, the local bourgeoisie commissioned luxury residences in this new area, modelled on those of Vienna, Paris, Prague, Budapest and Berlin, in an outward show of their prosperity and cultural pursuits. This enabled them to distinguish themselves from the old Corunnan aristocracy, who still lived in the Ciudad Alta and Ciudad Vieja districts in dilapidated mansions with dark rooms, lacking proper ventilation or glazed window balconies, with their backs to the sea and to modernity.

Strictly speaking, Modernism came to the city in 1906 with the arrival of the Cuban architect, Ricardo Boán y Callejas, and the Corunnan architect ,Antonio López Hernández, who brought the new trends in building design from Austria, Switzerland and Germany. They also brought journals, catalogues and photos from those countries featuring designs by the Austrian, Otto Wagner, and the Belgian, Victor Horta.

One of the most striking features of these houses are the female faces adorning some of the buildings that are still standing. They were mostly inspired by the countenance of an English lady, Elizabeth Siddal, the wife of the Pre-Raphaelite painter, Dante Gabriel Rossetti. She was immortalised in the guise of her languid, enigmatic beauty and her long tresses following her death from an overdose of laudanum, a mixture of opium and alcohol.

Modernism in A Coruña was influenced by the ornamental style of the English architect, Owen Jones (1808-1874). Local artists decorated the facades and doorways with irises, horse-chestnut leaves, water plants, roses and camellias in multi-coloured garlands which seem to reach out to the passer-by and lavish pleasure on the senses.

Galleries are awash with the Mackintosh Rose motif of Charles Rennie Mackintosh, as well as twirling, sap-bearing plant stems. The transparent glass surfaces spread out among them like dragonfly wings. However, Japanese influences also come to the fore in the form of embossed irises, reeds and butterflies on lilies, star-shaped holly leaves and lotus flowers framing windows and lifts, by way of a country-like, ecological architecture. Enjoy a Modernist route through the city – download the guide here.

Modernist Top 5 in A Coruña

1. Casa Rey (1911)

The work of Julio Galán, his architecture distils the essence of the glass city. The rippling cornice, the Mudéjar inspired glazed ceramics and the wrought iron balconies made in the Wonenburger foundry make it a veritable dolls house for the ladies of those times that adorned its balconies with their head-dresses of gardenias and palm leaves. Chocolate was one of the exotic wares shipped from the Indies and other colonies to the port of A Coruña, and chocolateries dating from that period are still open to the public on the streets of Riego de Agua, Plaza de Lugo and Estrecha de San Andrés. Hence the origin of the popular Corunnan demonym ofcascarilleiros(huskers),an allusion to the cocoa husks which filled the streets with their aroma. Plaza de María Pita, 12.

2. Casa Molina (1915)

Designed by Rafael González Villar. The building was the home of Don Raimundo Molina, a representative of Royal Dutch Lloyd and consul of the Netherlands. He was also the father of the well-known mayor, Don Alfonso Molina. Influenced by the Italian Modernism of Turin, the garlands and draped ribbons of the building form a theatrical final curtain to the Old City. C/ Santiago, 2.

3. Kiosko Alfonso (1912)

Also designed by Rafael González Villar, this is a magnificent example of early-20th-century recreational architecture. With its rectangular floor plan, it operated as a café, music hall and cinema, the central screen of which divided the auditorium into two rooms. In the first room, the audience saw the positive film, while a negative of the film could be viewed at a lower fee from the other. Converted into an exhibition hall in 1982, the original Modernist decoration is still intact, including dragons which surround and immerse the audience in a world of mystery and fantasy. Jardines de Méndez Núñez.

4. Compostela, 8 (1910)

Also the work of Julio Galán Carbajal. The foyer, with access at no. 8 Calle Compostela, is the most striking entrance hall in the city. Walls, ceilings and the archway leading into the lift turn the space into an original stuccowork greenhouse, brimming with intertwined water plants, lotuses, lilies and irises. The lions at the entrance, the eagle and the caryatids on the cornice form a symbolic defence of the house’s residents, reminiscent of ancient Persian palaces.

5. Plaza de Lugo, 13 (1912)

Lastly, this bourgeois residence designed by Antonio López Hernández, linked to the family of the Corunnan actor, Fernando Casado Arambillet (better known as Fernando Rey), features overflowing ornamentation as an outward show of the economic prowess of its residents. It is theatrically adorned with a large garland of roses, leading the eye towards the huge female caryatid dominating the ensemble. The decorative syntax makes this the most beautiful building in A Coruña.

Don’t wait to see these Modernist architectural jewels in A Coruña. Check out our flights here.

Turismo A Coruña

Berlin is synonymous with art. You don’t need to go much further to bump into someone who, after the fall of the Berlin Wall, has journeyed to the capital of Germany in search of an opportunity. With almost 450 galleries, 20,000 artists and over 3,000 exhibitions yearly, Berlin is experiencing an art boom. It heads the European art scene by a mile.

Gossip has it that over the last 20 years a new art gallery has been opened every week. Faced with that trend, no wonder that, over the last 12 years, Berlin’s galleries have joined forces to launch the Berlin Gallery Weekend (from 29 April to 1 May 2016) – the first of its kind – subsequently replicated in Paris, Vienna and Barcelona. We visited the city to see it for ourselves and spent three days packed with inaugurations, talks, parties and social events at special times to showcase the latest productions. This, just when spring is descending on the city and its streets start casting their gaze outwards.

Zero budget: admission to the galleries and other areas is free-of-charge.

Recommendation: hire a bicycle – distances become shorter when negotiated on two wheels. The city is big and the galleries string out from east to west, although centred mainly on Berlin Mitte, Kreuzberg and Potsdamer Straße. We began our tour – map in hand!

Berlin’s Epicentre – Auguststraße in Mitte

Auguststraße is lined with trendy restaurants and art galleries. This is the historic centre of Berlin; hence its name – Mitte, meaning middle. There we came across the KW Institute for Contemporary Art, a former margarine factory repurposed as an emerging art lab for mapping the latest trends. Right next door, the collector, Thomas Olbricht, presents his private collection, me Collectors Room, an area of 1,300m² with exhibits ranging from works by Cindy Sherman to exotic objects worthy of a curio cabinet. Long-standing venues, including the widely acclaimed Eigen + Art, blend in with the newcomers, like Kicken Berlin and neugerriemschneider, and the elegant building of Sprüth Magers on Oranienburger Straße, bringing a breath of fresh air to the local scene.

One of the latest venues to burst in on the scene, which features the epitome of a fusion between art and gastronomy, is the Jüdische Mädchenschule (Jewish Girls’ School). Housed in this building – which reopened in 2012 after falling into disuse – is theMichael Fuchs Galerieand a number of restaurants which form a nexus between the past and present. Among these isThe Kosher Class Room,which offers traditional Sabbath dishes on the menu, andMogg Deli,the best place for indulging in a good pastrami sandwich.

Before leaving the centre and heading for Kreuzberg, we made a compulsory stop at Clärchens Ballhaus. Opened in 1913, this dance hall is a veritable Berlinese legend which survived two World Wars and numerous Nazi clampdowns. Young and old, tourists, locals, good and bad dancers – there is something infectious about Clärchens which makes you feel at home there!

Around Checkpoint Charlie

Near the Berlin Wall’s most famous checkpoint and also the Jüdisches Museum (Jewish Museum) and halfway between Kreuzberg and Mitte, lies the Galerienhaus. This former Lufthansa headquarters which became a centre for political asylum-seekers in the nineties, houses 11 contemporary art galleries on its various levels. If you chance to go there, be sure to see the Gallerie Nordenhake, the Gallerie ŻAK | BRANICKA and the historic Konrad Fischer Gallery. Although initially founded in Düsseldorf, like so many other galleries in the Rhinelands, it ended up moving to the capital.

A few minutes away in the Mitte direction lies one of the trendiest venues in the area, the VeneKlasen/Werner Gallery, founded by the New Yorker, Michael Werner, who brought a piece of the Chelsea scene to Berlin, making it more spacious, more professional and… more expensive.

Before leaving Kreuzberg, we visited the Church of St Agnes which now houses the König Galerie. Built in the Brutalist style, it was acquired by Johann König and opened to the public as an art gallery in 2015. Here, in what appears to be the end of the white cube, a good itinerary is guaranteed.

Potsdamer Straße – A Trendy Art Boom

We came to Schöneberg, on the old west side, where for many years galleries and creative projects have been mushrooming, taking up every available square metre. The fact is it seems to be a surefire win-win formula – the venues are mutually beneficial in that their accretion and synched opening and inauguration times draw ever more visitors. Among the galleries you simply cannot pass up are the Supportico Lopez and Esther Schipper. However, if time is at a premium and you need to make a choice, head straight for the Isabella Bortolozzi Galerie. The Italian artist opened her gallery in 2008 in the former apartment where the actor and singer Hans Albers lived from 1946 to 1948. The premises have been preserved virtually intact. The walls are lined with wood panelling and secret recesses, which act as a backdrop.

Art galleries housed on a fifth floor without a lift in reclaimed buildings; exhibitions which can only be reached by crossing two patios and three doors… the list goes on and on. If you’re planning to visit the city within the prescribed timeframe, check out the full programme and our daily flights to Berlin. Happy Gallery Weekend!

Text by Núria Gurina for Los Viajes de ISABELYLUIS

Photos by Marco Funke, Genial23, Axel Schneider, Wolfgang Staudt

The route starts in the Siete Calles area, in the pedestrian streets that alternate the more classical shops with the more innovative and brimming with bars and restaurants to sample the very best in Basque cuisine.

This metropolitan area has an outstanding architectural and monumental heritage, with civil and religious buildings of great interest and where the bars and shops truly come to life. El Arenal of Bilbao is the best Gateway to the city’s Old Town and its bridge, a watchtower over the Teatro Arriaga, a great centre of Bilbao’s cultural life, built by Joaquín Rucoba and Octabio de Toledo, who took inspiration from the Paris Opera in its creation.

We enter the Siete Calles through the Arenal and, at 2 calle Fueros, we encounter Lautxo, a small shop specialising in all types of take-away croquettes and cannelloni. The huge selection of croquettes includes Basque style cod, prawn and mushroom, baby squid cooked with onion, and chorizo, and the cannelloni delicacies include leek, Idizabal and mushroom.

To eat we were recommended to try Kasko, a colourful restaurant with oak columns offering modern cuisine combined with Basque products. It offers menus to suit all budgets.

Strolling around the Siete Calles you will come across interesting shops such as lu:la, in plaza Santiago s/n, which sells beautiful shoes, the latest fashion and one-off accessories. Another of the shops that caught our attention in the Old Quarters was La Casa del Yogur of Bilbao. Located at 2 calle Víctor, this outlet specialises in dairy products from Cantabria made from 100% natural yoghurt.

The Plaza Nueva, which is built in a defined neoclassical style and with 64 arches supported by Grecian columns, is teeming with bars. We loved Víctor Montes, with its huge array of pinchos (brochettes), but you can lose yourself in any of the many lively, popular bars and establishments in the square.

At number 2 Calzadas de Mallona, you will find the Archaeological Museum which houses the Basque Country history in a chronological route from prehistoric ages to the modern age.

Climbing the 213 steps of Mallona which start in the plaza Unamuno, takes you to the Basílica de Begoña, passing by the cemetery of Mallona. This stretch forms part of the Route of St. James via the Costal Route. From the viewing point you have the best views over the old quarters. And for the lazy, you have the alternative of going up in the Begoña lift.

Most noteworthy in the Etxebarria Park is the old chimney which still remains intact on the Aceros Echevarría steel factory. This is due to the fact that many of the industries were located inside the city.

Going down, you arrive at the river where you will find the Mercadillo del Nervión, a curious shop selling second hand items. Antiques, rarities and a little bit of everything. If you are a lover of vintage clothing, you must visit the market on calle Dos de Mayo which takes place on the first Saturday of every month. Here you can find second hand and new clothes, old vinyl, vintage furniture and much more.

Bordering the estuary we come across Zubizuri, which means “white bridge” in the Basque language, it is also known as the Campo de Volantín Pedestrian Bridge or Calatrava Bridge, which has become the new symbol of Bilbao.

Continuing along the path through Volatinse country you come to the plaza del Funicular which will take you up to Artxanda. The funicular railway was built in 1913 and during the journey which lasts a few minutes, you will pass through Ciudad Jardín (Garden City), an area of pretty houses with beautifully kept gardens.

A Artxanda has always been considered the lungs of Bilbao because the town was formerly the location of a lot of industry and the air wasn’t as clean as it is nowadays.

Once you are up there you will come across a park with grass, a children’s play area and a picnic area where the Bilbao inhabitants go up to sunbathe and relax after having lunch in one of the rotisseries. There are three good restaurants to eat in, the Sidrería Artxanza cider bar with a menu of cod tortilla. fried cod and drink for €28, the restaurante Txacolí with typical Bilbao cuisine and the restaurante Antón.

 Picture by kurtxio

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