Donostia-San Sebastián is a city in constant change. Perhaps its effervescence can partly be accounted for by the prevailing impetuous climate changes and, above all, by the ceaseless wind there. Coinciding with the forthcoming change of season, we recommend you visit this charming coastal city to delight in the chromatic variations of its bay – La Concha – or the crashing waves at Chillida’s Peine del Viento.

San Sebastián is currently abuzz with creative activity, now more heated than usual. The fact is that this city in Guipúzcoa will be Europe’s culture capital for the whole year, a title it shares with the city of Wrocław in Poland. Throughout 2016 there will be concerts, stage plays, talks, book presentations and a long list of miscellaneous cultural activities.

The Year’s Major Cultural Event

This is Donostia 2016, an event that does not set out to dazzle with great names on the international scene, or exorbitant investments in infrastructure. Instead, it is pioneering a new model based on experimentation, learning and developing close-knit audiences, with a view to the legacy all this will leave behind in the city as of 2017. That accounts for the programme being grounded in local tradition, albeit with an international projection.

The fact is that Donostia is no newcomer to organising events. Let’s not forget that for years the city has been hosting such long-standing festivals as Zinemaldi, the Musical Fortnight and Jazzaldi.

Activities of all kinds will be held throughout the year in various areas of the city. Like those billed to be staged in Cristina Enea Park. This beautiful park is the city’s largest and is located hard by the Estación del Norte. August will see the independent music festival, Glad is the Day, a tribute to Gladys, a local heroine among social movements. The Dabadaba and Le Bukowski clubs, in collaboration with San Sebastián 2016 and Tabakalera, will be hosting this project with the aim of putting the Egia district onto the map of the city’s summer cultural festivals. The daytime event is admission-free and will feature eight performances at two venues – Anari, Los Tiki Phantoms, Chiquita y Chatarra and The Saurs at the main venue; and AWWZ, Telmo Trenor, Kino Internacional and Javi P3Z at the electronic venue.

Donostia Goes Hipster

Modernity and culture go hand in hand in the Egia quarter. We embark on a tour of the area through some of its most emblematic spots.

Tabakalera

Unveiled last September after 10 years of renovation. Tabakalera, a new, spectacular centre of international contemporary culture is housed in a former tobacco factory covering an area of 37,000 square metres. It consists of two exhibition halls, a cinema, an art media library, creation labs, a hotel for resident artists, micro-theatre shows, concerts, two cafés, a restaurant and a roof terrace with superb views of the city.

The Egia Quarter

The renewal of two venues, namely the Victoria Eugenia Theatre and the Koldo Mitxelena Kulturenea, belonging to the Diputación Foral de Gipuzkoa (Guipúzcoa’s provincial administration), has helped shift the city’s hub to the other side of the Urumea. No wonder that this area is known as the Donostiarra Brooklyn, as it has become the city’s centre of modernity and culture.

Dabadaba

Currently one of San Sebastián’s most active venues. Concerts, festivals, exhibitions, DJ sets, flea markets and screenings are hosted in Dabadaba, a multi-purpose centre. Apart from musical and cultural events, on weekday mornings it also offers breakfast, shakes and natural fruit juices. This venue is up with the latest trends, such as a revival of interest in beer – a varied and growing selection of commercial and craft beers are featured on its menu.

Le Bukowski

Le Bukowski is another major night-time meeting point in the Egia quarter. It might lack the sophistication of the Victoria Eugenia Theatre, or the modernity of Rafael Moneo’s Kursaal Auditorium. But, what does that matter if what you want is to listen to good rock or dance music? This is the yardstick club in Donostia, both for live and DJ music. It has been active for three decades and not for nothing is it as fresh as the day it first opened.

Gazteszena

A space in the Egia quarter which has been operating as a multi-purpose venue since 1998. This year it will be hosting the Mojo Workin festival on 18 and 19 March, an event dedicated to rhythm and blues and soul which will be featuring international artists and DJs.

Donostia is always on duty for the traveller. Come and visit its trendiest quarter in a particularly exciting year. Check out our flights here.

Text by Los Viajes de ISABELYLUIS

Images by Donostia 2016, Dabadaba

By Clara Arnedo

I’ve just got back from Gambia and some of the sights still linger in my mind: the rainbow that appears onTanji beach every day at sunset, when fishing boats laden with fish come back to the port, and the whole town takes part in collecting and selling the fresh fish. These are just a few of the memories that this small but perfect country leaves with you, to help you get an idea of what Africa is really like. Now Vueling makes it easier for us to travel to the Gambia, with a new route connecting Barcelona and Banjul, the capital of the country.

The journey starts in the capital, Banjul, a city that is small and pleasant. And so is the country, with a population of 1.6 million. Banjul is a relatively safe and peaceful city, where it is worth exploring the crowded colourful markets selling all kinds of wares. The most outstanding is Albert Market, a large typically African market mainly selling fruit, vegetables and fish. When sellers and customers see us they are reluctant at first and quickly avoid our cameras. But after a while they gradually become more open and available. All they need is a little time.

Another attraction in the city is Arch 22, in honour of the president, the bodyguard of the former president, who took his position on 22 June 1994. Since then he has been the great protagonist of the Gambia: we see Yahya Jammeh everywhere – on posters stuck on walls and lampposts in every village and every town.

But the Gambia is especially a country with a coast that opens out to the Atlantic Ocean; a wedge-shaped country that cuts into Senegal and is divided in two by the river that gives the country its name – the Gambia.

First we go to the coast to discover the long, fine sand beaches of Banjul. There are hotels on the seafront, affording a spectacular view of the ocean. But the most memorable fishing scene has got to be Tanji, where you can find a flurry of colours and life every evening on the shore when the fish is brought in. It seems like chaos but there is actually an internal organisation and hierarchy, and laws that enable the same spectacle to happen every day at sunset. The men are strong and muscular and are in charge of carrying tons of fish from the boats to the beach, balancing the baskets on their heads. Once they are on the shore, the women collect the treasure to wash it and prepare it to be sold… young men run further to look for spots to set up and sell the fish. The children often follow, running fast at their heels, hoping to catch a bit of fish that might fall on the way. This makeshift fish market on the sand is the tip of the iceberg of this small country that is bursting with life. In the morning, in that same spot, a colourful fruit and vegetable market materialises, dominated by women buying and selling food. One of these women is Ida Cham Njai, a beautiful and energetic chef who offers the unique experience of accompanying her to shop in the market, and then spending a pleasant day cooking local produce with her at her home. The gastronomy and local produce are the best ways to learn a bit more about this pleasant destination.

A British redoubt in colonial times, it is now one of the smallest countries in West Africa. It also has one of the highest birth rates. The Gambia is full of children, and mothers who wrap them to their hips: it is a beautiful and typical scene of the country. The rest of the country is made up of the jungle, nature and many animals: monkeys, birds and even hippos. The further upstream you go, the wilder nature is, and the more rural the population is… it is a wild adventure to go up the river towards the town of Georgetown, because there are not many places for accommodation. Tourism is not widely developed in the Gambia, and that is part of its charm. In any case, you don’t have to travel very far from Banjul to discover the wild. NearSerrekunda, the largest and busiest city in the country, we find Bijilo National Park, or Monkey Park, which includes easy paths to walk around. In this area you can also visit a crocodile pond, and you can even touch one of the crocodiles! This is the other side of the Gambia, with its river and mangrove swamps; the more authentic Gambia, one of the least developed countries on earth, with a life expectancy of 54 years and a literacy rate of 40%.

But this is not the end of the journey, and the Gambia, despite being a small country, still has a few surprises in store for us. Can you imagine remote African villages invaded by Street Art and graffiti? Well, this is what you can find in the Gambia. Specifically in Bafuloto and Makumbaya – two names that are hard to remember, two villages with small and simple houses, streets made of sand and dirt, where children play under the sun. And on the walls of these huts is where the Wide Open Walls movement found one of its favourite canvases. Pictures that depict nature, with animals from the area and other motifs that fill these places with colour.

A great way of discovering the Gambia from different perspective. Another way of penetrating Africa through this small gateway.

By Clara Arnedo

Makes you want to go, right? Do it! Check out our prices here!

At certain times in the 20th century, Prague took on a leading role as one of the major design production centres in Europe. During the Art Nouveau period, it was among the leaders, together with Vienna, Brussels and Barcelona. Now, the Prague design scene is again emerging on an international level. We went there to take a look at what’s been happening of late.

On our arrival in the capital of the Czech Republic, we decided that the best way of discovering the trends in Czech design over the last few years was to visit The Museum of Decorative Arts, a beacon for enthusiasts of the arts and applied design. However, we found that the museum was closed for renovations and will only re-open to the public in 2017. Instead of feeling disappointed, we took the setback as a more stimulating challenge and set about unearthing less well-known places associated with the past and present of Czech design. Just opposite the Museum stands the Academy of Arts, Architecture and Design, whose students are destined to influence the future course of design, architecture, fashion, jewellery, graphic arts and the fine arts. Apart from presenting the work of its students and graduates, some of the Academy exhibitions are contextualised in terms of references from the past and present.

From Cubism to the Influence of the Brussels School

There are still many sites from that period on display. The Czech Republic – or Czechoslovakia, as it was then known – was a hub of multi-cultural design during the two World Wars. Even prior to World War I, the Czech Cubist movement played a vital role and creators such as Josef Gočár, Pavel Janák and Vlastislav Hofman designed unique works of architecture, furniture and ceramics. The furniture which Jindřich Halabala began to design for the United Arts and Crafts Manufacturing Plant between the wars influenced several generations. For further details of the key players in the design field during the interwar period, there is a publication entitled “Czech 100 Design Icons”. But, we also recommend having a look at the stores Modernista and Kubista, where you will find a wide variety of replicas from that period.

Czech design also came to the fore in the 1950s and 1960s, making itself felt on the international scene, particularly at the Brussels World Fair of 1958, while eight years later its consolidation earned widespread recognition in the film, Czechoslovak New Wave.It was not, however, until democracy was restored in 1989 that the following resurgence of Czech design occurred.

New Age of Splendour – Studios and Shops

Events unfolded apace after the return of democracy to the country. Thus, in the nineties, design flourished in the Czech Republic. A host of stores, designers and architectural and design studios emerged, notably Olgoj Chorchoj, Studio Najbrt and Maxim Velčovský, which continue to play a decisive role. At the same time, the design world continues to be augmented by young, upcoming talent provided by the Academy of Arts, Architecture and Design, which organises the Great Design Prizes competition each year.

On the contrary, fashion designers have been late in catching the wave. While in the nineties and the early years of this century they were practically nowhere to be seen, nowadays there are some stores of note. These are Timur et Grupo, Sister Conspiracy, Hana Havelková, Klára Nademlýnská, Denisa Nová and Liběna Rochová, to name but a few.

Design Markets

The 17th international Designblok exhibition, with “Freedom” as the theme, will take place in October this year. The event is aimed at both the professional sector and the public at large and will be given over to design from a broad perspective, ranging from fashion to furniture design, to jewellery, home accessories, product design, lighting, etc. Also to be featured there are installations of a character halfway between design and the plastic arts.

While Designblok holds its presentations in upmarket establishments, the Dyzajn market focuses on the sale of original creations. Here, the leitmotif is the open-air format. But, if you’d like to see it, you’ll have to wait until next year, as it is held on the first two days of August. This year’s location was Střelecký Ostrov. Lastly, the next DesignSUPERMARKET is scheduled for this December and will be hosted in Kafka’s House. These three events provide an opportunity to see the exhibitions and also to make design purchases.

Prague design is waiting to be discovered. Check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Wendy, Kubista, Academia de las Artes, Arquitectura y Diseño de Praga, Museo de Artes Decorativas de Praga

While Paris is the city of light, and Lisbon is the white city, Marrakech is known as “the red city” for the colour of its walls and many of its buildings. But, you only have to stroll about the city for a while to realise that the colour red falls way short. Here, then, we offer you a visit in full colour of one of Morocco’s most fascinating cities.

WHITE: You’re sure to whip out your camera the moment you arrive, as the Marrakech Menara airport is the first surprise you’ll encounter. One of the leading airports in the country, during a renovation undertaken from 2006 to 2008 it was endowed with a stunning white structure which combines traditional and modern elements which set up an interplay of light and shadow that generates a different effect at different times of day.

GREEN: Moroccans are very welcoming. As soon as you arrive at your lodgings, you will inevitably be offered mint tea. It will be the first, but not the last. It could safely be considered the city’s “official” beverage, and you are going to see mint all over the place. Apart from the mint they put in your tea, it is well worth venturing into the Souk in search of the mint stalls, housed in a small, less touristy corner of the market near the pyjama and olive stalls. The time we were there, lots of women came to choose the sprig of mint they liked best. It seems there are many different kinds, but neither the photographer nor myself were able to distinguish between them!

ORANGE: While mint tea is the city’s official drink, the beverage of choice in Jemaa el-Fnaa is orange juice. The city’s most famous and packed square is strewn with carts where you can get a delicious orange or grapefruit juice at any time of the day. It is impossible to refuse one, even if it is just to carry a glass around with you, because that is the only way they will stop calling out to you at the top of their voice from each fruit-juice stall.

BLUE: A stroll through Jardín Majorelle is enough to realise why Yves Saint Laurent and his partner, Pierre Bergé, fell in love with this place and decided to acquire and restore it. It is perhaps one of the most amazing spots in Marrakech. It bears the name of Jacques Majorelle, a French Orientalist painter who settled there in 1923 and in 1930 had a studio built in such a peculiar shade of blue that is was christened “Marjorelle blue”. The garden around it is a living artwork in itself, filled with exotic plants and rare species which the artist brought back with him from his journeys. There is also a small memorial to Saint Laurent, which was what spared the place from being swallowed up by a development project.

FUCHSIA: The city is laced with it, as this colour turns up in the most unexpected spots. The fuchsia will strike you when you sit down in the Nomad bar terrace, when you take in views of the city or when you go up the staircase to the terrace of the Maison de la Photographie (highly recommendable, by the way, although perhaps more for the terrace than the exhibits). The bougainvillea fuchsias pop up everywhere – on rooftops, window sills and on top of some garden walls. It provides colour highlights, making the bustling city seem even more lively.

BLACK: One of the least likely colours we would associate with soap is black, yet black soapis a traditional product widely used in Morocco. You’ll come across it if you decide to relax in a hammam, but it is not a “tourist product”. It is sold in markets and is used in the hammams frequented by locals (who have nothing to do with tourists. If you’re up for an experience beyond relaxation, venture into one – it’s something you won’t easily forget). The manufacturing process is mainly artisanal, based on black olives and oil. It is a good exfoliant and contains a lot of Vitamin E, so your skin feels like new.

BEIGE: If you stay in a riad, beige is likely to be the dominant colour during your sojourn. Riads are a highly recommendable alternative to hotels and are becoming more fashionable. A riad is a traditional Moroccan house or palace with a small patio or garden interior. To lodge in one of these is to live out the Moroccan experience more fully, in a genuine setting. Authenticity is imbued through respect for tradition. More and more westerners are opening riadsand, indeed, it is thanks to them that certain techniques, like tadelakt, have been preserved. For years, this lime-based plastering system was a symbol of Marrakech. However, it gradually fell into disuse and is now being recovered by foreigners, like Stephan and Xavier of Riad Snan 13. They opted for beige, the natural tadelakt colour, which has endowed their small riad and its priceless rooms with a warm, oriental ambience. It is well worth visiting for a stay and is very central. You will be lavished with fantastic breakfasts and, above all, their hospitality, with has the drawback that you won’t want to go home!

Don’t put off this unique experience! Check out our flights here.

Text by Anna Guitart

Images by Noemi de la Peña Fillat