Marseille is full of surprises, or at least that’s the feeling you get when venturing into the city. This gateway to the Mediterranean has much more to offer than what is apparent at first sight. For starters, it has two harbours – the Vieux Port (Old Port), enclosed and fortified, a vestige of times when the coastline was invaded by pirates and hostile nations. And, the new – and larger – harbour which opens out to the sea and is a symbol of contemporary times. The elegant buildings lining the city’s streets have an unkempt, decadent yet inspiring air, while the fishing quarters smack of new trends in the guise of art galleries and cafés, and avant-garde spaces such as the MuCEM (Museum for the Civilisations of Europe and the Mediterranean) and the Villa Méditerranée, attesting to Marseille being much more than just a port city. And, in the midst of all this stands the highlight of this article, one of the works which prompts many architects to pilgrimage to Marseille –Le Corbusier’s Cité Radieuse.

This huge building, recently designated a World Heritage Site by UNESCO, together with 16 other architectural works by Le Corbusier, is one of the essential icons of modern architecture and one of the artificer’s major achievements. In this massive and equally beautiful colossus in concrete, the precursor of Brutalist art and ideologue behind architecture as we know it today successfully shaped the vertical city he had dreamed of, which he named the Unité d’habitation (Housing Unity). This was the first in a succession of similar residential buildings which were subsequently erected in Nantes-Rezé (1955), Berlin-Westend (1957), Briey (1963) and Firminy (1965).

Cité Radieuse, known locally as La Maison du Fada (The Nutter's House), is a large apartment block located in the south of Marseille on the Boulevard Michelet. It was designed in 1945 and built from 1947 to 1952. It is made up of 337 duplex apartments distributed over twelve storeys. Apart from its residential function, Le Corbusier also incorporated amenities into the design, including a commercial area on the seventh and eighth floors, gardens, a paddling pool, a gym, a theatre and a nursery on the spectacular rooftop. The edifice was built in rough-cast concrete and its standout feature are the supporting pilotis or piers, as well as the polychromed decoration on the balconies which set up a rhythm across the facade.

Most of the apartments are now private property, although sightseers are allowed to visit the common areas of the building. On the seventh and eighth floors you can see how most of the commercial units have been turned into design and architects studios. An exception to this is La Ventre de l’Architecte, a luxury restaurant affording splendid views of Marseille and the coast. The crowning touch is provided by another communal area, the rooftop, an area of surprises where architectural forms have been turned into spectacular sculptures affording views over the city. A pilot apartment can be visited as part of a guided tour, but be sure to book in advance with the Marseille Tourist Office. Those who would like to broaden their experience of the Cité Radieuse can stay overnight at the Hotel Le Corbusier, housed in the building itself.

Don’t miss the chance to visit Marseille and its architectural jewel, the Cité Radieuse. Book your Vueling here!

Text and photos by Los Viajes de ISABELYLUIS

Some myths about European cities could do with an upgrade. One of these has Hamburg labelled as an eminently professional destination associated with the work sector. While there is some truth to that, it would be a crass error to reduce Germany’s second largest city to the sole status of business haven. Indeed, under the hood of that metropolis, which forms its own federal state (it covers an area of 755 square kilometres), seethes a cultural scene which is well worth venturing into. This nerve centre of Germanic arts also boasts a highly prominent music scene.

Any fan of The Beatles knows that Hamburg is the place where the group hatched their plot to rise to stardom. There are even routes which take you to the spots trodden by the Fab Four. But, far from aiming to live off the past and beatlemania,Hamburg features a powerful network of concert halls with highly varied programmes, both in terms of live music and DJs eager to blast out any kind of sound. Hamburg is a cosmopolitan capital and this comes out in their open-mindedness about all artistic activity.

A tour of these live music clubs might start at III&70, a venue on Schulterblatt street which spotlights upcoming artists. From singer-songwriters to rock groups, electronic music and jam sessions (the most crowded nights of the week).III&70 also has a café famed for its generous breakfasts and an outdoor terrace with some fabulous table football.

Still in the Schulterblatt area, a short walk away we come to Kleiner Donner, the hub of Hamburg’s hip hop scene. While small, this basement locale packs a punch. Here, DJs and MCs eager to make their mark combine explosive scratches with freakish rhythms. This is one of the city’s coolest clubs – be sure to get there early at the weekend; otherwise you are likely to get shut out, as their capacity is rather limited.

Pressing on with the itinerary as far as Nobistor street, in the city centre, we stop off at Molotow, one of the most respected concert halls in Hamburg. Inaugurated in 1990, in the run-up to the times of alternative rock fever, such groups as The White Stripes and At The Drive -Inhave graced their stage. Their current offerings are headed by punk, as well as independent pop and rock bands. Like Kleiner Donner, this is a basement venue which acts as a pressure cooker when crowded. A hundred per cent rock and roll.

Let’s leave behind the “modern” styles and venture into the world of jazz and swing – the latter on the up and up of late. Indeed, Hamburg’s Cotton Club is a living history of live music in Germany. In fact, it is the oldest venue is in town devoted to jazz – in 2009 they celebrated their fiftieth anniversary. Located near Planten un Blomen, a park and botanical gardens in the heart of Hamburg – their own Central Park, to be sure – Cotton Club offers live music all days of the week. And, their gigs are reinforced by an exquisite array of house cocktails.

Another historic place of mandatory pilgrimage is Logo, sited next door to Universität Hamburg. Opened in 1974, its small stage was honoured by the likes of Echo & The Bunnymen, The Jayhawks, Peaches, Modest Mouse, Rammstein, Blink 182, Ben Folds Five, Dillinger Escape Plan, Phoenix and Oasis before their rise to stardom. Nowadays they feature established groups interspersed with upcoming talent touting to make a name for themselves in pop and rock. Logo also offers an appealing programme of tribute bands.

Fire up and discover Hamburg’s musical scene – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

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