With a millennial tradition, Bergamo rises majestically atop a hill in Lombardy. Its medieval old town is one of the best preserved in the region, with vestiges of the passage of Venetians, Austrians, Napoleon and, lastly, the unifiers under Garibaldi. But, apart from its monumental heritage, Bergamo is also famous for its cuisine and for being the birthplace of one of the leading opera composers of all time – Gaetano Donizetti.

Between the Città Alta and the Città Bassa

The Bergamasque universe is split in two. The historic centre is surrounded by an old wall at the top of a steep hill in what is known as the Città Alta or Upper City. At the foot of these hills lies the Città Bassa or Lower City which spreads across the plains and is now the hub of the city’s development.

Until the 19th century, the only connection between the two parts of Bergamo was via the sloping fortified wall gates. Over a hundred years ago, however, they were joined by a funicular railway which now links the Upper and Lower City in less than five minutes. The ride affords some stunning views.

The Essential Bergamo

The two main thoroughfares in old Bergamo are Via Gombito and Via Bartolomeo Colleoni. The network of streets that fan out from there is well worth strolling through as they are structured around the Piazza Vecchia, of which the architect Le Corbusier said it was the most beautiful square in Italy. It is also the site of some of the city’s most significant buildings. Presiding over the area is the formidable Torre Civica, also known as the Campanone, a stunning campanile from where the bells once pealed out to mark curfews and which connects the Palazzo della Ragione to the Palazzo del Podestà.

At the other end of the square stands the white Palazzo Nuovo, designed by the architect Vincenzo Scamozzi. It now houses a library, while a second-hand book and antique market sets up shop under its arcade on Sunday mornings.

The arches attached to the municipal building on the far side of the square lead to the Piazza Duomo. Sited here and well worth visiting is the Cathedral, although absolute pride of place goes to the adjoining Basilica di Santa Maria Maggiore, one of the most beautiful churches in the north of Italy. Begun in the 12th century, its Romanesque exterior belies its opulent interior, studded with frescoes, coloured stucco and marquetry work of the finest quality. A prominent highlight is the Colleoni Chapel. Here, too, lie the mortal remains of the most illustrious Bergamasque, Gaetano Donizetti, as well as those of his master, the no less distinguished Simon Mayr.

A Universal Bergamasque

No account of Bergamo would be complete without mention of the composer, Gaetano Donizetti, who was born and died here. Indeed, every step one takes through the city is a constant reminder of the romantic musician. Whether you are a music lover or not, we wholeheartedly recommend visiting the Museo Donizettiano, located near the Basilica de Santa Maria, with its collection of the composer’s personal belongings and several of his handwritten musical scores. The city’s leading theatre, the Donizetti Theatre, is yet another reminder of Bergamo’s favourite son. Adjacent to the theatre, a large monument pays tribute to his figure, while in autumn the city hosts the Festival Donizetti, which includes performances of his operas and includes guest opera stars from abroad. The festival is also a good time to discover the Teatro Sociale which, after its latest refurbishment in 2009, is unlikely to leave you indifferent.

Essential Cuisine

By now nobody would be surprised to hear about the excellence of Italian cuisine, and Bergamasque cooking is no exception. The star dish in the city is their casonsei or casoncelli alla bergamasca, a meat-filled pasta with a superb sage butter sauce. Their cured meat is another forte of the region, as are the wines. There are two venues you should make a point of visiting if you want to taste their finest cuisine. First, Da Mimmo, on the Via Colleoni in the Città Alta. Here you can taste some of the local specialities and one of the city’s most famous pizzas. The other essential eatery is the Baretto de San Vigilio. You can only get there by taking a second funicular from the Città Alta. The restaurant serves delicious traditional cuisine with signature flourishes and affords what are some of the best views of Bergamo. You simply must try their homemade tiramisu, one of the tastiest in the north of Italy.

Fire up and visit this fantastic Lombard city – book your Vueling to Milan here.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Images by Aleix Palau, Rick Ligthelm, David Spender

Gijon Sound is a musical movement that arose in Asturias during the early 1990s to become one of the most popular scenes in Spanish indie music. While Los Planetas were starting to define the musical movement in Granada that would go on to counter another musical scene created in Madrid during the 1980s by the name of the ‘Movida Madrileña’, La Buena Vida was doing the same in San Sebastian and El Niño Gusano in Zaragoza – decentralising the focus placed by Spanish music on the capital city that had so greatly featured in the ‘Movida Madrileña’.

Many of you will remember the most iconic band of this sound, Australian Blonde, whose hit song Chup Chup was used for the film ‘Las historias del Kronen’ by Montxo Armendáriz and was even heard on the radio shows of Los 40 Principales. However, you may be surprised to learn that other bands of equal importance coincided in time and space with Australian Blonde, such as Penelope Trip, Manta Ray and Nosoträsh. Penelope Trip provided the space for many of the bands from the movement to rehearse and Nacho Vegas from Manta Ray used to provide drinks at La Plaza – a bar that became the temple where all indie musicians from Asturias would gather. Many of the musicians from the Gijon Sound movement studied at Oviedo University and spent a great deal of time on the Milan Campus, whose cafeteria often served as a meeting place for the bands of the 1990s. Besides the bands mentioned above, other Asturian bands like Doctor Explosión should also be recognised as, although they were not fully involved in the indie sound of the Gijon Sound, they were in the right place at the right time. Also worthy of special mention are the bands created by the girlfriends of the members of bands in the Gijon Sound movement, such as Undershakers or Nosoträsh.

Other lesser-known bands could include Screamin’ Pijas, Las Buges or Babylon Chat, one of whose tracks is included in our Podcast, or the noisy Eiminator Jr., a band who took their name from a track by Sonic Youth on their Daydream Nation album and whose sound is closer to noise pop than that of the Gijon Sound.

This brief journey through the Asturian sound would not be complete without mention of Paco Loco, the producer for most of the Gijon Sound bands, who has become perhaps the most reputable producer of Spanish indie music, the Astro music label and the Gijon International Film Festival, one of the benchmark film festivals in Spain and very closely associated with this movement. The film festival regularly includes courses, discussions, meetings with directors and daily concerts or live music parties. (www.gijonfilmfestival.com)

We now offer you a brief tour of the bars around Gijon where the Gijon Sound movement was most present, some of which still conserve the same musical spirit today. We also offer a podcast including some typical Gijon Sound tracks for you to listen to while you visit the bars we recommend here.

The small, cramped but charming bars and good music of Cimadevilla are an essential requirement for experiencing the nightlife in Asturias. Let us begin in the Plaza de la Corrada, more specifically at the La Plaza bar, spiritual home of the Gijon Sound. Very close to La Plaza, you will find Soho, which plays great Spanish music until four in the morning and then British music until the sun rises. Soho has a well-kept secret: a small upper floor accessed by climbing some steps that is easily among the best in the Gijon nightlife. We cannot fail to mention the most legendary bar in the city: Escocia. This bar has become a refuge for those of us in our early forties and still maintains the spirit of the Gijon Sound. El Patio de la Favorita is another trendy bar, with great music and a live DJ every night. On the way, between the Plaza de El Marqués and El Patio, and as long as you like a good gin & tonic, Lola Gin is a great place for you to enjoy a G&T with cucumber, lemon or lime.

1. La Plaza, Travesía de la Corrada con la de Atocha, Gijon
2. Soho, Calle de las Cruces, 33201 Gijon
3. Escocia, 7 Calle de Santa Lucía, 33206 Gijon
4. El Patio de la Favorita, 4 Calle Ezcurdia, 33203 Gijon
5. Lola Rojo Gin, 5 Calle de San Antonio, 33201 Gijon

Perfect plan to go with friends! Check our flights and sign up! 

Our main reason for visiting Iceland’s capital was to uncover the city’s musical melting pot. Reykjavik has continued to churn out musical icons ever since the initial boom in the early 1980s, as reflected in the documentary and double LP, “Rokk í Reykjavík”, featuring such Icelandic bands as Baraflokkurinn and Tappi Tíkarrass – the latter was Björk’s first serious music project. When talking of Iceland, the first thing that springs to mind are the two most popular names on the international scene – Sigur Rós, and the aforementioned Björk. However, there is an amazingly long list of artists distributed across the length and breadth of the land, as well as countless bands, soloists and collectives that often share their members, regardless of each group’s musical style.

All of these have at some time performed in Húrra, Reykjavik’s leading concert hall, previously known as Harlem. When we were there, we were impressed by the varied setlists scheduled for the following days – an extreme metal festival, a reggae group (Hjálmar, very popular in Iceland)  and a tribute group to the Sex Pistols which hails from the continent. Húrra really acts as a downtown music hub, covering all the musical genres. For starters, it is one of the customary venues for the popular music festival, Icelandic Airwaves, which is held at the beginning of November at various settings in the city, including the marvellous Harpa, a musical and cultural activities centre which has fairly galvanised the local scene in the last few years.

Needless to say, we had to finish off the night with a beer. There are myriad Icelandic brands, including the ubiquitous Viking, in addition to some imported varieties. We ended up at Kaffibarinn, also known as KB, owing to the fact that Damon Albarn from Blur is one of its proprietors. The downstairs hall is comfortable, cosy and features a good, ongoing soundtrack, principally pop and electronic. But, remember not to bother the DJ – not for nothing is there a metal plaque near the crockery which reads, “No requests accepted”. If you want to smoke, which is not allowed inside the premises, they have an open-air interior patio where you can smoke and still keep up a conversation with friends and acquaintances. But, at midnight, everything changes and the upstairs area at KB becomes a dance club which operates until the early hours.

The local scene is clearly both extensive and surprising. Apart from groups with a proven track record, notably Of Monster And Men, Sólstafir, Amina, FM Belfast and Sin Fang, it is the new generation that is shaking the very foundations of the city. We could start with Retro Stefson, a pop group which has been migrating toward electronic and has recently shot to the number one slot in Iceland thanks to their new single, Skin, a preview of their upcoming album, Scandinavian Pain. In fact, it was their vocalist and guitarist, Unnsteinn Manuel Stefánsson, who acted to some extent as our host during our fleeting visit. After inviting us to see his new studio, which is bound to become one of the most active in the city, he took us to have a coffee in Sæmundur í Sparifötunum, a hipster gastro hotel where he introduced us to two of Iceland’s best known rap stars, the upcoming talent, Gísli Pálmi, and the veteran Emmsjé Gauti, the author of a single called precisely Reykjavik. He talked to us about the female collective Reykjavíkurdætur, currently on a meteoric roll, and remarked how one of the leading lights of Iceland’s parliament, Óttarr Proppé, has played in various bands, among them HAM, which was very popular in the early nineties. He also revealed that his favourites included the very young singer (aged sixteen) from R&B and trap music, Aron Can, and the pop singer, Sturla Atlas. Truth be told, Manuel – of Portuguese and Angolan extraction – is also the brother ofLogi Pedro,one of the most celebrated hip hop producers in Iceland and the composer of much of the bass and rhythms for some of the aforementioned artists.

When it came to discovering new artists, we were also lucky enough to have the assistance of the writer, Sigurjón Birgir Sigurðsson, who goes under the stage nameSjónand who collaborates closely with Björk. He recommended the DJ, Flugvél Og Geimskip, and the trap duo, Úlfur Úlfur, whose popularity is on the up and up and who feature among Iceland’s best known current stars.

We could go on about contemporary figures well worth watching, including Sin Fang, who has just worked with Jónsi of Sigur Rós on the latter’s new album. Then there is the electropop group, Gangly, and Alex Somers, the hyperactive writer of American soundtracks who resides in the city and who, together with his boyfriend, the aforementioned Jónsi, recorded under the name Riceboy Sleeps.

And, of course, a must-visit is to the best record shop in town, Smekkleysa, associated with the Bad Taste label (which is what “Smekkleysa” means in Icelandic), and originally related to members of The Sugarcubes. In short, this venue is the basic driving force behind the burgeoning Icelandic scene, due largely to its promotion of such internationally acclaimed projects as Fufanu, Gus Gus, Jóhann Jóhannsson, Minus, Mugison, Múm and Sigur Rós itself.

You will be dazzled by the huge variety of musical offerings to be had in Reykjavik. Don’t pass up the chance to venture into the city’s music scene – check out our flights here.

Text by Joan S. Luna (Mondo Sonoro)

Images by Los Viajes de ISABELYLUIS

The upcoming 14th International Beefeater In-Edit Music Documentary Festival will be featuring the best music documentaries from the past and present. This time around, what caught our attention is the large number of punk-related documentaries. No wonder, as we happen to be celebrating the fortieth anniversary of this genre. You heard it – forty years have passed since a group of mates got together and crafted a band to start a riot. And, indeed they did. The Sex Pistols lit the fuse in late 1976 and, just two years later, the musical paradigm had changed radically. The system was transformed from a scene dominated by intellectualised, ultra-professional hard rock and progressive rock bands such as Deep Purple, Led Zeppelin, Genesis or Emerson, Lake and Palmer, into another, totally alternative and largely amateur scene. And, London was the nerve centre of this new circus act.

Some documentaries dealing with this genre will feature at this year’s In-Edit Festival. Check out the programme here. Following is a rundown of the documentaries in which London acted as the backdrop. It’s amazing to see what the City was like at such a major turning point in its history, just when it it seemed more like a time bomb on the verge of blowing up, on account of the wrangling between different political trends and the high unemployment rate, particularly among young people. Remind you of anything?

Jubilee (Derek Jarman, 1978)

Rather than a documentary, this is actually a feature film, albeit 100% punk. Its director skilfully captured the spirit of the moment in this marvellous dystopian movie in which Elizabeth I travels 400 years into the future and lands in a desolate, nihilist Britannia where gangs of evil girls and killer police roam the streets.

The Filth And The Fury (Julien Temple, 2000)

Set at the pinnacle of this documentary genre, this film was a watershed in its day. It does true-to-life justice to the story of the Sex Pistols, the band which caused a sea change that rocked the foundations of the music industry in just one and a half years. The documentary is crammed with references to the punk scene in London. Highly recommended.

Rough Cut Ready Dubbed (Hasan Shah and Dom Shaw, 1982)

This film documents the post-punk period (1979-1982), which saw a convergence between various urban tribes, notably the Mods, Rockers, Punks and Skinheads. The editing is markedly punk, while it’s interesting to see the prevailing looks and the way the folks moved in their milieu. The main characters are scene celebrities (press, musicians, DJs, etc.) and the movie is recorded in Super 8. Stills in motion from a fleeting period marked by upheaval.

Rude Boy (Jack Hazan & David Mingay, 1980)

Set in London in 1978 and early 1979, with The Clash as co-protagonists. The movie opens by setting the scene in the electoral context that London was steeped in at the time, with nationalist, anti-communist and even xenophobes on one side, and anti-racist and anti-Nazi protests on the other. The film blends fiction with documentary and also chronicles tours by The Clash.

Punk: Attitude (Don Letts, 2005)

This documentary makes the perfect introduction to the genre for the uninitiated. It features a huge gamut of celebrities who were involved in some capacity, notably Captain Sensible (The Damned), Mick Jones (The Clash) and Siouxsie Sioux (…and the Banshees), brought together by the hardened documentalist and DJ who mediated between punks and Rastafarians in the first year of London punk.

Four Accessories For the Punk Experience in London

1. Dr. Martens Boots

Worn by many of the lads that feature in the In-Edit documentaries. Nowadays you can buy them at the official Dr. Martens Store, and also at the Camden and Portobello street markets, sold by the odd specialty stall.

2. Second-hand Punk Records

If your thing is vinyl, with mangy, well-bent edges, the best deals can be found at All Ages Records in Camden.

3. Pubs

A number of pubs became part of the haunts of the punk movement in the 70s and early 80s, particularly those in the vicinity of the 100 club on Oxford Street, or The Roxy, in Covent Garden. If you still feel the urge to down a few pints among leather jackets with studs and crests, we recommend you head for The Elephant’s Head in Camden.

4. Garments

As much as some voice the opinion that punks were anti-everything – and even anti-fashion – we all know that was not true. The Sex Pistols were the first to be put through the fashion wringer. They were the living mannequins of Malcolm McLaren and Vivienne Westwood, who owned the Sex punk boutique at 430 King’s Road. Today, such designers as Westwood herself or Jean Paul Gaultier still display punk influences. There are currently a number of stores that carry iconic garments, but we recommend a futuristic update of this trend at Cyberdog.

Be sure to put on tight leather pants and spike your hair.  Discover the wild side of London – check out our flights here.

Text by Los Viajes de ISABELYLUIS