The upcoming 14th International Beefeater In-Edit Music Documentary Festival will be featuring the best music documentaries from the past and present. This time around, what caught our attention is the large number of punk-related documentaries. No wonder, as we happen to be celebrating the fortieth anniversary of this genre. You heard it – forty years have passed since a group of mates got together and crafted a band to start a riot. And, indeed they did. The Sex Pistols lit the fuse in late 1976 and, just two years later, the musical paradigm had changed radically. The system was transformed from a scene dominated by intellectualised, ultra-professional hard rock and progressive rock bands such as Deep Purple, Led Zeppelin, Genesis or Emerson, Lake and Palmer, into another, totally alternative and largely amateur scene. And, London was the nerve centre of this new circus act.

Some documentaries dealing with this genre will feature at this year’s In-Edit Festival. Check out the programme here. Following is a rundown of the documentaries in which London acted as the backdrop. It’s amazing to see what the City was like at such a major turning point in its history, just when it it seemed more like a time bomb on the verge of blowing up, on account of the wrangling between different political trends and the high unemployment rate, particularly among young people. Remind you of anything?

Jubilee (Derek Jarman, 1978)

Rather than a documentary, this is actually a feature film, albeit 100% punk. Its director skilfully captured the spirit of the moment in this marvellous dystopian movie in which Elizabeth I travels 400 years into the future and lands in a desolate, nihilist Britannia where gangs of evil girls and killer police roam the streets.

The Filth And The Fury (Julien Temple, 2000)

Set at the pinnacle of this documentary genre, this film was a watershed in its day. It does true-to-life justice to the story of the Sex Pistols, the band which caused a sea change that rocked the foundations of the music industry in just one and a half years. The documentary is crammed with references to the punk scene in London. Highly recommended.

Rough Cut Ready Dubbed (Hasan Shah and Dom Shaw, 1982)

This film documents the post-punk period (1979-1982), which saw a convergence between various urban tribes, notably the Mods, Rockers, Punks and Skinheads. The editing is markedly punk, while it’s interesting to see the prevailing looks and the way the folks moved in their milieu. The main characters are scene celebrities (press, musicians, DJs, etc.) and the movie is recorded in Super 8. Stills in motion from a fleeting period marked by upheaval.

Rude Boy (Jack Hazan & David Mingay, 1980)

Set in London in 1978 and early 1979, with The Clash as co-protagonists. The movie opens by setting the scene in the electoral context that London was steeped in at the time, with nationalist, anti-communist and even xenophobes on one side, and anti-racist and anti-Nazi protests on the other. The film blends fiction with documentary and also chronicles tours by The Clash.

Punk: Attitude (Don Letts, 2005)

This documentary makes the perfect introduction to the genre for the uninitiated. It features a huge gamut of celebrities who were involved in some capacity, notably Captain Sensible (The Damned), Mick Jones (The Clash) and Siouxsie Sioux (…and the Banshees), brought together by the hardened documentalist and DJ who mediated between punks and Rastafarians in the first year of London punk.

Four Accessories For the Punk Experience in London

1. Dr. Martens Boots

Worn by many of the lads that feature in the In-Edit documentaries. Nowadays you can buy them at the official Dr. Martens Store, and also at the Camden and Portobello street markets, sold by the odd specialty stall.

2. Second-hand Punk Records

If your thing is vinyl, with mangy, well-bent edges, the best deals can be found at All Ages Records in Camden.

3. Pubs

A number of pubs became part of the haunts of the punk movement in the 70s and early 80s, particularly those in the vicinity of the 100 club on Oxford Street, or The Roxy, in Covent Garden. If you still feel the urge to down a few pints among leather jackets with studs and crests, we recommend you head for The Elephant’s Head in Camden.

4. Garments

As much as some voice the opinion that punks were anti-everything – and even anti-fashion – we all know that was not true. The Sex Pistols were the first to be put through the fashion wringer. They were the living mannequins of Malcolm McLaren and Vivienne Westwood, who owned the Sex punk boutique at 430 King’s Road. Today, such designers as Westwood herself or Jean Paul Gaultier still display punk influences. There are currently a number of stores that carry iconic garments, but we recommend a futuristic update of this trend at Cyberdog.

Be sure to put on tight leather pants and spike your hair.  Discover the wild side of London – check out our flights here.

Text by Los Viajes de ISABELYLUIS

The seventeenth edition of Primavera Sound will be held in Barcelona from 31 May to 4 June. The main centre of operations is the Parc del Fòrum, but concerts will also be hosted at other points in town (check out the festival website for these extra concerts and ticket availability). Barcelona will actually become the world’s music capital for five days. This year the line-up is headed by a wide variety of top-notch artists, notably Van Morrison, Grace Jones, Arcade Fire, Bon Iver, Frank Ocean, The xx, Aphex Twin, Slayer and Solange, as well as a number of highly interesting b-series artists, including The Damned, Wild Beasts, Angel Olsen, The Magnetic Fields, Marie Davidson, Julie Dorion and Mac Demarco, among others.

Apart from treating visitors to myriad musical offerings, Primavera Sound also gives you the chance to see the city. Barcelona is a comparatively compact city, so you can tour it in a short space of time. Here, then, are some tips on how to do it at your convenience.

Room Wanted

Barcelona is a tourist resort and, as such, offers a host of hotel accommodations. Then again, that makes it difficult to decide on an option. Here are three quite different proposals to help you make your choice. The first is Hostel Generator, located on Calle Córcega, well placed in terms of the city centre, the Gràcia district and the Verdaguer metro stop where you can get Line 4 straight to the Fòrum. Another interesting option is Melon District Marina, a student residence which also accepts bookings for just a few days, located halfway between downtown Barcelona and the main Primavera Sound venue (it’s just a fifteen-minute ride by either Metro or Trambaix to the Parc del Fòrum). Lastly, if you’re on a shoestring budget, you could always check out the Couchsurfing Barcelona website to find free accommodation.

Affordable Snacks

Barcelona’s culinary array is also endless. Here, we focus on a few reputable restaurants serving a Mediterranean diet and, more importantly, at reasonable prices. Let’s begin at Urretxu, a Basque restaurant near the Olympic Village which serves up market cuisine – ideal for a quick meal before any of the concerts. It is close to several stops on Line 4 and just a stone’s throw from the Fòrum. More centrally located – specifically, on Calle Diputación – is Gelida, with its typically Catalan culinary offerings which will suit all pockets. They do not have a house menu, but the list of dishes based on fresh products is great. Winding up these recommendations is the Bacoa hamburger chain, with several outlets scattered about the city. You can sit down to a meal of their organic meat hamburgers in any of their establishments, or opt for a takeaway, a good choice if you’re looking to get to the festival grounds as early as possible.

Hunting For Vinyl

If you’re left with any spare time after the flurry of activity generated by Primavera Sound, why not drop in on some of the city’s most venerable record shops? It’s worth embarking on that quest for the vinyl you’ve been seeking out for some time in the Calle Tallers, right next to Barcelona’s Rambla. There you will find the two stores owned by Discos Revolver, who celebrated their thirty-fifth anniversary just a short while ago. Another place of pilgrimage for music lovers which you should make a point of visiting is Ultra-Local Records, located on Calle Pujades, just a few metres from the line 4 metro stop of Llacuna (three stops from the Fòrum). Another way of “searching for the lost record” on the Sunday hangover morning is by visiting Mercat de Sant Antoni, an emblematic second-hand street market where, apart from vinyls, you can pick up all sorts of collectibles at very reasonable prices.

Book your Vueling to Barcelona and gear up to revel in the Primavera Sound festivities.

Text by Xavi Sánchez Pons

Our main reason for visiting Iceland’s capital was to uncover the city’s musical melting pot. Reykjavik has continued to churn out musical icons ever since the initial boom in the early 1980s, as reflected in the documentary and double LP, “Rokk í Reykjavík”, featuring such Icelandic bands as Baraflokkurinn and Tappi Tíkarrass – the latter was Björk’s first serious music project. When talking of Iceland, the first thing that springs to mind are the two most popular names on the international scene – Sigur Rós, and the aforementioned Björk. However, there is an amazingly long list of artists distributed across the length and breadth of the land, as well as countless bands, soloists and collectives that often share their members, regardless of each group’s musical style.

All of these have at some time performed in Húrra, Reykjavik’s leading concert hall, previously known as Harlem. When we were there, we were impressed by the varied setlists scheduled for the following days – an extreme metal festival, a reggae group (Hjálmar, very popular in Iceland)  and a tribute group to the Sex Pistols which hails from the continent. Húrra really acts as a downtown music hub, covering all the musical genres. For starters, it is one of the customary venues for the popular music festival, Icelandic Airwaves, which is held at the beginning of November at various settings in the city, including the marvellous Harpa, a musical and cultural activities centre which has fairly galvanised the local scene in the last few years.

Needless to say, we had to finish off the night with a beer. There are myriad Icelandic brands, including the ubiquitous Viking, in addition to some imported varieties. We ended up at Kaffibarinn, also known as KB, owing to the fact that Damon Albarn from Blur is one of its proprietors. The downstairs hall is comfortable, cosy and features a good, ongoing soundtrack, principally pop and electronic. But, remember not to bother the DJ – not for nothing is there a metal plaque near the crockery which reads, “No requests accepted”. If you want to smoke, which is not allowed inside the premises, they have an open-air interior patio where you can smoke and still keep up a conversation with friends and acquaintances. But, at midnight, everything changes and the upstairs area at KB becomes a dance club which operates until the early hours.

The local scene is clearly both extensive and surprising. Apart from groups with a proven track record, notably Of Monster And Men, Sólstafir, Amina, FM Belfast and Sin Fang, it is the new generation that is shaking the very foundations of the city. We could start with Retro Stefson, a pop group which has been migrating toward electronic and has recently shot to the number one slot in Iceland thanks to their new single, Skin, a preview of their upcoming album, Scandinavian Pain. In fact, it was their vocalist and guitarist, Unnsteinn Manuel Stefánsson, who acted to some extent as our host during our fleeting visit. After inviting us to see his new studio, which is bound to become one of the most active in the city, he took us to have a coffee in Sæmundur í Sparifötunum, a hipster gastro hotel where he introduced us to two of Iceland’s best known rap stars, the upcoming talent, Gísli Pálmi, and the veteran Emmsjé Gauti, the author of a single called precisely Reykjavik. He talked to us about the female collective Reykjavíkurdætur, currently on a meteoric roll, and remarked how one of the leading lights of Iceland’s parliament, Óttarr Proppé, has played in various bands, among them HAM, which was very popular in the early nineties. He also revealed that his favourites included the very young singer (aged sixteen) from R&B and trap music, Aron Can, and the pop singer, Sturla Atlas. Truth be told, Manuel – of Portuguese and Angolan extraction – is also the brother ofLogi Pedro,one of the most celebrated hip hop producers in Iceland and the composer of much of the bass and rhythms for some of the aforementioned artists.

When it came to discovering new artists, we were also lucky enough to have the assistance of the writer, Sigurjón Birgir Sigurðsson, who goes under the stage nameSjónand who collaborates closely with Björk. He recommended the DJ, Flugvél Og Geimskip, and the trap duo, Úlfur Úlfur, whose popularity is on the up and up and who feature among Iceland’s best known current stars.

We could go on about contemporary figures well worth watching, including Sin Fang, who has just worked with Jónsi of Sigur Rós on the latter’s new album. Then there is the electropop group, Gangly, and Alex Somers, the hyperactive writer of American soundtracks who resides in the city and who, together with his boyfriend, the aforementioned Jónsi, recorded under the name Riceboy Sleeps.

And, of course, a must-visit is to the best record shop in town, Smekkleysa, associated with the Bad Taste label (which is what “Smekkleysa” means in Icelandic), and originally related to members of The Sugarcubes. In short, this venue is the basic driving force behind the burgeoning Icelandic scene, due largely to its promotion of such internationally acclaimed projects as Fufanu, Gus Gus, Jóhann Jóhannsson, Minus, Mugison, Múm and Sigur Rós itself.

You will be dazzled by the huge variety of musical offerings to be had in Reykjavik. Don’t pass up the chance to venture into the city’s music scene – check out our flights here.

Text by Joan S. Luna (Mondo Sonoro)

Images by Los Viajes de ISABELYLUIS

Having been invited on a pintxo crawl of San Sebastián by the club, Dabadaba, and to steer the DJ booth for revellers to dance to their heart’s content, I set out some hours ahead of my session to find the best pintxos in town. I was lucky to have my friend, Borja, as my guide. Apart from being a local, as well as producing and DJ’ing good music, he knows the temples of those delicious dinky bites like the back of his hand. Here we go…

Evenings In the Thick Of It

Our tour began at Txepetxa, home of the anchovy, offering all kinds of pintxos featuring that small yet noble fish, accompanied by cream of spider crab, sea urchin, olive paté, foie gras, stewed apple or trout and salmon roe. Everything looked awesome, but I opted for a fresh anchovy classic. Great! We went for a stroll to La Concha and headed into Narru, in the basement of the historic Hotel Niza, with views over the bay which clearly ratchets up the experience of tasting their dishes, notably their luma gorri (chicken wing) with potato, smashed fried egg and alioli or the secreto ibérico ham. Stunning! We retraced our steps to the old town and went into Zazpi, where the young chef, Paul Arrillaga, doles out happiness from his fiery helm in the form of a spectacular “potato volcano”, a pintxo based on truffle, egg and potato or an exquisite ox-tail ravioli. A veritable banquet. We made our way to Dabadaba.

After opening in April 2014, the locale has been graced by the likes of Allah-Las, Sean Nicholas Savage, The Godfathers and Omar Souleyman, among others. On stage were The Space Lady, a pioneer of electronic music, with a staging as minimalist as it is breathtaking. They bewitched us completely and, when we came down to earth again, we were faced by Fernando Lagreca churning out his particular electronic brand as a matchless prelude to my own set. My turn came. I started with some new releases I have been DJ’ing recently, interspersing themes from Italo disco, acid and disco bizarro. Things perked up and Dabadaba ended up dancing in full swing. A great night – we had a smashing time. Then we hit the hay.

Saturday In Donosti Is No Ordinary Saturday

Rising early is a virtue, but doing so when you’ve been to bed late is untenable. So we headed straight off in search of pintxos. Again in the old town, I was taken to Paco Bueno, a spot I wouldn’t miss for anything. Offering a meagre four or five pintxos, notably shrimp dumpling, hake in batter, croquettes and pie, this is one of the city’s most crowded bars, opened in 1950 by a retired boxer. The business was later taken over by his son, a rugby player, as is his brother, Chufo, and his son, Gorka. A family concern with warm, family service, the bar walls crammed with pictures of boxing and the sport with a melon-shaped ball – what else would you expect? Still in the inner city, we made for Borda Berri, whose staff are shared by La Cuchara de San Telmo, another illustrious pintxo temple. The star dish is their “kebap”, a delicious pork ribs with an incongruous name which prompts veritable pilgrimages to taste it. Other dishes with the same fate include their cheek of beef, octopus and risotto de Idiazábal. Just opposite lies Txuleta, specialising in meat dishes, if you fancy that. The best thing then was to work off the meal by striking out and we ended up at the Club Náutico de Donosti, with the whole La Concha bay before us. The sun was blazing that day and this spot was divine. The upstairs floor houses GU, another club where you can dance house or techno, depending on the night. I made a point of visiting Tabakalera before I left.

On the verge of making its debut as the European Capital of Culture, with the San Sebastián International Film Festival and the San Sebastián Jazz Festival among its leading cultural draws, the city boasts a peerless interdisciplinary space known as La Tabakalera. This public International Contemporary Culture Centre focuses on promoting upcoming local creatives and hosts activities revolving primarily around research, production and exhibition. Their feature-film and documentary seasons, exhibitions and Hirkilabs spaces, their Digital and Technology Culture Lab and Ubik – Tabakalera Creation Library – make this one of Donosti’s liveliest and most avant-garde hubs. The premises have character, set in a building that was once the city’s tobacco factory. A city with character, too.

There you have it – there’s a lot more to San Sebastián than La Concha. Fancy discovering it? Check out our flights here.

Text and images by Luis Costa for ISABELYLUIS Comunicación