Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

Bordeaux can boast of having emerged from a sweet slumber, deservedly earning it the name of “the Sleeping Beauty”, later becoming the “Pearl of Aquitaine”. Here are the keys to enjoying a city that has become an irresistible tourist destination.

1. Taste Its Wines

Why deny it? Wine is the region’s economic driving force and the main reason for Bordeaux being famous all over the world. A trip to this city is clearly the perfect excuse for venturing into its extensive wine realm. The local tourist office has a roster of 60 different circuits for touring the viticultural region’s wineries that have edged their way onto the international scene. Needless to say, you don’t actually have to leave Bordeaux to discover its wines. All you need to do is head for one of the bars or bistros to find them. Here are our recommendations:

- The Bar à Vin du CIVB is a city classic and has an extensive Bordeaux wine list.

- For those who prefer to accompany their wine with some good cheese, Bistrot du Fromager is their best option.

- Those on a tasting tour who also want to take away the odd bottle as a keepsake should drop in on La Conserverie-Converserie.

- And, you can even sign up for a course in wine tasting at L’École du Vin.

2. Be Dazzled by the Largest Water Mirror in the World

The Place de la Bourse (Bourse Square). also known as the Place Royale, is undoubtedly one of the major landmarks in Bordeaux. It was designed by Jacques Ange Gabriel, royal architect to Louis XV, and built from 1730 to 1755.This square heralded the moment when the city broke out of its medieval walls, marking the start of its age of splendour. Rectangular in shape, one side opens onto the river Garonne, while the centre is taken up by the Fountain of The Three Graces. The main attraction, however, is Le Miroir d’Eau (Water Mirror), one of the largest in the world, with a surface area of 3.450 m². The interplay of reflections is fascinating and highly photogenic – if you’re travelling with children, it is sure to delight them.

3. Enjoy Its Heritage

After Paris, Bordeaux is the city with the largest number of protected monuments in France. One example of this is its harbour, known as the Port of the Moon, which was listed as UNESCO World Heritage in 2007. Set on a meander of the river Garonne, its nickname is derived from its crescent-moon or croissant shape. Most of the buildings in the harbour and environs reflect the ideals of the Enlightenment. Be sure to stroll through its streets and admire their unique beauty.

4. Take a Boat Ride Along the River Garonne

The river Garonne has long been a lynchpin of the city’s development. Indeed, in the 18th century, it was one of the most important ports in Europe. A novel way of viewing the city of Bordeaux is by taking in the different angles of it afforded by the river. All you need to do is turn up at the Port of the Moon and go on one of the available cruises. Of the myriad options to choose from, we recommend one that includes wine tasting and snacks while soaking up the views.

5. Be Inspired by Museum Offerings

Art lovers have a must-visit in the shape of the Museum of Fine Arts, noteworthy for its fine collection of Dutch paintings. If you’re an enthusiast of the latest in art trends, the place to be is the CAPC Musée d’Art Contemporain, located in a former warehouse for colonial goods. The Museum of Decorative Arts, housed in the Hôtel Lalande, is a showcase of bourgeois life in the 18th and 19th century, as seen through their decorative objects – furniture, sculpture, engravings, ceramics, cutlery and glassware.

6. Enjoy Nature in One of the Parks

Bordeaux has many parks where you can get a breather. The best known is the Jardin Public (Public Garden), set in the heart of the city. It was opened in 1755 and styled along the lines of Versailles, but subsequently re-styled as an English garden. It features an old carousel which children will love.

7. Eat Oysters in the Market

If you happen to spend a weekend in Bordeaux, make sure you head for the Marche des Capucines. This magnificent market offers top-notch produce and has a wonderful atmosphere. There, you will find stalls where you can taste oysters, seafood and fresh fish.

Book your Vueling here and see all the hidden charm of Bordeaux for yourself.

Text by ISABELYLUIS Comunicación

Images by SuperCar-RoadTrip.fr, Yann Chauvel, Bistro du Fromager

Some months ago we wrote about five must-visit restaurants in Gijón: Los Pomares, where the fabada is a winner; El Quinto, a wine tavern with globe-trotting tapas; Casa Trabanco, a cider mill with guided visits laid on and dishes based on ingredients from their own market garden; El Candil, which boasts the best fish in town, and La Bolera, a grillroom acclaimed throughout Spain.

Should the list not make the grade – it does, I can assure you – Gijón also hosts several gastro-events which provide an excellent pretext to visit.

Flavours of Arcu Atlánticu

Billed as a culture festival featuring a blend of literature, performing arts, fine arts, music and cuisine from the Atlantic regions of Spain, France, Portugal, Ireland and the United Kingdom, the festival also features star chefs in action. Graced with awards by the city of Gijón, they cook on an enormous stage in the Plaza Mayor before more than 1,000 people, flanked by giant screens, as if a rock concert were being staged. This year, it will be held on 1 August. The event has already hosted such celebrities as Elena Arzak, Eneko Atxa, Andoni Luis Aduriz and Dieter Koschina, the chef at the Vila Joya restaurant, until recently the only Portuguese eatery with two Michelin stars.

Natural Cider Festival

In the week from 22 to 28 August, Gijón tastes only of cider. Around thirty cider mills set up their cider-serving stalls in two urban settings – the Plaza Mayor and the marina (alongside a sculpture known as “The Cider Tree”, made up of bottles from 80 Asturian cider mills). For a token fee, visitors get a commemorative glass they can fill up free-of-charge at any of the stands throughout the day at the so-called Mercadín de la sidra y la manzana (cider and apple market). There are various activities during the week. The bus de la sidra or “cider bus”, which visitors can take to the local cider mills, cursos de escanciado (courses in cider-pouring) and cancios de chigre (cider tavern songs) when hundreds of people gather in the Plaza Mayor to sing the most popular songs of Asturias, while on Poniente Beach there will be an attempt to break the Guinness simultaneous cider-pouring record. Set in 2014, it brought together 8,448 cider pourers.

Gijón de sidra

The Gijón de Sidra festival is held for eleven days each October (this year, from 6 to 16 October), during which cider mills from all over Asturias are twinned with emblematic cider taverns in the city. Each tavern then offers a bottle of cider from the mill they represent, in addition to a homemade portion of food served in a cazuelina, all at a moderate price, accompanied by the singing ofcancios de chigre(cider tavern songs).

Gastronomic Workshops

You can always join some gastronomic workshop around the time of the traditional fiestas. The celebrations of Antroxu (Carnival), with pote (hotpot), picadillo (mince) and frixuelos (flour fritters); those of Holy Week, the Asturian de Pinchos contest (in February), the pinchos (meat on the skewer) contest at the Gijón Sound Festival (last held from 15 to 17 April), and the Pinchos de Gijón championship (in November).

The Cider Route

A good way of learning everything you need to know about cider, the Asturian beverage par excellence, is by indulging in it. Depending on the ticket you purchase, you can learn the secrets of cider making, visit outlets where it is sold, take part in tasting sessions or eat candies made with apple. (There are four types of ticket, which are sold at the Gijón Tourist Offices or online). Available throughout the year.

Gijón Gourmet

Epicureans have the chance to lunch or dine at seven of the best restaurants in Gijón (Casa Gerardo, Agua, Bellavista, El Candil, La Salgar, Casa Víctor, Ciudadela) at an attractive price – 50 euros in the case of Michelin-starred eateries and 45 euros in the others. The menu comprises two starters, two main dishes, dessert and wine. When booking, all you need to point out is that you want a Gijón Gourmet Menu (only tables of up to 8 diners are eligible for the offer).

Gijón Goloso

Gijón Goloso works in a similar way. Considering it is one of Spain’s cities with the most confectionery shops, sixteen of them were selected to make a special sweet which visitors can taste after buying a ticket online or at the Infogijón offices. Five tastings costs 7 euros, while 10 tastings costs 13 euros. The offer lasts all year long, so you have ample time to prepare your trip, as sweet-toothed tourists will never be short of their candies.

Text and photos by Ferran Imedio of Gastronomistas.com

The French Riviera was a sanctuary and source of inspiration for many artists in the first half of the 20th century. Seduced by its light, and also its good climate and the magic of the Mediterranean, they succumbed to its charm. One of these was Henri Matisse, who arrived in Nice in 1917 seeking a cure for his bronchitis and remained there until his death in 1954. It was in Nice that he found the peace of mind and the light that would accompany him throughout his mature art period. He also used to visit other artists in the area who, like him, had moved their studio to this spot on the calm waters of the Mediterranean, whether in Nice itself or in neighbouring villages. Here, then, is a tour which retraces the footsteps of that fantastic artist of the Côte d’Azur.

Nice

Roman in origin and the region’s nerve centre, you would be hard pressed not to be enthralled by the charms of Nice. It is a pleasure in itself to just stroll along the streets in the old quarter in search of the Cours Saleya, a bustling square and site of both the popular flower market and the fruit and vegetable market. If you also take the chance to taste some of the local culinary specialities in one of the magnificent eateries in the area, a rewarding experience is guaranteed. Above all, make sure you try socca, a grilled chickpea-flour pasty, the perfect snack for a long sightseeing day.

The Promenade des Anglais is another of Nice’s popular landmarks. This elegant seaside promenade with its stylish period hotels and iconic palm trees inevitably transports you to a bygone era, a time when the first tourists started to frequent the city.

Matisse eventually took up permanent residence and set up his studio in the classy, aristocratic Cimiez Quarter after trying out other areas in the city. This quarter is home to the Matisse Museum, housed in a 17th-century villa, where visitors can delight in the artworks donated to the city by both Matisse himself and his heirs. Nearby is the Hotel Regina, where he actually lived during much of his stay in Nice. And, not far from there is the spot where he was buried, the cemetery of the Monastery Of Our Lady Of Cimiez.

Saint-Paul-de-Vence

This medieval village overlooking the Mediterranean is possibly one of the most picturesque in France, with the permission of Mont Saint Michel and Vézelay. Perched on a hilltop and ringed by a fortified wall, it preserves all the charm of the period when it was built. When strolling through its streets lined with old stone houses, it becomes clear how Matisse must have been captivated by its magic. But, he was not alone in falling prey to its allure, as so too did Picasso, Chagall, Renoir, Miró, Yves Montand and Cocteau. The passage of so many artists through the village led to a good number of art galleries springing up in its narrow streets. The finishing touch to any visit here is provided by the Maeght Foundation which houses one of the finest collections of 20th-century art, that of Marguerite and Aimé Maeght. The building, which was designed by the Spanish architect, Josep Lluís Sert, houses works by Pierre Bonnard, Henri Matisse, Georges Braque, Fernand Léger, Alberto Giacometti, Marc Chagall, Alexander Calder, Joan Miró, Wassily Kandinsky and Raoul Ubac, among others.

Vence

Matisse arrived in Vence in 1941, during one of the worst moments of World War II. Apart from sanctuary, he was seeking a place to heal, as he was ill. It was here that he found the right spot to recuperate, as well as inspiration. His stay in this small town yielded the creation of the Chapel of the Rosary, also known as the “Matisse Chapel”, where the artist once stated: “Despite all its imperfections, I regard this as my masterpiece”. Here, Matisse took charge of the whole project as he designed the building, the stained glass windows, the wall decoration, the furniture and even the liturgical accoutrements.

Cagnes-sur-Mer

Auguste Renoir spent the last few years of his life in this coastal town. He settled in the villa known as Les Collettes, now converted into the Renoir Museum, where Matisse visited him on several occasions and learned from the Impressionist master how to perceive the colours of the “Midi”. Among the standout features of this small town on the French Riviera is Haut-de-Cagnes, a quarter listed as a historic interest site, where the most prominent landmark is Grimaldi Castle.

As Matisse said: “Most people come here for the light. Being from the north, what attracted me were the radiant colours and the luminosity of daylight”. Now it’s your turn to discover it, so get your Vueling and let yourself be inspired.

Text by Los Viajes de ISABELYLUIS

Images by Irene Grassi, r.g-s, m-louis .®, piet theisohn, Jumilla