Everyone is aware that Halloween is now a global festivity celebrated all over the world. So, if you’re a die-hard, why not see for yourself just how they stage it on the spot in various parts of the world? For instance, in London, a city enthralled with Witches Night.

At some stage you must have spent a date like New Year’s Eve, Carnival or Christmas abroad. It is a common practice among seasoned travellers to get away from their home country whenever they can for those hallowed days. But, those are not the only special events that prompt people to fly off to other lands. If there is any special day that has become hugely popular in recent times it is Halloween, which is held in considerable esteem by English-speaking nations and has, happily, been exported elsewhere, too.

One of the paramount cities when it comes to celebrating that night, particularly in the guise of horror movies, macabre events, the supernatural and, of course, pumpkins is London. It is one of the European cities with the greatest accretion and tradition of horror stories and legends, making it a must-visit venue for Halloween devotees the world over. The City has a generous lineup of activities for this, the most terrifying festivity in the year. We have chosen five of them for your delectation, if you happen to be flying to London for 31 October.

Abney Park Cemetery

With such a long history, a large city like London is bound to have numerous, centuries-old cemeteries with priceless architectural charm which are a tourist draw in themselves. One of the most spectacular graveyards is Abney Park, on the outskirts of the city near the Stoke Newington tube stop. Strolling along its paths between gravestones and age-old tombs overgrown with vegetation, you feel like you’ve stepped into a story by Edgar Allan Poe or H. P. Lovecraft.

Haunted Tattoo

After a walk through Abney Park, go down to Holloway Road (a street known for its cultural offerings and a haven for a large art community) and drop in on Haunted Tattoo. Over and above drawings etched into the skin, this tattoo studio stands out as a small museum featuring all kinds of objects relating to horror movies, literature, comics and illustration. Making no concession to horror vacui, the premises will leave you open-mouthed. Fear not – knock on the door, even if you don’t plan to have a tattoo done.

Jack The Ripper and the Whitechapel District

A dream plan for any Halloween enthusiast. If you’re ever in London for Halloween, make a point of trying the sightseeing route that follows the life and exploits of this notorious first serial killer of modern times. You can set up your own tour on the Internet but, if you prefer to have it laid on, you could opt for The Jack The Ripper Tour, highly rated and recommended by users.

The Rocky Horror Picture Show at the Prince Charles

Once you’ve completed the previous three tasks, the ideal way of opening the Witches Day evening is by attending one of the best horror musicals in cinema history – The Rocky Horror Picture Show. Located in Leicester Place, near the heart of the City, the Prince Charles Cinema is one of the most unusual in London with its policy of re-screening film classics. And, needless to say, for Halloween they have lined up a special screening at which – take note – you can sing along with the stars of the movie, as this is a sing-along session – What a treat!

John Carpenter at the Troxy

The icing on the cake for these splendid Halloween dates are the two live performances by John Carpenter in London on 31 October and 1 November. A legend of horror movies, and also known for having composed the soundtracks of his films, Carpenter will be giving two concerts featuring soundtracks from such movies as The Fog, They Live and Assault on Precinct 13, as well as new songs from his studio recordings. You can enjoy these performances in style, in one of London’s iconic cinemas, the Troxy, in the Commercial Road area near the Limehouse tube stop.

Liven up your horror Halloween in London – book your Vueling here.

Text by Xavi Sánchez for Los Viajes de ISABELYLUIS

Images by DAVID HOLT, James Nash, Tarquin Binary , Holloway Life, Alexander Baxevanis, Matt From London

Some years ago, a few sequences from the movie, Indiana Jones and the Last Crusade, were filmed in Venice. Specifically, in August 1988. Yet the fascination produced by good old Indy’s scenes in the city is still imprinted on our retinas.

Many of us would like to be able to take DeLorean in Back to the Future and travel, not only in space, but also in time, in order to attend the shoot and see the young Harrison Ford performing great feats. Fantasies aside, we can indeed now plan our trip to Venice in the form of a game in which, after the typical tours of St Mark’s Square and theRialto Bridge,we follow the tracks left by Indiana Jones in the beautiful city of canals.

First Stop – the Salute

The Venice scenes begin when Indiana and his colleague, Marcus, meet the archaeologist, Elsa Schneider, on alighting from the vaporetto. The vaporetto is the water taxi that acts as public transport in Venice and plies the regular routes along the Grand Canal and between the various islands in the lagoon. Specifically, they get off at the stop known as Salute, on Line 1 of the vaporetto– the most popular route – immediately alongside the church of Santa Maria della Salute. Clearly, the stop is named after the church. But, those scenes don’t really match the current Salute stop, as they were shot at the jetty of the fondamenta della Dogana alla Salute. From here you can catch a glimpse of the Campanile di San Marco in the distance – located in one corner of St Mark’s Square – as it appears in the movie.

Ponte dei Pugni

Once they have disembarked, they stroll along some of the quiet streets of the Dorsoduro quarter. The gallant Indiana gives Dr Schneider a flower while crossing the Ponte dei Pugni (bridge of fists), curiously named after the years of fist fights between the rival bands of the Nicolotti and the Castellani. The losers usually ended up in the water as, until quite recently, the bridge lacked a railing.

The Chiesa di San Barnaba

Finally, they get to the San Barnaba library – where Indy’s father was last seen – the facade of which is actually part of the Church of San Barnaba (Chiesa di San Barnaba). Bear in mind that, of the natural backdrops to the quests of Indiana Jones, the one the diehards of the saga were most impressed by was the Treasury of Petra, in Jordan, which was used as a secret temple housing the Grail, and the one in the Venice Library, located precisely in this church.

The church of San Barnaba was founded in the 9th century but its current appearance is the result of the 1749 restoration. It is located in the Campo San Barnaba square, where Katharine Hepburn was also the protagonist of a scene in Summertime in which she falls into the canal. Indiana Jones emerges from a sewer in that square once he has escaped from the catacombs under the library, uttering the celebrated words, “Ah, Venice!”

Some Familiar Backdrops

Fleeing from members of the Brotherhood of the Cruciform Sword, they run along the fictitious street of Santa Lucia. This is where a number of speedboat chase scenes begin which were actually filmed at the jetties of the English town of Tilbury. The Venetian scenes then continue in the vicinity of the Grand Canal and the Palazzo Ducale. Indiana then releases Kazim – a member of the Brotherhood he has captured – opposite the Palazzo Barbaro, level with the Ponte dell’Accademia. This palace, also known as Ca ‘Barbaro, once accommodated such distinguished guests as Sargent, Henry James, Robert Browning, Whistler and Monet. Two other facades can also be distinguished in the scene – those of Palazzo Venier dei Leoni and Palazzo Barbarigo.

Indiana Jones’ adventure in Venice ends with a shot of the most typical Venetian scene – a gondola punting a couple along the Rio del Malpaga, with the Ponte de l’Avogaria in the background.

Venice – a Movie Set

If you like discovering film locations during your trips, try to do it with some of the other numerous movies that have been shot in Venice, notably The Talented Mr. Ripley, Casino Royale,The Tourist or The Italian Job,to mention some of the best known ones. It is a unique, fun way of unearthing interesting spots in the city. What are you waiting for? Check out our flights here.

Text by Scanner FM

Images by Carlos de Paz, Didier Descouens, Frans Persoon, John_k, Bernard-G

To start, let’s recall that Edinburgh is both a World Heritage Site and also the first place to be designated by UNESCO as a “City of Literature”, because of its numerous well-preserved buildings and monuments and its age-old literary traditions.

The city is best seen at a walking pace, and as a pedestrian you’ll find its hidden nooks and crannies and perchance the spirits of the city’s famed authors and even more famous creations, such as Sir Arthur Conan Doyle and his shrewd detective Sherlock Holmes, Robert Louis Stevenson and the two-faced Dr Jekyll and Mr Hyde, or Sir Walter Scott and his heroic Ivanhoe and Rob Roy characters. And there’s even a chance you’ll see some of the city’s literary figures in the flesh, for we shall start our tour in the café with the red façade where the contemporary author J. K. Rowling penned many of her early stories and planned her books about the boy wizard Harry Potter.

1. Few people noticed the young Rowling scribbling in her notebooks at a table in the unprepossessing Elephant House café. The establishment, which opened in 1995, remains a favourite of literary types, thanks to its selection of the city’s best coffees and teas, which continue to stain many pages of manuscript. Huge breakfasts are also served, as well as hot midday and evening meals, plus the usual sandwiches and cakes, etc. And there’s an excellent wine list, too. No excuse for not sitting down and writing your book!

2. Or you might prefer to take a stroll down Edinburgh’s legendary Royal Mile, linking the city’s two most popular monumental sites, Edinburgh Castle, standing above the city atop the towering volcanic basalt plug known as Castle Rock, and, at the other extreme, Holyrood Palace, the official Scottish residence of the British monarch. A slow and attentive walk down the four stretches of the Royal Mile, called Castlehill, Lawn Market, High Street, and Canongate, will infuse you with the unique, friendly atmosphere and stony charm of this historical city.

3. If you appreciate the macabre, on your walk down the Royal Mile you must stop at Mary King’s Close, a warren of gloomy underground streets and enclosures widely believed to be haunted by the ghosts of the past. Once a thriving market, the close was named for a woman who lived there and traded in cloth in the early 1600s. According to urban legend, when the plague struck the area in 1645, the authorities walled it off, leaving scores of people inside to die. Since, then reports of strange lights and noises have fuelled beliefs that the zone remains haunted. Visitors often brings dolls to calm the ghost of the legendary Annie, a child plague victim thought to have been left by her parents to die in the Close, and whose heart-rending cries can still be heard. Perhaps.

4. For a Facebook-worthy selfie showing Edinburgh Castle in the background, the place to go is Princess Street, Edinburgh’s main shopping street, which featured in the 1996 film Trainspotting. Apart from the shopping opportunities there, the street happens to be the best place from which to capture a panoramic view of the castle, since there are no buildings on the castle side of the street, but only gardens and monuments.

5. If you’re looking for quirkier and more out-of-the-way shops, head for the wildly picturesque Victoria Street, a curving slope just off the Royal Mile that is a favourite of photographers because of its colourful specialised shops selling liquors, cheeses, handicrafts, and all sorts of treasures. You’re sure to find bargains in the several charity shops selling used clothing and other items, the proceeds from which are donated to worthy causes. Harry Potter’s creator J.K. Rowling acknowledged that this street was her inspiration for Diagon Alley, where her wizards bought their magical gear.

6. Edinburgh is not made entirely of stone, despite initial impressions. It also features expansive green zones, such as the parks of Calton Hill and Arthur’s Seat, where the city’s joggers, cyclists, and dog-walkers go. Both offer fantastic views of the city from on high. The 251-metre Arthur’s Seat is the peak to which, according to legend, King Arthur used to repair when he needed time alone to think. Atop Calton Hill are two monuments to British victories over the French, Nelson’s Tower, commemorating the battle of Trafalgar, and Scotland’s National Monument, an unfinished construction modelled on the Parthenon in Athens, built in the 1820s to honour Scotland’s dead in the Napoleonic wars.

7. At Ocean Terminalin the Port of Leith, Edinburgh’s harbour, stands the Royal Yacht Britannia, used by the British royal family from 1954 until 1997 when it was converted into a floating museum that is well worth a visit –don’t miss the little bedroom where Queen Elizabeth II slept during her nearly 1,000 state voyages.

8. To finish up, you might visit Greyfriars Cemetery and have your picture taken next to the statue of one of Edinburgh’s heroes, Bobby, a Skye terrier traditionally believed to have stood watch by his master’s grave for no less than14 years, until his own death in 1873, after which he was buried next to his master.

Check out our fares here!

Text and Photos: Nani Arenas

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson