When you first set eyes on Versailles, you realise why it was the jewel in Louis XIV’s crown. Starting with what had been his father’s hunting lodge, the Sun King had Europe’s largest palace built. The opulent interiors and splendid gardens could accommodate up to 20,000 people. The king had the leading artists and architects at his disposal – Louis Le Vau and Hardouin-Mansart designed the building; Charles Le Brun, the interiors, while André Le Nôtre remodelled the gardens. Everything was ready to receive the court.

Europe’s Largest Palace

The main rooms in the residence were on the first floor. There we find the Chambers of the King and Queen, arranged around the Marble Court, the latter set behind the last railing in the access to the palace from the street. If you have seen films like Marie Antoinette, by Sofia Coppola, or the television series, Versailles (we can wholeheartedly recommend both), you will know that their chambers were anything but private. The queens of France used to give birth before the court, while the kings went through the daily waking routine known as le lever du Roi (the king’s rising), attended by courtiers and family members, who came to see the monarch getting up.

The king had areas where he worked, including the Council Chamber, where he received his ministers and family, or the room known as the Louis XVI Library, characterised by the sovereign’s globe of the world and its priceless Neoclassical panelling. The chambers of the king and queen are connected by the Antechamber or Oeil-de-boeuf(Bull’s-eye)Roomon account of the large round window. The story goes that, on the night of 6 October 1789, when a group of revolutionaries stormed the palace in search of Queen Marie Antionette, she fled through this room to her husband’s chamber and safety. The following day they abandoned the palace forever.

Also on the first floor, on the side of the palace giving onto the gardens, are the State Apartments. The most famous of these is the 73-metre-long Hall of Mirrors, with its views over the gardens, where major official ceremonies were held. It was there that in 1919 the Treaty of Versailles was signed, marking an end to World War I. Other rooms well worth seeing include the War Drawing Room, located next to the Hall of Mirrors and featuring a large relief of Louis XIV on horseback trampling his enemies under foot, the Apollo Drawing Room and the Hercules Drawing Room, which houses the monumental painting, Feast in the House of Simon, by Veronese, a gift from the Republic of Venice to Louis XIV.

Household Chapel and Opéra Royal

Also on the first floor is access to the Royal Chapel, used by the king and his family, and to the Battles Gallery, the outcome of a renovation by Louis-Philippe on former apartments used by nobles. It was turned into a gallery of historical paintings housing works by the likes of Delacriox and Gérard.

A must-visit site on the ground floor are the priceless Apartments of the Mesdames Adélaïde and Victoire, the daughters of Louis XV, who never married and lived here until the time of the Revolution.

Another grand edifice in the Palace of Versailles is the Opéra Royal. This theatre, built in 1770 to mark the engagement of Louis XVI and Marie Antoinette, is not open to the public. It does, however, host an interesting opera season which is the perfect excuse to spend an evening there and feel like a regular courtier.

Gardens, Fountains and Lost Palaces

After a visit to the palace, the best thing is to wander around the huge gardens and enjoy the fountains. Various shows are staged on different days, so it is worth checking out the programme before planning your visit.

The gardens are laid out in formal fashion, with geometrically-shaped pathways lined with tree groves, hedges, flowers, fountains and ponds. Fountains such as Neptune, Latona, the Colonnade and the Dragon Fountain provide some of the most impressive sights. It is rewarding to stroll among them and end off by heading for the Trianon, one of the jewels of Versailles. Here you will find two buildings – the Grand Trianon, a palace commissioned by Louis XIV as a retreat from court life and to host his mistresses, and the Petit Trianon, built for Louis XV but which became Marie Antoinette’s favourite retreat. She also had a quaint little theatre built in it. Be sure to also visit the Queen's Hamlet, where Louis XVI’s wife had an estate of twelve buildings modelled according to the aesthetic of a rural village, peasants and farm animals included. She would seek refuge here to get away from the demands of court life.

Book your Vueling to Paris and head for Versailles, which is just a half-hour’s train ride away. You won’t regret seeing such a splendid palace and feeling like a king for a few hours.

Text by Aleix Palau for Los Viajes de ISABELYLUIS

Neve Tzedek, which in Hebrew means “home of justice”, was the first Jewish quarter to be built beyond the walls of the ancient port of Jaffa, twin to the still inexistent city of Tel Aviv (which emerged in the 1880s). From the outset, it was a place of refuge of the some of the most illustrious figures of Israeli culture. Now, a century after it was founded, its bohemian atmosphere is still in full swing. Some of the houses in this quarter are veritable monuments, built in such styles as the Bauhaus or Art Deco, while its streets are studded with cultural centres, restaurants, shops, cafés and bars you simply must visit on your stay in Tel Aviv. Here are some of the standout venues:

Suzanne Dellal Centre for Dance and Theatre
A must-visit spot on any art tour of Neve Tzedek. Fronted by a large mural by David Tartakover, one of Israel’s leading artists, the Suzanne Dellal Centre for Dance and Theatre has four spaces which host performances by some of the foremost national and international dance companies. It is also the headquarters of the highly acclaimed Batsheva Dance Company. If you aren’t much moved by dance, you will certainly by stunned by the mesmerising interior plaza, the surrounding gardens or the Suzanne Café, one of the best spots in the neighbourhood to while away the afternoon chatting over a steamy cup of coffee. Suzanne Dellal Centre for Dance and Theatre, 5 Yechieli Street.

Dallal
It is important not only to replenish your energies, but to do so where eating is raised to the heights of pure pleasure. In Neve Tzedek, Dallal is such a place. Located in the heart of the quarter, the cuisine at this restaurant draws inspiration from both nearby Jaffa and its Arab roots, and the Mediterranean. Sheer bliss on the palate. Make a point of getting there early and have a cocktail in their enchanting outside square. Dallal, 10 Shabazi Street.

Chelouche Gallery
Dating from 1886, this was the first building to be erected in Neve Tzedek. Aharon Chelouche, a landowner, jeweller and moneychanger, was one of the leading figures in Jaffa’s Jewish community in the late 19th century. A co-founder of this neighbourhood, together with Shimon Rokach and others, the erstwhile home of Chelouche is now one of the city’s paramount art galleries. While the works on its walls are fascinating, no less so are the views of the quarter to be had from the roof terrace. Be sure to go up to the top. Chelouche House, 32 Shlush Street.

HaTachana
At the end of Shabazi Street, the main and most crowded thoroughfare in Neve Tzedek, stands HaTachana, the Hebrew name for Jaffa’s old railway station. Built in 1892, HaTachana eventually fell into disuse and was closed for years. In recent times it was restored and renovated to house a number of cafés, bars, restaurants, shops and markets, turning the former train station into one of the liveliest points both in the district and the whole city. HaTachana, 1 Kaufmann Street.

Jajo
This small wine bar, with a capacity of hardly 14 people, is sophisticated yet inviting and boasts an excellent wine list. Its standout items are imported from Spain and France, and it also features an exciting list of cocktails. It is the ideal spot for ending off a day’s sightseeing in Neve Tzedek. Jajo, 44 Shabazi Street.

Carmel Market
Carmel Market (in Hebrew, Shuk Ha'Carmel) is a must-visit landmark for anyone arriving in Tel Aviv. Located on the edge of the Neve Tzedek quarter, it is a blend of a regular market, street market and souq, and is divided into two sections. The first houses stalls selling clothing, footwear, electrical appliances, etc. often at laughable prices. The highlight of the second and far more attractive section is an area of florists’ stalls, but it also has food stalls (fruit and vegetables, meat, cheeses, breads…), and those selling spices, which provide a fascinating explosion of colour, textures and aromas. 1 HaCarmel Street.

Nachum Gutman Museum of Art
Nachum Gutman, an Israeli painter and sculptor of Russian origin, was a cardinal figure in endowing Israeli art with a style of its own. Indeed, he departed from the European influences of his masters, which he regarded as inadequate for portraying the uniqueness of his country and its landscapes. His works are on display in various public buildings in Tel Aviv and, of course, in the Nachum Gutman Museum of Art as well. Nachum Gutman Museum of Art, 21 Shimon Rokach Street.

Rokach House
The journalist Shimon Rokach was the founder of a neighbourhood which at the end of the 19th century was part of the old city of Jaffa. Built in 1887, the Rokach family home is now an interesting museum devoted to that period. It is also the home of Lea Majaro-Mintz, Shimon’s granddaughter and one of the most widely acclaimed painters and sculptors in Israel. Rokach House, 36 Shimon Rokach Street.

Be sure to discover Neve Tzedek – book your Vueling to Tel Aviv here.

Text by Oriol Rodríguez

Images by Israel Photo Gallery, Amos Gil, israeltourism, Julien Menichini

Bordeaux can boast of having emerged from a sweet slumber, deservedly earning it the name of “the Sleeping Beauty”, later becoming the “Pearl of Aquitaine”. Here are the keys to enjoying a city that has become an irresistible tourist destination.

1. Taste Its Wines

Why deny it? Wine is the region’s economic driving force and the main reason for Bordeaux being famous all over the world. A trip to this city is clearly the perfect excuse for venturing into its extensive wine realm. The local tourist office has a roster of 60 different circuits for touring the viticultural region’s wineries that have edged their way onto the international scene. Needless to say, you don’t actually have to leave Bordeaux to discover its wines. All you need to do is head for one of the bars or bistros to find them. Here are our recommendations:

- The Bar à Vin du CIVB is a city classic and has an extensive Bordeaux wine list.

- For those who prefer to accompany their wine with some good cheese, Bistrot du Fromager is their best option.

- Those on a tasting tour who also want to take away the odd bottle as a keepsake should drop in on La Conserverie-Converserie.

- And, you can even sign up for a course in wine tasting at L’École du Vin.

2. Be Dazzled by the Largest Water Mirror in the World

The Place de la Bourse (Bourse Square). also known as the Place Royale, is undoubtedly one of the major landmarks in Bordeaux. It was designed by Jacques Ange Gabriel, royal architect to Louis XV, and built from 1730 to 1755.This square heralded the moment when the city broke out of its medieval walls, marking the start of its age of splendour. Rectangular in shape, one side opens onto the river Garonne, while the centre is taken up by the Fountain of The Three Graces. The main attraction, however, is Le Miroir d’Eau (Water Mirror), one of the largest in the world, with a surface area of 3.450 m². The interplay of reflections is fascinating and highly photogenic – if you’re travelling with children, it is sure to delight them.

3. Enjoy Its Heritage

After Paris, Bordeaux is the city with the largest number of protected monuments in France. One example of this is its harbour, known as the Port of the Moon, which was listed as UNESCO World Heritage in 2007. Set on a meander of the river Garonne, its nickname is derived from its crescent-moon or croissant shape. Most of the buildings in the harbour and environs reflect the ideals of the Enlightenment. Be sure to stroll through its streets and admire their unique beauty.

4. Take a Boat Ride Along the River Garonne

The river Garonne has long been a lynchpin of the city’s development. Indeed, in the 18th century, it was one of the most important ports in Europe. A novel way of viewing the city of Bordeaux is by taking in the different angles of it afforded by the river. All you need to do is turn up at the Port of the Moon and go on one of the available cruises. Of the myriad options to choose from, we recommend one that includes wine tasting and snacks while soaking up the views.

5. Be Inspired by Museum Offerings

Art lovers have a must-visit in the shape of the Museum of Fine Arts, noteworthy for its fine collection of Dutch paintings. If you’re an enthusiast of the latest in art trends, the place to be is the CAPC Musée d’Art Contemporain, located in a former warehouse for colonial goods. The Museum of Decorative Arts, housed in the Hôtel Lalande, is a showcase of bourgeois life in the 18th and 19th century, as seen through their decorative objects – furniture, sculpture, engravings, ceramics, cutlery and glassware.

6. Enjoy Nature in One of the Parks

Bordeaux has many parks where you can get a breather. The best known is the Jardin Public (Public Garden), set in the heart of the city. It was opened in 1755 and styled along the lines of Versailles, but subsequently re-styled as an English garden. It features an old carousel which children will love.

7. Eat Oysters in the Market

If you happen to spend a weekend in Bordeaux, make sure you head for the Marche des Capucines. This magnificent market offers top-notch produce and has a wonderful atmosphere. There, you will find stalls where you can taste oysters, seafood and fresh fish.

Book your Vueling here and see all the hidden charm of Bordeaux for yourself.

Text by ISABELYLUIS Comunicación

Images by SuperCar-RoadTrip.fr, Yann Chauvel, Bistro du Fromager

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson