Neve Tzedek, which in Hebrew means “home of justice”, was the first Jewish quarter to be built beyond the walls of the ancient port of Jaffa, twin to the still inexistent city of Tel Aviv (which emerged in the 1880s). From the outset, it was a place of refuge of the some of the most illustrious figures of Israeli culture. Now, a century after it was founded, its bohemian atmosphere is still in full swing. Some of the houses in this quarter are veritable monuments, built in such styles as the Bauhaus or Art Deco, while its streets are studded with cultural centres, restaurants, shops, cafés and bars you simply must visit on your stay in Tel Aviv. Here are some of the standout venues:

Suzanne Dellal Centre for Dance and Theatre
A must-visit spot on any art tour of Neve Tzedek. Fronted by a large mural by David Tartakover, one of Israel’s leading artists, the Suzanne Dellal Centre for Dance and Theatre has four spaces which host performances by some of the foremost national and international dance companies. It is also the headquarters of the highly acclaimed Batsheva Dance Company. If you aren’t much moved by dance, you will certainly by stunned by the mesmerising interior plaza, the surrounding gardens or the Suzanne Café, one of the best spots in the neighbourhood to while away the afternoon chatting over a steamy cup of coffee. Suzanne Dellal Centre for Dance and Theatre, 5 Yechieli Street.

Dallal
It is important not only to replenish your energies, but to do so where eating is raised to the heights of pure pleasure. In Neve Tzedek, Dallal is such a place. Located in the heart of the quarter, the cuisine at this restaurant draws inspiration from both nearby Jaffa and its Arab roots, and the Mediterranean. Sheer bliss on the palate. Make a point of getting there early and have a cocktail in their enchanting outside square. Dallal, 10 Shabazi Street.

Chelouche Gallery
Dating from 1886, this was the first building to be erected in Neve Tzedek. Aharon Chelouche, a landowner, jeweller and moneychanger, was one of the leading figures in Jaffa’s Jewish community in the late 19th century. A co-founder of this neighbourhood, together with Shimon Rokach and others, the erstwhile home of Chelouche is now one of the city’s paramount art galleries. While the works on its walls are fascinating, no less so are the views of the quarter to be had from the roof terrace. Be sure to go up to the top. Chelouche House, 32 Shlush Street.

HaTachana
At the end of Shabazi Street, the main and most crowded thoroughfare in Neve Tzedek, stands HaTachana, the Hebrew name for Jaffa’s old railway station. Built in 1892, HaTachana eventually fell into disuse and was closed for years. In recent times it was restored and renovated to house a number of cafés, bars, restaurants, shops and markets, turning the former train station into one of the liveliest points both in the district and the whole city. HaTachana, 1 Kaufmann Street.

Jajo
This small wine bar, with a capacity of hardly 14 people, is sophisticated yet inviting and boasts an excellent wine list. Its standout items are imported from Spain and France, and it also features an exciting list of cocktails. It is the ideal spot for ending off a day’s sightseeing in Neve Tzedek. Jajo, 44 Shabazi Street.

Carmel Market
Carmel Market (in Hebrew, Shuk Ha'Carmel) is a must-visit landmark for anyone arriving in Tel Aviv. Located on the edge of the Neve Tzedek quarter, it is a blend of a regular market, street market and souq, and is divided into two sections. The first houses stalls selling clothing, footwear, electrical appliances, etc. often at laughable prices. The highlight of the second and far more attractive section is an area of florists’ stalls, but it also has food stalls (fruit and vegetables, meat, cheeses, breads…), and those selling spices, which provide a fascinating explosion of colour, textures and aromas. 1 HaCarmel Street.

Nachum Gutman Museum of Art
Nachum Gutman, an Israeli painter and sculptor of Russian origin, was a cardinal figure in endowing Israeli art with a style of its own. Indeed, he departed from the European influences of his masters, which he regarded as inadequate for portraying the uniqueness of his country and its landscapes. His works are on display in various public buildings in Tel Aviv and, of course, in the Nachum Gutman Museum of Art as well. Nachum Gutman Museum of Art, 21 Shimon Rokach Street.

Rokach House
The journalist Shimon Rokach was the founder of a neighbourhood which at the end of the 19th century was part of the old city of Jaffa. Built in 1887, the Rokach family home is now an interesting museum devoted to that period. It is also the home of Lea Majaro-Mintz, Shimon’s granddaughter and one of the most widely acclaimed painters and sculptors in Israel. Rokach House, 36 Shimon Rokach Street.

Be sure to discover Neve Tzedek – book your Vueling to Tel Aviv here.

Text by Oriol Rodríguez

Images by Israel Photo Gallery, Amos Gil, israeltourism, Julien Menichini

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson

Located in the south of France, an hour’s drive from Marseilles and alongside the Rhone, Arles is a town you really must see if you’re heading to Provence. And, if you’re also a fan of Van Gogh, you have even more reasons to rediscover the landscapes and architectures that inspired the grand master in his Post-Impressionist painting.

Arles’ Roman Past

You cannot possibly visit this town without becoming steeped in its Roman heritage. In AD 46, as a reward for having supported Julius Caesar is his struggle against Pompey, Arles was turned into the major harbour in the area, a privilege which was withdrawn from Massilia (the former Marseilles), for having mistakenly supported the opposite side. As a result, the town then lived out its age of splendour, of which several monuments have survived the test of time, some still in excellent condition. One example is the Arles Arenas, an amphitheatre built around the 1st century AD for staging gladiator combats, the most spectacular show at the time. It is still used today, as it hosts theatre plays, concerts, bullfights and courses camarguaises (a typically local type of bullfighting). The 1st-century AD Roman Theatre is another standout monument in the city. Like all Roman cities, Arles also had its forum, the centre of the community’s social, political and religious life. In addition to the nomenclature, Place du Forum, it features an underground Cryptoporticus, a network of galleries where foundations were laid and which is open to visitors, accessed via the Hôtel de la Ville.

Other Sights in the Town

The Church of St. Trophime, located in the town hall square, is a classic example of Provençal Romanesque and Gothic. Built between the 12th and 15th century, its cloister is also well worth visiting. Another interesting sight is the Alyscamps, A Roman necropolis which was taken over by the Christians and used until the end of the Middle Ages. For those interested in discovering the town’s archaeological history, we can recommend a visit to the Musée Départemental Arles Antique, which features some striking mosaics, among other things.

Arles – the Setting for Van Gogh’s Paintings

Apart from drawing tourists to its monumental heritage, Arles attracts visitors for having being one of the major settings for Van Gogh’s works. The artist’s sojourn in the town was comparatively short – from February 1888 to May 1889 – but there he was hugely prolific, producing over 200 paintings. Captivated by its light and colour, he painted it in all its guises. Curiously enough, not one of these paintings is housed in Arles, but you can still visit all the places that inspired them. We recommend getting a street map – which can be picked up in the tourist office – and letting yourself get carried away. Some of the landmarks on the Van Gogh tour are:

- The Maison Jaune (Yellow House), on the Place Lamartine;

- The “Café la Nuit” (Night Café), on the Place du Forum;

- Arles Arenas and the Alyscamps;

- Trinquetaille Bridge;

- “Starry Night Over the Rhone”;

- “The Old Mill”, on rue Mireille;

- The garden on the Boulevard des Lices;

- The garden of the hospital, known as the Espace Van Gogh (where he was admitted during his illness and where he had his ear stitched back on after cutting it off);

- The Langlois Bridge, also known as the Van Gogh Bridge.

However, Arles did not only serve as Van Gogh’s haunts. Gauguin also visited the town and painted some of its spots. It was precisely on account of an argument between the two painters that Van Gogh ended up cutting off his ear. Another genius, Picasso, also frequented Arles over a number of years. He would often go there to watch bullfighting and to visit his friends. Proof of his close ties to the town is the donation he made of fifty-seven drawings, which can be seen in the Arles Fine Arts Museum, the Musée Réattu.

Ready to take a Vueling and be dazzled by Arles?

Text by ISABELYLUIS Comunicación

Photos by Joan Sorolla, Tristan Taussac, Anne Jacko, Shadowgate, Phillip Capper, Claude Valette

Paris makes the most of the inbound good weather by scheduling all types of events in the city’s parks and gardens. They range from music festivals to activities for kids and even spectacular light and sound shows. All this fanfare provides the perfect excuse for visitors to head for these splendid spots to chill out, refresh themselves and discover an alternative Paris, removed from its usual museum, café, restaurant and fashion store offerings. Following is a selection of some of the events that should be must-dos on your agenda if you happen to be in the French capital this summer.

Paris Plages
Who said Paris had no beaches? With the arrival of summer, the Parc Rives de Seine and Bassin de la Villette fill up with deck chairs, sunshades and areas to chill out, cool off and beat the heat. Additionally, all kinds of activities are laid on, including concerts, exhibitions and watersports. Especially inviting is Parc Rives de Seine, a UNESCO World Heritage Site which covers some ten hectares stretching along the Seine riverbank. The area has undergone a radical upgrade since 2013, now refurbished as a public precinct with areas for promenading, doing sport and featuring playgrounds for small kids and even organic restaurants.

Rock en Seine
The Parc de Saint-Cloud is the spot earmarked to host one of the leading pop-rock music festivals in France, Rock en Seine. Three days, five stages, 65 concerts and 120,000 attendees await you at this marvellous venue, regarded as one of Europe’s most beautiful parks. A half-an-hour’s train ride from the Paris Saint-Lazare railway station, we assure you this festival is ideal for camping out in the park, which has its own camping area for festival-goers. And, should we have failed to win you over with the location, you are sure to be blown away by the heart-stopping lineup. Now in its 14th year, it features the likes of The xx, PJ Harvey, Flume, Franz Ferdinand, Cypress Hill, At The Drive-In, The Kills, Fakear and Mac DeMarco. Irresistible, isn’t it?

Festival Classique au Vert
Running from 5 August to 17 September is the Festival Classique au Vert, where you can delight in a complete programme of classical music which spans different styles, centuries and cultures. The programme is as eclectic as the venue it is hosted at, the Parc Floral. Stretching across twenty-eight hectares, it is part of the Paris botanical gardens, together with Bagatelle Park, l’École Du Breuil and the Jardin des Serres d’Auteuil. Inaugurated in 1969, it is acclaimed for its variety of vegetation, with some, clearly Japanese-inspired areas and others shimmering with flowers – they boast a collection of 650 different types of iris. A unique experience in a unique setting.

Open-Air Film Festival
Our list of festivals would not be complete without the Open-Air Film Festival, held in the Parc de la Villette, in the city’s 9th arrondissement. There you can chill out and enjoy the evening watching a movie. Admission is free-of-charge and each year the screenings revolve around a different theme. This year it runs from 20 July to 20 August and is themed on food. Talking of which, don’t hesitate to take your picnic hamper to the park. You simply couldn’t think up a better way of ending the day!

Grand Night Show at the Fountains of Versailles
At the Palace of Versailles everything is oversized, as is the stunning light and sound show hosted there every summer in the famous gardens. Awaiting you on Saturdays from 17 June to 16 September from 8.30 p.m. are two and a half hours during which you will witness an intermingling of Baroque music, interplays of light and water and fireworks worthy of the Sun King.

Fête des Jardins
The twentieth Fête des Jardins (Paris Garden Festival) is held when summer gives way to autumn. This festival is hosted at some 150 venues in Paris and its environs and for one weekend a plethora of activities for all audiences are on offer, from guided visits to gardening workshops, games, concerts, tours, etc. One of the aims of this event is to reveal to the public all the ins and outs of landscaping and gardening and the elements involved in these professions. It is also a great chance to visit certain gardens which are only open to the public on this occasion.

Book your Vueling to Paris for these summer festivals, when you can get to visit its magnificent parks and gardens.

Text by Los viajes de ISABELYLUIS

Photos by Zélie Noreda - Photographie, Ken Eckert