Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

As in the rest of Poland, after World War II, Cracow took on a new lease of life, its past and present both palpable in a city well worth discovering. You should venture into the Old Town (Stare Miasto) and stop over in Rynek Główny, one of the largest squares in the world, descend into the underground museum underneath it to journey back to the Middle Ages, enjoy a beer and some good music in the lively Jewish quarter (Kazimierz), stroll along the banks of the Vistula, go up to Wawel Castle and wander through the city’s markets, streets, memories… And, of course, dive into the local cuisine. A warm, tasty, homemade cuisine, with Slavic, Jewish and Hungarian influences which you can try at affordable prices in dozens of restaurants. We made a thorough tour of the city and let ourselves be charmed by it. Here’s what we learned.

Pod Baranem and Pod Nosem – Enjoying Polish Cuisine

Located very near Wawel Castle is Pod Baranem, a cosy, intimate restaurant with very efficient and friendly service. They serve a good żurek, a soup made of fermented rye flour, with egg, potato and homemade sausage. It is potent and tasty, like many dishes with local DNA. Also worth trying is their cabbage stuffed with meat and mushroom sauce, as well as their good meat dishes. If you’re keen on crockery and table ornaments, you will leave the restaurant wishing you could take everything with you. A classic charmer.

In the restaurant of the boutique hotel at Kanonicza 22, Pod Nosem, they serve up Polish cuisine, but this time with a creative flourish of renewal. A young crew headed by their chef, Przemysław Bilski, perform to perfection in a quaint space and terrace with views of the castle. They have delicious pierogi (typical Polish dumplings with different fillings) and other dishes, including a highly refined cream of asparagus, various meat dishes and even tripe. Their wine list is good and it is difficult to choose from their broad array of cakes.

Eating Cheap in Cracow? Milk Bars and Lunchtime Menus

Cracow is not an expensive city but, if you’re looking for a place with good food at laughable prices, your best option is to head for a “milk bar”. Reminiscent of their Communist past, these milk bars (mleczny, in Polish) are no-frills self-service eateries, their menus chalked up on the walls – an average ticket would cost 5 euros per person. A recommendable venue in the centre is Pod Temida and, if you’d like to see where the concept eventually leads to, be sure to visit Milkbar Tomasza.

Apart from milk bars, another option for cheap meals are the lunchtime menus offered by many restaurants. Highly recommended venues include C.K. Dezerter – where, for just €4.5, they serve, for instance, a scrumptious soup with semolina, and fish with a salad of fermented cabbage, carrot and potato – and the Chimera garden, an incredible salad bar with menus of the day, a large number of veggie recipes, homemade cakes and juices.

Cafés, Bars and Pubs In the Ever-Lively Jewish Quarter

The area around Plac Nowy is packed with bars, restaurants and terrace cafés which are lively all day long. It is an eye-opener to venture inside and see their unusual decor, featuring souvenirs from bygone times. Mleczarnia, and the Mlekowoz terrace café just opposite, as well as Alchemia, with live music, and Wódka Cafe Bar, with dozens of Polish vodka varieties, are some of the most interesting spots in the area.

In Plac Nowy, it is also customary to eat at the food stalls serving zapiekanka (huge panini with loads of ingredients and sauces). If you prefer something less filling, we recommend you go to Szynk, a charming haven of homemade cuisine and good music. We had a delicious soup there – Cracow has so many soup dishes you could have a different variety each day of the year – and chicken stuffed with spinach and cheese. We loved it!

Text and photos by Silvia Artaza of Gastronomistas.com

Fez is the symbolic heart of Morocco, as well as the country’s spiritual and cultural centre. Green prevails on the mosque facades and domes and is regarded worldwide as the colour of Islam. This fact is also reflected in the Fez Festival of World Sacred Music, which attracts musicians from all over the planet every summer. This is a unique event which sets up avenues of dialogue between disparate cultures and religions from Islamic lands.

But, don’t start panicking! You needn’t expect slow religious concerts in the sense of Gregorian chant. Rather, this is a festival which, year after year, promises to dish out great chunks of entertainment. On previous occasions, the Fez Festival was graced by the participation of music stars of the calibre of Björk, Paco de Lucía, Patti Smith, Joan Baez and Youssou N’Dour.

Noteworthy among the cultural and musical offerings at this year’s festival – which features over 500 international musicians starring in more than 50 shows and 10 concerts – is the flamenco of Diego el Cigala, the rhythm & blues of The Temptations with their legendary seal of American Motown, the video artist Jean de Boysson and the Malian singer and songwriter, Oumou Sangare, among many others.

In Memory of Hassan Al Wazzan, Explorer of Al-Andalus

This the 21st edition of the Fez Festival will be held from 22 to 30 May. Under the slogan, “A Reflection of Africa”, the festival commemorates the journeys of Hassan Al Wazzan, the Andalusi explorer known as the Lion of Africa whose remains are buried in Fez.

The life of Hassan Al Wazzan, who lived in the 15th and 16th century, was one of a nomad who was forced to travel due to political and religious circumstances. He embarked on a diplomatic career while studying in a Fez madrasa and travelled across all of North Africa as an explorer and geographer. Finally, he went to Rome, where he was adopted as a son of Leo X. There he was baptised with the name Giovanni Leone de Medicis (or Leo Africanus), although he never turned his back on the Islamic tradition.

Alternative Activities

The music programme is supplemented by a comprehensive schedule of parallel activities, notably film screenings, conferences, exhibitions and children’s activities. An alternative cycle of free concerts will be staged throughout the festival in Bab Boujloud square, paralleled by the Nuits Soufies, featuring free, daily concerts in the Dar Tazi gardens, right in the heart of the Fez medina, a symbolic place providing a broad overview of the all-embracing Islamic culture.

Fez – the Cradle of North African Culture

With over a million inhabitants, the Fez el-Bali medina (Old Fez) stacks up as one of the largest inhabited medieval cities in the world. The district is listed as a World Heritage site and contains the world’s largest pedestrian precinct. Its interior is a maze of 10,000 backstreets, some of which are cul-de-sacs, while others seem to lead you back to your starting point. Getting your bearings in that labyrinth can be complicated, but that’s part of its charm.

Like Fez el-Bali, Fez el-Jdid is a walled enclosure. Set in the walls are a number of palaces, gardens, bazaars and Koranic schools, the architecture of which is more elegant than in the rest of the city. The most interesting sights in the area are the Dar El Makhzen Royal Palace and the Mellah or Jewish quarter.

One of the most popular places with tourists is the Chaouwara tannery. While not suitable for the squeamish, on account of the potent smell given off by the animal hides, a visit to this quarter comes highly recommended. Seen from a vantage point, the quarter is magical, resembling a painter’s palette.

Text by Scanner FM

Images by Phil Chambers, Deniz Eyuce, Pablo Jimenez, Elena, Adolf Boluda and Sergio Morchon

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