Jerusalem is a fascinating place. Strolling through its Old City – the cradle of Jewish, Christian and Muslim culture – is like walking across a set in some Hollywood blockbuster directed by Cecile B. Demille. This enclave breathes history in every stone holding up its temples and other buildings although, when it comes to travels, the capital of Israel has long been classed as a religious destination. Indeed, any pilgrimage to the Holy Land should include a fascinating tour of the city’s catacombs. In the following we reveal the most interesting spots in an alternative Jerusalem, pinpointing the bars and clubs in the renovated Mahane Yehuda market.

Adraba Books

A meeting point for the city’s literary community, Adraba Books is Jerusalem’s bookstore for anyone seeking stories that go beyond official accounts. Over and above its café – worth commending in a country which does not stand out for its espressos, macchiatos and cappuccinos – it is noteworthy for its section of art volumes and its stock of titles in foreign languages, particularly English. Sderot Ben Maimon 5

Casino De Paris

Located in the heart of Mahane Yehuda – a refurbished market filled with colourful food stalls by day, many of which become bars and clubs with live music by night – stands the Casino de Paris, formerly one of the most popular clubs among British officers stationed in Jerusalem during the nineteen twenties. A century later it is now reliving its days of glory, and can count among its die-hards a large, motley crew of night revellers. The revival is largely the brainchild of Sha’anan Streett, the vocalist of Hadag Nahash, one of Israel’s most widely acclaimed hip-hop bands, and Eli Mizrahi, the owner of the nearby Machneyuda, possibly the best restaurant in the city. 3 Mahane Yehuda Street

Gatsby

Next door to a fast-food eatery, Gatsby is half-concealed behind a drab black steel gate, lacking any sign that might denote its presence. Despite its brief history (it opened just over a year ago), it is actually Jerusalem’s first cocktail lounge to re-create the ambience of an American speakeasy from the Prohibition era. It is stunning to see their barwoman wielding the cocktail shaker. As in other locales of this kind, you can only gain access if you know the secret code of the day, or else pretend to be a strayguiri– it worked with me. 18 Hillel Street

Lev Smadar

Lev Smadar opened in 1921 and is one of the most emblematic cinemas in Jerusalem. Hidden in an alleyway in the German quarter, it is honestly more difficult to find than Wally without his striped shirt. It features American, European and Israeli independent cinema and is frequented by the city’s arty crowd. All the movies are screened in their original version and local films are in Hebrew with English subtitles. 4 Lloyd George Street

Razzouk Tattoo Studio

Lost among the winding streets skirting the Jaffa Gate lies Razzouk Tattoo, the first and only tattoo parlour in Jerusalem’s Old City. Like almost everything here, the story of Razzouk Tattoo is fascinating. The Razzouks, a family of Egyptian origin, have been tattooing since the 14th century. In those times Copts would have a small cross etched on the inside of their wrist to gain entry to churches. After settling in Jerusalem, the grandfather, Yacoub Razzouk, opened his studio in the mid-20th century. The family tradition is now furthered by his grandson, Wassim Razzouk. 31 St. George Street

Uganda

This club is ideal for dropping in on the night scene on weekdays. It has been operating for the last ten years and is one of the favourite sanctuaries of DJs involved in Israel’s electronic underground. It is also a place to feed on vinyls, graphic novels and other Israeli counter-culture publicity. It is also one of the few clubs in town where you can quaff on a pint of Taybeh, a Palestinian beer which is up there with the best German or Belgian barley beverages. 4 Aristobolos Street

Videopub

This is the only openly gay bar in Jerusalem and a winner if you want to have a memorable night in the city. If you strike it lucky, you will happen upon one of their popular thematic parties from the 80s and 90s, soirées where the punchiest hits from those two decades will sound out one after the other. And, if you get too heavily involved in the revelry, don’t be surprised if you get carried off by one of the drag queens, who will lead you onto the dance floor. You’ve been warned! 1 Horkanus Street

Yellow Submarine

Open since 1991, the Yellow Submarine is Jerusalem’s most emblematic concert hall, the venue where both good – and the best – stars (albeit, unknown here) of the eminently interesting Israel music scene have performed, as well as some of the leading international figures that have visited the country. In addition to their daily bowling schedule, this booster of local talent also hosts conferences and exhibitions, as well as being hired out for rehearsals and recording sessions. 13 Ha-Rechevim Street

Come and discover Jerusalem’s alternative scene – book your Vueling here!

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Photos by Oriol Rodríguez, Cine Lev Smadar (© Alex Jilitsky), Uganda (© Udim), Yellow Submarine (© Uri Leshem)

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little

Berlin clearly lived through one of its most bizarre periods during the Cold War. Bizarre, in that erecting a wall dividing a city into two parts, separating families and neighbours and setting them in opposing universes, is an Orwellian experience to say the least.

Each part of the city obviously developed in a very different way. On the one hand, East Berlin stagnated within a system based on obsessive control by the regime, a pattern shared by the rest of the communist bloc. West Berlin, for its part, evolved in similar fashion to the rest of the capitalist world.

West Berlin – From the Mecca of the Underground to Hedonistic House

From the seventies on, in line with the new trends in England and the United States, a new musical scene began to gain currency in Berlin, based on creative freedom and the aesthetic of a clean break with the past. Berlin became one of the leading centres of punk and all its subsequent ramifications. Their outsider and underground art culture sediment attracted performers of the calibre of David Bowie, Brian Eno, Keith Haring and Lou Reed throughout the seventies. By then, a good number of bands were feeding such exciting circuits as those of London and Sheffield.

At the end of the seventies, the music of Joy Division and dabblers in electronic and industrial music were adopted as icons of the flourishing alternative scene of an open Berlin. Unlike the British or American varieties, German post-punk was characterised by a tension between politics and culture and aesthetically owes much to krautrock, as many of its themes are endless repetitions at a heady pace, notably Geld/Money by the arty band, Malaria, or the early recordings of DAF.

As of 1980, the exciting Berlin scene was always on the move, spawning an inexhaustible string of bands like Einstürzende Neubauten– headed by the controversial Blixa Bargeld – Die Unbekannten, Nina Hagen, Die Krupps, Mekanik Destrüktiw Komandoh, Die Tödliche Doris, Geile Tiere and Die Arztewith their punk funk distinguished by sarcastic lyrics.True to say, the scene was not made up of musicians alone, but by film stars and directors, writers, philosophers, artists and photographers, too. By the mid-eighties a process of disintegration had set in. Music became ever more commercial and groups began to sign up with multinationals. However, it was not long before a new sound revolution arose which had a marked impact on the city – the advent of acid house and techno. Recall that Berlin’s Love Parade was the first mass parade of electronic music in the world. The first Love Parade was in 1989. The event started out as a clamour for peace and mutual understanding through music. Just a few months later, the Wall came down and West Berlin was consigned to history.

The legendary SO36 was still going strong at that time. The club, located on the Oranienstrasse near Heinrichplatz in the Kreuzberg district, took its name from the area’s famed postal code – SO36. The district of Kreuzberg is historically the home of Berlin punk, and of other alternative German subcultures. SO36 was initially dedicated mainly to punk music. As of 1979 it attempted a crossover between punk, new wave and visual art. In those days the club rivalled New York’s CBGB as one of the world’s leading new wave spots. Others on the Berlin circuit included Metropol, the disco, Kino, the club 54 Kantstrasse and the Sputnik alternative cinema, where the cult film Christiane F. premiered.

Period Document on the Big Screen

The 13th Beefeater In-Edit Festival will be held in Barcelona from 29 October to 8 November. Prominent among the many films to be shown is B-Movie: Lust & Sound in West-Berlin 1979-1989, a documentary directed by Jörg A. Hoppe, Heiko Lange and Klaus Maeck on music, art and chaos in the Wild West of Berlin in the decade of the 1980s, the walled city that became a creative crucible for a special type of pop subculture which attracted brilliant dilettantes and world-famous celebrities of all kinds. However, prior to the fall of the Iron Curtain, artists, squatters, poets, music creators and hedonists came together to enjoy a highly unconventional lifestyle in Berlin. They all knew it would be short-lived but, who’s worried about tomorrow? It was a case of living for the here and now.

Featuring mostly unreleased television material and original footage, photos and interviews, B-Movie chronicles life in a divided city, a cultural interzone where anything seemed possible – a place different from anywhere else in Europe. It is a fast-moving collage of stories about a frenzied but creative decade starting with punk and ending with the Love Parade, in a city where days are short and nights are interminable.

Berlin is currently experiencing a youthful resurgence in terms of cultural activity – and music, too! Why wait to discover it all? Check out our tickets here.

Text by ISABELYLUIS Comunicación

Images by B-Moviem, SO36

Le Marais is the most cosmopolitan and modern district in the city of Paris.It is where Gus Van Sant filmed Paris, je t’aime. Let us take you on a tour of some of the most iconic places, shops, restaurants and cafés in this part of town.

The Saint Martin Canal is one of links between the Ourcq Canal and the River Seine and is somewhere that always has a great atmosphere: young people, street artists, cycle paths, cafés and terraces for enjoying some food and drink beside the canal. It’s a great place for a walk, a cycle ride or a spot of rollerblading. More than 2 of the total 4.5 kilometres are underground, while the rest of the journey also crosses metal walkways and bridges.

Located in the centre of Paris, the Comptoir General is a shared work space for social entrepreneurs spanning 650 m2 with a capacity for 200 people. Its mission: to welcome all the events that relate to sustainable development, social progress, the spread of cultures from around the world, illumination and inspiration.

Chez Prune is a popular restaurant with views of the Saint-Martin Canal where you can choose to eat one of their four daily specials: fish, meat, salad or a vegetarian dish. By night, it is the perfect place to have a drink in a relaxed and truly Bohemian atmosphere.

Pop In is one of the best bars in Paris, with a great atmosphere, concerts and exhibitions. The place truly stands out because of its atmosphere and permanent offer of art and culture.
The bar is on the ground floor. There is a first floor room with comfortable sofas that look like small living rooms in which to enjoy moments of privacy and another room for the concerts and theme nights organised by the venue.
Of course, despite the name of the place, they don’t only listen to pop music here! Pop In offers a range of musical styles from glam, pop rock and garage to punk for a young and cool clientele!

However, the most fashionable part of Paris has now relocated to Rue Vieille du Temple and surrounding streets with a large offer of galleries, shops and such modernist bars and restaurants as La Perle; the most chic place in town at the moment. This charming establishment enables patrons to watch the world go by and is always full of the chic crowd.

At the heart of Marais, you will find this tea room with its Bohemian and nostalgic atmosphere. The 70s posters and furniture give the place a slightly chaotic but cosy feel.

Another of the most fashionable restaurants is Derrière. With its eclectic décor, Derrière looks just like an enormous apartment. On the ground floor, for example, you will find a ping-pong table for enjoying a quick game between courses. Another room looks like an office with piles of paper everywhere and there is even a living room for a perfect TV dinner. You really get the feeling that you are eating in someone’s house. Heading upstairs, you will find a bedroom with an enormous bed that doubles as a dining room.

The art galleries include Gayte Lyrique, a place dedicated to digital culture and modern music, and Le Bal de Foto, which is dedicated to the representation of reality through image in all its forms: photography, video, cinema and the new means of communication.

If you want to buy books in Paris, we recommend Shakespeare & Co and OFR. Shakespeare and Company appears in the Woody Allen film “Midnight in Paris” and can be found in the Latino district. It was founded by the eccentric US bibliophile George Whitman in 1951 and still has that chaotic spirit and a sense of being somewhere special for filling your rucksack with books.

For going shopping, there is nothing like the legendary Colette or, better still, the Merci – a store concept located in sombre, industrial surroundings. Kiliwatch is a true temple for the lovers of vintage but they also sell new clothes and books. You’ll always find something to take away with you!

When night falls, one of the best places to go out for a dance or a few drinks is the Social Club, where you’ll discover new bands and artists. We were told by Liset Alea (singer with Nouvelle Vague) that this is one of her favourite places. A strange and eclectic night out.

Image: Marimarina

Why not take a trip to París? Have a look at our flights here!