Its markets are the best place to take the pulse of any city,places where you can experience the day-to-day life of the people and mingle with the local population. This is no less true in Saint Petersburg, where haggling is encouraged and stallholders will even offer you their wares without any kind of pressure to buy.

Kuznechny Market

The most central and representative of the markets in Saint Petersburg (and also the most expensive) is the Kuznechny Market where you will find flowers, vegetables, cheeses and natural honey for sale.

Numerous attractions are located close to the market: the Arctic and Antarctic Museum can be found in the former Church of Saint Nicholas and includes exhibits on the characteristics of the polar regions, the history behind the conquest of the Great North and the economy and culture of the Nordic people. The Floral Exhibition Centre, the Vladimirskaya Church and the Lensoveta Culture Centre at 42 Kamennoostrovsky Avenue are also worth visiting.

The Dostoevsky Museum is another nearby attraction – the place where this famous writer and author of such novels as ‘Crime and Punishment’, ‘Demons’ and ‘The Idiot’ lived and died. This house museum has been faithfully restored to how it was originally.

If you get hungry, why not try the Marius Pub or the Tres Amigos restaurant. However, if it is thirst that needs quenching, Mollie’s Irish Bar is a great place for a drink.

Sennoy Market

What was once an old hay market has now become a major food market with clothing stalls that fill the surrounding streets.

A large part of  ‘Crime and Punishment’ by Dostoevsky is set in the streets of the Sennaya district, where the Sennoy Market is to be found. It is more popularly known as the Dostoevsky District.

It is an excellent area for a spot of shopping in the large department stores. Sennaya Square is a bustling hive of activity where you can find the famous PIK and the large Sennaya Shopping Centre.

For some nice, reasonably-priced home-made food, you should head over to Kafe Adzhika.

If you’re up for a short walk, take a stroll over to Yusupov Palace, located on the edge of the River Moika and one of the most spectacular monuments to classicism to be found in Saint Petersburg.

Sitni Market

On the small Zayachy Island in the River Neva is the true historical centre of the city: Peter and Paul Fortress, the original citadel of Saint Petersburg. Peter I the Great ordered its construction in 1703 and it contains such remarkable buildings as the Peter and Paul Cathedral, where all the Tsars from Peter I the Great to Nicholas II and his family are buried. Standing 122 metres tall, the cathedral bell tower is the highest point in the city.

Although initially designed for defensive purposes, it never needed to be used for that but rather served as a prison until 1917. Its most famous prisoners included such individuals as Trotski, Dostoevsky and Bakunin.

Also nearby is the Saint Petersburg Zoo and the Political History Museum.

A good choice for something to eat would be the popular Salkhino restaurant where they serve Georgian cuisine. In the evening, you might want to try out the legendary Tunnel Club, the first techno club to open in Russia.

Vernisazh Souvenir Market

Less of a market and more a collection of souvenir stalls, this is to be found behind the Cathedral of the Resurrection of Christ or the Church of the Saviour on Spilled Blood and is one of the most popular tourist sites and an attraction in itself. Here you will find many traditional Russian gifts and souvenirs.

The Church of the Saviour on Spilled Blood was built on the spot where Tsar Alexander III was killed. The interior and exterior mosaic decorations are fantastic, as are its stained glass windows. The temple was built in the Russian architectural style of the 16th-17th Centuries (pure Russian orthodox) and bears a striking resemblance to Saint Basil’s Cathedral in Moscow’s Red Square.

Its five large bulbous domes decorated in numerous colours and gold, as well as the meticulous detail work that covers the exterior, are yet more features that make this an outstanding piece of architecture.

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Berlin clearly lived through one of its most bizarre periods during the Cold War. Bizarre, in that erecting a wall dividing a city into two parts, separating families and neighbours and setting them in opposing universes, is an Orwellian experience to say the least.

Each part of the city obviously developed in a very different way. On the one hand, East Berlin stagnated within a system based on obsessive control by the regime, a pattern shared by the rest of the communist bloc. West Berlin, for its part, evolved in similar fashion to the rest of the capitalist world.

West Berlin – From the Mecca of the Underground to Hedonistic House

From the seventies on, in line with the new trends in England and the United States, a new musical scene began to gain currency in Berlin, based on creative freedom and the aesthetic of a clean break with the past. Berlin became one of the leading centres of punk and all its subsequent ramifications. Their outsider and underground art culture sediment attracted performers of the calibre of David Bowie, Brian Eno, Keith Haring and Lou Reed throughout the seventies. By then, a good number of bands were feeding such exciting circuits as those of London and Sheffield.

At the end of the seventies, the music of Joy Division and dabblers in electronic and industrial music were adopted as icons of the flourishing alternative scene of an open Berlin. Unlike the British or American varieties, German post-punk was characterised by a tension between politics and culture and aesthetically owes much to krautrock, as many of its themes are endless repetitions at a heady pace, notably Geld/Money by the arty band, Malaria, or the early recordings of DAF.

As of 1980, the exciting Berlin scene was always on the move, spawning an inexhaustible string of bands like Einstürzende Neubauten– headed by the controversial Blixa Bargeld – Die Unbekannten, Nina Hagen, Die Krupps, Mekanik Destrüktiw Komandoh, Die Tödliche Doris, Geile Tiere and Die Arztewith their punk funk distinguished by sarcastic lyrics.True to say, the scene was not made up of musicians alone, but by film stars and directors, writers, philosophers, artists and photographers, too. By the mid-eighties a process of disintegration had set in. Music became ever more commercial and groups began to sign up with multinationals. However, it was not long before a new sound revolution arose which had a marked impact on the city – the advent of acid house and techno. Recall that Berlin’s Love Parade was the first mass parade of electronic music in the world. The first Love Parade was in 1989. The event started out as a clamour for peace and mutual understanding through music. Just a few months later, the Wall came down and West Berlin was consigned to history.

The legendary SO36 was still going strong at that time. The club, located on the Oranienstrasse near Heinrichplatz in the Kreuzberg district, took its name from the area’s famed postal code – SO36. The district of Kreuzberg is historically the home of Berlin punk, and of other alternative German subcultures. SO36 was initially dedicated mainly to punk music. As of 1979 it attempted a crossover between punk, new wave and visual art. In those days the club rivalled New York’s CBGB as one of the world’s leading new wave spots. Others on the Berlin circuit included Metropol, the disco, Kino, the club 54 Kantstrasse and the Sputnik alternative cinema, where the cult film Christiane F. premiered.

Period Document on the Big Screen

The 13th Beefeater In-Edit Festival will be held in Barcelona from 29 October to 8 November. Prominent among the many films to be shown is B-Movie: Lust & Sound in West-Berlin 1979-1989, a documentary directed by Jörg A. Hoppe, Heiko Lange and Klaus Maeck on music, art and chaos in the Wild West of Berlin in the decade of the 1980s, the walled city that became a creative crucible for a special type of pop subculture which attracted brilliant dilettantes and world-famous celebrities of all kinds. However, prior to the fall of the Iron Curtain, artists, squatters, poets, music creators and hedonists came together to enjoy a highly unconventional lifestyle in Berlin. They all knew it would be short-lived but, who’s worried about tomorrow? It was a case of living for the here and now.

Featuring mostly unreleased television material and original footage, photos and interviews, B-Movie chronicles life in a divided city, a cultural interzone where anything seemed possible – a place different from anywhere else in Europe. It is a fast-moving collage of stories about a frenzied but creative decade starting with punk and ending with the Love Parade, in a city where days are short and nights are interminable.

Berlin is currently experiencing a youthful resurgence in terms of cultural activity – and music, too! Why wait to discover it all? Check out our tickets here.

Text by ISABELYLUIS Comunicación

Images by B-Moviem, SO36

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