Jerusalem is a fascinating place. Strolling through its Old City – the cradle of Jewish, Christian and Muslim culture – is like walking across a set in some Hollywood blockbuster directed by Cecile B. Demille. This enclave breathes history in every stone holding up its temples and other buildings although, when it comes to travels, the capital of Israel has long been classed as a religious destination. Indeed, any pilgrimage to the Holy Land should include a fascinating tour of the city’s catacombs. In the following we reveal the most interesting spots in an alternative Jerusalem, pinpointing the bars and clubs in the renovated Mahane Yehuda market.

Adraba Books

A meeting point for the city’s literary community, Adraba Books is Jerusalem’s bookstore for anyone seeking stories that go beyond official accounts. Over and above its café – worth commending in a country which does not stand out for its espressos, macchiatos and cappuccinos – it is noteworthy for its section of art volumes and its stock of titles in foreign languages, particularly English. Sderot Ben Maimon 5

Casino De Paris

Located in the heart of Mahane Yehuda – a refurbished market filled with colourful food stalls by day, many of which become bars and clubs with live music by night – stands the Casino de Paris, formerly one of the most popular clubs among British officers stationed in Jerusalem during the nineteen twenties. A century later it is now reliving its days of glory, and can count among its die-hards a large, motley crew of night revellers. The revival is largely the brainchild of Sha’anan Streett, the vocalist of Hadag Nahash, one of Israel’s most widely acclaimed hip-hop bands, and Eli Mizrahi, the owner of the nearby Machneyuda, possibly the best restaurant in the city. 3 Mahane Yehuda Street

Gatsby

Next door to a fast-food eatery, Gatsby is half-concealed behind a drab black steel gate, lacking any sign that might denote its presence. Despite its brief history (it opened just over a year ago), it is actually Jerusalem’s first cocktail lounge to re-create the ambience of an American speakeasy from the Prohibition era. It is stunning to see their barwoman wielding the cocktail shaker. As in other locales of this kind, you can only gain access if you know the secret code of the day, or else pretend to be a strayguiri– it worked with me. 18 Hillel Street

Lev Smadar

Lev Smadar opened in 1921 and is one of the most emblematic cinemas in Jerusalem. Hidden in an alleyway in the German quarter, it is honestly more difficult to find than Wally without his striped shirt. It features American, European and Israeli independent cinema and is frequented by the city’s arty crowd. All the movies are screened in their original version and local films are in Hebrew with English subtitles. 4 Lloyd George Street

Razzouk Tattoo Studio

Lost among the winding streets skirting the Jaffa Gate lies Razzouk Tattoo, the first and only tattoo parlour in Jerusalem’s Old City. Like almost everything here, the story of Razzouk Tattoo is fascinating. The Razzouks, a family of Egyptian origin, have been tattooing since the 14th century. In those times Copts would have a small cross etched on the inside of their wrist to gain entry to churches. After settling in Jerusalem, the grandfather, Yacoub Razzouk, opened his studio in the mid-20th century. The family tradition is now furthered by his grandson, Wassim Razzouk. 31 St. George Street

Uganda

This club is ideal for dropping in on the night scene on weekdays. It has been operating for the last ten years and is one of the favourite sanctuaries of DJs involved in Israel’s electronic underground. It is also a place to feed on vinyls, graphic novels and other Israeli counter-culture publicity. It is also one of the few clubs in town where you can quaff on a pint of Taybeh, a Palestinian beer which is up there with the best German or Belgian barley beverages. 4 Aristobolos Street

Videopub

This is the only openly gay bar in Jerusalem and a winner if you want to have a memorable night in the city. If you strike it lucky, you will happen upon one of their popular thematic parties from the 80s and 90s, soirées where the punchiest hits from those two decades will sound out one after the other. And, if you get too heavily involved in the revelry, don’t be surprised if you get carried off by one of the drag queens, who will lead you onto the dance floor. You’ve been warned! 1 Horkanus Street

Yellow Submarine

Open since 1991, the Yellow Submarine is Jerusalem’s most emblematic concert hall, the venue where both good – and the best – stars (albeit, unknown here) of the eminently interesting Israel music scene have performed, as well as some of the leading international figures that have visited the country. In addition to their daily bowling schedule, this booster of local talent also hosts conferences and exhibitions, as well as being hired out for rehearsals and recording sessions. 13 Ha-Rechevim Street

Come and discover Jerusalem’s alternative scene – book your Vueling here!

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Photos by Oriol Rodríguez, Cine Lev Smadar (© Alex Jilitsky), Uganda (© Udim), Yellow Submarine (© Uri Leshem)

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little

The techno splendour of Berlin in the nineties is unlikely to return. But, this does not prevent the German capital from oozing club culture. We’re guiris – you can see that from a mile away. We smile in the metro simply because we’re downing one of the umpteen exquisite beers you can easily buy in Berlin’s 24-hour stores, or in the metro itself, from the stands that have taken over the underground landings. We’re guiris and, as such, we soak up the city’s nightlife by living out all the dreams and half-truths handed down to us about the historic nineties in Berlin, of basement clubs and all-night parties. Our premise is straightforward – what remains of that club culture splendour in Berlin? We have just forty-eight hours to tune in to the techno beat of today.

It’s Friday, so the adventure begins. Like any decent racing car, the body requires breaking in. And no other European city has more – or better – excuses than Berlin to drink a beer drawn at the counter. Our first stop takes us to Hops & Barley, a tavern with as many types of frothy beverage as the likelihood of rain in that Teutonic country. Dim light, gridded floor and we’re hard put to find a bar stool. The ideal space for stretching exercises.

When one’s throat is sated with pilsen, it’s time to move on, and the metro is our best option. Berlin has a comprehensive network and trains run to 12.30 in the morning on weekdays and round the clock on weekends. Near the Ostkreuz metro station, in an area hemmed in by railway lines and studded with niches formed by twisted iron bars –– a surprise awaits us. In a fenced off work area a bonfire is burning, surrounded by a group of youngsters, a computer and loudspeakers playing techno full blast. Here, the “scouts” listen to catchy “bits”, an image far removed from that of youngsters in Spain, where they gather around a bonfire, guitar and songbook in hand. Open-air parties are a permanent fixture of Berlin – they know a thing or two about them in Rummelsburg.

With this good omen of the city’s techno DNA behind us, we head for a an illustrious nearby squatter’s venue, ://about blank, one of Berlin’s numerous self-managed centres. “Love techno, hate Germany”, it says on the door. The day’s programme is antifascist, for 12 euros. Inside, the dark, crowded cube that is ://about blank offers a heady experience – a tight space and many young Berliners with their eyes closed, swinging their heads about frantically to the music DJ’ed in vinyl. The inner patio is the place to chill out. They recommend we attend a festival called Homophätik, which we will likely check out on subsequent trips.

Berlin does not sit well with the idea of “on a human scale”, as it stretches across a vast territory. This means you have to make the right choices. As for the right days – Chalet is the ideal club for Wednesdays, while Renate is best for Thursdays. But, today is Friday and it’s past four in the morning. We decide to leave the great techno marathon for tomorrow.

Saturday dawns splendidly for a day in May – the sun sends powerful shafts of light into the inner courts created by the residential blocks strewn across Berlin’s terrain. In one of them, some girls are rehearsing a choreography. Next door, a boom box blasts out strains of ambient music.

For lunch – it’s amazing how quick noon sets in when you’ve been up in the wee hours – we are taken by a Sudanese restaurant on Reichenberger street. This is a small eatery with a one-dish menu of the day – for meat-eaters and vegans – at competitive prices. Before plunging into the night again, we spend the afternoon browsing intently through another of any music lover’s crown jewels in Berlin – the record shops.

While finding the stores is something of an achievement, The Record Loft poses a veritable quest. But, using up the few megabytes of your ISP’s European rates brings a reward. On the fourth floor above another of the aforementioned inner patios lies Hard Wax, accessed via a staircase with steps plastered with labels and magazines from all continents. Hard Wax is a small label specialised in electronic music. They also have a vinyl store. The afternoon is also a good time to dip into the bookshops in the Hackescher Markt.  Some have large techno sections, notably Do you read me?, which also boasts a selection of local fanzines. In fact, their bibliography of Berlin’s cultural construction is extensive, ranging from such titles as Future Days, from “early times”, to Krautrock and the Construction of Modern Germany, to works focusing on the nineties like Der Klang, der familie. There are also exclusive titles from Berlin itself, witness Berlin Sampler. From Cabaret to Techno. 1904-2012.

Once your hands are sore from leafing through boxes of vinyls and keying in the titles of upcoming releases, it’s time to head for one of the pre-party clubs. But, more about that in the next chapter.

Text by Yeray S. Iborra | Our thanks to Ángel Molina, Ana Riaza, Carlota Surós and Martí Renau for the first-hand information on the itinerary for this article.

Images by Los Viajes de ISABELYLUIS, Michael Mayer

Le Marais is the most cosmopolitan and modern district in the city of Paris.It is where Gus Van Sant filmed Paris, je t’aime. Let us take you on a tour of some of the most iconic places, shops, restaurants and cafés in this part of town.

The Saint Martin Canal is one of links between the Ourcq Canal and the River Seine and is somewhere that always has a great atmosphere: young people, street artists, cycle paths, cafés and terraces for enjoying some food and drink beside the canal. It’s a great place for a walk, a cycle ride or a spot of rollerblading. More than 2 of the total 4.5 kilometres are underground, while the rest of the journey also crosses metal walkways and bridges.

Located in the centre of Paris, the Comptoir General is a shared work space for social entrepreneurs spanning 650 m2 with a capacity for 200 people. Its mission: to welcome all the events that relate to sustainable development, social progress, the spread of cultures from around the world, illumination and inspiration.

Chez Prune is a popular restaurant with views of the Saint-Martin Canal where you can choose to eat one of their four daily specials: fish, meat, salad or a vegetarian dish. By night, it is the perfect place to have a drink in a relaxed and truly Bohemian atmosphere.

Pop In is one of the best bars in Paris, with a great atmosphere, concerts and exhibitions. The place truly stands out because of its atmosphere and permanent offer of art and culture.
The bar is on the ground floor. There is a first floor room with comfortable sofas that look like small living rooms in which to enjoy moments of privacy and another room for the concerts and theme nights organised by the venue.
Of course, despite the name of the place, they don’t only listen to pop music here! Pop In offers a range of musical styles from glam, pop rock and garage to punk for a young and cool clientele!

However, the most fashionable part of Paris has now relocated to Rue Vieille du Temple and surrounding streets with a large offer of galleries, shops and such modernist bars and restaurants as La Perle; the most chic place in town at the moment. This charming establishment enables patrons to watch the world go by and is always full of the chic crowd.

At the heart of Marais, you will find this tea room with its Bohemian and nostalgic atmosphere. The 70s posters and furniture give the place a slightly chaotic but cosy feel.

Another of the most fashionable restaurants is Derrière. With its eclectic décor, Derrière looks just like an enormous apartment. On the ground floor, for example, you will find a ping-pong table for enjoying a quick game between courses. Another room looks like an office with piles of paper everywhere and there is even a living room for a perfect TV dinner. You really get the feeling that you are eating in someone’s house. Heading upstairs, you will find a bedroom with an enormous bed that doubles as a dining room.

The art galleries include Gayte Lyrique, a place dedicated to digital culture and modern music, and Le Bal de Foto, which is dedicated to the representation of reality through image in all its forms: photography, video, cinema and the new means of communication.

If you want to buy books in Paris, we recommend Shakespeare & Co and OFR. Shakespeare and Company appears in the Woody Allen film “Midnight in Paris” and can be found in the Latino district. It was founded by the eccentric US bibliophile George Whitman in 1951 and still has that chaotic spirit and a sense of being somewhere special for filling your rucksack with books.

For going shopping, there is nothing like the legendary Colette or, better still, the Merci – a store concept located in sombre, industrial surroundings. Kiliwatch is a true temple for the lovers of vintage but they also sell new clothes and books. You’ll always find something to take away with you!

When night falls, one of the best places to go out for a dance or a few drinks is the Social Club, where you’ll discover new bands and artists. We were told by Liset Alea (singer with Nouvelle Vague) that this is one of her favourite places. A strange and eclectic night out.

Image: Marimarina

Why not take a trip to París? Have a look at our flights here!