History has been generous with Périgueux. This town, emblematic of the Aquitaine region, is fortunate enough to boast well preserved remains of its Gallo-Roman and medieval past, making it a unique spot. Situated on the banks of the river Isle, Périgueux makes for a great getaway, on account of both its stunning heritage and as a place to indulge in culinary delights, notably its foie gras. Périgueux, the ancient Vesunna Petrucoriorum, was one of the most important Roman centres in southern France. This is evinced in the extant remains of that civilisation, noteworthy being the Roman wall and the amphitheatre, with a capacity of 20,000 spectators, which must have rivalled Nimes or Arles. Well worth visiting is the Vesunna Gallo-Roman Museum, built around a grand Roman villa from the 1st century AD, the so-called domus des Bouquets (Domus of Vesunna). Judging by its sheer size – it covers an area of 4,000 square metres – it must have belonged to a high-ranking official of the region. Thanks to a system of walkways, the interior of the villa can be viewed from above, without impinging on the original surfaces.

A few metres from the old Gallo-Roman wall, which had some buildings set on top of it, lie vestiges of the town’s medieval past, including those of the 12th-century Château Barrière, destroyed in a fire in the 16th century, and the church of Saint-Étienne de la Cité, Périgueux’s original cathedral – up until the Wars of Religion – during which two of its four domes and the campanile were destroyed.

Touring Medieval and Renaissance Périgueux

It seems that God Himself stopped on the summit of Le Puy-Saint-Front, where man ended up building a cathedral of the same name over a former Merovingian and Carolingian church. This formidable cathedral, which rivets your gaze upwards as soon as you get near it, is a compulsory stopover for pilgrims on the Road to Santiago. It was declared a World Heritage Site in 1998. Saint-Front Cathedral is unique in that its fabric reveals exotic Byzantine flourishes at times, as well as the legacy of Sacré-Cœur on Montmartre, Paris, at others. Its interior is not quite as striking, although it does harbour the odd exceptional detail, such as the chandelier that lit the wedding of Napoleon III and countess Eugénie de Montijo in Paris.

Medieval Périgueux, with the Mataguerre Tower as the last bastion of its ancient wall, is also graced with Renaissance buildings featuring such characteristic elements of this style as inner courts and staircases. Among the most emblematic buildings is the 16th-century House of the Patissier and the Saint Front Residence, a mansion located on the Rue de la Constitution.

Gastronomy in Périgueux

At the foot of the Cathedral lies the Place de la Clautre where local farmers sell their produce in a street market on Wednesdays and Saturdays. A few streets away, two open-air markets feature two of the products that are never in short supply in the pantries of Périgueux’s inhabitants – meat and foie gras.

It is a delightful experience to wander through the maze of medieval alleyways and then book a table at one of the small bistros or restaurants where you can treat yourself to local fare. One such eatery is the refined L’Eden, on Rue de l’Aubergerie, one of the most picturesque thoroughfares in the capital of the former Périgord.

Ready to discover the charm of Périgueux? Check out your Vueling to Bordeaux here.

Text and images by Tus Destinos

Photos by Tus Destinos and Alban GILBERT - CRTA

Situated just 25 kilometres north of Marseille lies this, the former capital of Provence. Its original settlers were drawn to the site on account of its numerous natural springs, while nowadays it is a magnet for university students and tourists. This must-visit stopover on any Provence itinerary is a city best defined by the word “elegance”. Some have even ventured to compare it with Paris, albeit on a much smaller scale. Here, then, are some of the keys to discovering Aix-en-Provence.

Cours Mirabeau, the Old Quarter and the Quartier Mazarin

Sandwiched between the Old Quarter to the north, and the Quartier Mazarin to the south, Cours Mirabeau is Aix’s major landmark. This pleasant thoroughfare with its moss-lined fountains, canopy of plane-trees and magnificent Renaissance mansions invites visitors to stroll along and stop at any of the many cafés and terraces on the avenue, veritable vantage points for soaking up the amazing atmosphere. One of the most popular such cafés is Deux Garçons, once frequented by Paul Cézanne, Émile Zola and Albert Camus.

Wandering through Aix’s Old Quarter is another of the pleasures held out by this city. Here, you can stroll around the pedestrian precinct, enjoy the shopping areas and uncover half-concealed enclaves which are ideal for whiling away the time – the Place d’Albertas is a case in point.

Unlike the Old Quarter, the Quartier Mazarin is more neatly laid out. Here, you will come across its striking hôtels particuliers – the name given to large mansions that once belonged to the nobility and the haute bourgeoisie. This area was designed in the 17th century on the initiative of Archbishop Michel Mazarin. Among its leading landmarks is the Granet Museum, housed in a former Knights of Malta priory, featuring an exhibition of the paintings of François Granet, in addition to Italian, French and Flemish works, and an excellent collection of modern art.

On the Cézanne Trail

The other great icon of the city is the Post-Impressionist, Paul Cézanne, who was born and died here and who captured the landscapes of Provence in many of his works. We recommend you head for the Atelier Cézanne, on the north side of the old quarter, where you can see how the artist approached his work. You won’t however, see a single Cézanne original. If you’re feeling sprightly enough, you can walk up to the Terrain des Peintres (Painters’ Park), a small, quiet park which attracts a large number of artists and the spot where Cézanne painted his multiple versions of Mont Sainte-Victoire.

The Vasarely Foundation – Op-Art in its Pristine State

Located on the outskirts of Aix, the Vasarely Foundation is well worth the effort visiting for its highly original architecture, based on conjoined hexagonal cells, and the exhibition it houses of the pop-art oeuvre of Victor Vasarely. All the exhibits here are large-format. They draw the viewer into the unusual world of this genuine artist, featuring optical effects guaranteed to impress.

Book your Vueling to Marseille and discover Provence – one of France’s most beautiful regions – by visiting some of its most evocative towns, as Aix-en-Provence most certainly is.

Text by Los Viajes de ISABELYLUIS

Images by vasse nicolas,antoine, Milena, Sjaak Kempe, Connie Ma, Andrea Schaffer

Even the experts consider it an ‘antinovel’, there is no doubt that Rayuela influenced many generations since it was released and, because of it, Julio Cortázar became a literary benchmark whose centenary of his birth is celebrated this year. If Maga and this unparalleled adventure in Paris also fascinated you, our route through the French capital will help you remembering the most remarkable moments in Horacio Oliveira’s history.

"¿Will I find Maga? Many times I just had to look out coming by rue de Seine, the arch that takes you to Quai de Conti, and only the olive and ash light floating on the river let me distinguish the forms, its tiny shape by Pont des Arts, sometimes walking from side to side, sometimes stopped at the iron parapet, leaned against the water. And it was so natural to cross the street, ascend the steps on the bridge, get in the tiny waist and get closer to Maga smiling unsurprisingly, convinced like me that a chance encounter was the less casual in our life, and that people who arrange dates is the same that needs ruled paper to write each other or that pushes from the bottom the tooth paste”

Quai de Conti: The novel, like our route, starts at rue de Seine, Quai de Conti and Pont des Arts, places where Horacio y Maga met each other, with a special symbolism for the author considering the centric location of this part of the route that take us along the left side of Seine river. Our protagonist also mentions the library Mazarine, located at the other side of the arch and the most antique library in the country.

Pont des Arts: As a connection between Institut de France and Louvre (previously known as Arts Palace), you can find the centric iron bridge where Oliveira got drunk at the first part of the book. Now full of lockers promising everlasting love, the panoramic views over Cité island and all the bridges is one of the most beautiful pictures you can take of the city.

Louvre Museum: Even Rayuela is full of cultural references, when we are talking about visual arts Louvre museum is the only reference Cortázar gives us about this city on this field. The most visited arts museum in the world appears on our way after taking Pont des Arts. This place is a must to anyone because of its wide collection and masterpieces such as “La Gioconda” by Leonardo da Vinci and a stunning building including, since the 80s, a great glass pyramid that you should visit.

Rue du Jour: The latest partners of Horacio at the city, homeless people, feed themselves thanks to the soup dish that they receive here. By the church Saint Eustache, people in need receives food at this street, located at Les Halles, a gardened area right in the city centre where there are two more places we will pass by.

"Au chien qui fume" restaurant: Located at Rue du Pont Neuf, this is one of the cafés named at chapter 132 and is also a meeting point for Etienne and Horacio on the way to the hospital to visit Morelli. This is a typical French restaurant, with an elegant and traditional decoration and a careful cuisine selection. Following this street we find the next stop…

Pont Neuf: Even it name means new bridge, it’s completely the opposite, and it’s the oldest. Here we say goodbye to Horacio and Maga in this route. Made of arches, the bridge took almost 30 years on the making and during the 18th century it was the centre of crime and commerce in the city. Passing by the bridge we will go back to the left side of the Seine, where we will stay.

Rue Dauphine: Even it’s part of a dispensable chapter, Pola, Horacio’s French lover, lives in this street. The street starts after Pont Neuf, and it was named after France’s dauphine, Henri IV’s son.

Rue de la Huchette: This is another place where Horacio thinks his lover can be at. A must-visit pedestrian street with many famous places like the theatre Huchette and Caveau de la Huchette. We pass through from the boulevard Saint-Michel until we reach Rue du Petit-Pont, before we get to the Notre-Dame cathedral.

Notre Dame: Chance makes the protagonists meet again at this iconic landmark of the city, one of the most beautiful and most visited French gothic cathedrals, which was finished on 1345 and is located at the Cité island. Who hasn’t heard about Notre Dame and its famous hunchback? Either as the Quasimodo by Victor Hugo or by Disney, the gargoyles are part of the collective imaginary

Rue du Sommerard: The street where Horacio Oliveira lives and one of the oldest in the city, which during the Roman age took to the baths at Cluny. Next to the famous Saint-Germain Boulevard, Sommerand is nonetheless more relaxed and perfect to take a relaxed walk.

Rue Valette: This is a magic place for our protagonists, in one of the hotels here they consummate the relationship for the first time and here is also where Horacio took Pola. Rue Valette is at the quarter of Sorbonne University and follows the Rue de Carmes, the meeting point for students.

Rue Monge: One of the places where is believed Maga lived after separation and the death of his son Rocamadour. This is a important street located at the university area on the Paris district nº 5.

Rue Monsieur Le Prince: The incomprehensible chance also takes place at this street, which used to be a road and leads to the Edmond Rostand Square along the Saint-Michel Boulevard. Notice also that Polidor restaurant, where the story of Cortazar’s "62 A Model Kit" takes place, is also here. We pass by this place if we go to Odeon.

Rue l’Odéon: Remember here, with Horacio, parts of his relation with Maga, eating at Carrefour de l’Odeon and riding the bike by Montparnasse. The impressive Odeon theatre gives the name to this street and neighbourhood, full of life by night and day, where we can find all kinds of bars, cafés and restaurants. From here, take Saint-Sulpice Street to arrive to the next stop.

Rue de Tournon: This is the street where we walk back to Madame Trépat house, with Horacio. Even traditionally it was full of old bookstores, many luxury fashion shops moved here on the past few years. It’s one of the most prestigious streets, from the Senate and across Saint-Sulpice street, which lead us to the end of this route. Mario Vargas Llosa lived here too.

Montparnasse cemetery: The last stop in this route is also the location at the last chapter of Rayuela, where Horacio takes a little paper and also where Julio Cortázar was buried. At the hearth of Montparnasse neighbourhood, this was inaugurated on 1824 and is the second in the city, with many remarkable people resting here along with the author, such as Simone de Beauvoir, Samuel Beckett or Jean Paul Sartre.

Image from Henri Marion

A place well worth discovering! Check out our flights here.

First, the bad news – Marseille is not Paris. Unlike its long-standing rival, France’s second largest city lacks top-drawer museums, stunning landmarks and hordes of Japanese tourists queueing up outside Louis Vuitton. The good news is that… Marseille is not Paris. Pampered by the Mediterranean, this city of radiant sunlight, with its multicultural population and suburbs in the very heart of the city, is so much of an oddity that it earned itself the nickname Planète Mars.

With one of the largest ports in the Mediterranean, a chaotic urban layout and an abiding reputation for being a decadent capital, Marseille is above all France’s enfant terrible, a noisy, dynamic city full of contrasts, where street hawkers take over the pavements, walls are smothered in graffiti, one’s clothes are impregnated with a brackish odour and the Olympique de Marseille is the mortar that binds it all together.

Apart from the usual tourist destinations, the tables have turned since it was voted European Capital of Culture in 2013. Zaha Hadid, Jean Nouvel and Norman Foster all have their state-of-the-art buildings on the snazzy waterfront esplanade. The bohemian way of life, however, is to be found inland and that is where we are heading. With a map in our pockets, we embark on our alternative, urban bobo tour of the capital of Provence!

At La Friche la Belle de Mai

An erstwhile tobacco factory at the Gare Saint-Charles is Marseille’s liveliest cultural centre. We have come to La Friche! Exhibition areas, artists’ ateliers, theatre, skating ramps and even a nursery rub shoulders here. All in one hybrid amalgam and in constant flux, focused on contemporary creation in a precinct where the communal spirit matches the extensive programme.

The huge roof terrace, which affords spectacular city views, is filled to bursting in summer, as it hosts parties with guest DJs and open-air cinema on Sundays. For the rest of the year the music never stops, while the Cabaret Aléatoire features sessions ranging from rock to hip-hop.

If you need to refuel, head for La Salle des Machines, a café-bookshop where you can have a café au lait while you leaf through a catalogue of the latest shows. But, if you’re actually feeling peckish, Les Grandes Tables is the place to go. Here, the menu changes each day, but they always have the classic steak tartare and Caesar salad. Mondays usher in a market of local produce and, as you well know, French markets are peerless.

Outside, alongside the warehouses and level with passing TGVs, the walls of a city park are daubed in graffiti proclaiming “Skateboarding is not a crime”. Here, skaters spin their tricks, while others play basketball, scale the climbing wall, play in the children’s area or work the land in the community allotment. That’s Marseille – a heterogeneous magma where everyone and everything become fused.

A few metres to the west, among the maze-like streets of La Belle de Mai, stands Le Gyptis Cinéma. Their (original version!) listings are as eclectic as the city itself, featuring thematic film cycles, classics, titles you won’t find on the Internet and children’s movies. The facade is peopled with portraits of neighbourhood characters, the upshot of a communal street-art programme designed to put a face to the locals.

And, with that image fixed in our mind’s eye, we head for Cours Julien, the hardcore urban Marsellais scene.

Around Cours Julien – Street Art & Urban Vibe

Alternative, carefree and colourful, the Cours Ju, as locals call it, is the in district right now. Take the metro to Notre Dame du Mont, although the climb up from the harbour is a heart-stopper. A district of artists, musicians and designers and the bastion of the ultra-modern bobo community (bobo, in French, is a nickname for “bourgeois-bohemian”), the Cours Ju is an endless string of trendy cafés, restaurants of all kinds, vintage stores and streets covered in full-colour graffiti.

The fact is that no other spot in the “Hexagone” can boast such a tour de force of urban art of this calibre. Streets fronts along Rue Vian, Pastoret and Bussy l’Indien are overrun by countless pamphleteering murals of a social nature, with references to pop culture or signs announcing the cafés hidden inside. Street art is clearly part of Marseille’s urban DNA, both rebellious and multicultural, as evinced in their well-known hip-hop – see this fast-paced video set to a local rap rhythm to get the idea.

Against this backdrop, every square metre of what is Marseille’s Kreuzberg is inundated with alternative art galleries, terraces, cafés and stores selling anything from apparel to household goods. The best approach is to venture carefree into the chaotic maze of pedestrian streets and let yourself get carried away by the relaxed atmosphere.

In the Cours itself, the multi-faceted concept store Oogie sells apparel and books, but also serves food and houses a hairdressing salon which hosts DJ parties. Nearby, La Licorne makes soaps using traditional methods and, in the rue Trois Frères Barthélémy, the Brasserie de la Plaine micro-brewery sells craft beer and has a bistro where you can wolf down the market-cuisine formule du jour or menu of the day, which usually consists of a starter, main course and dessert for around €10.

The trendiest spot par excellence is WAAW, on the rue Pastoret. Halfway between a bistro and a cultural centre, WAAW’s activities range from presentations to silk-screen print shops. It is also the best place to make a technical stop, order the dish of the day or stock up for the evening on a pastis or rosé when it’s time for the popular “apéro” – a pre-dinner aperitif.

Night time ushers in drinks and music. Sited in the Place Jean Jaurès, L’Intermédiaire is one of the best venues for live and DJ-set alternative music. Next door is Au Petit Nice, which offers a huge selection of beers in an inner patio where you can while away the hours. And, in La Dame Noir, hipsters queue up to get into the most sought-after club in the area.

As if that weren’t enough, a local producers’ market sets up shop in the Cours Ju every Wednesday morning. Stamp traders get their turn on Sundays, while second-hand books are sold every second Saturday in the month. The Marché de La Plaine, in the Place Jean Jaurès, is a market selling fruit and vegetables, cheese, fish, takeaway food, cheap footwear and accessories of all kinds on Tuesday, Thursday and Saturday mornings, while the flower market is held on Wednesdays.

The Cours Ju has a special something which grows on you! Get going and discover cosmopolitan Marseille – book your Vueling here!

Text by Núria Gurina i Puig for Los Viajes de ISABELYLUIS

Photos by Caroline Dutrey, Coralie Filippini, JeanneMenjoulet&Cie, marcovdz, Pop H