After a long day wandering around Birmingham, visiting its museums, discovering its industrial past and browsing in its shops, it is time to take a breather and enjoy the other side of the city – the more playful side, given over to flavours and experiences and to meeting its people. Not to be outdone by other destinations, Birmingham has many watering holes that break with the conventional, whether in their decoration, menu or location. Here is a selection of some of those which are well worth stopping at to replenish.

The Rose Villa Tavern
(172 Warstone Lane, Jewellery Quarter)

Located in the Jewellery Quarter, a must-see district, as it concentrates the largest number of jewellery stores in Europe. This pub is the perfect marriage between tradition and modernity. The interior is decorated with stained-glass windows, strikingly coloured floor tiles and the classical collection of wooden fixtures and vintage furniture charmingly highlighted in coloured tinges. The menu features traditional American food, accompanied by homemade beer and magnificent cocktails.

The Jekyll and Hyde
(28 Steelhouse Lane)

Endowed with two distinct personalities and, to do its name proud, this bar contains two well differentiated areas. The interior, distributed on two floors, is a classic Victorian-era pub. Hidden at the back of the first floor is a small outside patio with decoration that cannot fail to catch your attention, as it is inspired by Alice in Wonderland. But, there is more. In the afternoon you can have tea and a selection of homemade sandwiches and cakes. If, however, you are inclined towards stronger stuff, you can go for the cocktails served in unusual vessels. On Fridays they open the upstairs Gin Parlour, which features a large variety of gin brands and gin cocktails.

The Plough
(21 High St, Harborne)

The Plough is an inviting, modern bar. The interior is decorated with a profusion of details, many of vintage inspiration, such as the lamps, tables and floor tiles. The other forte is their patio which, weather permitting, you should not fail to visit. This is the perfect spot for having a brunch based on gourmet hamburgers, homemade pizzas or just some beer, while soaking up the patio ambience.

The Victoria
(48 John Bright Street)

This 19th-century theatre bar is located in the city centre and is the ideal spot for winding up a long day’s outing by having a pizza and a good homemade beer. As a curiosity, film- and music-lovers can put their knowledge to the test at the “Sound and Vision” contest held every Tuesday afternoon. By the way – keep your eyes skinned because they say there’s a ghost lurking in the walls of the bar!

Sugarloaf
(12 Bennett’s Hill)

A bar inside a restaurant? Well, yes, Sugarloaf is a Mexican-themed bar tucked away on the lower floor under the Mexican cantina, Bodega, which also features Mexico as the theme on its menu. It opens Wednesday to Saturday and, in addition to the classic, essential skulls ornamenting the locale, you will find tequila and mescal cocktails and DJ sessions.

PureCraft Bar & Kitchen
(30 Waterloo St)

This establishment, which specialises in homemade beer – of which you will find an extensive domestic and international list – is simply decorated, with a certain industrial air about it. Don’t hesitate to augment your pint by ordering one of their dishes, based on British cuisine and using local produce, with a refined touch and impeccable presentation.

Fancy exploring the coolest, tastiest  side of Birmingham? Get your tickets here.

Text by ISABELYLUIS Comunicación

Images by The Rose Villa Tavern, The Jekyll and Hyde, The Plough, Bodega Cantina, Pure Craft Bar & Kitchen

A festival that has grown steadily over the years is Frightfest, which in 2017 has come of age (it turns eighteen). This time around sees a host of screenings of fantasy films and horror movies. From 24 to 28 August, Cineworld and The Prince Charles Cinema in Leicester Square will turn London into the world capital of the genre. The two cinemas are five minutes’ walk away from each other, located in the heart of the city. And, the great thing about it is that the location of both festival venues, plus the screening times of the films, means you can stroll around the centre of London and have ample time to enjoy the movies just after lunch time.

The programme for this year’s Frightfest is a veritable wet dream for horror movie fans, with a stack of European and worldwide premieres that make a trip to London worth your while. Here, then, are some of the highlights – the world premiere of “Cult Of Chucky”, a new instalment featuring the dreaded killer doll; the long-awaited American version of the manga “Death Note”, directed by Adam Wingard, the planetary premiere of “Leatherface”, based on the famous character from “The Texas Chainsaw Massacre”, and Spanish genre movies like “El bar”, by Alex de la Iglesia and “Verónica”, by Paco Plaza, in addition to gems of the independent horror genre like “Psychopaths”, “Freehold”, “Tragedy Girls”, “Game Of Death” and “Redwood”. But, apart from new releases, the festival also intends to pay tribute to some legendary figures of the genre. In this respect, be sure to highlight in red the screening of “King Cohen”,a documentary on Larry Cohen, one of the heroes of independent Yankee horror and fantasy films, as well as modern classics such as "Hatchet” and “Return Of The Living Dead III”. Take note – many of these movies will be presented by their protagonists (film stars, directors and producers), so you might as well take along a marker pen if you want to score some autographs.

As for tickets, Frightfest offers three options – single tickets for each session, day passes and a festival pass for the whole festival. Tickets can be purchased online at both official venues. Getting to the cinemas is a cinch. The Underground stop is Leicester Square,which is in Zone 1 on the Travelcard (the cheapest one) and you can take two lines to get there – theNorthern andPiccadilly lines.

As intimated earlier, the Frightfest programme is concentrated mainly in the afternoons, which means you’ve got the mornings free. Here are some ideas about rounding off the festival experience:

– Drop in on the Forbidden Planet stores, specialised in comics, collector figures and all kinds of products related to the sci-fi, fantasy and horror genres.

– Visit the Tower of London, one of the places with the darkest, gloomiest history in the city. It was there that Henry VIII committed all kinds of murders and torture, and it is also the scene of a number of famous ghost stories. Clearly a must-visit spot for devotees of Gothic horror.

– See the Grant Museum of Zoology, by way of a Victorian time capsule, where you will feel as though you’re a character in the “Penny Dreadful” series. The Grant Museum transports the visitor to the second half of the 19th century, featuring a collection of animals in jars filled with formol, both known and rare species, some of them extinct. It also has a collection of skeletons which will make your hair stand up.

Don’t miss out on the chance to enjoy this exceptional festival of horror and fantasy films – book your Vueling now!

Text by Xavi Sánchez Pons

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

A visit to the Colosseum, a stroll through the Vatican Museums or enjoying long walks along the Tiber riverbanks are some of the must-do activities on a Rome getaway. And, if you’re also keen on Italian food, you can taste all kinds of pizzas and pasta, and go crazy on the huge variety of Italian desserts, in any of the countless osterias and trattorias the city has to offer.

While best known for its millennial history and exquisite culinary tradition, Rome is also renowned for being one of the best places in Europe to eat ice-cream. The idea that ice-cream is only for the hot weather is now rather outmoded. Indeed, thousands of tourists and locals flock to Italian ice-cream parlours all year around, eager to enjoy the unique flavour of genuine Italian gelato.One, two or up to three flavours, and the irresistible touch of a panna (cream) topping, suffice to yield an unforgettable experience.

Finding a good ice-cream in the city is quite straightforward, but the choice is overwhelming and there is also the likelihood of being scammed. To play it safe, we recommend the following five essential ice-cream parlours in the big, beautiful and eternal Rome.

1. Giolitti
A classic among classics, this centrally located and famous ice-cream parlour is responsible for Audrey Hepburn and Gregory Peck having eaten ice-cream in the film, Roman Holiday. Open to the public since the year 1900, this spot is easy to find as it is always crammed with customers. Their ice-creams are made using 100% natural ingredients, and it shows. Via Uffici del Vicario, 40

2. Old Bridge
The English name of this establishment is no more than an excuse to try one of the most traditional ice-creams in Rome. No frills and additive-free, the ice-cream at Old Bridge is well known. You are likely to emerge from the parlour holding a three-flavour cone topped with a good dollop of homemade cream. Viale dei Bastioni Di Michelangelo, 5

3. Otaleg
At Otaleg you can see them making ice-cream using craft methods in their open-plan workshop. The sophisticated decor makes for the perfect all-enveloping environment where you can enjoy both classic flavours and more daring offerings, like a cheese and pepper ice-cream. As well, be sure to try their melon and raspberry ice-cream before leaving. Viale dei Colli Portuensi, 594

4. Gelateria della Palma
This ice-cream parlour is backed by more than thirty years of exquisite labour. With its menu of over 150 flavours and their loyalty to top-quality fresh ingredients, the Gelateria della Palma never fails to please. What’s more, apart from ice-cream, we also recommend you try their cassata (a traditional Sicilian cake of ricotta, sponge, marzipan, glace fruit and castor sugar), chocolates and famous tiramisu. Via della Maddalena, 19-23

5. Da Quinto
Next to the Piazza Navona, Da Quinto has been operating since 1915 and is one of the best known ice-cream parlours in town. The walls of the establishment are plastered with photos of famous people who have been there. One of their specialities is chocolate and orange ice-cream. Simply delightful! Via di Tor Millina, 15

Book your Vueling to Rome and get ready to try their magnificent ice-creams.

Text by Aleix Palau