Some journeys take you to unknown places, some envelop you in peace and tranquillity while others are designed to help tap your inner creativity. Without a doubt, Berlin manages all three of these things. Let’s walk today through the melting pot of the city’s most rebellious heart, where new artistic spaces open every year, where music, art and design coexist with parks, restaurants and street markets. Perhaps this is why more than 8 million tourists come here every year, only to discover it has changed slightly each time they return. Carlos Medina, from My Vueling City, guides us through the city to a musical backdrop. OnPiedra de Toque, we continue to seek the hidden side of our cities. Today, Berlin, with the Kreuzberg district, the Prenzlauer Berg district and the B-Parade.

The strong>Krezberg district: 160,000 inhabitants of 200 different nationalities, Turkish being the majority. “After the wall came down, Berlin united the two Germanies – the east occupied by the Russians and the west occupied by the Americans, French and English. The Kreuzberg district lies in the east, boasting a great night life and a spectacular Turkish market. Simply consider that Berlin is the European capital with the most Turks and that most of those live in the Kreuzberg district. However, there is another area that, given the low rent prices, is also full of all sorts of creative people. A visit to the Prenzlauer Berg district is highly recommendable. Here you will find cafés and restaurants of all nationalities with an excellent offer at more than reasonable prices. Top spots for Carlos Medina: Il pane e le rose, Mami Camilla, A Cabana.

Volkspark Friedrichshain has been the perfect place to get away from the hustle and bustle of the city for more than 160 years. It is the oldest public park in Berlin. Mauerpark and its street market is the other essential location for discovering the hidden side of the German capital. Finally, if it’s the various shopping areas that turn you on, then Castangalle is the place for you.

B-Parade, 21 July. To conclude our visit to Berlin, we will mention the old Love Parade that began in 1989 before the fall of the Berlin Wall and that lives on today under a new name: B Parade. This popular street festival gathers a large number of DJs and performances to create the biggest party in Europe. This year, it will be held on 21 July.

Picture by David Herrmann

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One of the unusual features of Copenhagen, which also happens to attract flocks of inquisitive tourists from all over the world, is Freetown Christiania (Fristaden Christiania). Located in the central borough of Christianshavn, it has the odd privilege of being autonomously ruled by a neighbourhood community which declared its independence from the Danish State and the European Union, as clearly marked on a sign at the exit from Christiania which reads: “You’re now entering the EU”.

The origins of Christiania go back to 1971, when a group of Danes occupied what was a derelict military precinct with abundant green areas which they decided to turn into a playground for their children. Guided by the spirit of the times, their move sparked a debate about what to do with that abandoned area. Members of the counter-culture movement known as Provo ended up occupying the area and founding a community where they set about putting into practice their anti-system ideas. After the occasional attempt at evicting them by the government, the latter gave in and allowed the neighbourhood community to flourish under self-management as a social experiment.

Amazing as it may seem, that hippy community, which now numbers some one thousand members, is still operating 45 years on. Be it the free atmosphere, the overridingly friendly vibes, or interest in seeing a small sample of Utopia in operation, the fact is that Christiania is the second most widely visited spot in Denmark after Copenhagen’s paradigmatic icon – The Little Mermaid. The community can be visited by guided tour or just wandering about freely, although visitors have to observe a set of rules voted by the community. Among these is a ban on private property, talking on mobile phones and taking photographs. Outsiders should particularly heed the latter, the most controversial prohibition and one that has at times threatened the survival of the community, where the smoking of cannabis is allowed.

The main drag in Christiania is Pusher Street, where you will find bars and vegetarian restaurants for engaging in “slow food”, as well as shops where you can buy craftwork and souvenirs of the city. One of the advantages of this area is that items are cheaper and no taxes are paid. Among the major charms of visiting this “freetown” is the contrast it strikes with the rest of Copenhagen. Untarred streets with no cars – and therefore no noise – military constructions converted into homes or common areas and a huge amount of colour and vegetation everywhere. A wholly anarchical picture in an atmosphere of total calm in which time seems to stand still.

Be sure to make a foray into this unusual enclave of freedom in the Danish capital – book your Vueling here.

Text by Los Viajes de ISABELYLUIS

Images by News Oresund

Any time of year is good for visiting the capital of Holland, which shines with a beauty of its own, regardless of the prevailing weather during your visit. There are lots of things to do here, from touring the city – preferably by bicycle, locally the leading form of transport – to taking a boat ride along the canals, enjoying the cultural activities – featuring museums of the likes of the Rijksmuseum and the Van Gogh Museum, among others – delighting in the leisure offerings or soaking up the vibrant atmosphere.

You have to admit, though, that there are some events during the year which make the city shine even brighter. The most popular of these takes place from January to April and its protagonist is a veritable symbol of the Netherlands – the tulip. The city is flooded with multi-coloured tulips, particularly on 17 January, National Tulip Day, when Dam Square is lovelier than ever with its huge tulip market.

Another, lesser known event which is however gaining traction among visitors is the Amsterdam Light Festival. Although quite a recent addition – this will be its fifth year – it has gradually taken over the canals and bridges and some of the city’s buildings, greeting the winter cold with a beautiful landscape of lights. Thus, from 1 December to 22 January, you can relish this wonderful show that floods Amsterdam with “light art” installations crafted by both national and international artists.

The festival is staged in two parts, in two different arenas and at two different times. First, there is the Water Colours Boat Route, with lights arranged along the city’s canals and bridges, designed to be perused on a boat ride. Several companies provide facilities for this tour, although all rides start at Amsterdam Central Station. The tours operate from 1 December to 22 January between 5 p.m. and 11 p.m.

Then there is the so-called Illuminade Walking Route, with an itinerary which takes visitors through the cultural Weesper and Plantage neighbourhoods. On this occasion the chosen theme is biomimicry, a new science based on a study of naturally occurring models, systems and processes with the aim of imitating them for the purpose of seeking practical solutions for human needs, as long as these are sustainable. The event is made up of 23 works, on display from 15 December to 8 January between 7 p.m. and 22 p.m.

Ready to take in a heady shot of “light art”? Book your Vueling to Amsterdam and enjoy this magnificent festival.

Text by Los Viajes de ISABELYLUIS

Images by Udo Geisler

Ai Weiwei is a controversial figure wherever he goes. While his activist streak has earned him more than one headline in the media, particularly in connection with the problems he has with the regime in his native China, his artistic facet has also put him under the spotlight in all the exhibitions he unveils, given the political denunciation behind his work. Last year it was the Royal Academy of London that enshrined him as the great international artist he is. Now it is Vienna’s turn as it hosts an exhibition, running until 20 November, of his latest works. This is the largest display of Ai Weiwei’s work so far in Austria.

A Temple in the Museum

Under the title, Translocation – Transformation, referring to the metamorphosis which people and objects undergo after a deliberate relocation, migration or expulsion, the event features several installations by Ai Weiwei distributed over different spaces in the Belvedere Gardens. The main feature of the exhibition, curated by Alfred Weidinger, is located in the former Austrian pavilion for the 1958 World Expo, currently used as a platform for promoting contemporary art under the name 21er Haus. Displayed in the interior is the Wang Family Ancestral Hall, an installation which is unlikely to leave the viewer unmoved. This 14-metre-high exhibit made up of 1,300 separate pieces is an ancestral temple from the Ming Dynasty. The temple, which belonged to the Wang family, a clan of tea merchants who were expelled from China during the Cultural Revolution, was thus abandoned. Ai Weiwei acquired it from an investor some time ago and transformed it into what we see today, a decontextualised work which coexists and communicates with other architectural environments.

Another exhibition site, the Upper Belvedere pond, showcases the installation, F Lotus, where the artist elicits a reflection on subjects unfortunately in the limelight in recent years, notably the refugee crisis besetting Europe. The work comprises 1,005 discarded life vests picked up on the beaches of Lesbos after being used by Syrian refugees on their sea crossing to Europe. They are set in a total of 201 rings linked to resemble the lotus flower, the overall structure forming a hugefin the water.

Another work displayed in the Upper Belvedere pond is the Circle of Animals/Zodiac Heads, a veritable classic of Ai Weiwei’s oeuvre. Composed of twelve bronze heads standing for the signs of the zodiac in the Chinese horoscope, they are inspired by the fountain-clock at the summer palace of Yuanming Yuan which was ransacked by French and British troops during the Second Opium War in 1860. The treasures – including the heads – were looted and have never been returned since.

Eager to see the work of Ai Weiwei first-hand? Be sure to make a getaway to Vienna – book your Vueling here.

Text by Los Viajes de ISABELYLUIS