Leipzig is known as the capital of German music, classic music artists such as Strauss, Wagner or Bach were closely attached to the city. Nevertheless, is also known for being part of an important moment in history, playing a key role on the fall of the Berlin wall, reason why the city is considered as the birthplace for the Peaceful Revolution.

On October 9th 1989, 70.000 Leipzig citizens demonstrate carrying candles around the Leipziger Ring calling for freedom to the Federal Republic of Germany. Despite several threats by the police to open fire, the demonstrations were peaceful and became an important milestone on the way to the fall of the Berlin Wall and German reunification.

From that date, every October 9th the Festival of Lights is celebrated to remember that important date, taking history to reality by using audio, video and light. On 2014, the 25th anniversary for the Pacific Revolution is celebrated and, as every year, the Festival of Lights in Leipzig sets the start for a long weekend were many cultural organizations dedicate events, exhibitions and concerts to remember the events on 1989. On 2009, for the 20th anniversary, almost 150.000 people joined a great parade around the city centre and Leipzig became a sea of lights. For 2014, numerous activities are expected around the festival.

Furthermore, on October 9-13th, 2014, Leipzig will celebrate a long week of cultural events and, throughout the year, visitors can follow the steps of these historical events and visit places such as the museum and the bunker in Stasi or the exhibition “Freiheit! Einheit! Denkmal!” (Freedom, unity, monument) – from September 24th, 2014 to January 4th, 2015 – in the Leipzig City Museum, where the historical memory remains to debate the future monument to freedom and unity.

Under the slogan “Fall 89 – Democracy arrival” Leipzig will transform the streets one more year in a light show and cultural celebration that you shouldn’t miss if you’re planning to visit the city.

Image from Philipp

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In effect, The Beatles are the benchmark for pop music. They are a veritable icon, essential to any understanding of 20th-century culture. But, we won’t labour the point, as all the details can be found in Wikipedia and music history books. What we are going to reveal in this post, however, is a list of the places associated with the history of the group’s members during their Liverpool years or where they drew inspiration for some of their songs. The quartet made up of John Lennon, Paul McCartney, George Harrison and Ringo Starr are still a magnet for the new generations and in Liverpool the story repeats itself ad infinitum.

The 10 “Beatles Points”

1. The Beatles Story

A good way of immersing yourself in the Beatlesque universe is to visit The Beatles Story Museum, in the Albert Docks industrial buildings. We went there and were stunned by all the memorabilia we came across relating to the Fab Four. The museum even hosts workshops for children. It is also the starting point for The Magical Mystery Tour, a two-hour bus tour around places associated with the group.

2. The Cavern

Rebuilt brick by brick after its demolition in 1973 is the famous basement on Mathew Street known as The Cavern. It was here that they played for the first time and where they were discovered by the music manager, Brian Epstein. This venue is a must-visit, whether you’re a fan of The Beatles or not. We urge you to go on a Thursday when countless Beatles imitation bands play. Mathew Street is currently abuzz with pubs and clubs where you can listen to live music, notably The Grapes, the pub where they used to meet before their performances.

3. Penny Lane

Lennon and McCartney lived very near this alley in the suburbs and they would walk down Penny Lane daily on their way to school. The barber shop, fish & chips shop and bank that feature in the song are still there. Some years ago, there was a move to change the name of the street, as Penny Lane was a character who had made his money from slavery. However, in the end, the power of Beatlesque support led the proponents to abandon their initiative.

4. Strawberry Fields

Strawberry Fields was one of the most groundbreaking singles in the Beatles’ career. The song is dedicated to the Strawberry Field orphanage which the Salvation Army ran in Beaconsfield Road, near Lennon’s home in Menlove Avenue. Only the metal gate and the gardens they used to play in still survive. The brick walls surrounding the gardens are painted with graffiti in memory of John.

5. St. Peter’s Parish Church

The Quarrymen was John Lennon’s first band and they used to rehearse in St. Peter’s Parish Church, in the Woolton district. It was there that in 1957 Lennon and McCartney first met. The church graveyard has a headstone with an inscription mentioning Eleanor Rigby, the protagonist of one of the Beatles’ songs. John lived very near there, in an avenue lined with semi-detached houses.

6. Oxford Street Maternity Hospital

Still standing here is the building which once housed the maternity hospital where John Lennon was born on 9 October 1940. He is said to have been born in the middle of an air raid during the Second World War. His mother was attended by his aunt, Mimi, who was appointed John’s guardian.

7. Liverpool College of Art

In 1957, Lennon took up studies at the Liverpool College of Art on Hope Street where he met Stu Sutcliffe, who became one of the Beatles soon afterwards. Some years later in Hamburg he left the group to pursue his career as a painter and lived with the German photographer, Astrid Kirchherr. Stuart died in 1962. Paul and George studied at the neighbouring Liverpool Institute.

8. Jacaranda

The walls of this pub on Slater Street are decorated with paintings by Lennon and Sutcliffe. Its owner at the time, Allan Williams, offered them the opportunity to travel to Hamburg and play on a daily basis in the Kaiserkeller Club. This was the period of the Beat Brothers, with Pete Best, who became The Beatles’ original drummer, to be subsequently replaced by Ringo Starr.

9. The Casbah Club

This venue is where it all started. Before their success at The Cavern with The Beatles, John Lennon had performed live at the Casbah with his first group, The Quarrymen, in 1959. This club, located some 6 kilometres from downtown Liverpool, was originally a cellar owned by Mona Best, the mother of Pete Best. This was also where Ringo Starr’s first band, Rory Storm and the Hurricanes, played. The Beatles were the last group to set foot on its stage, in 1962.

10. Quarry Bank Grammar School

John Lennon first entered this school on Harthill Road at the age of seven. Here, together with his childhood friend, Pete Shotton, he founded The Quarrymen, a group grounded in the teddy boy look which played rock’n’roll, the music that had stirred up a revolution among youths across the globe.

No one questions the fact that The Beatles were one of the greatest bands in the history of rock, and their association with Liverpool is irrefutable. Don’t wait to give yourself over to Beatlemania – check out our flights to Liverpool here.

Text by Los Viajes de ISABELYLUIS

Images by The Beatles Story, The Cavern, Wikipedia Commons

We embarked once more on a trip with the Mondo Sonoro crew of journalists. This time we decided to investigate Bristol’s music scene, highly active as of the late 1970s, during the heyday of punk. However, it was in the early 90s that music in this port city of southern England riveted world attention, as it was there that one of the defining genres of the late 20th century was born, evolved and, they say, died – Trip Hop. But things did not stop at that. Shortly afterwards, Bristol challenged London as the cradle of drum’n’bass, while today it is dubstep that has earned it a top spot among avant-garde electronic music. As well, it continues to be a haven for all kinds of live music. So, we headed for Bristol with a fistful of question marks; perhaps too many to be answered in a space of just 48 hours. Here’s what the experience yielded.

Bristol lies just 48 minutes from Cardiff by train, a short ride which you can use to go over the lineups of the countless clubs and concert halls that liven up the night of a city with little over 400,000 inhabitants.

Bristol was England’s busiest port for several decades. The city once flourished as a trading post, garnering its wealth from the distribution of wine, tobacco and, in the 17th century, slaves, too. Not for nothing was the home of pirate Long John Silver, of Treasure Island fame, located here. In World War II, the importance of its docks and aeronautical industry made it a target for terrible aerial bombardments. The harbour area has come into its own again recently as a result of an ambitious urban renewal plan, completed in 2008, which paved the way for one of the most popular promenades – Harbourside. The area, which has been totally remodelled, features leisure and hospitality areas, as well as an open-air flea market crammed with second-hand books and records, in addition to craftwork, confectionery and even craft beer.

Also sited there is the Bristol Tourist Information Centre, an inexhaustible source of information, where we learned that here too are the headquarters of Aardman Animations, the studio where the Oscar-winning Plasticine figures of Wallace & Gromit were created. This is also the birthplace of Cary Grant, a star of Hollywood’s early period who continues to be celebrated in the form of a festival bearing the name of this perennial Hitchcock actor. Another titbit – the writer, JK Rowling, Harry Potter’s mater, lived in the city’s environs until her adolescence. However, our most prized acquisition in the Tourist Office was a street plan for locating a host of works scattered about the city by someone who is probably the most popular local celebrity, even though his identity remains a mystery. I am talking about Banksy, Bristol’s favourite son, although not all the city councils would refer to him in such terms.

However, before setting out on a photo safari around the city walls, it might be an idea to first explore it from the river that traverses and connects it to the sea. Several companies organise boat tours, including Bristol Ferry Boats, The Bristol Packet and The Matthew. The latter offers rides lasting up to four hours, during which you can enjoy the classic Fish & Chips or a Cream Tea – milk tea with scones and jam and cream.

Still in the neighbourhood, we were tempted to visit At-Bristol, which combines an interactive science centre with a planetarium, but there are many cultural enclaves worth exploring. First we headed for the nearby area of theatres and dropped in on the Bristol Hippodrome, which focuses on great musicals, notably one dedicated to the “Million Dollar Quartet” (Johnny Cash, Jerry Lee Lewis, Carl Perkins and Elvis Presley), where the legendary producer, Sam Phillips, is played no less than by the ex-pop star Jason Donovan! Around there we came across a number of tapas bars, attesting to a marked increase in Spanish emigration, including El Puerto and La Tomatina, the latter located next to the first Banksy we were able to enjoy, the hilarious “Well Hung Lover” on Park Street, a steep commercial thoroughfare which is a must for picking up bargains. Our hotel was near there, in the historical Old City, so we still had time to wander through St Nicholas Market, a charming covered market, like a bazaar with glass ceilings. We also made for St Peter’s Church, an evocative ruined church at the top of Castle Park, on a stretch of the river bordering the Broadme addistrict, the city’s commercial centre. Further north lies Bearpit, an unusual square sunk between a junction of trunk roads that swerve around pedestrian tunnels plastered with posters announcing musical performances and street art exhibitions. We were taken aback by a number of graffiti paying tribute to the tragedy of the 43 missing Mexican “normalistas”. There were also skate ramps, a space for performances of all kinds and even a typical double-decker London bus converted into a food truck serving Mexican dishes.

On this note we wind up the first part of our intense and interesting visit to Bristol. In the second part we delve into the area where most of the clubs are concentrated. We also talked to Euan Dickson, sound engineer of Massive Attack, one of the seminal bands in the city’s music scene. Get going and discover the sounds of Bristol – check out our flights here.

Text by Mondo Sonoro and Los Viajes de ISABELYLUIS

Images by Los Viajes de ISABELYLUIS

Our main reason for visiting Iceland’s capital was to uncover the city’s musical melting pot. Reykjavik has continued to churn out musical icons ever since the initial boom in the early 1980s, as reflected in the documentary and double LP, “Rokk í Reykjavík”, featuring such Icelandic bands as Baraflokkurinn and Tappi Tíkarrass – the latter was Björk’s first serious music project. When talking of Iceland, the first thing that springs to mind are the two most popular names on the international scene – Sigur Rós, and the aforementioned Björk. However, there is an amazingly long list of artists distributed across the length and breadth of the land, as well as countless bands, soloists and collectives that often share their members, regardless of each group’s musical style.

All of these have at some time performed in Húrra, Reykjavik’s leading concert hall, previously known as Harlem. When we were there, we were impressed by the varied setlists scheduled for the following days – an extreme metal festival, a reggae group (Hjálmar, very popular in Iceland)  and a tribute group to the Sex Pistols which hails from the continent. Húrra really acts as a downtown music hub, covering all the musical genres. For starters, it is one of the customary venues for the popular music festival, Icelandic Airwaves, which is held at the beginning of November at various settings in the city, including the marvellous Harpa, a musical and cultural activities centre which has fairly galvanised the local scene in the last few years.

Needless to say, we had to finish off the night with a beer. There are myriad Icelandic brands, including the ubiquitous Viking, in addition to some imported varieties. We ended up at Kaffibarinn, also known as KB, owing to the fact that Damon Albarn from Blur is one of its proprietors. The downstairs hall is comfortable, cosy and features a good, ongoing soundtrack, principally pop and electronic. But, remember not to bother the DJ – not for nothing is there a metal plaque near the crockery which reads, “No requests accepted”. If you want to smoke, which is not allowed inside the premises, they have an open-air interior patio where you can smoke and still keep up a conversation with friends and acquaintances. But, at midnight, everything changes and the upstairs area at KB becomes a dance club which operates until the early hours.

The local scene is clearly both extensive and surprising. Apart from groups with a proven track record, notably Of Monster And Men, Sólstafir, Amina, FM Belfast and Sin Fang, it is the new generation that is shaking the very foundations of the city. We could start with Retro Stefson, a pop group which has been migrating toward electronic and has recently shot to the number one slot in Iceland thanks to their new single, Skin, a preview of their upcoming album, Scandinavian Pain. In fact, it was their vocalist and guitarist, Unnsteinn Manuel Stefánsson, who acted to some extent as our host during our fleeting visit. After inviting us to see his new studio, which is bound to become one of the most active in the city, he took us to have a coffee in Sæmundur í Sparifötunum, a hipster gastro hotel where he introduced us to two of Iceland’s best known rap stars, the upcoming talent, Gísli Pálmi, and the veteran Emmsjé Gauti, the author of a single called precisely Reykjavik. He talked to us about the female collective Reykjavíkurdætur, currently on a meteoric roll, and remarked how one of the leading lights of Iceland’s parliament, Óttarr Proppé, has played in various bands, among them HAM, which was very popular in the early nineties. He also revealed that his favourites included the very young singer (aged sixteen) from R&B and trap music, Aron Can, and the pop singer, Sturla Atlas. Truth be told, Manuel – of Portuguese and Angolan extraction – is also the brother ofLogi Pedro,one of the most celebrated hip hop producers in Iceland and the composer of much of the bass and rhythms for some of the aforementioned artists.

When it came to discovering new artists, we were also lucky enough to have the assistance of the writer, Sigurjón Birgir Sigurðsson, who goes under the stage nameSjónand who collaborates closely with Björk. He recommended the DJ, Flugvél Og Geimskip, and the trap duo, Úlfur Úlfur, whose popularity is on the up and up and who feature among Iceland’s best known current stars.

We could go on about contemporary figures well worth watching, including Sin Fang, who has just worked with Jónsi of Sigur Rós on the latter’s new album. Then there is the electropop group, Gangly, and Alex Somers, the hyperactive writer of American soundtracks who resides in the city and who, together with his boyfriend, the aforementioned Jónsi, recorded under the name Riceboy Sleeps.

And, of course, a must-visit is to the best record shop in town, Smekkleysa, associated with the Bad Taste label (which is what “Smekkleysa” means in Icelandic), and originally related to members of The Sugarcubes. In short, this venue is the basic driving force behind the burgeoning Icelandic scene, due largely to its promotion of such internationally acclaimed projects as Fufanu, Gus Gus, Jóhann Jóhannsson, Minus, Mugison, Múm and Sigur Rós itself.

You will be dazzled by the huge variety of musical offerings to be had in Reykjavik. Don’t pass up the chance to venture into the city’s music scene – check out our flights here.

Text by Joan S. Luna (Mondo Sonoro)

Images by Los Viajes de ISABELYLUIS