Antwerp lies 50 kilometres from Brussels and is a must-see city if you happen to be in Flanders. There you will find all the ingredients for enjoying a splendid getaway – streets brimming with fashion, a magnificent historic centre with beautiful buildings, including the Rubens House museum, and a culminating tour of the district where 85% of the world’s diamond trade is concentrated – not bad, is it?

One of the best ways to “drop in on” the city is by train as you will be greeted right away by the spectacular Central Station. Built from 1895 to 1905, it consists of a large, formidable structure crowned by a huge dome and decorated in twenty different types of marble, which has earned it the nickname of “marble temple”. No wonder it is regarded as one of the finest stations in the world.

After such a grand reception, the best thing is to head for the city’shistoric centreto rake up vestiges of its splendid past. A must-visit site is the Grote Markt (Main Square), framed by 16th- and 17th-century guild buildings, with pride of place going to the Antwerp City Hall. In the centre of the square stands one of the icons of Antwerp – the fountain of Silvius Brabo. Sculpted in bronze in 1887, the theme relates to the origins of the city. Legend has it that a giant named  Druon Antigoon, who guarded the bridge over the river Scheldt, used to charge a toll for any boats wishing to sail by. Any boatman who refused to pay the fee would have his hand cut off and thrown into the river. One day, the Roman centurion, Silvius Brabo, who had grown tired of this situation, cut off the giant’s hand and threw it into the river, giving rise to the origin of the name Antwerp (Ant= hand, werpen= to throw). No wonder then that a typical local confectionery called handjes is shaped like a hand, in memory of the legendary event.

Pressing on with our downtown walk, we recommend stopping to visit the Cathedral which houses one of Rubens’ masterpieces, The Descent from the Cross. Another sight worth visiting is the Gothic Church of St James, part of the branch of the Road to Santiago which starts in the Netherlands.

Another major landmark in Antwerp is the Rubens House (Rubenshuis), where the painter spent the last 29 years of his life. Now a museum, it successfully conveys how this artistic genius lived and worked. Rubens was one of the favourites of King Philip IV of Spain, his leading patron.

Among the curiosities of this city, which has earned it worldwide fame (notwithstanding its harbour, which is one of the major ports in Europe), is its important role in the diamond trade. The figures talk for themselves: 40% of the world’s industrial diamond is marketed in Antwerp, as is over 85% of rough diamond and 50% of polished diamond – nothing to be scoffed at! The district where all this activity takes place lies south of the Central Station. There, sightseers can visit the Diamond Museum and brush up on their knowledge of this luxurious, highly valuable mineral.

More suited to a variety of budgets is Meir, the city’s most important shopping street, where you can find all sorts of brands sold from the interiors of beautiful 18th- and 19th-century town palaces. Fashion and design are also major players in Antwerp, so be sure to head for Nationalestraat to visit MoMu, the Fashion Museum.

Let yourself be carried away by the charms of this beautiful city – book your Vueling to Brussels here.

Text by Los Viajes de ISABELYLUIS

Images by tom hartley

No bridge seems to be as famous as the one in Avignon, the central theme of one of the best known children’s songs in France. Indeed, it has been sung in virtually all languages – local guides can even sing it in Japanese – so it comes as no surprise that anyone arriving at the battered Pont Saint-Bénézet is likely to sing the song or even dance it. This structure, twice destroyed by flooding along the Rhone, has become an icon of this Provençal city and its ambassador par excellence, earning it universal fame.

Apart from its bridge, Avignon, which is just an hour’s drive from Marseille, is a historic city, having once been the capital of Christendom and the centrepiece in one of the major schisms in the Catholic Church. Dating from that period is the formidable Papal Palace, the largest known Gothic palace. In the 14th century it witnessed a cultural and economic Renaissance that saw the arrival of bankers, artists and writers from all over Europe in a quest to be near the papal orbit – Petrarch was one of them.

But, it was not until five centuries later that Avignon again became a beacon of intellectual activity.  1947 saw the birth of the Avignon Festival, France’s longest-standing and most celebrated event devoted to theatre and the scenic arts and one of the most firmly rooted festivals in Europe. This year it runs into its 70th edition and will be held from 6 to 24 July at more than 30 venues.

A turning point in the Festival’s schedule of events came in the year 2000 when Avignon was designated the European Capital of Culture. Then ensued a cultural revival in this, the major population centre in the department of Vaucluse – set in the new region of Provence-Alpes-Côte d’Azur – as attested by the opening of the Lambert Collection – Museum of Contemporary Art, set up in 2000 around a historic endowment by the merchant and collector, Yvon Lambert. The endowment is admirable and comprehensive and features permanent exhibitions showcasing the work of Jean-Michel Basquiat, Sol LeWitt, Douglas Gordon and the ever-controversial photographer, Andrés Serrano, among other artists, as well as numerous temporary exhibitions.

Avignon has ten museums in all, prominent among them being the Musée du Petit Palais, with a large collection of medieval painting, the Calvet Museum, the Musée Angladon, dedicated to Impressionism, and the Musée Louis-Vouland, which specialises in the decorative arts. There is also an opera theatre, an exhibition park and some unique facilities like La FabricA, a theatre factory where various companies rehearse their performances in the run-up to the Avignon Festival.

Art is also present in Les Halles Market, endowed with a stunning vertical garden created by the artist, Patrick Blanc. This market is the ideal spot for buying fresh produce and Provençal specialities at one of their forty plus stores.

It would be amiss to end this article without recommending some of the venues for eating the tastiest food in Avignon. One is Maison de Fogasses, a splendid town palace which offers an exquisite menu of the day for around 20 euros based on locally sourced products. Another is LE 46 which specialises in French cuisine with Mediterranean flourishes.

Avignon is the perfect destination for a getaway from Marseille. Check out your flights to Marseille here.

Text by Tus Destinos

Images by Tus Destinos, Avignon-Tourisme (C.Rodde)

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

History has been generous with Périgueux. This town, emblematic of the Aquitaine region, is fortunate enough to boast well preserved remains of its Gallo-Roman and medieval past, making it a unique spot. Situated on the banks of the river Isle, Périgueux makes for a great getaway, on account of both its stunning heritage and as a place to indulge in culinary delights, notably its foie gras. Périgueux, the ancient Vesunna Petrucoriorum, was one of the most important Roman centres in southern France. This is evinced in the extant remains of that civilisation, noteworthy being the Roman wall and the amphitheatre, with a capacity of 20,000 spectators, which must have rivalled Nimes or Arles. Well worth visiting is the Vesunna Gallo-Roman Museum, built around a grand Roman villa from the 1st century AD, the so-called domus des Bouquets (Domus of Vesunna). Judging by its sheer size – it covers an area of 4,000 square metres – it must have belonged to a high-ranking official of the region. Thanks to a system of walkways, the interior of the villa can be viewed from above, without impinging on the original surfaces.

A few metres from the old Gallo-Roman wall, which had some buildings set on top of it, lie vestiges of the town’s medieval past, including those of the 12th-century Château Barrière, destroyed in a fire in the 16th century, and the church of Saint-Étienne de la Cité, Périgueux’s original cathedral – up until the Wars of Religion – during which two of its four domes and the campanile were destroyed.

Touring Medieval and Renaissance Périgueux

It seems that God Himself stopped on the summit of Le Puy-Saint-Front, where man ended up building a cathedral of the same name over a former Merovingian and Carolingian church. This formidable cathedral, which rivets your gaze upwards as soon as you get near it, is a compulsory stopover for pilgrims on the Road to Santiago. It was declared a World Heritage Site in 1998. Saint-Front Cathedral is unique in that its fabric reveals exotic Byzantine flourishes at times, as well as the legacy of Sacré-Cœur on Montmartre, Paris, at others. Its interior is not quite as striking, although it does harbour the odd exceptional detail, such as the chandelier that lit the wedding of Napoleon III and countess Eugénie de Montijo in Paris.

Medieval Périgueux, with the Mataguerre Tower as the last bastion of its ancient wall, is also graced with Renaissance buildings featuring such characteristic elements of this style as inner courts and staircases. Among the most emblematic buildings is the 16th-century House of the Patissier and the Saint Front Residence, a mansion located on the Rue de la Constitution.

Gastronomy in Périgueux

At the foot of the Cathedral lies the Place de la Clautre where local farmers sell their produce in a street market on Wednesdays and Saturdays. A few streets away, two open-air markets feature two of the products that are never in short supply in the pantries of Périgueux’s inhabitants – meat and foie gras.

It is a delightful experience to wander through the maze of medieval alleyways and then book a table at one of the small bistros or restaurants where you can treat yourself to local fare. One such eatery is the refined L’Eden, on Rue de l’Aubergerie, one of the most picturesque thoroughfares in the capital of the former Périgord.

Ready to discover the charm of Périgueux? Check out your Vueling to Bordeaux here.

Text and images by Tus Destinos

Photos by Tus Destinos and Alban GILBERT - CRTA