Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

Santander is making its debut, a long overdue debut at that. The project, commissioned in 2012 by the deceased Emilio Botín, was slow in taking shape and transforming the waterfront of Santander bay, until it was finally unveiled on 23 June this year. A good thing is worth waiting for, or so they say, so this might well be the key to the secret of the Botín Centre, which has materialised in the Cantabrian capital and imbued this beautiful city of northern Spain with a cultural boost and a new lease of life.

A Signature Building
The first thing that strikes the eye about this new cultural space is the building housing it. The architectural project was obviously intended to not go by unnoticed and it drew both praise and criticism, like anything which entails a certain element of risk. This work by the Pritzker prizewinning Renzo Piano, who happens to be truly enamoured of Santander, was developed in conjunction with the studio of Spaniard Luis Vidal. It has endowed the city with a touch of modernity in one of its most emblematic spots – its bay. The building comprises two large volumes, connected by an ensemble of walkways and spaces that act as a main distributor. The western volume houses a big, 2,500 m² exhibition hall, with shopping and restaurant areas in the basement. The smaller module on the east side, which will be given over to educational activities, sports a large, protruding terrace with splendid vistas over Santander bay. Supported on pillars, which make it look as if floating in the air, its highlight is the large glazed frontage, affording privileged views of the coastline and the city, while the outer cladding is rendered in white porcelain shards.

However, this fabulous building, which acts to articulate the city centre with the harbour, doesn’t quite steal the show on its own. Its construction has been paralleled by an extension to the Pereda Gardens, located in the vicinity of the Botín Centre, which has seen its surface area increased from two to four hectares. Landscape gardener Fernando Caruncho and artist Cristina Iglesias have been tasked with making the approach walk to this new cultural space a veritable delight on the senses.

The City’s New Exhibition Venue
The Botín Centre made its debut with two opposing exhibitions – one classical, dedicated to the great master of modern painting, Goya, with his drawings as the centrepiece, and the other, more contemporary show dedicated to Carsten Höller, the first monographic of this Belgian artist’s work to date in Spain. Running parallel are a number of scheduled activities of all kinds, from workshops to film screenings, concerts, etc.

Ahead lies a long road and the project has spawned the question of whether it will experience the “Guggenheim effect”, providing yet another enticement to travellers on their visit to Santander, as well as giving extra momentum to tourism and the city itself. For the time being it has become the talk of the town this summer, as well as the venue that is willy-nilly pulling in visitors from among both locals and holiday-makers.

Fire up for an escape to Santander to discover this new art centre – book your Vueling here.

Text by Los Viajes de ISABELYLUIS

The Croatian capital has a lively nightlife. On the streets Preradoviceva, Tkalčićeva and Kozarska of Gornji Grad- Upper City-and at the central square you may find many bars, pubs and breweries to start the night, from the most chic and stylish venues to the most alternative ones. You can start from one of the most legendary such as Skola or Hemingway and end up in the Jarun lake area, where there are some of the most prestigious clubs in Zagreb, such as Aquarius Club, Gallery or Maison Club.
Summer nights are especially buzzing in the capital. In Zagreb you have an extra incentive with the celebration of of one of the most prestigious festivals in Europe, INmusic Festival which brings the best international bands each year !

Spunk/ Prostor Do

Spunk has recently been extended with the bar next to it, the Prostor Do -which literally means next door- to form this great and popular venue full of students. Evenings tend to be enlivened by performances by young musicians who have here the first oportunity to get noticed. Do not miss the detail of the walls Spunk / Prostor Dor, with the works of the famous Croatian artist Igor Hofbauer.
Spunk/ Prostor Do
Hrvatske bratske zajednice b.b., 10 000 Zagreb 

Vintage Industrial Bar

Another unique venue to start the night is Vintage Industrial Bar, an old button factory with a marked industrial look, as indicated by its descriptive name. Rustic furniture and a long bar that runs the premises from end to end. You can attend its lively parties and concerts at very affordable prices.
Vintage Industrial Bar
Savska cesta 160, 10000 Zagreb

Kino Europa

As it happens in all cities, the arrival of multiplex cinemas have led to the closure of the smaller rooms. The Cinema Europe – Kino Europa- has taken advantage of the opportunity to be reconverted into a multipurpose venue in which film festivals as well as other parties and DJ sessions are organized. Now this old space has become a very attractive place and a must for the Croatian youth.
Kino Europa
Varšavska 3, 10000 Zagreb

Sokol Klub

Its downtown location, has made of Sokol one of the busiest clubs for over 20 years. A place where you can forget about everyhting and live the real night in Zagreb. With an easy dress-code and capacity for 400 people, you will meet all kinds of people at Sokol Klub. It was a must from the golden age of Croatian dance scene and nowadays you can enjoy a dance evening with local music
Sokol Klub
Marshal Tito Square 6, Zagreb

Aquarius

By the Jarun Lake’s surroundings are located some of the most exclusive clubs in the city. One of the most renowned is the Aquarius Klub, with good international DJ sessions and good atmosphere. The night of Thursday to Friday are mainly hip-hop, R&B, while Saturday and Sunday are dedicated to local and international hits.
Aquarius Klub
Aleja Matije Ljubeka b.b., Zagreb

Gallery

Gallery lies a little further, along the lake. It is normal to find the city’s celebrities between models and footballers. A two-floor building with a capacity of 2000 people in which you ensure long dancing nights. Fridays are dedicated to hip hop and r’n'b while Saturday are for house music..
Gallery
Aleja Matije Ljubeka, 10000, Zagreb, Croatia

Tvornica Kulture

Great rock and pop concerts are held in this big multicultural venue. Renovated in 2011 to become one of the major concert halls and much more. It works as a cafeteria during the day and weekend’s nights offer dance and visual sessions
Tvornica Kulture
Šubićeva 2, 10000 Zagreb

Makes you want to go, right? Do it! Check out our prices here!

A festival that has grown steadily over the years is Frightfest, which in 2017 has come of age (it turns eighteen). This time around sees a host of screenings of fantasy films and horror movies. From 24 to 28 August, Cineworld and The Prince Charles Cinema in Leicester Square will turn London into the world capital of the genre. The two cinemas are five minutes’ walk away from each other, located in the heart of the city. And, the great thing about it is that the location of both festival venues, plus the screening times of the films, means you can stroll around the centre of London and have ample time to enjoy the movies just after lunch time.

The programme for this year’s Frightfest is a veritable wet dream for horror movie fans, with a stack of European and worldwide premieres that make a trip to London worth your while. Here, then, are some of the highlights – the world premiere of “Cult Of Chucky”, a new instalment featuring the dreaded killer doll; the long-awaited American version of the manga “Death Note”, directed by Adam Wingard, the planetary premiere of “Leatherface”, based on the famous character from “The Texas Chainsaw Massacre”, and Spanish genre movies like “El bar”, by Alex de la Iglesia and “Verónica”, by Paco Plaza, in addition to gems of the independent horror genre like “Psychopaths”, “Freehold”, “Tragedy Girls”, “Game Of Death” and “Redwood”. But, apart from new releases, the festival also intends to pay tribute to some legendary figures of the genre. In this respect, be sure to highlight in red the screening of “King Cohen”,a documentary on Larry Cohen, one of the heroes of independent Yankee horror and fantasy films, as well as modern classics such as "Hatchet” and “Return Of The Living Dead III”. Take note – many of these movies will be presented by their protagonists (film stars, directors and producers), so you might as well take along a marker pen if you want to score some autographs.

As for tickets, Frightfest offers three options – single tickets for each session, day passes and a festival pass for the whole festival. Tickets can be purchased online at both official venues. Getting to the cinemas is a cinch. The Underground stop is Leicester Square,which is in Zone 1 on the Travelcard (the cheapest one) and you can take two lines to get there – theNorthern andPiccadilly lines.

As intimated earlier, the Frightfest programme is concentrated mainly in the afternoons, which means you’ve got the mornings free. Here are some ideas about rounding off the festival experience:

– Drop in on the Forbidden Planet stores, specialised in comics, collector figures and all kinds of products related to the sci-fi, fantasy and horror genres.

– Visit the Tower of London, one of the places with the darkest, gloomiest history in the city. It was there that Henry VIII committed all kinds of murders and torture, and it is also the scene of a number of famous ghost stories. Clearly a must-visit spot for devotees of Gothic horror.

– See the Grant Museum of Zoology, by way of a Victorian time capsule, where you will feel as though you’re a character in the “Penny Dreadful” series. The Grant Museum transports the visitor to the second half of the 19th century, featuring a collection of animals in jars filled with formol, both known and rare species, some of them extinct. It also has a collection of skeletons which will make your hair stand up.

Don’t miss out on the chance to enjoy this exceptional festival of horror and fantasy films – book your Vueling now!

Text by Xavi Sánchez Pons