Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

Gateway to the Atlantic and trade with Africa, Porto has a special beauty that you perceive walking the streets. Despite their current romantic decay, the  early-century modernist buildings that rise  on the sides will take you to better times when the city had its maximum commercial splendor.

Enjoy  the terraces and restaurants of lively Ribeira

The historic center of Porto is also one of the most beautiful and colorful areas, a labyrinth of narrow medieval streets and alleys.
The Ribeira Square is in front of the Chapel of Our Lady of Ô, surrounded by bustling cafes. Come to eat to the traditional restaurants in Rua da Fonte Tauria. here you can take the Funicular Guindais aka Dos Guindais, or go up to the highest part of town in the district of Batalha.

The most emblematic of the six bridges of Porto is the Luís I, which crosses the city and Gaia, where the cellars of the famous port wine are. It was designed by a disciple of Eiffel,  Belgian engineer Teofilo Seyrig, so the two metal structures are works very similar in style

It can be crossed to visit Gaia, a town full of wine cellars the boardwalks of its two floors. On the top floor passes the subway line and on the lower one, passes cars and other vehicles.

Porto Wine Cellars

Crossing the bridge, you get to Gaia. Here is where port wine gets older, right next to the city, and you will find most wineries that are producing it. But do not stay only with the idea of ​​their wine; Porto is very interesting to try sardines, fresh saloios cheeses or Cabreiro  and some of their delicious desserts.

Another interesting option is to cross the Douro River on typical Rabelo boats, formerly transporting Porto wine. You will be fascinated by the magnificent views.

Livraria Lello. One of the most beautiful in Europe

It is no wonder that it chose to this library to film some scenes from the Harry Potter saga. It breathes a magical atmosphere. Its art deco details and neogothic style, the access ladder to the top floor, the large stained glass windows of the roof or the wooden bridge that crosses it, make this place more than a simple library to buy books.

The Livraria Lello e Irmao, called Livraria Lello to simplify, located in the Centre of the city in a beautiful building of neo-Gothic style, it is considered one of the most beautiful in Europe and is, with the bookstore Bertrand in Lisbon, one of the oldest in Portugal. Located in the Centre of the city, in a beautiful neo-Gothic style building.

Maus Hábitos

Maus Hábitos or bad habits is not a conventional place. Since 2001, year when Porto was European Capital of Culture, this mix of restaurant, bar and art gallery gives adequate room for the expression of all kinds of artists and organises workshops. Additionally, you can enjoy a mix of traditional and modern Portuguese cuisine overlooking the old town or you can relax in its gorgeous courtyard garden.

Image: Małgorzata Kaczor

Why not take a trip to Oporto? Have a look at our flights here!

Santander is making its debut, a long overdue debut at that. The project, commissioned in 2012 by the deceased Emilio Botín, was slow in taking shape and transforming the waterfront of Santander bay, until it was finally unveiled on 23 June this year. A good thing is worth waiting for, or so they say, so this might well be the key to the secret of the Botín Centre, which has materialised in the Cantabrian capital and imbued this beautiful city of northern Spain with a cultural boost and a new lease of life.

A Signature Building
The first thing that strikes the eye about this new cultural space is the building housing it. The architectural project was obviously intended to not go by unnoticed and it drew both praise and criticism, like anything which entails a certain element of risk. This work by the Pritzker prizewinning Renzo Piano, who happens to be truly enamoured of Santander, was developed in conjunction with the studio of Spaniard Luis Vidal. It has endowed the city with a touch of modernity in one of its most emblematic spots – its bay. The building comprises two large volumes, connected by an ensemble of walkways and spaces that act as a main distributor. The western volume houses a big, 2,500 m² exhibition hall, with shopping and restaurant areas in the basement. The smaller module on the east side, which will be given over to educational activities, sports a large, protruding terrace with splendid vistas over Santander bay. Supported on pillars, which make it look as if floating in the air, its highlight is the large glazed frontage, affording privileged views of the coastline and the city, while the outer cladding is rendered in white porcelain shards.

However, this fabulous building, which acts to articulate the city centre with the harbour, doesn’t quite steal the show on its own. Its construction has been paralleled by an extension to the Pereda Gardens, located in the vicinity of the Botín Centre, which has seen its surface area increased from two to four hectares. Landscape gardener Fernando Caruncho and artist Cristina Iglesias have been tasked with making the approach walk to this new cultural space a veritable delight on the senses.

The City’s New Exhibition Venue
The Botín Centre made its debut with two opposing exhibitions – one classical, dedicated to the great master of modern painting, Goya, with his drawings as the centrepiece, and the other, more contemporary show dedicated to Carsten Höller, the first monographic of this Belgian artist’s work to date in Spain. Running parallel are a number of scheduled activities of all kinds, from workshops to film screenings, concerts, etc.

Ahead lies a long road and the project has spawned the question of whether it will experience the “Guggenheim effect”, providing yet another enticement to travellers on their visit to Santander, as well as giving extra momentum to tourism and the city itself. For the time being it has become the talk of the town this summer, as well as the venue that is willy-nilly pulling in visitors from among both locals and holiday-makers.

Fire up for an escape to Santander to discover this new art centre – book your Vueling here.

Text by Los Viajes de ISABELYLUIS

The city of Warsaw extends into two unequal parts on both sides of the Vistula river. Even though most of the tourist attractions are located on the left bank, in the so called Royal Route- the prestigious historic walk in Warsaw Trakt Królewski – and the trendy shops of Nowy Swiat. But beyond the Royal Castle, the Wilanów Palace and the Tomb of the Unknown Soldier we find a modern city, wanting to reinvent itself.

Prague: the bohemian district of Warsaw

On the right bank of the Vistula, right after crossing the historic zoo, it is located the neighborhood of Prague, a place that has successfully reinvented itself like no other in Warsaw and where now come to live young artists that have boosted the area with art galleries and craft shops. Its walls, once gray, are now full of murals and paintings that give a different color to the district.
Prague is now one of the most active cultural centers in town and with the mostt exciting nightlife scene beyond fashions and conventional trends. A place where creativity arises from the most unexpected corner.

Come up to the number 14 in Otwocka street, where is located the artistic, gastronomic and leisure center Centrum Artystyczne Fabryka Trzciny; certainly one of the most vibrant parts of the city.

The pianist in Warsaw

The Polish director Roman Polanski perfectly recreated the city occupied by the Germans in his film The Pianist, which recreates the memories of the pianist Szpilman, played by actor Adrian Brody. It was precisely the Prague neighborhood the chosen one for the filming of some scenes due to the abundance of original buildings of the time, who set the perfect city’s set for that time. Other scenes were shot in and around the city, and in the Military Academy in Warsaw, where  the Umschlagplatz’s scene happens , when the family of Szpilman along with other Jews are tucked to death in a freight train that will take them to the concentration camp.

Close to Centrum  metro station, we can find the area where the Ghetto was located during the German occupation and some few remains of the wall that formed the Warsaw Ghetto’s boundary, in the streets and Zlota Sienna.

On the trail of Chopin

Warsaw is the city of composer Frédéric Chopin, so following  ”the avenue of musical banks” that indicate the main points related to the great musician is  a fun way to discover it ; 15 black  interactive banks that were installed in 2010, coinciding with the 200th anniversary of Chopin’s birth.

These banks will guide you through the most emblematic places of his life like his home in Warsaw in the Czapski Palace and the Church of the Holy Cross where you will find his heart  in a box . To facilitate the route there is a QR code that will take you directly to a web audio guide in several languages. In addition, the banks have a button that, when pressed, releases fragments of some of his compositions.

The Cluster Waste

Gnojna Góra (the cluster waste) is the peculiar name of the main viewpoint of the city. Here was indeed, from the Middle Ages until the late eighteenth century, the municipal rubbish dump but as the city began to expand this area was too central to such use. From here, you have the best views over the river, district of Prague or the Cathedral of St. Michael.

Discover its cuisine

Of course! One of the best and most enjoyable ways to know a city is starting from its cuisine. Try the bigosz – Poland’s national dish which is prepared with boiled cabbage and sausages-, the pierogy -the cooked dumplings so common in Polish gastronomy-, the varszcz – a soup made of beet very usual  in almost all Eastern European cuisine – and the various recipes using mushrooms.

Why not take a trip to Warsaw? Have a look at our flights here!