Expo Milano 2015 is in full swing, after more than seven years’ preparation. Going back over 160 years, this is one of the longest-standing international events. The central theme for this edition is Feeding the Planet, Energy for Life, covering the fields of technology, innovation, culture, traditions and creativity as related to food and diet. After touring the exhibition site for several days, we have drawn up a selection of the 10 best pavilions. This was no easy task, as this year there are over 145 participating countries.

10. Mexican Pavilion

The Mexican pavilion, designed by the Loguer Design firm, features an external structure in the shape of a large corn cob. The interior replicates to scale the agricultural irrigation system applied in the Mexican Basin during the reign of King Nezahualcóyotl, a veritable achievement in sustainability which involved harnessing the environment without degrading it.

9. Spanish Pavilion

Designed by the firm, B720 Fermín Vázquez Arquitectos. In an event of this order, which promotes healthy eating, the Mediterranean diet takes centre stage. The Spanish Pavilion combines the structure of a greenhouse with that of a traditional granary. On display in the latter is produce used in regional cuisine, as well as the processes involved in food growing and production.

8. Italian Pavilion

The Italian Pavilion, designed by Nemesi & Partners Srl, Proger SpA and BMS Progetti Srl, connects up with the various exhibition areas, the auditorium and the conference halls. The building is well worth visiting, the axes of which are fused with the structure itself. Here, too, the architecture is sustainable, based on evocative avenues and the use of new technologies.

7. China Pavilion

The undulating Chinese Pavilion was created by a consortium of Tsinghua University, the Beijing Qingshang Environmental & Architectural Design Institute, and the New York Studio Link-Arc team. Based on the theme, "Land of Hope, Food for Life", it showcases this huge nation’s progress in feeding its people through agriculture and distribution. The interior features a stunning field created by LEDs, simulating cultivation according to the Chinese lunisolar calendar.

6. Austrian Pavilion

This is actually a lush forest, located in the open air, enabling visitors to wander among the foliage and breathe fresh air. The leafy vegetation sets up a microclimate so that, although uncovered, the shade provided by the trees endows the structure with a temperature five degrees lower than the surrounding area. The forest generates enough oxygen for 1,800 visitors every hour.

5. Ecuador Pavilion

This is one of the most widely acclaimed projects among both the critics and the public at large, the work of the Spanish studio, Zorrozúa y Asociados. The theme, "Journey to the Center of Life", is implemented to perfection on the facade of the Ecuador Pavilion, as are others, such as the opportunities provided by the agricultural sector in terms of sustainable development, common welfare, the fight against hunger and feeding the world’s cultures and ethnic groups. A prominent feature are the curtains covering the whole building, the work of KriskaDECOR. This is the first time the whole surface of a pavilion has been clad with curtains.

4. German Pavilion

This pavilion is known as the “Fields of Ideas”. You can’t get more German than that, can you? Architectural devices have been used to reflect Germany’s rich, natural landscapes, including sinuous curves, a huge green canopy and enormous solar trees which produce energy using organic photovoltaic technology. We followed a route through the “sources of nutrition” – water, soil, climate and biodiversity – before arriving at the “Garden of Ideas”. The pavilion has numerous secluded spots for relaxing and taking in the landscapes and live music, DJ sessions and other shows.

3. Brazil Pavilion

Here, architecture and stage scenery are combined to provide visitors with an experience of Brazilian values. Implemented very successfully is the idea of a soft, decentralised, flexible network pervading the whole structure. According to its artificers, it stands for the country’s pluralism. Set in the middle of 130 other buildings, the Brazil Pavilion is a good place to take a breather – we took one – by way of a public square that attracts passers-by.

2. United Arab Emirates Pavilion

Designed by the iconic architectural studio, Foster + Partners, it features tall, undulating walls reflecting the UAE’s desert landscapes. This structure is built to provide a cool interior, as the 12-metre-high walls protect against the sun and set up shaded walkways for visitors. Strolling along them led us to the open-air exhibition areas, ending in a striking gold auditorium.

1. United Kingdom Pavilion

For us, the stand-out UK Pavilion is the most spectacular of them all for its originality and the way the theme has been implemented in actuality. Designed by the British artist, Wolfgang Buttress, it is strikingly reminiscent of a honeycomb. Visitors to the pavilion follow the path of a bee, winding their way through a field of flowers, to the heart of the bee hive. Sounds and visual signs are synchronised in real time to an actual bee-hive in the United Kingdom. The sounds emitted by the queen bee can be heard throughout the exhibition and the light provided by LEDs swells in response to an increase in the activity of the bees.

Don’t miss out on Milan. What better way to discover the present and future of many of the world’s nations than by visiting a Universal Exhibition? Come and check out our flights here.

Text by ISABELYLUIS Comunicación

Images by Expo Milano 2015

Berlin is synonymous with art. You don’t need to go much further to bump into someone who, after the fall of the Berlin Wall, has journeyed to the capital of Germany in search of an opportunity. With almost 450 galleries, 20,000 artists and over 3,000 exhibitions yearly, Berlin is experiencing an art boom. It heads the European art scene by a mile.

Gossip has it that over the last 20 years a new art gallery has been opened every week. Faced with that trend, no wonder that, over the last 12 years, Berlin’s galleries have joined forces to launch the Berlin Gallery Weekend (from 29 April to 1 May 2016) – the first of its kind – subsequently replicated in Paris, Vienna and Barcelona. We visited the city to see it for ourselves and spent three days packed with inaugurations, talks, parties and social events at special times to showcase the latest productions. This, just when spring is descending on the city and its streets start casting their gaze outwards.

Zero budget: admission to the galleries and other areas is free-of-charge.

Recommendation: hire a bicycle – distances become shorter when negotiated on two wheels. The city is big and the galleries string out from east to west, although centred mainly on Berlin Mitte, Kreuzberg and Potsdamer Straße. We began our tour – map in hand!

Berlin’s Epicentre – Auguststraße in Mitte

Auguststraße is lined with trendy restaurants and art galleries. This is the historic centre of Berlin; hence its name – Mitte, meaning middle. There we came across the KW Institute for Contemporary Art, a former margarine factory repurposed as an emerging art lab for mapping the latest trends. Right next door, the collector, Thomas Olbricht, presents his private collection, me Collectors Room, an area of 1,300m² with exhibits ranging from works by Cindy Sherman to exotic objects worthy of a curio cabinet. Long-standing venues, including the widely acclaimed Eigen + Art, blend in with the newcomers, like Kicken Berlin and neugerriemschneider, and the elegant building of Sprüth Magers on Oranienburger Straße, bringing a breath of fresh air to the local scene.

One of the latest venues to burst in on the scene, which features the epitome of a fusion between art and gastronomy, is the Jüdische Mädchenschule (Jewish Girls’ School). Housed in this building – which reopened in 2012 after falling into disuse – is theMichael Fuchs Galerieand a number of restaurants which form a nexus between the past and present. Among these isThe Kosher Class Room,which offers traditional Sabbath dishes on the menu, andMogg Deli,the best place for indulging in a good pastrami sandwich.

Before leaving the centre and heading for Kreuzberg, we made a compulsory stop at Clärchens Ballhaus. Opened in 1913, this dance hall is a veritable Berlinese legend which survived two World Wars and numerous Nazi clampdowns. Young and old, tourists, locals, good and bad dancers – there is something infectious about Clärchens which makes you feel at home there!

Around Checkpoint Charlie

Near the Berlin Wall’s most famous checkpoint and also the Jüdisches Museum (Jewish Museum) and halfway between Kreuzberg and Mitte, lies the Galerienhaus. This former Lufthansa headquarters which became a centre for political asylum-seekers in the nineties, houses 11 contemporary art galleries on its various levels. If you chance to go there, be sure to see the Gallerie Nordenhake, the Gallerie ŻAK | BRANICKA and the historic Konrad Fischer Gallery. Although initially founded in Düsseldorf, like so many other galleries in the Rhinelands, it ended up moving to the capital.

A few minutes away in the Mitte direction lies one of the trendiest venues in the area, the VeneKlasen/Werner Gallery, founded by the New Yorker, Michael Werner, who brought a piece of the Chelsea scene to Berlin, making it more spacious, more professional and… more expensive.

Before leaving Kreuzberg, we visited the Church of St Agnes which now houses the König Galerie. Built in the Brutalist style, it was acquired by Johann König and opened to the public as an art gallery in 2015. Here, in what appears to be the end of the white cube, a good itinerary is guaranteed.

Potsdamer Straße – A Trendy Art Boom

We came to Schöneberg, on the old west side, where for many years galleries and creative projects have been mushrooming, taking up every available square metre. The fact is it seems to be a surefire win-win formula – the venues are mutually beneficial in that their accretion and synched opening and inauguration times draw ever more visitors. Among the galleries you simply cannot pass up are the Supportico Lopez and Esther Schipper. However, if time is at a premium and you need to make a choice, head straight for the Isabella Bortolozzi Galerie. The Italian artist opened her gallery in 2008 in the former apartment where the actor and singer Hans Albers lived from 1946 to 1948. The premises have been preserved virtually intact. The walls are lined with wood panelling and secret recesses, which act as a backdrop.

Art galleries housed on a fifth floor without a lift in reclaimed buildings; exhibitions which can only be reached by crossing two patios and three doors… the list goes on and on. If you’re planning to visit the city within the prescribed timeframe, check out the full programme and our daily flights to Berlin. Happy Gallery Weekend!

Text by Núria Gurina for Los Viajes de ISABELYLUIS

Photos by Marco Funke, Genial23, Axel Schneider, Wolfgang Staudt

Prague is a monumental city, with great historic buildings that bring unique, elegant and refined atmosphere to the city. But a contemporary artist got to the city to turn upside down its classic harmony with some of his weird work.

Born in Prague, David Černý is a controversial, irreverent and disturbing artist who loves to provoke the audiences. And he does so! His sculptures, with a remarkable social criticism, against power and authority, disturbed some of his audiences.

David Černý started his career as a provoking artist when, along with his colleagues at the arts school, painted in bright pink a tank from the soviets at the garden of the German Embassy -a monument to Czechoslovakia liberation in 1945-. Černý was arrested for his colourful attack but now this tank is exposed at the Military Museum in Lešany, 20 kilometers away from Prague, ad a freedom symbol.

His work is all around the city where this artist was born. There are many, but this is a little route to the most shocking and remarkable work.

Quo Vadis?

His first work, Quo Vadis?, was located at the German Embassy in Prague (Vlašská 19, Malá Strana). In Quo Vadis? Černý reinterprets Trabant, the most common car at East Germany, putting legs instead of wheels. It’s a tribute to over 3.000 Germans from the East who invaded the garden of this embassy on summer 1989, short after the fall of the wall.

The dead horse in Saint Wenceslaus

We already said that Černý’s work is the opposite to the classicism of this city. Thus, the dead horse of Saint Wenceslaus is a good example of that, oppositely to the classic stature located in the square of the same name. Saint Wenceslaus is, indeed, a symbol to the national Czech identity, and saint patron of Bohemia.
The version by Černý of this statue is pretty close to the original, at Lucerna avenue, but the horse is upside down, death and with its tongue out.

Viselec

You should pay attention when passing by the centric street of Husava, at Staré Mesto. Actually, you should look at the sky if you don’t wanna miss it. Above, you’ll see the hanging stature, a human figure that looks a lot like Sigmund Freud.
As with most of the work by Černý, it’s open to interpretations and the artist was never willing to reveal the actual meanings.

Piss

Located by Franz Kafka Museum, at Cihelná 2b, 118. These are two figures that move thanks to an electric mechanism who are peeing in a small pool with the same shape as the Czech Republic as they write quotes, from famous local authors, with the effluent.
Next to this sculpture there is a phone number where you can send SMS suggesting your own quote to be written by this peculiar sculpture.

Miminka babies

About 216 meters high, Žižkov is the telecommunications tower in Prague and the highest building in Czech Republic. Right here, David Černý located his disturbing work of ten dark babies who climb the building while crawling.
This sculpture can be seen also from the park at Kampa island, near Charles bridge.

Klaus & Knizak

At Futura Art Gallery (Holečkova 789/49), you should go by the stairs to find two great figures that are the bottom half of a human body to put your head by the hole on their bum. Inside, a satirical video is projected featuring the former president of the Czech Republic until 2013, Václav Klaus, and the artist Milán Knížák, feeding each other while the song "We are the Champions" is played.
This is a critic to the Czech politics and also to the voyeur viewer who just observers their actions without taking part.

Shark

In 2005, this work was presented for the Bienal in Prague, but it was forbidden in other exhibitions in Belgium or Poland. This piece presents Saddam Hussein’s image captive, on his underwear and bound hand and foot, immersed in a tank of formaldehyde. The work is signed by Mahoma and was presented one year before Hussein was killed, in 2006.

Quo Vadis? by VitVit | Pink tank by Hynek Moravec| Miminka by Evrik| Piss by UkillaJJ

So you feel like visiting Prague, do you? Book your flights here!

Those who think cultural tourism is a 21st-century invention are well off course – Venice invented it long ago. Intent on setting the city under the international spotlight, the first International Art Exhibition ever was held there in 1895. That is, the Venice Biennale, which has continued until this day.

The undisputed artificer of the avant-garde art pulse – Documenta notwithstanding – the Biennale has run into its 57th edition without losing steam. Six months full-out, from 13 May to 26 November, during which the city is invaded by contemporary art, which takes over both land and sea. What with vaporetti, churches and palazzi, we visited the city of canals to soak up the latest trends, soon to descend on museums and art galleries across half the globe. Let the Grand Tour begin!

Survival Manual

A cautionary word to all navigators – moving through the Biennale is no mean feat. The key – comfortable footwear, strategically placed accommodation and solid planning. The offerings are boundless and the spaces, gargantuan.

The main facilities are located at the Arsenale and the Giardini di Castello. Those are the sites of the official exhibition, Viva Arte Viva, as well as many of the 85 national pavilions dotting the island. And, as if that weren’t enough, the list is augmented by countless top-notch parallel exhibitions and events that have staked out their territory in the city’s historic buildings.

My advice – keep calm and don’t get flustered. The marathon only comes around every two years. Set aside three days on your agenda and you won’t succumb in the attempt. Take up lodgings in the area of Il Castello, the Biennale’s hard core, thereby avoiding vaporetto tickets. And, have a notebook on you and a camera with fully charged batteries so you can review the sights once you’re back home.

In the Giardini – the Cream of the Crop

Separating the wheat from the chaff can be exhausting. By way of a warm-up, we headed south-east, to the confines of the city. Located there are the Giardini di Castello, Venice’s green lung par excellence and the preserve of the national pavilions (a somewhat archaic idea, a reminder that the current Biennale is an updated version of the classical trade fairs of yesteryear). The fact is that in Venice each state has its own building to showcase to the world the cream of the crop of its contemporary art production, by way of an Art Olympics where the winner manages to show the most muscle.

While the Biennale is all about art, it is in fact also about power and architecture. In terms of the latter, some pavilions shine with a light of their own. Not to be missed are the Finland pavilion, built in timber modules by the luminary, Alvar Aalto, the father of modern Scandinavian architecture; the Austrian pavilion, the work of Josef Hoffmann who, together with Gustav Klimt, founded the Vienna Secession, and that of The Netherlands, its open forms highlighting the minimalist elegance of 1950s neoplasticism.

But, let’s get back to art and to the most talked-about offerings. The Golden Lion for the Best Pavilion was awarded to Germany, where artist Anne Imhof installed a glass floor under which performances displaying the world “as a kennel” take place. France depicts a musical space and recording studio, Studio Venezia, an installation designed by Xavier Veilhan where musicians and artists from all over the world perform. And Austria draws all the camera flashes with a lorry standing on its nose by Erwin Wurm, a playful proposal in a pavilion redolent with sculptures which visitors can interact and have fun with.

The Off Programme

Side shows, parallel exhibitions, talks, dialogues, performances and film cycles – no body is built to withstand Venice. Indeed, the official programme is rivalled by a series of first-rate artistic proposals staged in churches, foundations and museums around the city. Here, then, are the juiciest offerings in the Off-Biennale 2017.

Damien Hirst has hit Venice with a two-fold proposal. At collector François Pinault’s art spaces, the Punta della Dogana and the Palazzo Grassi, he has installed his latest eccentricities,including an 18-metre-high sculpture which rises into the firmament. In keeping with the British artist we are familiar with, his show is pure spectacle, and the perfect excuse to visit two historic buildings overlooking the Grand Canal.

The tiny island of San Giorgio Maggiore surrenders unconditionally to Michelangelo Pistoletto. A key figure of Arte Povera and one of the most prominent Italian artists, Pistoletto presents One and One Makes Three, an exhibition housed in an abbey designed by Palladio where he showcases a selection of his works created between the 60s and the present, also featuring his popular “Venus of the Rags”.

We wind up our marathon tour at the Palazzo Fortuny, a Venetian Gothic gem which rises between the Rialto Bridge and St Mark’s Square. This former home and studio of painter Marià Fortuny houses both the artist’s collection and temporary exhibitions. This time around, it is the turn of Intuition, a collective display dedicated to the evocative power of art and featuring such great names as André Breton, Joan Miró, Vassily Kandinsky, Marina Abramovic and Anish Kapoor.

Thus far our review of the Biennale, a centennial event which reinvents itself each year and showcases art to suit all tastes, interests and theories. We’re off to the canals!

Book your Vueling to Venice here

Text by Núria Gurina

Photos by: Andrea Avezzù, Jean-Pierre Dalbéra, Francesco Galli, g.sighele, imagea.org, Erin Johnson