Gastronomy tourism never goes out of fashion, and much less in a place like Santiago de Compostela (Galicia) which likes to boast - and rightly so - about the rich variety and quality of its shellfish, fish and meat dishes. The gastronomy festivals, traditional markets and food markets are ample justification for a pilgrimage to the capital of Galicia.

Here are the ten main reasons why anyone will fall hopelessly in love with this marvellous island.

1. The Weather As One’s Ally

Gran Canaria is blessed with a privileged climate, on account of its geographical location and the generous contribution of the trade winds. These are some of the contributing factors to the mean annual temperature of 24°C. The island’s landscape ensures a mild atmosphere, which tempers the four seasons of the year.

2. A Spectacular Natural Setting

Concerted endeavours to preserve its natural heritage have made Gran Canaria a place where time seems to stand still. Virtually half of its surface area is protected, an ongoing legacy which ensures the exceptional purity of the environment here. And, best of all is that its whole area is accessible to visitors. The most striking feature of this magnificent natural setting is its volcanic origins.

3. The Beaches are the Island’s DNA

Gran Canaria boasts 60 kilometres of beaches on a coastline stretching for 236 kilometres. Its seaboard has been the leisure resort of choice for generations of islanders who are only too happy to share it with visitors. The variety is endless and there is something for all tastes, from the vast carpets of golden sand in the south to the secluded coves in the north. One of the advantages of Gran Canaria is that its beaches can be enjoyed most of the year around.

4. A Sporting Paradise

One of the pluses of having such a mild climate all year around, and a privileged natural setting, is that Gran Canaria is an ideal enclave for doing open-air sports. Hiking enthusiasts are pampered by a network of trails that cover the whole island, and it is also a paradise for lovers of cycling, which is undoubtedly one of the best ways to enjoy the island’s scenery. Those who prefer the sea can choose from a broad selection of activities. Surfing, windsurfing and kite-surfing, if what you’re after is an adrenalin rush, and sports fishing or diving if you’re eager to explore the sea floor.

5. A Place for All the Family

Gran Canaria is the ideal destination for family tourism. Either for couples or families with children, the island offers all types of attractions which will make your stay an unforgettable experience.

6. A Land of History, Culture and Leisure

The pre-Hispanic history of Gran Canaria still pervades the island, six centuries after the Castilian conquest. Its aboriginal past is jealously guarded in archaeological parks and museums, which also mirror the cultural fusion that characterises the local population. Christopher Columbus stopped over at Gran Canaria on his way to the New World, bequeathing a legacy of which vestiges still survive. As for leisure and culture, the island’s Carnival is one of its landmark festivals, which brings out the affable, playful side of the islanders.

7. An Exquisite Sea of Flavours

Every corner of Gran Canaria offers delicious flavours, many of them part of a rich, heterogeneous culinary tradition. The island boasts the only coffee plantations in Europe, and it is also proud of its orchards and market gardens, its juicy confectionery and its iconic rum, distilled in the oldest cellar on the continent.

8. Take a Well Earned Break

Gran Canaria is the perfect destination for relaxing and breaking with your daily routine and the stress of work. Taking care of ourselves is one of our priorities and you will come across many a spa resort and wellness centre on Gran Canaria.

9. An Open, Modern Capital

The historic centre of Las Palmas de Gran Canaria, based in the districts of Vegueta and Triana, is well worth touring leisurely to see its colonial-style buildings. Puerto de la Luz is one of its major hubs of trade activity and, a short distance away, on the far side of La Isleta isthmus, a prominent meeting point is Las Canteras, one of the finest urban beaches in the world. There is a lot of entertainment on offer in the capital, the product of its modern, cosmopolitan essence.

10. Villages with Charm

Agaete, Mogán, Teror and Tejeda are but a few of the enclaves worth exploring to discover the spirit of the island. Its friendly people and rich traditions make visitors feel at home. Whether on the heights, the midlands or the coast, each locality makes its harmonious contribution in the projection of our identity traits.

Hurry and discover the charms of this idyllic island. Check out our flights here.

Images by Patronato Turismo Gran Canaria

Jerusalem is a fascinating place. Strolling through its Old City – the cradle of Jewish, Christian and Muslim culture – is like walking across a set in some Hollywood blockbuster directed by Cecile B. Demille. This enclave breathes history in every stone holding up its temples and other buildings although, when it comes to travels, the capital of Israel has long been classed as a religious destination. Indeed, any pilgrimage to the Holy Land should include a fascinating tour of the city’s catacombs. In the following we reveal the most interesting spots in an alternative Jerusalem, pinpointing the bars and clubs in the renovated Mahane Yehuda market.

Adraba Books

A meeting point for the city’s literary community, Adraba Books is Jerusalem’s bookstore for anyone seeking stories that go beyond official accounts. Over and above its café – worth commending in a country which does not stand out for its espressos, macchiatos and cappuccinos – it is noteworthy for its section of art volumes and its stock of titles in foreign languages, particularly English. Sderot Ben Maimon 5

Casino De Paris

Located in the heart of Mahane Yehuda – a refurbished market filled with colourful food stalls by day, many of which become bars and clubs with live music by night – stands the Casino de Paris, formerly one of the most popular clubs among British officers stationed in Jerusalem during the nineteen twenties. A century later it is now reliving its days of glory, and can count among its die-hards a large, motley crew of night revellers. The revival is largely the brainchild of Sha’anan Streett, the vocalist of Hadag Nahash, one of Israel’s most widely acclaimed hip-hop bands, and Eli Mizrahi, the owner of the nearby Machneyuda, possibly the best restaurant in the city. 3 Mahane Yehuda Street

Gatsby

Next door to a fast-food eatery, Gatsby is half-concealed behind a drab black steel gate, lacking any sign that might denote its presence. Despite its brief history (it opened just over a year ago), it is actually Jerusalem’s first cocktail lounge to re-create the ambience of an American speakeasy from the Prohibition era. It is stunning to see their barwoman wielding the cocktail shaker. As in other locales of this kind, you can only gain access if you know the secret code of the day, or else pretend to be a strayguiri– it worked with me. 18 Hillel Street

Lev Smadar

Lev Smadar opened in 1921 and is one of the most emblematic cinemas in Jerusalem. Hidden in an alleyway in the German quarter, it is honestly more difficult to find than Wally without his striped shirt. It features American, European and Israeli independent cinema and is frequented by the city’s arty crowd. All the movies are screened in their original version and local films are in Hebrew with English subtitles. 4 Lloyd George Street

Razzouk Tattoo Studio

Lost among the winding streets skirting the Jaffa Gate lies Razzouk Tattoo, the first and only tattoo parlour in Jerusalem’s Old City. Like almost everything here, the story of Razzouk Tattoo is fascinating. The Razzouks, a family of Egyptian origin, have been tattooing since the 14th century. In those times Copts would have a small cross etched on the inside of their wrist to gain entry to churches. After settling in Jerusalem, the grandfather, Yacoub Razzouk, opened his studio in the mid-20th century. The family tradition is now furthered by his grandson, Wassim Razzouk. 31 St. George Street

Uganda

This club is ideal for dropping in on the night scene on weekdays. It has been operating for the last ten years and is one of the favourite sanctuaries of DJs involved in Israel’s electronic underground. It is also a place to feed on vinyls, graphic novels and other Israeli counter-culture publicity. It is also one of the few clubs in town where you can quaff on a pint of Taybeh, a Palestinian beer which is up there with the best German or Belgian barley beverages. 4 Aristobolos Street

Videopub

This is the only openly gay bar in Jerusalem and a winner if you want to have a memorable night in the city. If you strike it lucky, you will happen upon one of their popular thematic parties from the 80s and 90s, soirées where the punchiest hits from those two decades will sound out one after the other. And, if you get too heavily involved in the revelry, don’t be surprised if you get carried off by one of the drag queens, who will lead you onto the dance floor. You’ve been warned! 1 Horkanus Street

Yellow Submarine

Open since 1991, the Yellow Submarine is Jerusalem’s most emblematic concert hall, the venue where both good – and the best – stars (albeit, unknown here) of the eminently interesting Israel music scene have performed, as well as some of the leading international figures that have visited the country. In addition to their daily bowling schedule, this booster of local talent also hosts conferences and exhibitions, as well as being hired out for rehearsals and recording sessions. 13 Ha-Rechevim Street

Come and discover Jerusalem’s alternative scene – book your Vueling here!

Text by Oriol Rodríguez for Los Viajes de ISABELYLUIS

Photos by Oriol Rodríguez, Cine Lev Smadar (© Alex Jilitsky), Uganda (© Udim), Yellow Submarine (© Uri Leshem)

John Waters shot to fame by directing outlandish, low-budget movies such as Pink Flamingos (1972) which glorify violence, sexual perversion and bad taste. He uses provocation as a weapon targeting the good-mannered hypocrisy, iron-fisted morals and religious values of the American way of life. However, few realise that the American dandy with a pencil moustache has also designed large-format collages and photomontages. He has chosen 40 of these pieces – including storyboards from his movies – for the exhibition, How Much Can You Take?, which runs until 1 November at the acclaimed Kunsthaus Zürich, coinciding with the murals by Joan Miró on display there until the end of January.

Paradoxically, the multifaceted filmmaker has other traits in common with Zürich, such as class, a sense of order and extreme cleanliness. Deep down, Waters also has a tenderness and fetishism that suggests he would delight in the bric-a-brac on sale in downtown Teddy’s Souvenir Shop, offering the music boxes, Swiss army knives, cowbells and cuckoo clocks so typical of Switzerland’s bucolic image. That same cliché embodied by Heidi, the children’s character created by the writer, Johanna Spyri who, like the poet, Gottfried Keller, is buried in the leafy park of Sihlfeld Cemetery, the first in Europe to incorporate a crematory. Waters would surely relish a visit there, both for his fascination for the macabre and his professed love of literature, which of late he is more engaged in than cinema. Hence, we might also recommend he visit Fluntern Cemetery, site of the beautiful tomb of James Joyce, who in Zürich gave himself over to a licentious alcoholism while writing much of Ulysses, a diatribe against Church and State. Another writer who also passed away in this city was the German author of The Magic Mountain, immortalised in the Thomas Mann Archives, a small museum housed in the ETH Zürich. This State university has also been graced by no fewer than twenty Nobel prizewinners, notably the scientist Albert Einstein, as much a rebel against conventional mores as Waters. Located in the same university is the spectacular Law Faculty Library, designed by the architect, Santiago Calatrava. However, the maker of morbid films would probably prefer to read in the old abbey housing the Zentralbibliothek Zürich, the city’s main library.

The filmmaker’s more iconoclastic side would relish the recollection that Zürich was the cradle of Dadaism, the anarchic “anti-art” so critical of middle-class society in World War I. That was when the artistic couple, Emmy Hennings and Hugo Ball, founded the celebrated Cabaret Voltaire in Niederdorf’s Old Town. Together with Tristan Tzara, the locale broke with all established canons. The building gradually became derelict until it was occupied in 2001 by a group of artivists and used to stage neo-Dadaist-style performances before vast crowds of Zurichers. After their eviction, the City Council overturned its original plan to demolish the building, which was then refurbished as an alternative cultural centre. Also located in the Old Town is the unusual Musée Visionnaire, where visitors choose what they want to see – and are encouraged to critique it – from a catalogue of Art Brut, a movement also known as Outsider Art – the work of amateurs, the mentally disabled and any creator alien to institutions and the boundaries set by official culture. In short, characters who would not be out of place among the Dreamlanders, counter-culture misfits and such regular collaborators of Waters as Mink Stole or Divine.

The young Waters who was so enthralled by gruesome accidents and bloodthirsty tales would also take a fancy to the Moulangenmuseum, a museum featuring wax representations of body parts twisted by disfiguring diseases, including exhibits in the University Hospital’s medical teaching collection dating from 1917. And, lured by the repulsive, he might also look up the dark oeuvre, biomechanical aesthetic and highly charged erotic sense of another illustrious native of Zürich who designed the visual effects for the movie, Alien – the recently deceased H.R. Giger. Although fans of the illustrator and sculptor have to choose between a visit to his comprehensive museum in the walled town of Gruyères (nearly two hours south of Zürich), and the stunning Giger Bar in his native Chur (about an hour’s drive from Zürich), situated, strangely enough, in the same land that inspired the pastoral Heidi.

To wind up this walk on the dark side, nothing better than supper at Blindekuh Zurich, the world’s first restaurant where diners eat in the pitch black. Fortunately, Waters is not the chef, so you needn’t worry about being served what Divine ate in Pink Flamingos. I assume you get my drift but, just to make sure, before you take the plunge you should go to a quality chocolaterie like Sprüngli.

In any event, remember that the Waters exhibition only lasts for a few more weeks, so get your tickets here!

Text by Carlos G. Vela para ISABELYLUIS Comunicación

Images by David Shankbone, Roland zh, Juerg Peter Hug, Absinthe, Edsel Little