The Hay Festival of Literature & Arts, to be held this year from 21 to 31 May, has its origins in the small Welsh town of Hay-on-Wye, some 50 kilometres from Cardiff. An annual event, it brings together writers, musicians, film-makers and other leading lights of the art world. The main goal of the festival is to open up channels of dialogue between the various cultural fields, an idea which has been exported to other countries and has prompted similar events in England, Spain, Colombia, Kenya, India, Mexico, the Lebanon and Hungary. Featuring over 900 activities spread over a ten-day period, its participants include some of the world’s finest intellectual talent.

Not Only Letters

The festival does not live by letters alone. It also hosts conferences and workshops on painting, social activism, medicine, sport and architecture. Notable, too, is the music scheduled for this year, offering live performances by London’s King Charles, a winner of the International Songwriting Competition, the Glasgow group Texas, whose twenty-five-year career is marked by the release of their disc, “Texas 25”, and the Touareg musical ensemble, Tinariwen, among many others.

A Festival For Children and Families

Hay Fever is the name by which the children’s version of the festival is known. Noteworthy scheduled activities include story-telling, illustration workshops tutored by the world’s leading story illustrators, puppet theatre and children’s concerts. Check out the varied programme for all ageshere.Hay-on-Wye is located in the Brecon Beacons National Park. It is the ideal starting point for viewing its stunning natural beauty and participating in open-air activities, like embarking on a panoramic cruise down the Monmouthshire and Brecon Canalor hiring a canoe to paddle along it with the whole family.

Hay-on-Wye – the Town of Books

Hay-on-Wye, the original, authentic town of books, has a charm all its own, as evinced in its houses and cottages. The town is packed with delightful bookshops, their shelves crammed with second-hand books. But, how did it actually become a magnet for book-lovers? It all started when Richard Booth, a bibliophile and Oxford graduate, turned up one day in this small town on the border between Wales and England with the firm intention to establish it as a world literary landmark. He purchased the fire station and castle and set up second-hand bookshops on the premises. The idea caught on quickly and other bookshops joined in, turning the town into a tourist destination for book enthusiasts. Hay-on-Wye, with a population of under 2,000 inhabitants, is currently estimated to house up to a million books.

Richard Booth still has his two bookshops in Hay-on-Wye. The largest of them, Richard Booth’s Bookshop, at 44 Lion Street, is a charming timber store including a cinema and cafe. The other one, Hay Castle Bookshop, is located in Hay Castle. One of its towers houses the large bookshop run by Booth’s wife, and there are umpteen metres of shelves crammed with books in the garden, too. Here, there are no shop assistants – you choose the book you want and put your money into the so-calledhonesty boxes.

Are you rearing to go? Check out our prices here!

Text: Scanner FM

Images: Stephen Cleary | Hannah Swithinbank

When you first set eyes on the formidable Neuschwanstein Castle, you are bound to feel enveloped by the air of romanticism it gives off. For a moment, you could well be in some setting from a knightly novel or a fairy-tale. This is how we think Walt Disney must have felt, as it inspired him in his design of the castle for the cartoon version of The Sleeping Beauty.

The artificer of this colossal architectural undertaking of medieval inspiration was Ludwig II of Bavaria, as a tribute to his childhood home, Hohenschwangau Castle. Situated in Schwangau, the latter was a ruined fortress rebuilt by his father, Maximilian II of Bavaria, thereafter becoming home to this unusual figure in Bavarian history.

Solitude, Romanticism and Wagner

The biography of Ludwig II of Bavaria, the son of Maximilian II of Bavaria and Princess Marie of Prussia, was clearly a product of the times, with the king’s reign in decline as protagonist, and romanticism and historicism as the backdrops to a king who yearned to have reigned in former times and who ended up alone and isolated in a permanent state of nostalgia, during which he fritted away the family fortune on building huge castles or acting as the patron to Richard Wagner, his great friend and icon.

Born in 1845, he was crowned king at the early age of 18, long before he was able to fulfil his dreams. The tensions at the time between Austria and Prussia and the end of the Bavarian Alliance led to a progressive decline in his power and his interest in politics. In 1886, his eccentric behaviour and melancholic bent prompted him to be declared unfit to rule. The day after he was deposed, he died in strange circumstances while strolling in the vicinity of Lake Starnberg in the company of Dr Gudden, his psychiatrist.

A good way to learn more about the life of this enigmatic figure is by watching the film ,Ludwig, by the great Luchino Visconti. It traces the life of Ludwig II and also features a stunning Romy Schneider as the Austrian Empress Sissi, his beloved cousin and close friend, who ended up nicknaming him “Mad King Ludwig”.

The “New Swan Stone”

During his reign and in keeping with the family tradition of building castles, Ludwig II of Bavaria commissioned a total of three castles – Linderhof, Herrenchiemsee and Neuschwanstein. The latter became the most popular of them and it is there he ended up living during the latter years of his life, although it hadn’t actually been completed. Sited near Füssen in the Pöllat Gorge and very near his childhood residence, it was originally named “New Hohenschwangau Castle”. After the king’s death, the name was changed to Neuschwanstein, meaning “New Swan Stone”.

Incredible as it may sound, particularly on account of its size, the castle was originally built as the king’s refuge, a place where he would live in solitude and give free rein to his passion for the Middle Ages, stories and Wagner. That makes it more of a fairy-tale stage than a residential palace. Who could have possibly told Ludwig II of Bavaria that the work he would end up being deposed for was to eventually become Germany’s most widely visited monument, chalking up 1.4 million visitors a year?

Neuschwanstein Castle is a landmark on one of Germany’s best known tourist routes, the Romantic Road (Romantische Strasse).The itinerary features a number of fantastic medieval castles, beautiful scenery, enchanting villages, splendid vineyards and a delicious cuisine. It starts at Würzburg, about 110 kilometres south-east of Frankfurt, and ends in Füssen, 82 kilometres south-west of Munich.

If you prefer to avoid doing the whole route and would instead like to just visit this wonderful castle, your best option is a getaway to Munich, which lies 120 kilometres away. Book your Vueling and discover this fairy-tale castle.

Text by Los Viajes de ISABELYLUIS

Images by Cezary Piwowarski

Who would have thought that, when they made their debut on stage at the Café Bizarre in New York, the young Lou Reed and John Cale would end up being the stars of an exhibition paying tribute to their band in Paris? That was back in 1965 when, having first called themselves The Warlocks and then The Falling Spikes, they had finally settled on a name that would identify and enshrine them for posterity. Incidentally, The Velvet Underground was the title of a book on sado-masochism written by Michael Leigh which had fallen into their hands by sheer chance. Nothing unusual, however, considering that drugs, prostitution, transvestism and homosexuality were rife in their New York haunts and would become the subject of many of their song lyrics, a fact which rattled more than one music producer.

Andy Warhol, a great one for moving in the New York underground and absorbing it into his parties and his works, particularly in the film pieces he shot with Paul Morrissey, was enthralled with the music of this upcoming band and added them to the prevailing fauna in The Factory. What’s more, he even took the bold step of taking over as manager of the group and in 1967 released his first production, The Velvet Underground & Nico, for which he did the cover design. Indeed, I am referring to the famous cover with the banana sticker, a veritable icon in the art world. But, the album’s value lies not only in its wrapping. Its content includes some genuine musical pearls like Sunday Morning, I’m Waiting for the Man, Venus in Furs and Heroin.One of the upshots of their collaboration with the pop artist par excellence were the videos he recorded with them, which ranged from ghoulish to arty, in which he enveloped the band in light and colour.

While the album was not a super-hit – only some 30,000 copies were sold – the band decided to  break with the core of Andy Warhol and The Factory to pursue their career as musicians. The Velvet Underground remained active until 1973, when differences between the leaders were responsible for precipitating a break-up – John Cale having had a more academic music training, while Lou Reed had followed a more rebellious line. They actually started moving in and out of the band, until they eventually decided to break up altogether.

Despite their short career and meagre success, at least as far as album sales is concerned, The Velvet Underground was one of the most influential bands of New York. Heirs to the beat generation legacy, they played a crucial role in New York’s counter-culture, far removed from the psychedelic hippie culture of the seventies that reigned in San Francisco, the other major hub of creativity in the United States. Among those who inherited their destructured sound and coarse lyrics were Ramones, The Voidoids, Dead Boys, The Heartbreakers, Siouxsie and the Banshees, Joy Division, Bauhaus, The Contortions, Bush Tetras, Teenage Jesus and The Jerks, DNA, Sonic Youth, Spacemen 3 and Nirvana.

The Philharmonie de Paris is hosting a tribute to this band in the form of an exhibition entitled, The Velvet Underground. New York Extravaganza, which runs until 12 August. Audiovisual material has been carefully curated, with six films being purpose produced for the occasion, also featuring television file pictures, photos and portraits of the band members, objects from private collections and works by contemporary and later artists who were seduced by the charms of the band. This whole ensemble is designed to recount the story of the group and its lasting legacy. But, there is more – the exhibition will be supported by a parallel set of activities, including conferences, screenings and concerts.

Go back down memory lane and relive one of the outstanding rock bands of New York’s counter-culture by taking a getaway to Paris. Check out your Vueling here.

Text by Los Viajes de ISABELYLUIS

Santander is making its debut, a long overdue debut at that. The project, commissioned in 2012 by the deceased Emilio Botín, was slow in taking shape and transforming the waterfront of Santander bay, until it was finally unveiled on 23 June this year. A good thing is worth waiting for, or so they say, so this might well be the key to the secret of the Botín Centre, which has materialised in the Cantabrian capital and imbued this beautiful city of northern Spain with a cultural boost and a new lease of life.

A Signature Building
The first thing that strikes the eye about this new cultural space is the building housing it. The architectural project was obviously intended to not go by unnoticed and it drew both praise and criticism, like anything which entails a certain element of risk. This work by the Pritzker prizewinning Renzo Piano, who happens to be truly enamoured of Santander, was developed in conjunction with the studio of Spaniard Luis Vidal. It has endowed the city with a touch of modernity in one of its most emblematic spots – its bay. The building comprises two large volumes, connected by an ensemble of walkways and spaces that act as a main distributor. The western volume houses a big, 2,500 m² exhibition hall, with shopping and restaurant areas in the basement. The smaller module on the east side, which will be given over to educational activities, sports a large, protruding terrace with splendid vistas over Santander bay. Supported on pillars, which make it look as if floating in the air, its highlight is the large glazed frontage, affording privileged views of the coastline and the city, while the outer cladding is rendered in white porcelain shards.

However, this fabulous building, which acts to articulate the city centre with the harbour, doesn’t quite steal the show on its own. Its construction has been paralleled by an extension to the Pereda Gardens, located in the vicinity of the Botín Centre, which has seen its surface area increased from two to four hectares. Landscape gardener Fernando Caruncho and artist Cristina Iglesias have been tasked with making the approach walk to this new cultural space a veritable delight on the senses.

The City’s New Exhibition Venue
The Botín Centre made its debut with two opposing exhibitions – one classical, dedicated to the great master of modern painting, Goya, with his drawings as the centrepiece, and the other, more contemporary show dedicated to Carsten Höller, the first monographic of this Belgian artist’s work to date in Spain. Running parallel are a number of scheduled activities of all kinds, from workshops to film screenings, concerts, etc.

Ahead lies a long road and the project has spawned the question of whether it will experience the “Guggenheim effect”, providing yet another enticement to travellers on their visit to Santander, as well as giving extra momentum to tourism and the city itself. For the time being it has become the talk of the town this summer, as well as the venue that is willy-nilly pulling in visitors from among both locals and holiday-makers.

Fire up for an escape to Santander to discover this new art centre – book your Vueling here.

Text by Los Viajes de ISABELYLUIS